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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976F113F it is the complementary color #6890EE3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976F113F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976F113F shade: #9C6F0C3F, #AD811F3F, #BE93323F, #CFA5453F and #E0B7583F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976F113F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976F113F shade: #976F113F, #865D003F, #754B003F, #6439003F and #5327003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976F113F shade: #976F11, #974B11, #972711 and #971111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976F113F shade: #976F11, #979411, #779711, #539711 and #2E9711

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976F113F shade matches the following richer shades: #976F11 and #A57503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976F113F shade: #976F11, #8A6A1E, #7C642C, #6F5F3A and #615947

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976F113F shade: #972711, #974B11, #976F11, #979311 and #789711

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976F113F shade: #4D3909, #72540D, #976F11, #BD8B15 and #E2A619

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976F113F shade: #976F11, #1E9711 and #391197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976F113F shade: #976F11, #11976F and #6F1197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976F113F shade: #976F11, #1E9711, #113997 and #8A1197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976F113F shade: #976F11, #11972C, #113997 and #97117D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 22 / 10

HEX #976F113F

RGBA 151 111 17 0.25

HSLA 42.09, 0.8%, 0.33%, 0.25

LABA 49.48, 7.77, 52.33, 0.25

 

Complementary color

CMYK 14 / 10 / 0 / 2

HEX #6890EE3F

RGBA 104 144 238 0.25

HSLA 222.09, 0.8%, 0.67%, 0.25

LABA 60.84, 13.4, -51.58, 0.25

 

CMYK 0 / 7 / 23 / 10

HEX #9C6F0C3F

RGBA 156 111 12 0.25

HSLA 41.25, 0.86%, 0.33%, 0.25

LABA 50.05, 9.99, 54.25, 0.25

 

CMYK 0 / 6 / 21 / 8

HEX #AD811F3F

RGBA 173 129 31 0.25

HSLA 41.41, 0.7%, 0.4%, 0.25

LABA 56.77, 8.12, 55.17, 0.25

 

CMYK 0 / 6 / 18 / 6

HEX #BE93323F

RGBA 190 147 50 0.25

HSLA 41.57, 0.58%, 0.47%, 0.25

LABA 63.38, 6.56, 54.87, 0.25

 

CMYK 0 / 5 / 17 / 5

HEX #CFA5453F

RGBA 207 165 69 0.25

HSLA 41.74, 0.59%, 0.54%, 0.25

LABA 69.9, 5.26, 53.99, 0.25

 

CMYK 0 / 5 / 15 / 3

HEX #E0B7583F

RGBA 224 183 88 0.25

HSLA 41.91, 0.69%, 0.61%, 0.25

LABA 76.33, 4.15, 52.86, 0.25

 

CMYK 0 / 7 / 22 / 10

HEX #976F113F

RGBA 151 111 17 0.25

HSLA 42.09, 0.8%, 0.33%, 0.25

LABA 49.48, 7.77, 52.33, 0.25

 

CMYK 0 / 8 / 25 / 12

HEX #865D003F

RGBA 134 93 0 0.25

HSLA 41.64, 1%, 0.26%, 0.25

LABA 42.61, 9.83, 50.43, 0.25

 

CMYK 0 / 9 / 25 / 14

HEX #754B003F

RGBA 117 75 0 0.25

HSLA 38.46, 1%, 0.23%, 0.25

LABA 35.62, 12.36, 44.72, 0.25

 

CMYK 0 / 11 / 25 / 15

HEX #6439003F

RGBA 100 57 0 0.25

HSLA 34.2, 1%, 0.2%, 0.25

LABA 28.47, 15.04, 38.6, 0.25

 

CMYK 0 / 13 / 25 / 17

HEX #5327003F

RGBA 83 39 0 0.25

HSLA 28.19, 1%, 0.16%, 0.25

LABA 21.17, 17.85, 30.65, 0.25

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 50 / 89 / 41

HEX #974B11

RGB 151 75 17

HSL 25.97, 0.8%, 0.33%

LAB 40.66, 28.25, 45.19

 

CMYK 0 / 74 / 89 / 41

HEX #972711

RGB 151 39 17

HSL 9.85, 0.8%, 0.33%

LAB 34.13, 45.37, 39.89

 

CMYK 0 / 89 / 89 / 41

HEX #971111

RGB 151 17 17

HSL 0, 0.8%, 0.33%

LAB 31.85, 51.77, 38.04

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 2 / 89 / 41

HEX #979411

RGB 151 148 17

HSL 58.66, 0.8%, 0.33%

LAB 59.71, -12.71, 60.57

 

CMYK 21 / 0 / 89 / 41

HEX #779711

RGB 119 151 17

HSL 74.33, 0.8%, 0.33%

LAB 58.13, -28.32, 58.26

 

CMYK 45 / 0 / 89 / 41

HEX #539711

RGB 83 151 17

HSL 90.45, 0.8%, 0.33%

LAB 56.1, -42.18, 55.74

 

