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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976CF900 it is the complementary color #68930600. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976CF900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976CF900 shade: #9C6CF400, #AD7EFF00, #BE90FF00, #CFA2FF00 and #E0B4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976CF900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976CF900 shade: #976CF900, #865AE600, #7548D300, #6436C000 and #5324AD00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976CF900 shade: #976CF9, #BD6CF9, #E36CF9, #F96CE9 and #F96CC3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976CF900 shade: #976CF9, #716CF9 and #6C6CF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976CF900 shade matches the following richer shades: #976CF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976CF900 shade: #976CF9, #9C78ED, #A185E0, #A691D4 and #AA9EC7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976CF900 shade: #6C8DF9, #716CF9, #966CF9, #BC6CF9 and #E16CF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976CF900 shade: #5F1DF6, #7B45F7, #976CF9, #B394FB and #CFBBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976CF900 shade: #976CF9, #F96CB3 and #7AF96C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976CF900 shade: #976CF9, #F9966C and #6CF996

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976CF900 shade: #976CF9, #F96CB3, #CFF96C and #6CF9B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976CF900 shade: #976CF9, #F96C88, #CFF96C and #6CF9DD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #976CF900

RGBA 151 108 249 0

HSLA 258.3, 0.92%, 0.7%, 0

LABA 56.23, 47.8, -64.83, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #68930600

RGBA 104 147 6 0

HSLA 78.3, 0.92%, 0.3%, 0

LABA 55.91, -32.88, 57.95, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9C6CF400

RGBA 156 108 244 0

HSLA 261.18, 0.86%, 0.69%, 0

LABA 56.41, 47.63, -61.74, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AD7EFF00

RGBA 173 126 255 0

HSLA 261.86, 1%, 0.75%, 0

LABA 62.53, 44.59, -57.93, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BE90FF00

RGBA 190 144 255 0

HSLA 264.86, 1%, 0.78%, 0

LABA 68.1, 39.1, -48.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CFA2FF00

RGBA 207 162 255 0

HSLA 269.03, 1%, 0.82%, 0

LABA 73.76, 34.03, -40.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E0B4FF00

RGBA 224 180 255 0

HSLA 275.2, 1%, 0.85%, 0

LABA 79.45, 29.35, -31.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #976CF900

RGBA 151 108 249 0

HSLA 258.3, 0.92%, 0.7%, 0

LABA 56.23, 47.8, -64.83, 0

 

CMYK 0 / 0 / 0 / 0

HEX #865AE600

RGBA 134 90 230 0

HSLA 258.86, 0.74%, 0.63%, 0

LABA 49.61, 48.98, -64.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7548D300

RGBA 117 72 211 0

HSLA 259.42, 0.61%, 0.55%, 0

LABA 42.94, 50.17, -65.06, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6436C000

RGBA 100 54 192 0

HSLA 260, 0.56%, 0.48%, 0

LABA 36.28, 51.25, -64.97, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5324AD00

RGBA 83 36 173 0

HSLA 260.58, 0.66%, 0.41%, 0

LABA 29.71, 52, -64.55, 0

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 24 / 57 / 0 / 2

HEX #BD6CF9

RGB 189 108 249

HSL 274.47, 0.92%, 0.7%

LAB 60.23, 56.57, -58.19

 

CMYK 9 / 57 / 0 / 2

HEX #E36CF9

RGB 227 108 249

HSL 290.64, 0.92%, 0.7%

LAB 64.88, 65.85, -50.52

 

CMYK 0 / 57 / 6 / 2

HEX #F96CE9

RGB 249 108 233

HSL 306.81, 0.92%, 0.7%

LAB 67.09, 68.72, -38.02

 

CMYK 0 / 57 / 22 / 2

HEX #F96CC3

RGB 249 108 195

HSL 322.98, 0.92%, 0.7%

LAB 65.6, 63.12, -19.07

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 55 / 57 / 0 / 2

HEX #716CF9

RGB 113 108 249

HSL 242.13, 0.92%, 0.7%

LAB 53.03, 40.1, -70.16

 

CMYK 57 / 57 / 0 / 2

HEX #6C6CF9

RGB 108 108 249

HSL 240, 0.92%, 0.7%

LAB 52.68, 39.21, -70.75

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 34 / 49 / 0 / 7

HEX #9C78ED

RGB 156 120 237

HSL 258.46, 0.76%, 0.7%

LAB 58.62, 39.18, -54.33

 

CMYK 28 / 41 / 0 / 12

HEX #A185E0

RGB 161 133 224

HSL 258.46, 0.59%, 0.7%

LAB 61.42, 29.84, -42.62

 

