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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97584E it is the complementary color #68A7B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97584E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97584E shade: #9C5849, #AD6A5C, #BE7C6F, #CF8E82 and #E0A095

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97584E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97584E shade: #97584E, #86463B, #753428, #642215 and #531002

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97584E shade: #97584E and #974E4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97584E shade: #97584E, #976C4E, #97804E, #97944E and #88974E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97584E shade matches the following richer shades: #97584E, #AA4B3B, #BD3D29, #CF3016 and #E22204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97584E shade: #97584E, #856661, #727373, #608186 and #4D8E98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97584E shade: #974E6B, #974E58, #97584E, #976B4E and #977F4E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97584E shade: #613832, #7C4840, #97584E, #AE6C61 and #BC857C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97584E shade: #97584E, #7F974E and #4E6297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97584E shade: #97584E, #4E9758 and #584E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97584E shade: #97584E, #7F974E, #4E8E97 and #674E97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97584E shade: #97584E, #69974E, #4E8E97 and #7D4E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

Complementary color

CMYK 41 / 6 / 0 / 31

HEX #68A7B1

RGB 104 167 177

HSL 188.22, 0.32%, 0.55%

LAB 64.77, -17.58, -11.53

 

CMYK 0 / 44 / 53 / 39

HEX #9C5849

RGB 156 88 73

HSL 10.84, 0.36%, 0.45%

LAB 44.98, 26.41, 20.9

 

CMYK 0 / 39 / 47 / 32

HEX #AD6A5C

RGB 173 106 92

HSL 10.37, 0.33%, 0.52%

LAB 51.8, 25.19, 19.18

 

CMYK 0 / 35 / 42 / 25

HEX #BE7C6F

RGB 190 124 111

HSL 9.87, 0.38%, 0.59%

LAB 58.52, 24.13, 17.7

 

CMYK 0 / 31 / 37 / 19

HEX #CF8E82

RGB 207 142 130

HSL 9.35, 0.45%, 0.66%

LAB 65.14, 23.18, 16.38

 

CMYK 0 / 29 / 33 / 12

HEX #E0A095

RGB 224 160 149

HSL 8.8, 0.55%, 0.73%

LAB 71.66, 22.34, 15.2

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 48 / 56 / 47

HEX #86463B

RGB 134 70 59

HSL 8.8, 0.39%, 0.38%

LAB 37.42, 26.12, 18.86

 

CMYK 0 / 56 / 66 / 54

HEX #753428

RGB 117 52 40

HSL 9.35, 0.49%, 0.31%

LAB 30.38, 27.54, 21.14

 

CMYK 0 / 66 / 79 / 61

HEX #642215

RGB 100 34 21

HSL 9.87, 0.65%, 0.24%

LAB 23.36, 29.01, 23.99

 

CMYK 0 / 81 / 98 / 67

HEX #531002

RGB 83 16 2

HSL 10.37, 0.95%, 0.17%

LAB 16.57, 30.02, 24.48

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 48 / 48 / 41

HEX #974E4E

RGB 151 78 78

HSL 0, 0.32%, 0.45%

LAB 42.12, 30.43, 13.91

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 28 / 48 / 41

HEX #976C4E

RGB 151 108 78

HSL 24.66, 0.32%, 0.45%

LAB 49.32, 13.35, 23.52

 

CMYK 0 / 15 / 48 / 41

HEX #97804E

RGB 151 128 78

HSL 41.1, 0.32%, 0.45%

LAB 54.62, 1.91, 30.31

 

CMYK 0 / 2 / 48 / 41

HEX #97944E

RGB 151 148 78

HSL 57.53, 0.32%, 0.45%

LAB 60.17, -9.12, 37.15

 

CMYK 10 / 0 / 48 / 41

HEX #88974E

RGB 136 151 78

HSL 72.33, 0.32%, 0.45%

LAB 59.81, -17.05, 36.44

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 56 / 65 / 33

HEX #AA4B3B

RGB 170 75 59

HSL 8.65, 0.48%, 0.45%

LAB 44.08, 37.85, 28.46

 

CMYK 0 / 68 / 78 / 26

HEX #BD3D29

RGB 189 61 41

HSL 8.11, 0.64%, 0.45%

LAB 44.68, 50.26, 40.16

 

CMYK 0 / 77 / 89 / 19

HEX #CF3016

RGB 207 48 22

HSL 8.43, 0.81%, 0.45%

LAB 46.23, 60.19, 51.85

 

