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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #978045 it is the complementary color #687FBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #978045. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #978045 shade: #9C8040, #AD9253, #BEA466, #CFB679 and #E0C88C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #978045. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #978045 shade: #978045, #866E32, #755C1F, #644A0C and #533800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #978045 shade: #967F45, #966A45, #965445 and #964545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #978045 shade: #967F45, #969545, #819645, #6B9645 and #559645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #978045 shade matches the following richer shades: #967F45, #A88733, #BA8F22 and #CB9710

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #978045 shade: #967F45, #847857, #737069, #61687A and #4F608C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #978045 shade: #965445, #966A45, #967F45, #969545 and #829645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #978045 shade: #5E4F2B, #7A6738, #967F45, #B09754 and #BDA870

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #978045 shade: #978045, #4C9645 and #5F4596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #978045 shade: #978045, #45967F and #7F4596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #978045 shade: #978045, #4C9645, #455C96 and #8F4596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #978045 shade: #978045, #459657, #455C96 and #964585

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

Complementary color

CMYK 44 / 32 / 0 / 27

HEX #687FBA

RGB 104 127 186

HSL 223.17, 0.37%, 0.57%

LAB 53.67, 7.43, -33.63

 

CMYK 0 / 18 / 59 / 39

HEX #9C8040

RGB 156 128 64

HSL 41.74, 0.42%, 0.43%

LAB 54.94, 2.84, 38.25

 

CMYK 0 / 16 / 52 / 32

HEX #AD9253

RGB 173 146 83

HSL 42, 0.35%, 0.5%

LAB 61.71, 1.93, 36.9

 

CMYK 0 / 14 / 46 / 25

HEX #BEA466

RGB 190 164 102

HSL 42.27, 0.4%, 0.57%

LAB 68.36, 1.18, 35.58

 

CMYK 0 / 12 / 42 / 19

HEX #CFB679

RGB 207 182 121

HSL 42.56, 0.47%, 0.64%

LAB 74.89, 0.55, 34.31

 

CMYK 0 / 11 / 38 / 12

HEX #E0C88C

RGB 224 200 140

HSL 42.86, 0.58%, 0.71%

LAB 81.32, 0.01, 33.11

 

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

CMYK 0 / 18 / 63 / 47

HEX #866E32

RGB 134 110 50

HSL 42.86, 0.46%, 0.36%

LAB 47.56, 2.01, 36.33

 

CMYK 0 / 21 / 74 / 54

HEX #755C1F

RGB 117 92 31

HSL 42.56, 0.58%, 0.29%

LAB 40.47, 3.26, 37.48

 

CMYK 0 / 26 / 88 / 61

HEX #644A0C

RGB 100 74 12

HSL 42.27, 0.79%, 0.22%

LAB 33.21, 4.91, 37.86

 

CMYK 0 / 33 / 100 / 67

HEX #533800

RGB 83 56 0

HSL 40.48, 1%, 0.16%

LAB 25.77, 7.09, 35.29

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 29 / 54 / 41

HEX #966A45

RGB 150 106 69

HSL 27.41, 0.37%, 0.43%

LAB 48.54, 13.17, 27.63

 

CMYK 0 / 44 / 54 / 41

HEX #965445

RGB 150 84 69

HSL 11.11, 0.37%, 0.43%

LAB 43.14, 25.8, 20.72

 

CMYK 0 / 54 / 54 / 41

HEX #964545

RGB 150 69 69

HSL 0, 0.37%, 0.43%

LAB 39.87, 34.01, 16.37

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 1 / 54 / 41

HEX #969545

RGB 150 149 69

HSL 59.26, 0.37%, 0.43%

LAB 60.26, -10.92, 41.76

 

CMYK 14 / 0 / 54 / 41

HEX #819645

RGB 129 150 69

HSL 75.56, 0.37%, 0.43%

LAB 58.89, -20.37, 39.75

 

CMYK 29 / 0 / 54 / 41

HEX #6B9645

RGB 107 150 69

HSL 91.85, 0.37%, 0.43%

LAB 57.43, -29.15, 37.67

 

CMYK 43 / 0 / 54 / 41

HEX #559645

RGB 85 150 69

HSL 108.15, 0.37%, 0.43%

LAB 56.26, -36.97, 35.98

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 20 / 70 / 34

HEX #A88733

RGB 168 135 51

HSL 43.08, 0.53%, 0.43%

LAB 57.93, 3.42, 48.16

 

CMYK 0 / 23 / 82 / 27

HEX #BA8F22

RGB 186 143 34

HSL 43.03, 0.69%, 0.43%

LAB 61.83, 6.34, 59.18

 

