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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975E3E it is the complementary color #68A1C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975E3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975E3E shade: #9C5E39, #AD704C, #BE825F, #CF9472 and #E0A685

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975E3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975E3E shade: #975E3E, #864C2B, #753A18, #642805 and #531600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975E3E shade: #985E3E, #98463E and #983E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975E3E shade: #985E3E, #98763E, #988E3E, #88983E and #70983E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975E3E shade matches the following richer shades: #985E3E, #A9592C, #BA541B and #CC4F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975E3E shade: #985E3E, #86634F, #756860, #646D72 and #527183

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975E3E shade: #983E4E, #98453E, #985D3E, #98753E and #988D3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975E3E shade: #5D3A26, #7A4C32, #985E3E, #B5704A and #C18767

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975E3E shade: #975E3E, #66983E and #3E4298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975E3E shade: #975E3E, #3E985D and #5D3E98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975E3E shade: #975E3E, #66983E, #3E7898 and #6F3E98

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975E3E shade: #975E3E, #4B983E, #3E7898 and #8A3E98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

Complementary color

CMYK 46 / 17 / 0 / 24

HEX #68A1C1

RGB 104 161 193

HSL 201.57, 0.42%, 0.58%

LAB 63.58, -9.99, -22.28

 

CMYK 0 / 40 / 63 / 39

HEX #9C5E39

RGB 156 94 57

HSL 22.42, 0.46%, 0.42%

LAB 46.14, 21.69, 31.6

 

CMYK 0 / 35 / 56 / 32

HEX #AD704C

RGB 173 112 76

HSL 22.27, 0.39%, 0.49%

LAB 52.94, 20.31, 29.83

 

CMYK 0 / 32 / 50 / 25

HEX #BE825F

RGB 190 130 95

HSL 22.11, 0.42%, 0.56%

LAB 59.65, 19.13, 28.23

 

CMYK 0 / 29 / 45 / 19

HEX #CF9472

RGB 207 148 114

HSL 21.94, 0.49%, 0.63%

LAB 66.26, 18.12, 26.77

 

CMYK 0 / 26 / 41 / 12

HEX #E0A685

RGB 224 166 133

HSL 21.76, 0.59%, 0.7%

LAB 72.77, 17.23, 25.45

 

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

CMYK 0 / 43 / 68 / 47

HEX #864C2B

RGB 134 76 43

HSL 21.76, 0.51%, 0.35%

LAB 38.57, 21.41, 29.79

 

CMYK 0 / 50 / 79 / 54

HEX #753A18

RGB 117 58 24

HSL 21.94, 0.66%, 0.28%

LAB 31.52, 23.2, 31.79

 

CMYK 0 / 60 / 95 / 61

HEX #642805

RGB 100 40 5

HSL 22.11, 0.9%, 0.21%

LAB 24.44, 25.22, 32.94

 

CMYK 0 / 73 / 100 / 67

HEX #531600

RGB 83 22 0

HSL 15.9, 1%, 0.16%

LAB 17.52, 27.3, 26.45

 

CMYK 0 / 38 / 59 / 40

HEX #985E3E

RGB 152 94 62

HSL 21.33, 0.42%, 0.42%

LAB 45.67, 20.34, 28.09

 

CMYK 0 / 54 / 59 / 40

HEX #98463E

RGB 152 70 62

HSL 5.33, 0.42%, 0.42%

LAB 40.25, 33.66, 21.24

 

CMYK 0 / 59 / 59 / 40

HEX #983E3E

RGB 152 62 62

HSL 0, 0.42%, 0.42%

LAB 38.67, 37.76, 19.19

 

CMYK 0 / 38 / 59 / 40

HEX #985E3E

RGB 152 94 62

HSL 21.33, 0.42%, 0.42%

LAB 45.67, 20.34, 28.09

 

CMYK 0 / 22 / 59 / 40

HEX #98763E

RGB 152 118 62

HSL 37.33, 0.42%, 0.42%

LAB 51.81, 6.55, 35.51

 

CMYK 0 / 7 / 59 / 40

HEX #988E3E

RGB 152 142 62

HSL 53.33, 0.42%, 0.42%

LAB 58.39, -6.85, 43.08

 

CMYK 11 / 0 / 59 / 40

HEX #88983E

RGB 136 152 62

HSL 70.67, 0.42%, 0.42%

LAB 59.92, -19.1, 44.44

 

CMYK 26 / 0 / 59 / 40

HEX #70983E

RGB 112 152 62

HSL 86.67, 0.42%, 0.42%

LAB 58.27, -28.92, 42.13

 

CMYK 0 / 38 / 59 / 40

HEX #985E3E

RGB 152 94 62

HSL 21.33, 0.42%, 0.42%

LAB 45.67, 20.34, 28.09

 

CMYK 0 / 47 / 74 / 34

HEX #A9592C

RGB 169 89 44

HSL 21.6, 0.59%, 0.42%

LAB 46.66, 29.22, 39.66

 

CMYK 0 / 55 / 85 / 27

HEX #BA541B

RGB 186 84 27

HSL 21.51, 0.75%, 0.42%

LAB 48.08, 38.13, 49.77

 

CMYK 0 / 61 / 95 / 20

HEX #CC4F0A

RGB 204 79 10

HSL 21.34, 0.91%, 0.42%

LAB 50.04, 47.06, 57.89

 