CMYK 0 / 85 / 98 / 11

HEX #E22204

RGB 226 34 4

HSL 8.11, 0.97%, 0.45%

LAB 48.66, 68.96, 60.79

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 23 / 27 / 48

HEX #856661

RGB 133 102 97

HSL 8.33, 0.16%, 0.45%

LAB 46.11, 11.66, 7.61

 

CMYK 1 / 0 / 0 / 55

HEX #727373

RGB 114 115 115

HSL 180, 0%, 0.45%

LAB 48.36, -0.38, -0.14

 

CMYK 28 / 4 / 0 / 47

HEX #608186

RGB 96 129 134

HSL 187.89, 0.17%, 0.45%

LAB 51.73, -10.37, -6.5

 

CMYK 49 / 7 / 0 / 40

HEX #4D8E98

RGB 77 142 152

HSL 188, 0.33%, 0.45%

LAB 55.27, -17.94, -11.75

 

CMYK 0 / 48 / 29 / 41

HEX #974E6B

RGB 151 78 107

HSL 336.16, 0.32%, 0.45%

LAB 42.9, 34.01, -2.84

 

CMYK 0 / 48 / 42 / 41

HEX #974E58

RGB 151 78 88

HSL 351.78, 0.32%, 0.45%

LAB 42.36, 31.54, 8.09

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 29 / 48 / 41

HEX #976B4E

RGB 151 107 78

HSL 23.84, 0.32%, 0.45%

LAB 49.06, 13.93, 23.19

 

CMYK 0 / 16 / 48 / 41

HEX #977F4E

RGB 151 127 78

HSL 40.27, 0.32%, 0.45%

LAB 54.35, 2.48, 29.97

 

CMYK 0 / 42 / 48 / 62

HEX #613832

RGB 97 56 50

HSL 7.66, 0.32%, 0.29%

LAB 28.38, 17.48, 11.54

 

CMYK 0 / 42 / 48 / 51

HEX #7C4840

RGB 124 72 64

HSL 8, 0.32%, 0.37%

LAB 36.54, 21.24, 14.33

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 0 / 38 / 44 / 32

HEX #AE6C61

RGB 174 108 97

HSL 8.57, 0.32%, 0.53%

LAB 52.49, 25.02, 17.23

 

CMYK 0 / 29 / 34 / 26

HEX #BC857C

RGB 188 133 124

HSL 8.44, 0.32%, 0.61%

LAB 60.71, 19.93, 13.28

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 16 / 0 / 48 / 41

HEX #7F974E

RGB 127 151 78

HSL 79.73, 0.32%, 0.45%

LAB 59.15, -20.74, 35.48

 

CMYK 48 / 35 / 0 / 41

HEX #4E6297

RGB 78 98 151

HSL 223.56, 0.32%, 0.45%

LAB 42.14, 7.65, -31.36

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 48 / 0 / 42 / 41

HEX #4E9758

RGB 78 151 88

HSL 128.22, 0.32%, 0.45%

LAB 56.54, -36.78, 26.31

 

CMYK 42 / 48 / 0 / 41

HEX #584E97

RGB 88 78 151

HSL 248.22, 0.32%, 0.45%

LAB 37.4, 22.95, -38.8

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 16 / 0 / 48 / 41

HEX #7F974E

RGB 127 151 78

HSL 79.73, 0.32%, 0.45%

LAB 59.15, -20.74, 35.48

 

CMYK 48 / 6 / 0 / 41

HEX #4E8E97

RGB 78 142 151

HSL 187.4, 0.32%, 0.45%

LAB 55.28, -17.98, -11.16

 

CMYK 32 / 48 / 0 / 41

HEX #674E97

RGB 103 78 151

HSL 260.55, 0.32%, 0.45%

LAB 38.84, 27.07, -36.43

 

CMYK 0 / 42 / 48 / 41

HEX #97584E

RGB 151 88 78

HSL 8.22, 0.32%, 0.45%

LAB 44.39, 24.84, 16.99

 

CMYK 30 / 0 / 48 / 41

HEX #69974E

RGB 105 151 78

HSL 97.81, 0.32%, 0.45%

LAB 57.74, -29.29, 33.42

 

CMYK 48 / 6 / 0 / 41

HEX #4E8E97

RGB 78 142 151

HSL 187.4, 0.32%, 0.45%

LAB 55.28, -17.98, -11.16

 

CMYK 17 / 48 / 0 / 41

HEX #7D4E97

RGB 125 78 151

HSL 278.63, 0.32%, 0.45%

LAB 41.28, 33.51, -32.41

 

Description

Color code: HEX #97584E | qconv.com Color code: HEX #97584E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 88 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 88 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 48 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 48% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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