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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #976CD800 it is the complementary color #68932700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #976CD800. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #976CD800 shade: #9C6CD300, #AD7EE600, #BE90F900, #CFA2FF00 and #E0B4FF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #976CD800. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #976CD800 shade: #976CD800, #865AC500, #7548B200, #64369F00 and #53248C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #976CD800 shade: #986ED8, #B56ED8, #D26ED8, #D86EC2 and #D86EA6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #976CD800 shade: #986ED8, #7C6ED8 and #6E6ED8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #976CD800 shade matches the following richer shades: #986ED8, #955FE7 and #9250F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #976CD800 shade: #986ED8, #9B7DCA, #9E8CBB, #A19BAC and #A4A99D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #976CD800 shade: #6E7ED8, #7A6ED8, #976ED8, #B36ED8 and #D06ED8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #976CD800 shade: #6C33C1, #814DD0, #986ED8, #AF8FE1 and #C6AFEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #976CD800 shade: #976CD8, #D86E9A and #70D86E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #976CD800 shade: #976CD8, #D8976E and #6ED897

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #976CD800 shade: #976CD8, #D86E9A, #B0D86E and #6ED8AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #976CD800 shade: #976CD8, #D86E7A, #B0D86E and #6ED8CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #976CD800

RGBA 151 108 216 0

HSLA 263.89, 0.58%, 0.64%, 0

LABA 54.3, 39.35, -49.45, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #68932700

RGBA 104 147 39 0

HSLA 83.89, 0.58%, 0.36%, 0

LABA 56.04, -31.56, 49.51, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9C6CD300

RGBA 156 108 211 0

HSLA 267.96, 0.54%, 0.63%, 0

LABA 54.55, 39.45, -46.2, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AD7EE600

RGBA 173 126 230 0

HSLA 267.12, 0.68%, 0.7%, 0

LABA 61.24, 38.56, -46.17, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BE90F900

RGBA 190 144 249 0

HSLA 266.29, 0.9%, 0.77%, 0

LABA 67.82, 37.71, -46.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CFA2FF00

RGBA 207 162 255 0

HSLA 269.03, 1%, 0.82%, 0

LABA 73.76, 34.03, -40.02, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E0B4FF00

RGBA 224 180 255 0

HSLA 275.2, 1%, 0.85%, 0

LABA 79.45, 29.35, -31.08, 0

 

CMYK 0 / 0 / 0 / 0

HEX #976CD800

RGBA 151 108 216 0

HSLA 263.89, 0.58%, 0.64%, 0

LABA 54.3, 39.35, -49.45, 0

 

CMYK 0 / 0 / 0 / 0

HEX #865AC500

RGBA 134 90 197 0

HSLA 264.67, 0.48%, 0.56%, 0

LABA 47.51, 40.36, -49.54, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7548B200

RGBA 117 72 178 0

HSLA 265.47, 0.42%, 0.49%, 0

LABA 40.62, 41.4, -49.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #64369F00

RGBA 100 54 159 0

HSLA 266.29, 0.49%, 0.42%, 0

LABA 33.67, 42.41, -49.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #53248C00

RGBA 83 36 140 0

HSLA 267.12, 0.59%, 0.35%, 0

LABA 26.72, 43.19, -49.31, 0

 

CMYK 30 / 49 / 0 / 15

HEX #986ED8

RGB 152 110 216

HSL 263.77, 0.58%, 0.64%

LAB 54.85, 38.49, -48.58

 

CMYK 16 / 49 / 0 / 15

HEX #B56ED8

RGB 181 110 216

HSL 280.19, 0.58%, 0.64%

LAB 57.97, 46.32, -43.43

 

CMYK 3 / 49 / 0 / 15

HEX #D26ED8

RGB 210 110 216

HSL 296.6, 0.58%, 0.64%

LAB 61.49, 54.38, -37.66

 

CMYK 0 / 49 / 10 / 15

HEX #D86EC2

RGB 216 110 194

HSL 312.45, 0.58%, 0.64%

LAB 61.35, 52.32, -25.4

 

CMYK 0 / 49 / 23 / 15

HEX #D86EA6

RGB 216 110 166

HSL 328.3, 0.58%, 0.64%

LAB 60.34, 48.05, -10.93

 

CMYK 30 / 49 / 0 / 15

HEX #986ED8

RGB 152 110 216

HSL 263.77, 0.58%, 0.64%

LAB 54.85, 38.49, -48.58

 

CMYK 43 / 49 / 0 / 15

HEX #7C6ED8

RGB 124 110 216

HSL 247.92, 0.58%, 0.64%

LAB 52.28, 31.43, -52.82

 

CMYK 49 / 49 / 0 / 15

HEX #6E6ED8

RGB 110 110 216

HSL 240, 0.58%, 0.64%

LAB 51.18, 28.21, -54.65

 

CMYK 30 / 49 / 0 / 15

HEX #986ED8

RGB 152 110 216

HSL 263.77, 0.58%, 0.64%

LAB 54.85, 38.49, -48.58

 

CMYK 35 / 59 / 0 / 9

HEX #955FE7

RGB 149 95 231

HSL 263.82, 0.74%, 0.64%

LAB 52.22, 49.78, -61.25

 

CMYK 41 / 67 / 0 / 4

HEX #9250F6

RGB 146 80 246

HSL 263.86, 0.9%, 0.64%

LAB 50.1, 60.58, -73.11

 

CMYK 30 / 49 / 0 / 15

HEX #986ED8

RGB 152 110 216

HSL 263.77, 0.58%, 0.64%

LAB 54.85, 38.49, -48.58

 

