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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9759DF it is the complementary color #68A620. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9759DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9759DF shade: #9C59DA, #AD6BED, #BE7DFF, #CF8FFF and #E0A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9759DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9759DF shade: #9759DF, #8647CC, #7535B9, #6423A6 and #531193

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9759DF shade: #9758DF, #BB58DF, #DF58DF, #DF58BA and #DF5896

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9759DF shade: #9758DF, #7258DF and #5858DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9759DF shade matches the following richer shades: #9758DF and #9548EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9759DF shade: #9758DF, #9868CF, #9978BF, #9A88AF and #9B989F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9759DF shade: #5863DF, #7158DF, #9558DF, #B958DF and #DD58DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9759DF shade: #6C25C0, #8135D9, #9758DF, #AC7BE6 and #C29DEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9759DF shade: #9759DF, #DF5887 and #58DF5F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9759DF shade: #9759DF, #DF9558 and #58DF95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9759DF shade: #9759DF, #DF5887, #A2DF58 and #58DFB0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9759DF shade: #9759DF, #DF585F, #A2DF58 and #58DFD8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

Complementary color

CMYK 37 / 0 / 81 / 35

HEX #68A620

RGB 104 166 32

HSL 87.76, 0.68%, 0.39%

LAB 61.93, -40.47, 57.48

 

CMYK 28 / 59 / 0 / 15

HEX #9C59DA

RGB 156 89 218

HSL 271.16, 0.64%, 0.6%

LAB 51.01, 51.37, -55.82

 

CMYK 27 / 55 / 0 / 7

HEX #AD6BED

RGB 173 107 237

HSL 270.46, 0.78%, 0.67%

LAB 57.57, 50.5, -55.89

 

CMYK 25 / 51 / 0 / 0

HEX #BE7DFF

RGB 190 125 255

HSL 270, 1%, 0.75%

LAB 64.03, 49.37, -55.44

 

CMYK 19 / 44 / 0 / 0

HEX #CF8FFF

RGB 207 143 255

HSL 274.29, 1%, 0.78%

LAB 69.56, 44.3, -46.58

 

CMYK 12 / 37 / 0 / 0

HEX #E0A1FF

RGB 224 161 255

HSL 280.21, 1%, 0.82%

LAB 75.17, 39.55, -37.68

 

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

CMYK 34 / 65 / 0 / 20

HEX #8647CC

RGB 134 71 204

HSL 268.42, 0.57%, 0.54%

LAB 44.14, 52.29, -59

 

CMYK 37 / 71 / 0 / 27

HEX #7535B9

RGB 117 53 185

HSL 269.09, 0.55%, 0.47%

LAB 37.54, 52.96, -58.72

 

CMYK 40 / 79 / 0 / 35

HEX #6423A6

RGB 100 35 166

HSL 269.77, 0.65%, 0.39%

LAB 31.03, 53.16, -58.09

 

CMYK 44 / 88 / 0 / 42

HEX #531193

RGB 83 17 147

HSL 270.46, 0.79%, 0.32%

LAB 24.79, 52.39, -56.81

 

CMYK 32 / 61 / 0 / 13

HEX #9758DF

RGB 151 88 223

HSL 268, 0.68%, 0.61%

LAB 50.55, 51.93, -59.41

 

CMYK 16 / 61 / 0 / 13

HEX #BB58DF

RGB 187 88 223

HSL 284, 0.68%, 0.61%

LAB 54.94, 60.3, -52.14

 

CMYK 0 / 61 / 0 / 13

HEX #DF58DF

RGB 223 88 223

HSL 300, 0.68%, 0.61%

LAB 59.88, 68.97, -43.99

 

CMYK 0 / 61 / 17 / 13

HEX #DF58BA

RGB 223 88 186

HSL 316.44, 0.68%, 0.61%

LAB 58.24, 63.2, -25.54

 

CMYK 0 / 61 / 33 / 13

HEX #DF5896

RGB 223 88 150

HSL 332.44, 0.68%, 0.61%

LAB 56.95, 58.46, -6.61

 

CMYK 32 / 61 / 0 / 13

HEX #9758DF

RGB 151 88 223

HSL 268, 0.68%, 0.61%

LAB 50.55, 51.93, -59.41

 

CMYK 49 / 61 / 0 / 13

HEX #7258DF

RGB 114 88 223

HSL 251.56, 0.68%, 0.61%

LAB 46.82, 44.13, -65.63

 

CMYK 61 / 61 / 0 / 13

HEX #5858DF

RGB 88 88 223

HSL 240, 0.68%, 0.61%

LAB 44.78, 39.51, -69.04

 

CMYK 32 / 61 / 0 / 13

HEX #9758DF

RGB 151 88 223

HSL 268, 0.68%, 0.61%

LAB 50.55, 51.93, -59.41

 

CMYK 38 / 70 / 0 / 6

HEX #9548EF

RGB 149 72 239

HSL 267.66, 0.84%, 0.61%

LAB 48.58, 63.16, -71.64

 

CMYK 32 / 61 / 0 / 13

HEX #9758DF

RGB 151 88 223

HSL 268, 0.68%, 0.61%

LAB 50.55, 51.93, -59.41

 

