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Color name
HEX #97635A3F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97635A3F it is the complementary color #689CA53F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97635A3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97635A3F shade: #9C63553F, #AD75683F, #BE877B3F, #CF998E3F and #E0ABA13F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97635A3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97635A3F shade: #97635A3F, #8651473F, #753F343F, #642D213F and #531B0E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97635A3F shade: #96635A and #965A5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97635A3F shade: #96635A, #96735A, #96835A, #96935A and #88965A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97635A3F shade matches the following richer shades: #96635A, #A95546, #BD4733, #D03A20 and #E32C0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97635A3F shade: #96635A, #82706D, #6F7E81, #5C8C94 and #4899A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97635A3F shade: #965A72, #965A62, #96625A, #96725A and #96825A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97635A3F shade: #62413B, #7C524A, #96635A, #A97870 and #B9918A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97635A3F shade: #97635A, #82965A and #5A6A96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97635A3F shade: #97635A, #5A9662 and #625A96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97635A3F shade: #97635A, #82965A, #5A8E96 and #6E5A96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97635A3F shade: #97635A, #70965A, #5A8E96 and #805A96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 10 / 10

HEX #97635A3F

RGBA 151 99 90 0.25

HSLA 8.85, 0.25%, 0.47%, 0.25

LABA 47.29, 19.91, 13.76, 0.25

 

Complementary color

CMYK 9 / 1 / 0 / 9

HEX #689CA53F

RGBA 104 156 165 0.25

HSLA 188.85, 0.25%, 0.53%, 0.25

LABA 61.17, -14.88, -10.19, 0.25

 

CMYK 0 / 9 / 11 / 10

HEX #9C63553F

RGBA 156 99 85 0.25

HSLA 11.83, 0.29%, 0.47%, 0.25

LABA 47.81, 21.4, 17.55, 0.25

 

CMYK 0 / 8 / 10 / 8

HEX #AD75683F

RGBA 173 117 104 0.25

HSLA 11.3, 0.3%, 0.54%, 0.25

LABA 54.66, 20.38, 16.11, 0.25

 

CMYK 0 / 7 / 9 / 6

HEX #BE877B3F

RGBA 190 135 123 0.25

HSLA 10.75, 0.34%, 0.61%, 0.25

LABA 61.4, 19.48, 14.84, 0.25

 

CMYK 0 / 7 / 8 / 5

HEX #CF998E3F

RGBA 207 153 142 0.25

HSLA 10.15, 0.4%, 0.68%, 0.25

LABA 68.02, 18.7, 13.7, 0.25

 

CMYK 0 / 6 / 7 / 3

HEX #E0ABA13F

RGBA 224 171 161 0.25

HSLA 9.52, 0.5%, 0.75%, 0.25

LABA 74.54, 18, 12.66, 0.25

 

CMYK 0 / 9 / 10 / 10

HEX #97635A3F

RGBA 151 99 90 0.25

HSLA 8.85, 0.25%, 0.47%, 0.25

LABA 47.29, 19.91, 13.76, 0.25

 

CMYK 0 / 10 / 12 / 12

HEX #8651473F

RGBA 134 81 71 0.25

HSLA 9.52, 0.31%, 0.4%, 0.25

LABA 40.26, 21, 15.27, 0.25

 

CMYK 0 / 12 / 14 / 14

HEX #753F343F

RGBA 117 63 52 0.25

HSLA 10.15, 0.38%, 0.33%, 0.25

LABA 33.1, 22.28, 17.09, 0.25

 

CMYK 0 / 14 / 17 / 15

HEX #642D213F

RGBA 100 45 33 0.25

HSLA 10.75, 0.5%, 0.26%, 0.25

LABA 25.85, 23.75, 19.35, 0.25

 

CMYK 0 / 17 / 21 / 17

HEX #531B0E3F

RGBA 83 27 14 0.25

HSLA 11.3, 0.71%, 0.19%, 0.25

LABA 18.6, 25.32, 21.85, 0.25

 

