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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976F1BCE it is the complementary color #6890E4CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976F1BCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976F1BCE shade: #9C6F16CE, #AD8129CE, #BE933CCE, #CFA54FCE and #E0B762CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976F1BCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976F1BCE shade: #976F1BCE, #865D08CE, #754B00CE, #643900CE and #532700CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976F1BCE shade: #986F1B, #984E1B, #982C1B and #981B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976F1BCE shade: #986F1B, #98911B, #7D981B, #5B981B and #39981B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976F1BCE shade matches the following richer shades: #986F1B and #A6750C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976F1BCE shade: #986F1B, #896A29, #7B6538, #6C6046 and #5E5B55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976F1BCE shade: #982B1B, #984D1B, #986E1B, #988F1B and #7F981B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976F1BCE shade: #523C0E, #755615, #986F1B, #BB8921 and #DAA12B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976F1BCE shade: #976F1B, #2B981B and #3C1B98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976F1BCE shade: #976F1B, #1B986E and #6E1B98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976F1BCE shade: #976F1B, #2B981B, #1B4498 and #871B98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976F1BCE shade: #976F1B, #1B9830, #1B4498 and #981B83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 67 / 33

HEX #976F1BCE

RGBA 151 111 27 0.81

HSLA 40.65, 0.7%, 0.35%, 0.81

LABA 49.53, 8.07, 49.19, 0.81

 

Complementary color

CMYK 44 / 30 / 0 / 9

HEX #6890E4CE

RGBA 104 144 228 0.81

HSLA 220.65, 0.7%, 0.65%, 0.81

LABA 60.33, 10.23, -46.84, 0.81

 

CMYK 0 / 23 / 70 / 31

HEX #9C6F16CE

RGBA 156 111 22 0.81

HSLA 39.85, 0.75%, 0.35%, 0.81

LABA 50.09, 10.22, 51.6, 0.81

 

CMYK 0 / 21 / 62 / 26

HEX #AD8129CE

RGBA 173 129 41 0.81

HSLA 40, 0.62%, 0.42%, 0.81

LABA 56.83, 8.51, 51.49, 0.81

 

CMYK 0 / 18 / 55 / 21

HEX #BE933CCE

RGBA 190 147 60 0.81

HSLA 40.15, 0.52%, 0.49%, 0.81

LABA 63.46, 7.09, 50.64, 0.81

 

CMYK 0 / 16 / 50 / 15

HEX #CFA54FCE

RGBA 207 165 79 0.81

HSLA 40.31, 0.57%, 0.56%, 0.81

LABA 69.99, 5.89, 49.48, 0.81

 

CMYK 0 / 15 / 46 / 10

HEX #E0B762CE

RGBA 224 183 98 0.81

HSLA 40.48, 0.67%, 0.63%, 0.81

LABA 76.43, 4.88, 48.21, 0.81

 

CMYK 0 / 21 / 67 / 33

HEX #976F1BCE

RGBA 151 111 27 0.81

HSLA 40.65, 0.7%, 0.35%, 0.81

LABA 49.53, 8.07, 49.19, 0.81

 

CMYK 0 / 25 / 76 / 38

HEX #865D08CE

RGBA 134 93 8 0.81

HSLA 40.48, 0.89%, 0.28%, 0.81

LABA 42.63, 10, 48.36, 0.81

 

CMYK 0 / 29 / 81 / 44

HEX #754B00CE

RGBA 117 75 0 0.81

HSLA 38.46, 1%, 0.23%, 0.81

LABA 35.62, 12.36, 44.72, 0.81

 

CMYK 0 / 35 / 81 / 49

HEX #643900CE

RGBA 100 57 0 0.81

HSLA 34.2, 1%, 0.2%, 0.81

LABA 28.47, 15.04, 38.6, 0.81

 

CMYK 0 / 43 / 81 / 55

HEX #532700CE

RGBA 83 39 0 0.81

HSLA 28.19, 1%, 0.16%, 0.81

LABA 21.17, 17.85, 30.65, 0.81

 

