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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97816D it is the complementary color #687E92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97816D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97816D shade: #9C8168, #AD937B, #BEA58E, #CFB7A1 and #E0C9B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97816D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97816D shade: #97816D, #866F5A, #755D47, #644B34 and #533921

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97816D shade: #97816C, #97756C and #976C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97816D shade: #97816C, #978C6C, #96976C, #8B976C and #7F976C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97816D shade matches the following richer shades: #97816C, #AB8058, #BF7F44, #D37E30 and #E87D1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97816D shade: #97816C, #838281, #6E8295, #5A83A9 and #4684BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97816D shade: #976C6F, #97756C, #97806C, #978B6C and #97976C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97816D shade: #675849, #806C5A, #97816C, #A89584 and #B9AA9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97816D shade: #97816D, #7A976C and #6F6C97

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97816D shade: #97816D, #6C9780 and #806C97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97816D shade: #97816D, #7A976C, #6C8397 and #896C97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97816D shade: #97816D, #6E976C, #6C8397 and #956C97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

Complementary color

CMYK 29 / 14 / 0 / 43

HEX #687E92

RGB 104 126 146

HSL 208.57, 0.17%, 0.49%

LAB 51.77, -3.09, -13.41

 

CMYK 0 / 17 / 33 / 39

HEX #9C8168

RGB 156 129 104

HSL 28.85, 0.21%, 0.51%

LAB 55.85, 6.57, 17.44

 

CMYK 0 / 15 / 29 / 32

HEX #AD937B

RGB 173 147 123

HSL 28.8, 0.23%, 0.58%

LAB 62.66, 6.01, 16.32

 

CMYK 0 / 13 / 25 / 25

HEX #BEA58E

RGB 190 165 142

HSL 28.75, 0.27%, 0.65%

LAB 69.33, 5.54, 15.29

 

CMYK 0 / 12 / 22 / 19

HEX #CFB7A1

RGB 207 183 161

HSL 28.7, 0.32%, 0.72%

LAB 75.89, 5.12, 14.33

 

CMYK 0 / 10 / 20 / 12

HEX #E0C9B4

RGB 224 201 180

HSL 28.64, 0.42%, 0.79%

LAB 82.33, 4.75, 13.43

 

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

CMYK 0 / 17 / 33 / 47

HEX #866F5A

RGB 134 111 90

HSL 28.64, 0.2%, 0.44%

LAB 48.48, 5.76, 15.09

 

CMYK 0 / 21 / 39 / 54

HEX #755D47

RGB 117 93 71

HSL 28.7, 0.24%, 0.37%

LAB 41.32, 6.44, 16.35

 

CMYK 0 / 25 / 48 / 61

HEX #644B34

RGB 100 75 52

HSL 28.75, 0.32%, 0.3%

LAB 33.96, 7.29, 17.78

 

CMYK 0 / 31 / 60 / 67

HEX #533921

RGB 83 57 33

HSL 28.8, 0.43%, 0.23%

LAB 26.38, 8.43, 19.42

 

CMYK 0 / 15 / 28 / 41

HEX #97816C

RGB 151 129 108

HSL 29.3, 0.17%, 0.51%

LAB 55.44, 5.07, 14.51

 

CMYK 0 / 23 / 28 / 41

HEX #97756C

RGB 151 117 108

HSL 12.56, 0.17%, 0.51%

LAB 52.27, 11.94, 10.07

 

CMYK 0 / 28 / 28 / 41

HEX #976C6C

RGB 151 108 108

HSL 0, 0.17%, 0.51%

LAB 49.96, 17.14, 6.8

 

CMYK 0 / 15 / 28 / 41

HEX #97816C

RGB 151 129 108

HSL 29.3, 0.17%, 0.51%

LAB 55.44, 5.07, 14.51

 

CMYK 0 / 7 / 28 / 41

HEX #978C6C

RGB 151 140 108

HSL 44.65, 0.17%, 0.51%

LAB 58.43, -1.12, 18.61

 

CMYK 1 / 0 / 28 / 41

HEX #96976C

RGB 150 151 108

HSL 61.4, 0.17%, 0.51%

LAB 61.39, -7.57, 22.6

 

CMYK 8 / 0 / 28 / 41

HEX #8B976C

RGB 139 151 108

HSL 76.74, 0.17%, 0.51%

LAB 60.52, -11.96, 21.28

 

CMYK 16 / 0 / 28 / 41

HEX #7F976C

RGB 127 151 108

HSL 93.49, 0.17%, 0.51%

LAB 59.64, -16.62, 19.94

 

CMYK 0 / 15 / 28 / 41

HEX #97816C

RGB 151 129 108

HSL 29.3, 0.17%, 0.51%

LAB 55.44, 5.07, 14.51

 

CMYK 0 / 25 / 49 / 33

HEX #AB8058

RGB 171 128 88

HSL 28.92, 0.33%, 0.51%

LAB 56.88, 11.57, 28.11

 

CMYK 0 / 34 / 64 / 25

HEX #BF7F44

RGB 191 127 68

HSL 28.78, 0.49%, 0.51%

LAB 58.67, 19.03, 41.52

 

CMYK 0 / 40 / 77 / 17

HEX #D37E30

RGB 211 126 48

HSL 28.71, 0.65%, 0.51%

LAB 60.77, 27, 53.98

 

