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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975AE3CE it is the complementary color #68A51CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975AE3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975AE3CE shade: #9C5ADECE, #AD6CF1CE, #BE7EFFCE, #CF90FFCE and #E0A2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975AE3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975AE3CE shade: #975AE3CE, #8648D0CE, #7536BDCE, #6424AACE and #531297CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975AE3CE shade: #9759E3, #BC59E3, #E159E3, #E359C0 and #E3599B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975AE3CE shade: #9759E3, #7159E3 and #5959E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975AE3CE shade matches the following richer shades: #9759E3 and #954AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975AE3CE shade: #9759E3, #9869D3, #9A79C4, #9C88B4 and #9D98A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975AE3CE shade: #5967E3, #7059E3, #9559E3, #BA59E3 and #DE59E3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975AE3CE shade: #6C22C8, #8036DD, #9759E3, #AD7DE9 and #C3A0EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975AE3CE shade: #975AE3, #E3598C and #59E35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975AE3CE shade: #975AE3, #E39559 and #59E395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975AE3CE shade: #975AE3, #E3598C, #A7E359 and #59E3B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975AE3CE shade: #975AE3, #E35962, #A7E359 and #59E3DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 49 / 0 / 9

HEX #975AE3CE

RGBA 151 90 227 0.81

HSLA 266.72, 0.71%, 0.62%, 0.81

LABA 51.2, 51.87, -60.64, 0.81

 

Complementary color

CMYK 30 / 0 / 67 / 29

HEX #68A51CCE

RGBA 104 165 28 0.81

HSLA 86.72, 0.71%, 0.38%, 0.81

LABA 61.6, -40.23, 58.3, 0.81

 

CMYK 24 / 48 / 0 / 10

HEX #9C5ADECE

RGBA 156 90 222 0.81

HSLA 270, 0.67%, 0.61%, 0.81

LABA 51.44, 51.8, -57.39, 0.81

 

CMYK 23 / 45 / 0 / 4

HEX #AD6CF1CE

RGBA 173 108 241 0.81

HSLA 269.32, 0.83%, 0.68%, 0.81

LABA 58, 50.9, -57.43, 0.81

 

CMYK 21 / 41 / 0 / 0

HEX #BE7EFFCE

RGBA 190 126 255 0.81

HSLA 269.77, 1%, 0.75%, 0.81

LABA 64.23, 48.84, -55.12, 0.81

 

CMYK 15 / 35 / 0 / 0

HEX #CF90FFCE

RGBA 207 144 255 0.81

HSLA 274.05, 1%, 0.78%, 0.81

LABA 69.78, 43.77, -46.24, 0.81

 

CMYK 10 / 30 / 0 / 0

HEX #E0A2FFCE

RGBA 224 162 255 0.81

HSLA 280, 1%, 0.82%, 0.81

LABA 75.39, 39.02, -37.34, 0.81

 

CMYK 27 / 49 / 0 / 9

HEX #975AE3CE

RGBA 151 90 227 0.81

HSLA 266.72, 0.71%, 0.62%, 0.81

LABA 51.2, 51.87, -60.64, 0.81

 

CMYK 29 / 53 / 0 / 15

HEX #8648D0CE

RGBA 134 72 208 0.81

HSLA 267.35, 0.59%, 0.55%, 0.81

LABA 44.6, 52.77, -60.56, 0.81

 

CMYK 31 / 58 / 0 / 21

HEX #7536BDCE

RGBA 117 54 189 0.81

HSLA 268, 0.56%, 0.48%, 0.81

LABA 38.01, 53.47, -60.3, 0.81

 

CMYK 33 / 64 / 0 / 27

HEX #6424AACE

RGBA 100 36 170 0.81

HSLA 268.66, 0.65%, 0.4%, 0.81

LABA 31.52, 53.74, -59.7, 0.81

 

CMYK 36 / 71 / 0 / 33

HEX #531297CE

RGBA 83 18 151 0.81

HSLA 269.32, 0.79%, 0.33%, 0.81

LABA 25.28, 53.05, -58.47, 0.81

 

