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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978170 it is the complementary color #687E8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978170 shade: #9C816B, #AD937E, #BEA591, #CFB7A4 and #E0C9B7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978170 shade: #978170, #866F5D, #755D4A, #644B37 and #533924

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978170 shade: #988271, #987771 and #987171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978170 shade: #988271, #988C71, #989771, #8E9871 and #849871

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978170 shade matches the following richer shades: #988271, #AB7F5D, #BF7D49, #D37A35 and #E77721

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978170 shade: #988271, #848484, #708798, #5C89AC and #488CC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978170 shade: #987174, #987771, #988171, #988C71 and #989671

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978170 shade: #69594C, #816D5E, #988271, #A99788 and #BAACA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978170 shade: #978170, #7F9871 and #727198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978170 shade: #978170, #719881 and #817198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978170 shade: #978170, #7F9871, #718798 and #897198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978170 shade: #978170, #739871, #718798 and #957198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

Complementary color

CMYK 27 / 12 / 0 / 44

HEX #687E8F

RGB 104 126 143

HSL 206.15, 0.16%, 0.48%

LAB 51.66, -3.85, -11.81

 

CMYK 0 / 17 / 31 / 39

HEX #9C816B

RGB 156 129 107

HSL 26.94, 0.2%, 0.52%

LAB 55.92, 6.98, 15.81

 

CMYK 0 / 15 / 27 / 32

HEX #AD937E

RGB 173 147 126

HSL 26.81, 0.22%, 0.59%

LAB 62.72, 6.44, 14.73

 

CMYK 0 / 13 / 24 / 25

HEX #BEA591

RGB 190 165 145

HSL 26.67, 0.26%, 0.66%

LAB 69.4, 5.97, 13.73

 

CMYK 0 / 12 / 21 / 19

HEX #CFB7A4

RGB 207 183 164

HSL 26.51, 0.31%, 0.73%

LAB 75.95, 5.56, 12.8

 

CMYK 0 / 10 / 18 / 12

HEX #E0C9B7

RGB 224 201 183

HSL 26.34, 0.4%, 0.8%

LAB 82.4, 5.2, 11.92

 

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

CMYK 0 / 17 / 31 / 47

HEX #866F5D

RGB 134 111 93

HSL 26.34, 0.18%, 0.45%

LAB 48.55, 6.19, 13.41

 

CMYK 0 / 21 / 37 / 54

HEX #755D4A

RGB 117 93 74

HSL 26.51, 0.23%, 0.37%

LAB 41.38, 6.84, 14.62

 

CMYK 0 / 25 / 45 / 61

HEX #644B37

RGB 100 75 55

HSL 26.67, 0.29%, 0.3%

LAB 34.02, 7.66, 16

 

CMYK 0 / 31 / 57 / 67

HEX #533924

RGB 83 57 36

HSL 26.81, 0.39%, 0.23%

LAB 26.43, 8.73, 17.61

 

CMYK 0 / 14 / 26 / 40

HEX #988271

RGB 152 130 113

HSL 26.15, 0.16%, 0.52%

LAB 55.92, 5.64, 12.31

 

CMYK 0 / 22 / 26 / 40

HEX #987771

RGB 152 119 113

HSL 9.23, 0.16%, 0.52%

LAB 53.02, 11.94, 8.22

 

CMYK 0 / 26 / 26 / 40

HEX #987171

RGB 152 113 113

HSL 0, 0.16%, 0.52%

LAB 51.47, 15.4, 6.02

 

CMYK 0 / 14 / 26 / 40

HEX #988271

RGB 152 130 113

HSL 26.15, 0.16%, 0.52%

LAB 55.92, 5.64, 12.31

 

CMYK 0 / 8 / 26 / 40

HEX #988C71

RGB 152 140 113

HSL 41.54, 0.16%, 0.52%

LAB 58.62, 0.01, 16.07

 

CMYK 0 / 1 / 26 / 40

HEX #989771

RGB 152 151 113

HSL 58.46, 0.16%, 0.52%

LAB 61.65, -6.05, 20.22

 

CMYK 7 / 0 / 26 / 40

HEX #8E9871

RGB 142 152 113

HSL 75.38, 0.16%, 0.52%

LAB 61.13, -10.56, 19.37

 

CMYK 13 / 0 / 26 / 40

HEX #849871

RGB 132 152 113

HSL 90.77, 0.16%, 0.52%

LAB 60.39, -14.43, 18.23

 

CMYK 0 / 14 / 26 / 40

HEX #988271

RGB 152 130 113

HSL 26.15, 0.16%, 0.52%

LAB 55.92, 5.64, 12.31

 

CMYK 0 / 26 / 46 / 33

HEX #AB7F5D

RGB 171 127 93

HSL 26.15, 0.32%, 0.52%

LAB 56.71, 12.66, 25.09

 

CMYK 0 / 35 / 62 / 25

HEX #BF7D49

RGB 191 125 73

HSL 26.44, 0.48%, 0.52%

LAB 58.25, 20.47, 38.44

 

CMYK 0 / 42 / 75 / 17

HEX #D37A35

RGB 211 122 53

HSL 26.2, 0.64%, 0.52%

LAB 59.91, 29.35, 50.91

 