CMYK 0 / 46 / 88 / 9

HEX #E87D1B

RGB 232 125 27

HSL 28.68, 0.82%, 0.51%

LAB 63.26, 35.56, 64.83

 

CMYK 0 / 15 / 28 / 41

HEX #97816C

RGB 151 129 108

HSL 29.3, 0.17%, 0.51%

LAB 55.44, 5.07, 14.51

 

CMYK 0 / 1 / 2 / 49

HEX #838281

RGB 131 130 129

HSL 30, 0.01%, 0.51%

LAB 54.42, 0.18, 0.67

 

CMYK 26 / 13 / 0 / 42

HEX #6E8295

RGB 110 130 149

HSL 209.23, 0.16%, 0.51%

LAB 53.44, -2.72, -12.59

 

CMYK 47 / 22 / 0 / 34

HEX #5A83A9

RGB 90 131 169

HSL 208.86, 0.31%, 0.51%

LAB 53.24, -3.6, -24.58

 

CMYK 63 / 30 / 0 / 26

HEX #4684BD

RGB 70 132 189

HSL 208.74, 0.47%, 0.51%

LAB 53.47, -2.23, -35.79

 

CMYK 0 / 28 / 26 / 41

HEX #976C6F

RGB 151 108 111

HSL 355.81, 0.17%, 0.51%

LAB 50.04, 17.59, 5.13

 

CMYK 0 / 23 / 28 / 41

HEX #97756C

RGB 151 117 108

HSL 12.56, 0.17%, 0.51%

LAB 52.27, 11.94, 10.07

 

CMYK 0 / 15 / 28 / 41

HEX #97806C

RGB 151 128 108

HSL 27.91, 0.17%, 0.51%

LAB 55.18, 5.64, 14.13

 

CMYK 0 / 8 / 28 / 41

HEX #978B6C

RGB 151 139 108

HSL 43.26, 0.17%, 0.51%

LAB 58.16, -0.56, 18.24

 

CMYK 0 / 0 / 28 / 41

HEX #97976C

RGB 151 151 108

HSL 60, 0.17%, 0.51%

LAB 61.48, -7.16, 22.73

 

CMYK 0 / 15 / 29 / 60

HEX #675849

RGB 103 88 73

HSL 30, 0.17%, 0.35%

LAB 38.45, 3.56, 10.97

 

CMYK 0 / 16 / 30 / 50

HEX #806C5A

RGB 128 108 90

HSL 28.42, 0.17%, 0.43%

LAB 47.04, 4.97, 13.01

 

CMYK 0 / 15 / 28 / 41

HEX #97816C

RGB 151 129 108

HSL 29.3, 0.17%, 0.51%

LAB 55.44, 5.07, 14.51

 

CMYK 0 / 11 / 21 / 34

HEX #A89584

RGB 168 149 132

HSL 28.33, 0.17%, 0.59%

LAB 62.92, 4.25, 11.55

 

CMYK 0 / 8 / 15 / 27

HEX #B9AA9D

RGB 185 170 157

HSL 27.86, 0.17%, 0.67%

LAB 70.52, 3.2, 8.65

 

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

CMYK 19 / 0 / 28 / 41

HEX #7A976C

RGB 122 151 108

HSL 100.47, 0.17%, 0.51%

LAB 59.3, -18.51, 19.42

 

CMYK 26 / 28 / 0 / 41

HEX #6F6C97

RGB 111 108 151

HSL 244.19, 0.17%, 0.51%

LAB 47.42, 11.12, -22.95

 

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

CMYK 28 / 0 / 15 / 41

HEX #6C9780

RGB 108 151 128

HSL 147.91, 0.17%, 0.51%

LAB 58.86, -19.71, 7.43

 

CMYK 15 / 28 / 0 / 41

HEX #806C97

RGB 128 108 151

HSL 267.91, 0.17%, 0.51%

LAB 48.94, 16.72, -20.47

 

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

CMYK 19 / 0 / 28 / 41

HEX #7A976C

RGB 122 151 108

HSL 100.47, 0.17%, 0.51%

LAB 59.3, -18.51, 19.42

 

CMYK 28 / 13 / 0 / 41

HEX #6C8397

RGB 108 131 151

HSL 207.91, 0.17%, 0.51%

LAB 53.66, -3.42, -13.44

 

CMYK 9 / 28 / 0 / 41

HEX #896C97

RGB 137 108 151

HSL 280.47, 0.17%, 0.51%

LAB 49.83, 19.78, -19.03

 

CMYK 0 / 15 / 28 / 41

HEX #97816D

RGB 151 129 109

HSL 28.57, 0.17%, 0.51%

LAB 55.47, 5.21, 13.96

 

CMYK 27 / 0 / 28 / 41

HEX #6E976C

RGB 110 151 108

HSL 117.21, 0.17%, 0.51%

LAB 58.54, -22.88, 18.25

 

CMYK 28 / 13 / 0 / 41

HEX #6C8397

RGB 108 131 151

HSL 207.91, 0.17%, 0.51%

LAB 53.66, -3.42, -13.44

 

CMYK 1 / 28 / 0 / 41

HEX #956C97

RGB 149 108 151

HSL 297.21, 0.17%, 0.51%

LAB 51.09, 23.92, -16.99

 

Description

Color code: HEX #97816D | qconv.com Color code: HEX #97816D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 129 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 129 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 28 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 28% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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