CMYK 33 / 61 / 0 / 11

HEX #9759E3

RGB 151 89 227

HSL 266.96, 0.71%, 0.62%

LAB 51, 52.39, -60.95

 

CMYK 17 / 61 / 0 / 11

HEX #BC59E3

RGB 188 89 227

HSL 283.04, 0.71%, 0.62%

LAB 55.46, 60.88, -53.55

 

CMYK 1 / 61 / 0 / 11

HEX #E159E3

RGB 225 89 227

HSL 299.13, 0.71%, 0.62%

LAB 60.51, 69.72, -45.22

 

CMYK 0 / 61 / 15 / 11

HEX #E359C0

RGB 227 89 192

HSL 315.22, 0.71%, 0.62%

LAB 59.23, 64.74, -27.39

 

CMYK 0 / 61 / 32 / 11

HEX #E3599B

RGB 227 89 155

HSL 331.3, 0.71%, 0.62%

LAB 57.89, 59.83, -8.07

 

CMYK 33 / 61 / 0 / 11

HEX #9759E3

RGB 151 89 227

HSL 266.96, 0.71%, 0.62%

LAB 51, 52.39, -60.95

 

CMYK 50 / 61 / 0 / 11

HEX #7159E3

RGB 113 89 227

HSL 250.43, 0.71%, 0.62%

LAB 47.24, 44.54, -67.22

 

CMYK 61 / 61 / 0 / 11

HEX #5959E3

RGB 89 89 227

HSL 240, 0.71%, 0.62%

LAB 45.38, 40.36, -70.33

 

CMYK 33 / 61 / 0 / 11

HEX #9759E3

RGB 151 89 227

HSL 266.96, 0.71%, 0.62%

LAB 51, 52.39, -60.95

 

CMYK 39 / 70 / 0 / 5

HEX #954AF3

RGB 149 74 243

HSL 266.63, 0.88%, 0.62%

LAB 49.2, 63.21, -72.88

 

CMYK 33 / 61 / 0 / 11

HEX #9759E3

RGB 151 89 227

HSL 266.96, 0.71%, 0.62%

LAB 51, 52.39, -60.95

 

CMYK 28 / 50 / 0 / 17

HEX #9869D3

RGB 152 105 211

HSL 266.6, 0.55%, 0.62%

LAB 53.47, 40.06, -47.93

 

CMYK 21 / 38 / 0 / 23

HEX #9A79C4

RGB 154 121 196

HSL 266.4, 0.39%, 0.62%

LAB 56.61, 27.92, -34.44

 

CMYK 13 / 24 / 0 / 29

HEX #9C88B4

RGB 156 136 180

HSL 267.27, 0.23%, 0.62%

LAB 59.86, 16.26, -20.31

 

CMYK 4 / 7 / 0 / 36

HEX #9D98A4

RGB 157 152 164

HSL 265, 0.06%, 0.62%

LAB 63.59, 4.15, -5.63

 

CMYK 61 / 55 / 0 / 11

HEX #5967E3

RGB 89 103 227

HSL 233.91, 0.71%, 0.62%

LAB 48.72, 31.85, -64.9

 

CMYK 51 / 61 / 0 / 11

HEX #7059E3

RGB 112 89 227

HSL 250, 0.71%, 0.62%

LAB 47.15, 44.35, -67.37

 

CMYK 34 / 61 / 0 / 11

HEX #9559E3

RGB 149 89 227

HSL 266.09, 0.71%, 0.62%

LAB 50.78, 51.95, -61.32

 

CMYK 18 / 61 / 0 / 11

HEX #BA59E3

RGB 186 89 227

HSL 282.17, 0.71%, 0.62%

LAB 55.21, 60.41, -53.98

 

CMYK 2 / 61 / 0 / 11

HEX #DE59E3

RGB 222 89 227

HSL 297.83, 0.71%, 0.62%

LAB 60.09, 68.99, -45.92

 