CMYK 27 / 50 / 0 / 19

HEX #9868CF

RGB 152 104 207

HSL 267.96, 0.52%, 0.61%

LAB 53.04, 39.65, -46.35

 

CMYK 20 / 37 / 0 / 25

HEX #9978BF

RGB 153 120 191

HSL 267.89, 0.36%, 0.61%

LAB 56.05, 27.02, -32.47

 

CMYK 12 / 22 / 0 / 31

HEX #9A88AF

RGB 154 136 175

HSL 267.69, 0.2%, 0.61%

LAB 59.5, 14.5, -18.03

 

CMYK 3 / 4 / 0 / 38

HEX #9B989F

RGB 155 152 159

HSL 265.71, 0.04%, 0.61%

LAB 63.28, 2.45, -3.28

 

CMYK 61 / 56 / 0 / 13

HEX #5863DF

RGB 88 99 223

HSL 235.11, 0.68%, 0.61%

LAB 47.4, 32.81, -64.78

 

CMYK 49 / 61 / 0 / 13

HEX #7158DF

RGB 113 88 223

HSL 251.11, 0.68%, 0.61%

LAB 46.73, 43.94, -65.77

 

CMYK 33 / 61 / 0 / 13

HEX #9558DF

RGB 149 88 223

HSL 267.11, 0.68%, 0.61%

LAB 50.33, 51.49, -59.78

 

CMYK 17 / 61 / 0 / 13

HEX #B958DF

RGB 185 88 223

HSL 283.11, 0.68%, 0.61%

LAB 54.68, 59.82, -52.57

 

CMYK 1 / 61 / 0 / 13

HEX #DD58DF

RGB 221 88 223

HSL 299.11, 0.68%, 0.61%

LAB 59.6, 68.49, -44.46

 

CMYK 44 / 81 / 0 / 25

HEX #6C25C0

RGB 108 37 192

HSL 267.48, 0.68%, 0.45%

LAB 34.63, 59.88, -67.63

 

CMYK 41 / 76 / 0 / 15

HEX #8135D9

RGB 129 53 217

HSL 267.8, 0.68%, 0.53%

LAB 41.57, 62.76, -70.69

 

CMYK 32 / 61 / 0 / 13

HEX #9758DF

RGB 151 88 223

HSL 268, 0.68%, 0.61%

LAB 50.55, 51.93, -59.41

 

CMYK 25 / 47 / 0 / 10

HEX #AC7BE6

RGB 172 123 230

HSL 267.48, 0.68%, 0.69%

LAB 60.47, 39.95, -47.39

 

CMYK 18 / 33 / 0 / 7

HEX #C29DEC

RGB 194 157 236

HSL 268.1, 0.68%, 0.77%

LAB 70.62, 28.76, -34.65

 

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

CMYK 0 / 61 / 39 / 13

HEX #DF5887

RGB 223 88 135

HSL 339.11, 0.68%, 0.61%

LAB 56.5, 56.78, 1.54

 

CMYK 61 / 0 / 57 / 13

HEX #58DF5F

RGB 88 223 95

HSL 123.11, 0.68%, 0.61%

LAB 79.43, -61.77, 51.11

 

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

CMYK 0 / 33 / 61 / 13

HEX #DF9558

RGB 223 149 88

HSL 27.11, 0.68%, 0.61%

LAB 67.94, 21.86, 43.1

 

CMYK 61 / 0 / 33 / 13

HEX #58DF95

RGB 88 223 149

HSL 147.11, 0.68%, 0.61%

LAB 80.19, -53.4, 25.59

 

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

CMYK 0 / 61 / 39 / 13

HEX #DF5887

RGB 223 88 135

HSL 339.11, 0.68%, 0.61%

LAB 56.5, 56.78, 1.54

 

CMYK 27 / 0 / 61 / 13

HEX #A2DF58

RGB 162 223 88

HSL 87.11, 0.68%, 0.61%

LAB 82.47, -40.44, 58.46

 

CMYK 61 / 0 / 21 / 13

HEX #58DFB0

RGB 88 223 176

HSL 159.11, 0.68%, 0.61%

LAB 80.73, -47.8, 12.22

 

CMYK 32 / 60 / 0 / 13

HEX #9759DF

RGB 151 89 223

HSL 267.76, 0.68%, 0.61%

LAB 50.75, 51.41, -59.1

 

CMYK 0 / 61 / 57 / 13

HEX #DF585F

RGB 223 88 95

HSL 356.89, 0.68%, 0.61%

LAB 55.58, 53.2, 23.77

 

CMYK 27 / 0 / 61 / 13

HEX #A2DF58

RGB 162 223 88

HSL 87.11, 0.68%, 0.61%

LAB 82.47, -40.44, 58.46

 

CMYK 61 / 0 / 3 / 13

HEX #58DFD8

RGB 88 223 216

HSL 176.89, 0.68%, 0.61%

LAB 81.73, -38, -7.54

 

Description

Color code: HEX #9759DF | qconv.com Color code: HEX #9759DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 89 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 89 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 60 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 60% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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