CMYK 0 / 27 / 82 / 40

HEX #986F1B

RGB 152 111 27

HSL 40.32, 0.7%, 0.35%

LAB 49.65, 8.53, 49.33

 

CMYK 0 / 49 / 82 / 40

HEX #984E1B

RGB 152 78 27

HSL 24.48, 0.7%, 0.35%

LAB 41.54, 27.33, 41.94

 

CMYK 0 / 71 / 82 / 40

HEX #982C1B

RGB 152 44 27

HSL 8.16, 0.7%, 0.35%

LAB 35.11, 44.03, 35.82

 

CMYK 0 / 82 / 82 / 40

HEX #981B1B

RGB 152 27 27

HSL 0, 0.7%, 0.35%

LAB 33, 49.91, 33.74

 

CMYK 0 / 27 / 82 / 40

HEX #986F1B

RGB 152 111 27

HSL 40.32, 0.7%, 0.35%

LAB 49.65, 8.53, 49.33

 

CMYK 0 / 5 / 82 / 40

HEX #98911B

RGB 152 145 27

HSL 56.64, 0.7%, 0.35%

LAB 58.98, -10.38, 57.55

 

CMYK 18 / 0 / 82 / 40

HEX #7D981B

RGB 125 152 27

HSL 72.96, 0.7%, 0.35%

LAB 58.88, -25.93, 56.63

 

CMYK 40 / 0 / 82 / 40

HEX #5B981B

RGB 91 152 27

HSL 89.28, 0.7%, 0.35%

LAB 56.84, -39.39, 54.03

 

CMYK 63 / 0 / 82 / 40

HEX #39981B

RGB 57 152 27

HSL 105.6, 0.7%, 0.35%

LAB 55.49, -49.77, 52.29

 

CMYK 0 / 27 / 82 / 40

HEX #986F1B

RGB 152 111 27

HSL 40.32, 0.7%, 0.35%

LAB 49.65, 8.53, 49.33

 

CMYK 0 / 30 / 93 / 35

HEX #A6750C

RGB 166 117 12

HSL 40.91, 0.87%, 0.35%

LAB 52.79, 11.19, 56.85

 

CMYK 0 / 27 / 82 / 40

HEX #986F1B

RGB 152 111 27

HSL 40.32, 0.7%, 0.35%

LAB 49.65, 8.53, 49.33

 

CMYK 0 / 23 / 70 / 46

HEX #896A29

RGB 137 106 41

HSL 40.63, 0.54%, 0.35%

LAB 46.69, 5.1, 39.94

 

CMYK 0 / 18 / 54 / 52

HEX #7B6538

RGB 123 101 56

HSL 40.3, 0.37%, 0.35%

LAB 43.95, 2.7, 28.58

 

CMYK 0 / 11 / 35 / 58

HEX #6C6046

RGB 108 96 70

HSL 41.05, 0.21%, 0.35%

LAB 41.21, 0.51, 16.63

 

CMYK 0 / 3 / 10 / 63

HEX #5E5B55

RGB 94 91 85

HSL 40, 0.05%, 0.35%

LAB 38.76, 0, 3.88

 

CMYK 0 / 72 / 82 / 40

HEX #982B1B

RGB 152 43 27

HSL 7.68, 0.7%, 0.35%

LAB 34.97, 44.44, 35.68

 

CMYK 0 / 49 / 82 / 40

HEX #984D1B

RGB 152 77 27

HSL 24, 0.7%, 0.35%

LAB 41.31, 27.88, 41.73

 

CMYK 0 / 28 / 82 / 40

HEX #986E1B

RGB 152 110 27

HSL 39.84, 0.7%, 0.35%

LAB 49.38, 9.1, 49.1

 

CMYK 0 / 6 / 82 / 40

HEX #988F1B

RGB 152 143 27

HSL 55.68, 0.7%, 0.35%

LAB 58.41, -9.31, 57.06

 

