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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97635B it is the complementary color #689CA4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97635B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97635B shade: #9C6356, #AD7569, #BE877C, #CF998F and #E0ABA2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97635B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97635B shade: #97635B, #865148, #753F35, #642D22 and #531B0F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97635B shade: #96625A and #965A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97635B shade: #96625A, #96725A, #96825A, #96925A and #89965A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97635B shade matches the following richer shades: #96625A, #A95446, #BD4533, #D03720 and #E3290C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97635B shade: #96625A, #82706D, #6F7E81, #5C8D94 and #489BA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97635B shade: #965A72, #965A62, #96625A, #96725A and #96825A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97635B shade: #62403B, #7C514A, #96625A, #A97770 and #B9908A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97635B shade: #97635B, #82965A and #5A6A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97635B shade: #97635B, #5A9662 and #625A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97635B shade: #97635B, #82965A, #5A8E96 and #6E5A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97635B shade: #97635B, #70965A, #5A8E96 and #805A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

Complementary color

CMYK 37 / 5 / 0 / 36

HEX #689CA4

RGB 104 156 164

HSL 188, 0.25%, 0.53%

LAB 61.13, -15.14, -9.67

 

CMYK 0 / 37 / 45 / 39

HEX #9C6356

RGB 156 99 86

HSL 11.14, 0.29%, 0.47%

LAB 47.83, 21.52, 16.98

 

CMYK 0 / 32 / 39 / 32

HEX #AD7569

RGB 173 117 105

HSL 10.59, 0.29%, 0.55%

LAB 54.69, 20.5, 15.56

 

CMYK 0 / 29 / 35 / 25

HEX #BE877C

RGB 190 135 124

HSL 10, 0.34%, 0.62%

LAB 61.42, 19.61, 14.3

 

CMYK 0 / 26 / 31 / 19

HEX #CF998F

RGB 207 153 143

HSL 9.37, 0.4%, 0.69%

LAB 68.04, 18.83, 13.18

 

CMYK 0 / 24 / 28 / 12

HEX #E0ABA2

RGB 224 171 162

HSL 8.71, 0.5%, 0.76%

LAB 74.56, 18.13, 12.14

 

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

CMYK 0 / 40 / 46 / 47

HEX #865148

RGB 134 81 72

HSL 8.71, 0.3%, 0.4%

LAB 40.28, 21.11, 14.69

 

CMYK 0 / 46 / 55 / 54

HEX #753F35

RGB 117 63 53

HSL 9.38, 0.38%, 0.33%

LAB 33.12, 22.37, 16.48

 

CMYK 0 / 55 / 66 / 61

HEX #642D22

RGB 100 45 34

HSL 10, 0.49%, 0.26%

LAB 25.87, 23.83, 18.73

 

CMYK 0 / 67 / 82 / 67

HEX #531B0F

RGB 83 27 15

HSL 10.59, 0.69%, 0.19%

LAB 18.62, 25.37, 21.35

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 40 / 40 / 41

HEX #965A5A

RGB 150 90 90

HSL 0, 0.25%, 0.47%

LAB 44.99, 24.67, 10.55

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 24 / 40 / 41

HEX #96725A

RGB 150 114 90

HSL 24, 0.25%, 0.47%

LAB 50.99, 10.83, 18.78

 

CMYK 0 / 13 / 40 / 41

HEX #96825A

RGB 150 130 90

HSL 40, 0.25%, 0.47%

LAB 55.26, 1.69, 24.47

 

CMYK 0 / 3 / 40 / 41

HEX #96925A

RGB 150 146 90

HSL 56, 0.25%, 0.47%

LAB 59.69, -7.17, 30.2

 

CMYK 9 / 0 / 40 / 41

HEX #89965A

RGB 137 150 90

HSL 73, 0.25%, 0.47%

LAB 59.77, -14.71, 30.09

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 50 / 59 / 34

HEX #A95446

RGB 169 84 70

HSL 8.48, 0.41%, 0.47%

LAB 45.93, 33.58, 24.27

 

CMYK 0 / 63 / 73 / 26

HEX #BD4533

RGB 189 69 51

HSL 7.83, 0.58%, 0.47%

LAB 46.06, 47.25, 36.16

 

CMYK 0 / 74 / 85 / 18

HEX #D03720

RGB 208 55 32

HSL 7.84, 0.73%, 0.47%

LAB 47.3, 58.43, 48.42

 