CMYK 0 / 26 / 92 / 20

HEX #CB9710

RGB 203 151 16

HSL 43.32, 0.85%, 0.43%

LAB 65.65, 9.14, 67.59

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 9 / 34 / 48

HEX #847857

RGB 132 120 87

HSL 44, 0.21%, 0.43%

LAB 50.72, -0.7, 19.83

 

CMYK 0 / 3 / 9 / 55

HEX #737069

RGB 115 112 105

HSL 42, 0.05%, 0.43%

LAB 47.3, -0.2, 4.29

 

CMYK 20 / 15 / 0 / 52

HEX #61687A

RGB 97 104 122

HSL 223.2, 0.11%, 0.43%

LAB 44.01, 1.51, -10.93

 

CMYK 44 / 31 / 0 / 45

HEX #4F608C

RGB 79 96 140

HSL 223.28, 0.28%, 0.43%

LAB 41.09, 5.73, -26.39

 

CMYK 0 / 44 / 54 / 41

HEX #965445

RGB 150 84 69

HSL 11.11, 0.37%, 0.43%

LAB 43.14, 25.8, 20.72

 

CMYK 0 / 29 / 54 / 41

HEX #966A45

RGB 150 106 69

HSL 27.41, 0.37%, 0.43%

LAB 48.54, 13.17, 27.63

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 1 / 54 / 41

HEX #969545

RGB 150 149 69

HSL 59.26, 0.37%, 0.43%

LAB 60.26, -10.92, 41.76

 

CMYK 13 / 0 / 54 / 41

HEX #829645

RGB 130 150 69

HSL 74.81, 0.37%, 0.43%

LAB 58.96, -19.95, 39.85

 

CMYK 0 / 16 / 54 / 63

HEX #5E4F2B

RGB 94 79 43

HSL 42.35, 0.37%, 0.27%

LAB 34.29, 0.98, 23.45

 

CMYK 0 / 16 / 54 / 52

HEX #7A6738

RGB 122 103 56

HSL 42.73, 0.37%, 0.35%

LAB 44.41, 1.07, 29.11

 

CMYK 0 / 15 / 54 / 41

HEX #967F45

RGB 150 127 69

HSL 42.96, 0.37%, 0.43%

LAB 54.12, 1.16, 34.52

 

CMYK 0 / 14 / 52 / 31

HEX #B09754

RGB 176 151 84

HSL 43.7, 0.37%, 0.51%

LAB 63.35, 0.57, 38.44

 

CMYK 0 / 11 / 41 / 26

HEX #BDA870

RGB 189 168 112

HSL 43.64, 0.37%, 0.59%

LAB 69.47, -0.32, 31.71

 

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

CMYK 49 / 0 / 54 / 41

HEX #4C9645

RGB 76 150 69

HSL 114.81, 0.37%, 0.43%

LAB 55.87, -39.8, 35.41

 

CMYK 37 / 54 / 0 / 41

HEX #5F4596

RGB 95 69 150

HSL 259.26, 0.37%, 0.43%

LAB 35.77, 30.1, -40.76

 

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

CMYK 54 / 0 / 15 / 41

HEX #45967F

RGB 69 150 127

HSL 162.96, 0.37%, 0.43%

LAB 56.69, -30.57, 4.65

 

CMYK 15 / 54 / 0 / 41

HEX #7F4596

RGB 127 69 150

HSL 282.96, 0.37%, 0.43%

LAB 39.53, 38.92, -34.56

 

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

CMYK 49 / 0 / 54 / 41

HEX #4C9645

RGB 76 150 69

HSL 114.81, 0.37%, 0.43%

LAB 55.87, -39.8, 35.41

 

CMYK 54 / 39 / 0 / 41

HEX #455C96

RGB 69 92 150

HSL 222.96, 0.37%, 0.43%

LAB 39.78, 8.89, -34.51

 

CMYK 5 / 54 / 0 / 41

HEX #8F4596

RGB 143 69 150

HSL 294.81, 0.37%, 0.43%

LAB 41.69, 43.51, -31.01

 

CMYK 0 / 15 / 54 / 41

HEX #978045

RGB 151 128 69

HSL 43.17, 0.37%, 0.43%

LAB 54.5, 1.04, 34.99

 

CMYK 54 / 0 / 42 / 41

HEX #459657

RGB 69 150 87

HSL 133.33, 0.37%, 0.43%

LAB 55.85, -39.02, 25.89

 

CMYK 54 / 39 / 0 / 41

HEX #455C96

RGB 69 92 150

HSL 222.96, 0.37%, 0.43%

LAB 39.78, 8.89, -34.51

 

CMYK 0 / 54 / 11 / 41

HEX #964585

RGB 150 69 133

HSL 312.59, 0.37%, 0.43%

LAB 41.9, 42.49, -20.3

 

Description

Color code: HEX #978045 | qconv.com Color code: HEX #978045 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 128 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 128 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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