CMYK 22 / 32 / 0 / 17

HEX #A691D4

RGB 166 145 212

HSL 258.81, 0.44%, 0.7%

LAB 64.25, 21.57, -31.49

 

CMYK 15 / 21 / 0 / 22

HEX #AA9EC7

RGB 170 158 199

HSL 257.56, 0.27%, 0.7%

LAB 67.37, 12.55, -19.44

 

CMYK 57 / 43 / 0 / 2

HEX #6C8DF9

RGB 108 141 249

HSL 225.96, 0.92%, 0.7%

LAB 60.85, 19.49, -57.6

 

CMYK 55 / 57 / 0 / 2

HEX #716CF9

RGB 113 108 249

HSL 242.13, 0.92%, 0.7%

LAB 53.03, 40.1, -70.16

 

CMYK 40 / 57 / 0 / 2

HEX #966CF9

RGB 150 108 249

HSL 257.87, 0.92%, 0.7%

LAB 56.14, 47.58, -64.99

 

CMYK 24 / 57 / 0 / 2

HEX #BC6CF9

RGB 188 108 249

HSL 274.04, 0.92%, 0.7%

LAB 60.12, 56.33, -58.38

 

CMYK 10 / 57 / 0 / 2

HEX #E16CF9

RGB 225 108 249

HSL 289.79, 0.92%, 0.7%

LAB 64.62, 65.36, -50.95

 

CMYK 61 / 88 / 0 / 4

HEX #5F1DF6

RGB 95 29 246

HSL 258.25, 0.92%, 0.54%

LAB 37.78, 74.22, -93.55

 

CMYK 50 / 72 / 0 / 3

HEX #7B45F7

RGB 123 69 247

HSL 258.2, 0.92%, 0.62%

LAB 45.88, 62.29, -80.65

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 29 / 41 / 0 / 2

HEX #B394FB

RGB 179 148 251

HSL 258.06, 0.93%, 0.78%

LAB 67.82, 32.95, -47.32

 

CMYK 18 / 26 / 0 / 1

HEX #CFBBFC

RGB 207 187 252

HSL 258.46, 0.92%, 0.86%

LAB 79.52, 19.74, -29.49

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 0 / 57 / 28 / 2

HEX #F96CB3

RGB 249 108 179

HSL 329.79, 0.92%, 0.7%

LAB 65.06, 61.03, -10.82

 

CMYK 51 / 0 / 57 / 2

HEX #7AF96C

RGB 122 249 108

HSL 114.04, 0.92%, 0.7%

LAB 88.43, -61.58, 56.1

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 0 / 40 / 57 / 2

HEX #F9966C

RGB 249 150 108

HSL 17.87, 0.92%, 0.7%

LAB 71.58, 33.22, 37.85

 

CMYK 57 / 0 / 40 / 2

HEX #6CF996

RGB 108 249 150

HSL 137.87, 0.92%, 0.7%

LAB 88.52, -59.17, 36.28

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 0 / 57 / 28 / 2

HEX #F96CB3

RGB 249 108 179

HSL 329.79, 0.92%, 0.7%

LAB 65.06, 61.03, -10.82

 

CMYK 17 / 0 / 57 / 2

HEX #CFF96C

RGB 207 249 108

HSL 77.87, 0.92%, 0.7%

LAB 92.62, -33.82, 62.01

 

CMYK 57 / 0 / 28 / 2

HEX #6CF9B3

RGB 108 249 179

HSL 150.21, 0.92%, 0.7%

LAB 89.01, -53.93, 22.33

 

CMYK 39 / 57 / 0 / 2

HEX #976CF9

RGB 151 108 249

HSL 258.3, 0.92%, 0.7%

LAB 56.23, 47.8, -64.83

 

CMYK 0 / 57 / 45 / 2

HEX #F96C88

RGB 249 108 136

HSL 348.09, 0.92%, 0.7%

LAB 63.87, 56.3, 12.03

 

CMYK 17 / 0 / 57 / 2

HEX #CFF96C

RGB 207 249 108

HSL 77.87, 0.92%, 0.7%

LAB 92.62, -33.82, 62.01

 

CMYK 57 / 0 / 11 / 2

HEX #6CF9DD

RGB 108 249 221

HSL 168.09, 0.92%, 0.7%

LAB 89.93, -44.78, 1.94

 

Description

Color code: HEX #976CF900 | qconv.com Color code: HEX #976CF900 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 108 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 108 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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