CMYK 0 / 82 / 95 / 11

HEX #E3290C

RGB 227 41 12

HSL 8.09, 0.9%, 0.47%

LAB 49.43, 67.76, 59.2

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 14 / 16 / 49

HEX #82706D

RGB 130 112 109

HSL 8.57, 0.09%, 0.47%

LAB 48.81, 6.51, 4.26

 

CMYK 14 / 2 / 0 / 49

HEX #6F7E81

RGB 111 126 129

HSL 190, 0.08%, 0.47%

LAB 51.71, -4.83, -3.5

 

CMYK 38 / 5 / 0 / 42

HEX #5C8D94

RGB 92 141 148

HSL 187.5, 0.23%, 0.47%

LAB 55.55, -14.59, -8.96

 

CMYK 57 / 7 / 0 / 35

HEX #489BA7

RGB 72 155 167

HSL 187.58, 0.4%, 0.47%

LAB 59.54, -21.55, -13.91

 

CMYK 0 / 40 / 24 / 41

HEX #965A72

RGB 150 90 114

HSL 336, 0.25%, 0.47%

LAB 45.65, 28.01, -3.07

 

CMYK 0 / 40 / 35 / 41

HEX #965A62

RGB 150 90 98

HSL 352, 0.25%, 0.47%

LAB 45.19, 25.69, 5.98

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 24 / 40 / 41

HEX #96725A

RGB 150 114 90

HSL 24, 0.25%, 0.47%

LAB 50.99, 10.83, 18.78

 

CMYK 0 / 13 / 40 / 41

HEX #96825A

RGB 150 130 90

HSL 40, 0.25%, 0.47%

LAB 55.26, 1.69, 24.47

 

CMYK 0 / 35 / 40 / 62

HEX #62403B

RGB 98 64 59

HSL 7.69, 0.25%, 0.31%

LAB 30.83, 14.12, 9.1

 

CMYK 0 / 35 / 40 / 51

HEX #7C514A

RGB 124 81 74

HSL 8.4, 0.25%, 0.39%

LAB 39.01, 17.1, 11.5

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 30 / 34 / 34

HEX #A97770

RGB 169 119 112

HSL 7.37, 0.25%, 0.55%

LAB 54.86, 18.64, 11.68

 

CMYK 0 / 22 / 25 / 27

HEX #B9908A

RGB 185 144 138

HSL 7.66, 0.25%, 0.63%

LAB 63.42, 14.57, 9.12

 

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

CMYK 13 / 0 / 40 / 41

HEX #82965A

RGB 130 150 90

HSL 80, 0.25%, 0.47%

LAB 59.25, -17.55, 29.31

 

CMYK 40 / 29 / 0 / 41

HEX #5A6A96

RGB 90 106 150

HSL 224, 0.25%, 0.47%

LAB 45.2, 5.67, -25.92

 

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

CMYK 40 / 0 / 35 / 41

HEX #5A9662

RGB 90 150 98

HSL 128, 0.25%, 0.47%

LAB 56.95, -30.92, 21.47

 

CMYK 35 / 40 / 0 / 41

HEX #625A96

RGB 98 90 150

HSL 248, 0.25%, 0.47%

LAB 41.39, 17.92, -31.83

 

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

CMYK 13 / 0 / 40 / 41

HEX #82965A

RGB 130 150 90

HSL 80, 0.25%, 0.47%

LAB 59.25, -17.55, 29.31

 

CMYK 40 / 5 / 0 / 41

HEX #5A8E96

RGB 90 142 150

HSL 188, 0.25%, 0.47%

LAB 55.81, -15.15, -9.73

 

CMYK 27 / 40 / 0 / 41

HEX #6E5A96

RGB 110 90 150

HSL 260, 0.25%, 0.47%

LAB 42.5, 21.53, -30

 

CMYK 0 / 34 / 40 / 41

HEX #97635B

RGB 151 99 91

HSL 8, 0.25%, 0.47%

LAB 47.31, 20.04, 13.19

 

CMYK 25 / 0 / 40 / 41

HEX #70965A

RGB 112 150 90

HSL 98, 0.25%, 0.47%

LAB 58.03, -24.54, 27.51

 

CMYK 40 / 5 / 0 / 41

HEX #5A8E96

RGB 90 142 150

HSL 188, 0.25%, 0.47%

LAB 55.81, -15.15, -9.73

 

CMYK 15 / 40 / 0 / 41

HEX #805A96

RGB 128 90 150

HSL 278, 0.25%, 0.47%

LAB 44.38, 27.2, -26.93

 

Description

Color code: HEX #97635B | qconv.com Color code: HEX #97635B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 99 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 99 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 34 magenta, 40 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 34% 40% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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