CMYK 0 / 34 / 40 / 41

HEX #96635A

RGB 150 99 90

HSL 9, 0.25%, 0.47%

LAB 47.17, 19.5, 13.57

 

CMYK 0 / 40 / 40 / 41

HEX #965A5A

RGB 150 90 90

HSL 0, 0.25%, 0.47%

LAB 44.99, 24.67, 10.55

 

CMYK 0 / 34 / 40 / 41

HEX #96635A

RGB 150 99 90

HSL 9, 0.25%, 0.47%

LAB 47.17, 19.5, 13.57

 

CMYK 0 / 23 / 40 / 41

HEX #96735A

RGB 150 115 90

HSL 25, 0.25%, 0.47%

LAB 51.25, 10.25, 19.13

 

CMYK 0 / 13 / 40 / 41

HEX #96835A

RGB 150 131 90

HSL 41, 0.25%, 0.47%

LAB 55.54, 1.13, 24.83

 

CMYK 0 / 2 / 40 / 41

HEX #96935A

RGB 150 147 90

HSL 57, 0.25%, 0.47%

LAB 59.97, -7.71, 30.56

 

CMYK 9 / 0 / 40 / 41

HEX #88965A

RGB 136 150 90

HSL 74, 0.25%, 0.47%

LAB 59.69, -15.12, 29.98

 

CMYK 0 / 34 / 40 / 41

HEX #96635A

RGB 150 99 90

HSL 9, 0.25%, 0.47%

LAB 47.17, 19.5, 13.57

 

CMYK 0 / 50 / 59 / 34

HEX #A95546

RGB 169 85 70

HSL 9.09, 0.41%, 0.47%

LAB 46.14, 33.05, 24.54

 

CMYK 0 / 62 / 73 / 26

HEX #BD4733

RGB 189 71 51

HSL 8.7, 0.58%, 0.47%

LAB 46.4, 46.36, 36.54

 

CMYK 0 / 72 / 85 / 18

HEX #D03A20

RGB 208 58 32

HSL 8.86, 0.73%, 0.47%

LAB 47.68, 57.38, 48.75

 

CMYK 0 / 81 / 95 / 11

HEX #E32C0C

RGB 227 44 12

HSL 8.93, 0.9%, 0.47%

LAB 49.69, 67.02, 59.35

 

CMYK 0 / 34 / 40 / 41

HEX #96635A

RGB 150 99 90

HSL 9, 0.25%, 0.47%

LAB 47.17, 19.5, 13.57

 

CMYK 0 / 14 / 16 / 49

HEX #82706D

RGB 130 112 109

HSL 8.57, 0.09%, 0.47%

LAB 48.81, 6.51, 4.26

 

CMYK 14 / 2 / 0 / 49

HEX #6F7E81

RGB 111 126 129

HSL 190, 0.08%, 0.47%

LAB 51.71, -4.83, -3.5

 

CMYK 38 / 5 / 0 / 42

HEX #5C8C94

RGB 92 140 148

HSL 188.57, 0.23%, 0.47%

LAB 55.25, -14.04, -9.41

 

CMYK 57 / 8 / 0 / 35

HEX #4899A7

RGB 72 153 167

HSL 188.84, 0.4%, 0.47%

LAB 58.93, -20.51, -14.83

 

CMYK 0 / 40 / 24 / 41

HEX #965A72

RGB 150 90 114

HSL 336, 0.25%, 0.47%

LAB 45.65, 28.01, -3.07

 

CMYK 0 / 40 / 35 / 41

HEX #965A62

RGB 150 90 98

HSL 352, 0.25%, 0.47%

LAB 45.19, 25.69, 5.98

 

CMYK 0 / 35 / 40 / 41

HEX #96625A

RGB 150 98 90

HSL 8, 0.25%, 0.47%

LAB 46.92, 20.08, 13.23

 

CMYK 0 / 24 / 40 / 41

HEX #96725A

RGB 150 114 90

HSL 24, 0.25%, 0.47%

LAB 50.99, 10.83, 18.78

 