CMYK 0 / 48 / 86 / 9

HEX #E77721

RGB 231 119 33

HSL 26.06, 0.8%, 0.52%

LAB 61.91, 38.35, 61.82

 

CMYK 0 / 14 / 26 / 40

HEX #988271

RGB 152 130 113

HSL 26.15, 0.16%, 0.52%

LAB 55.92, 5.64, 12.31

 

CMYK 0 / 0 / 0 / 48

HEX #848484

RGB 132 132 132

HSL 0, 0%, 0.52%

LAB 55.15, 0, -0.01

 

CMYK 26 / 11 / 0 / 40

HEX #708798

RGB 112 135 152

HSL 205.5, 0.16%, 0.52%

LAB 55.11, -4.19, -11.8

 

CMYK 47 / 20 / 0 / 33

HEX #5C89AC

RGB 92 137 172

HSL 206.25, 0.33%, 0.52%

LAB 55.22, -5.65, -23.25

 

CMYK 63 / 27 / 0 / 25

HEX #488CC0

RGB 72 140 192

HSL 206, 0.49%, 0.52%

LAB 56.03, -5.5, -33.49

 

CMYK 0 / 26 / 24 / 40

HEX #987174

RGB 152 113 116

HSL 355.38, 0.16%, 0.52%

LAB 51.55, 15.86, 4.36

 

CMYK 0 / 22 / 26 / 40

HEX #987771

RGB 152 119 113

HSL 9.23, 0.16%, 0.52%

LAB 53.02, 11.94, 8.22

 

CMYK 0 / 15 / 26 / 40

HEX #988171

RGB 152 129 113

HSL 24.62, 0.16%, 0.52%

LAB 55.65, 6.21, 11.94

 

CMYK 0 / 8 / 26 / 40

HEX #988C71

RGB 152 140 113

HSL 41.54, 0.16%, 0.52%

LAB 58.62, 0.01, 16.07

 

CMYK 0 / 1 / 26 / 40

HEX #989671

RGB 152 150 113

HSL 56.92, 0.16%, 0.52%

LAB 61.38, -5.51, 19.84

 

CMYK 0 / 15 / 28 / 59

HEX #69594C

RGB 105 89 76

HSL 26.9, 0.16%, 0.35%

LAB 39.02, 4.3, 9.95

 

CMYK 0 / 16 / 27 / 49

HEX #816D5E

RGB 129 109 94

HSL 25.71, 0.16%, 0.44%

LAB 47.51, 5.41, 11.31

 

CMYK 0 / 14 / 26 / 40

HEX #988271

RGB 152 130 113

HSL 26.15, 0.16%, 0.52%

LAB 55.92, 5.64, 12.31

 

CMYK 0 / 11 / 20 / 34

HEX #A99788

RGB 169 151 136

HSL 27.27, 0.16%, 0.6%

LAB 63.63, 4.15, 10.32

 

CMYK 0 / 8 / 14 / 27

HEX #BAACA0

RGB 186 172 160

HSL 27.69, 0.16%, 0.68%

LAB 71.2, 2.98, 7.98

 

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

CMYK 16 / 0 / 26 / 40

HEX #7F9871

RGB 127 152 113

HSL 98.46, 0.16%, 0.52%

LAB 60.03, -16.33, 17.69

 

CMYK 25 / 26 / 0 / 40

HEX #727198

RGB 114 113 152

HSL 241.54, 0.16%, 0.52%

LAB 49.07, 9.34, -20.96

 

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

CMYK 26 / 0 / 15 / 40

HEX #719881

RGB 113 152 129

HSL 144.62, 0.16%, 0.52%

LAB 59.48, -18.35, 7.79

 

CMYK 15 / 26 / 0 / 40

HEX #817198

RGB 129 113 152

HSL 264.62, 0.16%, 0.52%

LAB 50.39, 14.32, -18.84

 

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

CMYK 16 / 0 / 26 / 40

HEX #7F9871

RGB 127 152 113

HSL 98.46, 0.16%, 0.52%

LAB 60.03, -16.33, 17.69

 

CMYK 26 / 11 / 0 / 40

HEX #718798

RGB 113 135 152

HSL 206.15, 0.16%, 0.52%

LAB 55.18, -3.87, -11.69

 

CMYK 10 / 26 / 0 / 40

HEX #897198

RGB 137 113 152

HSL 276.92, 0.16%, 0.52%

LAB 51.15, 17.05, -17.61

 

CMYK 0 / 15 / 26 / 41

HEX #978170

RGB 151 129 112

HSL 26.15, 0.16%, 0.52%

LAB 55.53, 5.66, 12.33

 

CMYK 24 / 0 / 26 / 40

HEX #739871

RGB 115 152 113

HSL 116.92, 0.16%, 0.52%

LAB 59.25, -20.73, 16.48

 

CMYK 26 / 11 / 0 / 40

HEX #718798

RGB 113 135 152

HSL 206.15, 0.16%, 0.52%

LAB 55.18, -3.87, -11.69

 

CMYK 2 / 26 / 0 / 40

HEX #957198

RGB 149 113 152

HSL 295.38, 0.16%, 0.52%

LAB 52.36, 21.23, -15.65

 

Description

Color code: HEX #978170 | qconv.com Color code: HEX #978170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 129 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 129 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 26 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 26% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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