CMYK 0 / 38 / 59 / 40

HEX #985E3E

RGB 152 94 62

HSL 21.33, 0.42%, 0.42%

LAB 45.67, 20.34, 28.09

 

CMYK 0 / 26 / 41 / 47

HEX #86634F

RGB 134 99 79

HSL 21.82, 0.26%, 0.42%

LAB 45.02, 11.35, 16.88

 

CMYK 0 / 11 / 18 / 54

HEX #756860

RGB 117 104 96

HSL 22.86, 0.1%, 0.42%

LAB 44.98, 3.69, 6.37

 

CMYK 12 / 4 / 0 / 55

HEX #646D72

RGB 100 109 114

HSL 201.43, 0.07%, 0.42%

LAB 45.44, -2.29, -3.96

 

CMYK 37 / 14 / 0 / 49

HEX #527183

RGB 82 113 131

HSL 202.04, 0.23%, 0.42%

LAB 45.96, -6.33, -13.48

 

CMYK 0 / 59 / 49 / 40

HEX #983E4E

RGB 152 62 78

HSL 349.33, 0.42%, 0.42%

LAB 39.02, 39.19, 9.65

 

CMYK 0 / 55 / 59 / 40

HEX #98453E

RGB 152 69 62

HSL 4.67, 0.42%, 0.42%

LAB 40.05, 34.19, 20.98

 

CMYK 0 / 39 / 59 / 40

HEX #985D3E

RGB 152 93 62

HSL 20.67, 0.42%, 0.42%

LAB 45.43, 20.92, 27.79

 

CMYK 0 / 23 / 59 / 40

HEX #98753E

RGB 152 117 62

HSL 36.67, 0.42%, 0.42%

LAB 51.55, 7.13, 35.19

 

CMYK 0 / 7 / 59 / 40

HEX #988D3E

RGB 152 141 62

HSL 52.67, 0.42%, 0.42%

LAB 58.11, -6.3, 42.77

 

CMYK 0 / 38 / 59 / 64

HEX #5D3A26

RGB 93 58 38

HSL 21.82, 0.42%, 0.26%

LAB 28.1, 13.1, 18.75

 

CMYK 0 / 38 / 59 / 52

HEX #7A4C32

RGB 122 76 50

HSL 21.67, 0.42%, 0.34%

LAB 37, 16.59, 23.43

 

CMYK 0 / 38 / 59 / 40

HEX #985E3E

RGB 152 94 62

HSL 21.33, 0.42%, 0.42%

LAB 45.67, 20.34, 28.09

 

CMYK 0 / 38 / 59 / 29

HEX #B5704A

RGB 181 112 74

HSL 21.31, 0.42%, 0.5%

LAB 53.93, 23.52, 32.39

 

CMYK 0 / 30 / 47 / 24

HEX #C18767

RGB 193 135 103

HSL 21.33, 0.42%, 0.58%

LAB 61.35, 18.4, 26.07

 

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

CMYK 33 / 0 / 59 / 40

HEX #66983E

RGB 102 152 62

HSL 93.33, 0.42%, 0.42%

LAB 57.68, -32.73, 41.3

 

CMYK 59 / 57 / 0 / 40

HEX #3E4298

RGB 62 66 152

HSL 237.33, 0.42%, 0.42%

LAB 32.23, 24.98, -47.83

 

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

CMYK 59 / 0 / 39 / 40

HEX #3E985D

RGB 62 152 93

HSL 140.67, 0.42%, 0.42%

LAB 56.36, -40.55, 23.24

 

CMYK 39 / 59 / 0 / 40

HEX #5D3E98

RGB 93 62 152

HSL 260.67, 0.42%, 0.42%

LAB 34.06, 34.37, -44.73

 

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

CMYK 33 / 0 / 59 / 40

HEX #66983E

RGB 102 152 62

HSL 93.33, 0.42%, 0.42%

LAB 57.68, -32.73, 41.3

 

CMYK 59 / 21 / 0 / 40

HEX #3E7898

RGB 62 120 152

HSL 201.33, 0.42%, 0.42%

LAB 47.91, -9.11, -23.03

 

CMYK 27 / 59 / 0 / 40

HEX #6F3E98

RGB 111 62 152

HSL 272.67, 0.42%, 0.42%

LAB 36.16, 38.89, -41.25

 

CMYK 0 / 38 / 59 / 41

HEX #975E3E

RGB 151 94 62

HSL 21.57, 0.42%, 0.42%

LAB 45.54, 19.91, 27.9

 

CMYK 51 / 0 / 59 / 40

HEX #4B983E

RGB 75 152 62

HSL 111.33, 0.42%, 0.42%

LAB 56.39, -41.82, 39.47

 

CMYK 59 / 21 / 0 / 40

HEX #3E7898

RGB 62 120 152

HSL 201.33, 0.42%, 0.42%

LAB 47.91, -9.11, -23.03

 

CMYK 9 / 59 / 0 / 40

HEX #8A3E98

RGB 138 62 152

HSL 290.67, 0.42%, 0.42%

LAB 39.77, 46.04, -35.28

 

Description

Color code: HEX #975E3E | qconv.com Color code: HEX #975E3E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 94 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 94 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 59 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 59% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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