CMYK 70 / 0 / 89 / 41

HEX #2E9711

RGB 46 151 17

HSL 107.01, 0.8%, 0.33%

LAB 54.82, -52.38, 54.13

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 29 / 98 / 35

HEX #A57503

RGB 165 117 3

HSL 42.22, 0.96%, 0.33%

LAB 52.65, 10.6, 58.41

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 23 / 78 / 46

HEX #8A6A1E

RGB 138 106 30

HSL 42.22, 0.64%, 0.33%

LAB 46.72, 4.99, 44.89

 

CMYK 0 / 19 / 65 / 51

HEX #7C642C

RGB 124 100 44

HSL 42, 0.48%, 0.33%

LAB 43.63, 2.73, 34.68

 

CMYK 0 / 14 / 48 / 56

HEX #6F5F3A

RGB 111 95 58

HSL 41.89, 0.31%, 0.33%

LAB 41.01, 0.94, 23.5

 

CMYK 0 / 8 / 27 / 62

HEX #615947

RGB 97 89 71

HSL 41.54, 0.15%, 0.33%

LAB 38.09, 0.01, 11.61

 

CMYK 0 / 74 / 89 / 41

HEX #972711

RGB 151 39 17

HSL 9.85, 0.8%, 0.33%

LAB 34.13, 45.37, 39.89

 

CMYK 0 / 50 / 89 / 41

HEX #974B11

RGB 151 75 17

HSL 25.97, 0.8%, 0.33%

LAB 40.66, 28.25, 45.19

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 3 / 89 / 41

HEX #979311

RGB 151 147 17

HSL 58.21, 0.8%, 0.33%

LAB 59.42, -12.18, 60.34

 

CMYK 21 / 0 / 89 / 41

HEX #789711

RGB 120 151 17

HSL 73.88, 0.8%, 0.33%

LAB 58.19, -27.9, 58.35

 

CMYK 0 / 26 / 88 / 70

HEX #4D3909

RGB 77 57 9

HSL 42.35, 0.79%, 0.17%

LAB 25.33, 3.7, 30.94

 

CMYK 0 / 26 / 89 / 55

HEX #72540D

RGB 114 84 13

HSL 42.18, 0.8%, 0.25%

LAB 37.75, 5.8, 42.06

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 0 / 26 / 89 / 26

HEX #BD8B15

RGB 189 139 21

HSL 42.14, 0.8%, 0.41%

LAB 61.08, 9.53, 62.38

 

CMYK 0 / 27 / 89 / 11

HEX #E2A619

RGB 226 166 25

HSL 42.09, 0.8%, 0.49%

LAB 71.9, 11.32, 71.67

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 80 / 0 / 89 / 41

HEX #1E9711

RGB 30 151 17

HSL 114.18, 0.8%, 0.33%

LAB 54.5, -55.14, 53.73

 

CMYK 62 / 89 / 0 / 41

HEX #391197

RGB 57 17 151

HSL 257.91, 0.8%, 0.33%

LAB 21.96, 50.58, -64.05

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 89 / 0 / 26 / 41

HEX #11976F

RGB 17 151 111

HSL 162.09, 0.8%, 0.33%

LAB 55.48, -43.01, 11.86

 

CMYK 26 / 89 / 0 / 41

HEX #6F1197

RGB 111 17 151

HSL 282.09, 0.8%, 0.33%

LAB 29.45, 57.29, -51.47

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 80 / 0 / 89 / 41

HEX #1E9711

RGB 30 151 17

HSL 114.18, 0.8%, 0.33%

LAB 54.5, -55.14, 53.73

 

CMYK 89 / 62 / 0 / 41

HEX #113997

RGB 17 57 151

HSL 222.09, 0.8%, 0.33%

LAB 27.52, 24.77, -54.99

 

CMYK 9 / 89 / 0 / 41

HEX #8A1197

RGB 138 17 151

HSL 294.18, 0.8%, 0.33%

LAB 34.06, 61.82, -43.79

 

CMYK 0 / 26 / 89 / 41

HEX #976F11

RGB 151 111 17

HSL 42.09, 0.8%, 0.33%

LAB 49.48, 7.77, 52.33

 

CMYK 89 / 0 / 71 / 41

HEX #11972C

RGB 17 151 44

HSL 132.09, 0.8%, 0.33%

LAB 54.48, -54.72, 45.02

 

CMYK 89 / 62 / 0 / 41

HEX #113997

RGB 17 57 151

HSL 222.09, 0.8%, 0.33%

LAB 27.52, 24.77, -54.99

 

CMYK 0 / 89 / 17 / 41

HEX #97117D

RGB 151 17 125

HSL 311.64, 0.8%, 0.33%

LAB 34.92, 60.34, -26.18

 

Description

Color code: HEX #976F113F | qconv.com Color code: HEX #976F113F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 111 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 111 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 22 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 22% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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