CMYK 46 / 83 / 0 / 22

HEX #6C22C8

RGB 108 34 200

HSL 266.75, 0.71%, 0.46%

LAB 35.01, 62.85, -71.7

 

CMYK 42 / 76 / 0 / 13

HEX #8036DD

RGB 128 54 221

HSL 266.59, 0.71%, 0.54%

LAB 41.92, 63.15, -72.41

 

CMYK 33 / 61 / 0 / 11

HEX #9759E3

RGB 151 89 227

HSL 266.96, 0.71%, 0.62%

LAB 51, 52.39, -60.95

 

CMYK 26 / 46 / 0 / 9

HEX #AD7DE9

RGB 173 125 233

HSL 266.67, 0.71%, 0.7%

LAB 61.16, 39.82, -47.96

 

CMYK 18 / 33 / 0 / 6

HEX #C3A0EF

RGB 195 160 239

HSL 266.58, 0.71%, 0.78%

LAB 71.54, 28.07, -34.86

 

CMYK 33 / 60 / 0 / 11

HEX #975AE3

RGB 151 90 227

HSL 266.72, 0.71%, 0.62%

LAB 51.2, 51.87, -60.64

 

CMYK 0 / 61 / 38 / 11

HEX #E3598C

RGB 227 89 140

HSL 337.83, 0.71%, 0.62%

LAB 57.43, 58.12, 0.03

 

CMYK 61 / 0 / 59 / 11

HEX #59E35E

RGB 89 227 94

HSL 122.17, 0.71%, 0.62%

LAB 80.67, -63.09, 53

 

CMYK 33 / 60 / 0 / 11

HEX #975AE3

RGB 151 90 227

HSL 266.72, 0.71%, 0.62%

LAB 51.2, 51.87, -60.64

 

CMYK 0 / 34 / 61 / 11

HEX #E39559

RGB 227 149 89

HSL 26.09, 0.71%, 0.62%

LAB 68.42, 23.57, 43.28

 

CMYK 61 / 0 / 34 / 11

HEX #59E395

RGB 89 227 149

HSL 146.09, 0.71%, 0.62%

LAB 81.42, -54.78, 27.26

 

CMYK 33 / 60 / 0 / 11

HEX #975AE3

RGB 151 90 227

HSL 266.72, 0.71%, 0.62%

LAB 51.2, 51.87, -60.64

 

CMYK 0 / 61 / 38 / 11

HEX #E3598C

RGB 227 89 140

HSL 337.83, 0.71%, 0.62%

LAB 57.43, 58.12, 0.03

 

CMYK 26 / 0 / 61 / 11

HEX #A7E359

RGB 167 227 89

HSL 86.09, 0.71%, 0.62%

LAB 83.9, -40.31, 59.71

 

CMYK 61 / 0 / 22 / 11

HEX #59E3B0

RGB 89 227 176

HSL 157.83, 0.71%, 0.62%

LAB 81.94, -49.28, 13.94

 

CMYK 33 / 60 / 0 / 11

HEX #975AE3

RGB 151 90 227

HSL 266.72, 0.71%, 0.62%

LAB 51.2, 51.87, -60.64

 

CMYK 0 / 61 / 57 / 11

HEX #E35962

RGB 227 89 98

HSL 356.09, 0.71%, 0.62%

LAB 56.44, 54.32, 23.28

 

CMYK 26 / 0 / 61 / 11

HEX #A7E359

RGB 167 227 89

HSL 86.09, 0.71%, 0.62%

LAB 83.9, -40.31, 59.71

 

CMYK 61 / 0 / 4 / 11

HEX #59E3DA

RGB 89 227 218

HSL 176.09, 0.71%, 0.62%

LAB 82.98, -39.13, -6.75

 

Description

Color code: HEX #975AE3CE | qconv.com Color code: HEX #975AE3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 90 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 90 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 49 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 49% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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