CMYK 16 / 0 / 82 / 40

HEX #7F981B

RGB 127 152 27

HSL 72, 0.7%, 0.35%

LAB 59.02, -25.08, 56.81

 

CMYK 0 / 27 / 83 / 68

HEX #523C0E

RGB 82 60 14

HSL 40.59, 0.71%, 0.19%

LAB 26.9, 4.6, 30.48

 

CMYK 0 / 26 / 82 / 54

HEX #755615

RGB 117 86 21

HSL 40.63, 0.7%, 0.27%

LAB 38.71, 6.35, 40.14

 

CMYK 0 / 27 / 82 / 40

HEX #986F1B

RGB 152 111 27

HSL 40.32, 0.7%, 0.35%

LAB 49.65, 8.53, 49.33

 

CMYK 0 / 27 / 82 / 27

HEX #BB8921

RGB 187 137 33

HSL 40.52, 0.7%, 0.43%

LAB 60.4, 10.05, 58.3

 

CMYK 0 / 26 / 80 / 15

HEX #DAA12B

RGB 218 161 43

HSL 40.46, 0.7%, 0.51%

LAB 69.87, 10.98, 64.65

 

CMYK 0 / 26 / 82 / 41

HEX #976F1B

RGB 151 111 27

HSL 40.65, 0.7%, 0.35%

LAB 49.53, 8.07, 49.19

 

CMYK 72 / 0 / 82 / 40

HEX #2B981B

RGB 43 152 27

HSL 112.32, 0.7%, 0.35%

LAB 55.12, -52.82, 51.82

 

CMYK 61 / 82 / 0 / 40

HEX #3C1B98

RGB 60 27 152

HSL 255.84, 0.7%, 0.35%

LAB 23.71, 47.25, -61.77

 

CMYK 0 / 26 / 82 / 41

HEX #976F1B

RGB 151 111 27

HSL 40.65, 0.7%, 0.35%

LAB 49.53, 8.07, 49.19

 

CMYK 82 / 0 / 28 / 40

HEX #1B986E

RGB 27 152 110

HSL 159.84, 0.7%, 0.35%

LAB 55.9, -42.79, 13.03

 

CMYK 28 / 82 / 0 / 40

HEX #6E1B98

RGB 110 27 152

HSL 279.84, 0.7%, 0.35%

LAB 30.32, 54.56, -50.68

 

CMYK 0 / 26 / 82 / 41

HEX #976F1B

RGB 151 111 27

HSL 40.65, 0.7%, 0.35%

LAB 49.53, 8.07, 49.19

 

CMYK 72 / 0 / 82 / 40

HEX #2B981B

RGB 43 152 27

HSL 112.32, 0.7%, 0.35%

LAB 55.12, -52.82, 51.82

 

CMYK 82 / 55 / 0 / 40

HEX #1B4498

RGB 27 68 152

HSL 220.32, 0.7%, 0.35%

LAB 30.96, 18.4, -49.97

 

CMYK 11 / 82 / 0 / 40

HEX #871B98

RGB 135 27 152

HSL 291.84, 0.7%, 0.35%

LAB 34.4, 59.13, -43.88

 

CMYK 0 / 26 / 82 / 41

HEX #976F1B

RGB 151 111 27

HSL 40.65, 0.7%, 0.35%

LAB 49.53, 8.07, 49.19

 

CMYK 82 / 0 / 68 / 40

HEX #1B9830

RGB 27 152 48

HSL 130.08, 0.7%, 0.35%

LAB 54.97, -53.6, 43.91

 

CMYK 82 / 55 / 0 / 40

HEX #1B4498

RGB 27 68 152

HSL 220.32, 0.7%, 0.35%

LAB 30.96, 18.4, -49.97

 

CMYK 0 / 82 / 14 / 40

HEX #981B83

RGB 152 27 131

HSL 310.08, 0.7%, 0.35%

LAB 36.17, 59.23, -27.96

 

Description

Color code: HEX #976F1BCE | qconv.com Color code: HEX #976F1BCE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 111 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 111 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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