CMYK 0 / 13 / 40 / 41

HEX #96825A

RGB 150 130 90

HSL 40, 0.25%, 0.47%

LAB 55.26, 1.69, 24.47

 

CMYK 0 / 34 / 40 / 62

HEX #62413B

RGB 98 65 59

HSL 9.23, 0.25%, 0.31%

LAB 31.1, 13.5, 9.47

 

CMYK 0 / 34 / 40 / 51

HEX #7C524A

RGB 124 82 74

HSL 9.6, 0.25%, 0.39%

LAB 39.27, 16.5, 11.86

 

CMYK 0 / 34 / 40 / 41

HEX #96635A

RGB 150 99 90

HSL 9, 0.25%, 0.47%

LAB 47.17, 19.5, 13.57

 

CMYK 0 / 29 / 34 / 34

HEX #A97870

RGB 169 120 112

HSL 8.42, 0.25%, 0.55%

LAB 55.11, 18.07, 12.02

 

CMYK 0 / 22 / 25 / 27

HEX #B9918A

RGB 185 145 138

HSL 8.94, 0.25%, 0.63%

LAB 63.67, 14.01, 9.48

 

CMYK 0 / 34 / 40 / 41

HEX #97635A

RGB 151 99 90

HSL 8.85, 0.25%, 0.47%

LAB 47.29, 19.91, 13.76

 

CMYK 13 / 0 / 40 / 41

HEX #82965A

RGB 130 150 90

HSL 80, 0.25%, 0.47%

LAB 59.25, -17.55, 29.31

 

CMYK 40 / 29 / 0 / 41

HEX #5A6A96

RGB 90 106 150

HSL 224, 0.25%, 0.47%

LAB 45.2, 5.67, -25.92

 

CMYK 0 / 34 / 40 / 41

HEX #97635A

RGB 151 99 90

HSL 8.85, 0.25%, 0.47%

LAB 47.29, 19.91, 13.76

 

CMYK 40 / 0 / 35 / 41

HEX #5A9662

RGB 90 150 98

HSL 128, 0.25%, 0.47%

LAB 56.95, -30.92, 21.47

 

CMYK 35 / 40 / 0 / 41

HEX #625A96

RGB 98 90 150

HSL 248, 0.25%, 0.47%

LAB 41.39, 17.92, -31.83

 

CMYK 0 / 34 / 40 / 41

HEX #97635A

RGB 151 99 90

HSL 8.85, 0.25%, 0.47%

LAB 47.29, 19.91, 13.76

 

CMYK 13 / 0 / 40 / 41

HEX #82965A

RGB 130 150 90

HSL 80, 0.25%, 0.47%

LAB 59.25, -17.55, 29.31

 

CMYK 40 / 5 / 0 / 41

HEX #5A8E96

RGB 90 142 150

HSL 188, 0.25%, 0.47%

LAB 55.81, -15.15, -9.73

 

CMYK 27 / 40 / 0 / 41

HEX #6E5A96

RGB 110 90 150

HSL 260, 0.25%, 0.47%

LAB 42.5, 21.53, -30

 

CMYK 0 / 34 / 40 / 41

HEX #97635A

RGB 151 99 90

HSL 8.85, 0.25%, 0.47%

LAB 47.29, 19.91, 13.76

 

CMYK 25 / 0 / 40 / 41

HEX #70965A

RGB 112 150 90

HSL 98, 0.25%, 0.47%

LAB 58.03, -24.54, 27.51

 

CMYK 40 / 5 / 0 / 41

HEX #5A8E96

RGB 90 142 150

HSL 188, 0.25%, 0.47%

LAB 55.81, -15.15, -9.73

 

CMYK 15 / 40 / 0 / 41

HEX #805A96

RGB 128 90 150

HSL 278, 0.25%, 0.47%

LAB 44.38, 27.2, -26.93

 

Description

Color code: HEX #97635A3F | qconv.com Color code: HEX #97635A3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 99 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 99 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 10 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 10% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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