CMYK 23 / 38 / 0 / 21

HEX #9B7DCA

RGB 155 125 202

HSL 263.38, 0.42%, 0.64%

LAB 57.94, 27.34, -35.76

 

CMYK 16 / 25 / 0 / 27

HEX #9E8CBB

RGB 158 140 187

HSL 262.98, 0.26%, 0.64%

LAB 61.32, 16.18, -22.03

 

CMYK 6 / 10 / 0 / 33

HEX #A19BAC

RGB 161 155 172

HSL 261.18, 0.09%, 0.64%

LAB 64.96, 5.5, -8.06

 

CMYK 3 / 0 / 7 / 34

HEX #A4A99D

RGB 164 169 157

HSL 85, 0.07%, 0.64%

LAB 68.54, -4.01, 5.57

 

CMYK 49 / 42 / 0 / 15

HEX #6E7ED8

RGB 110 126 216

HSL 230.94, 0.58%, 0.64%

LAB 55.27, 18.55, -48.12

 

CMYK 44 / 49 / 0 / 15

HEX #7A6ED8

RGB 122 110 216

HSL 246.79, 0.58%, 0.64%

LAB 52.12, 30.96, -53.1

 

CMYK 30 / 49 / 0 / 15

HEX #976ED8

RGB 151 110 216

HSL 263.21, 0.58%, 0.64%

LAB 54.75, 38.22, -48.74

 

CMYK 17 / 49 / 0 / 15

HEX #B36ED8

RGB 179 110 216

HSL 279.06, 0.58%, 0.64%

LAB 57.74, 45.77, -43.81

 

CMYK 4 / 49 / 0 / 15

HEX #D06ED8

RGB 208 110 216

HSL 295.47, 0.58%, 0.64%

LAB 61.24, 53.82, -38.08

 

CMYK 44 / 74 / 0 / 24

HEX #6C33C1

RGB 108 51 193

HSL 264.08, 0.58%, 0.48%

LAB 36.75, 54.29, -64.74

 

CMYK 38 / 63 / 0 / 18

HEX #814DD0

RGB 129 77 208

HSL 263.82, 0.58%, 0.56%

LAB 44.98, 49.14, -59.97

 

CMYK 30 / 49 / 0 / 15

HEX #986ED8

RGB 152 110 216

HSL 263.77, 0.58%, 0.64%

LAB 54.85, 38.49, -48.58

 

CMYK 22 / 36 / 0 / 12

HEX #AF8FE1

RGB 175 143 225

HSL 263.41, 0.58%, 0.72%

LAB 65.12, 28.43, -37.3

 

CMYK 15 / 25 / 0 / 8

HEX #C6AFEA

RGB 198 175 234

HSL 263.39, 0.58%, 0.8%

LAB 75.21, 19.63, -26.47

 

CMYK 30 / 50 / 0 / 15

HEX #976CD8

RGB 151 108 216

HSL 263.89, 0.58%, 0.64%

LAB 54.3, 39.35, -49.45

 

CMYK 0 / 49 / 29 / 15

HEX #D86E9A

RGB 216 110 154

HSL 335.09, 0.58%, 0.64%

LAB 59.96, 46.41, -4.58

 

CMYK 48 / 0 / 49 / 15

HEX #70D86E

RGB 112 216 110

HSL 118.87, 0.58%, 0.64%

LAB 78.28, -51.24, 42.89

 

CMYK 30 / 50 / 0 / 15

HEX #976CD8

RGB 151 108 216

HSL 263.89, 0.58%, 0.64%

LAB 54.3, 39.35, -49.45

 

CMYK 0 / 30 / 49 / 15

HEX #D8976E

RGB 216 151 110

HSL 23.21, 0.58%, 0.64%

LAB 67.92, 19.74, 31.31

 

CMYK 49 / 0 / 30 / 15

HEX #6ED897

RGB 110 216 151

HSL 143.21, 0.58%, 0.64%

LAB 78.85, -45.15, 22.84

 

CMYK 30 / 50 / 0 / 15

HEX #976CD8

RGB 151 108 216

HSL 263.89, 0.58%, 0.64%

LAB 54.3, 39.35, -49.45

 

CMYK 0 / 49 / 29 / 15

HEX #D86E9A

RGB 216 110 154

HSL 335.09, 0.58%, 0.64%

LAB 59.96, 46.41, -4.58

 

CMYK 19 / 0 / 49 / 15

HEX #B0D86E

RGB 176 216 110

HSL 82.64, 0.58%, 0.64%

LAB 81.55, -29.98, 47.64

 

CMYK 49 / 0 / 20 / 15

HEX #6ED8AC

RGB 110 216 172

HSL 155.09, 0.58%, 0.64%

LAB 79.27, -40.93, 12.37

 

CMYK 30 / 50 / 0 / 15

HEX #976CD8

RGB 151 108 216

HSL 263.89, 0.58%, 0.64%

LAB 54.3, 39.35, -49.45

 

CMYK 0 / 49 / 44 / 15

HEX #D86E7A

RGB 216 110 122

HSL 353.21, 0.58%, 0.64%

LAB 59.12, 42.63, 12.72

 

CMYK 19 / 0 / 49 / 15

HEX #B0D86E

RGB 176 216 110

HSL 82.64, 0.58%, 0.64%

LAB 81.55, -29.98, 47.64

 

CMYK 49 / 0 / 6 / 15

HEX #6ED8CC

RGB 110 216 204

HSL 173.21, 0.58%, 0.64%

LAB 80.06, -33.56, -3.54

 

Description

Color code: HEX #976CD800 | qconv.com Color code: HEX #976CD800 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 108 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 108 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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