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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9756FE it is the complementary color #68A901. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9756FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9756FE shade: #9C56F9, #AD68FF, #BE7AFF, #CF8CFF and #E09EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9756FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9756FE shade: #9756FE, #8644EB, #7532D8, #6420C5 and #530EB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9756FE shade: #9858FE, #C558FE, #F258FE, #FE58DE and #FE58B1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9756FE shade: #9858FE, #6B58FE and #5858FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9756FE shade matches the following richer shades: #9858FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9756FE shade: #9858FE, #9B65F1, #9E73E3, #A180D5 and #A48EC8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9756FE shade: #5871FE, #6B58FE, #9758FE, #C458FE and #F058FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9756FE shade: #6505FE, #7F2EFE, #9858FE, #B181FE and #CAAAFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9756FE shade: #9756FE, #FE589D and #5AFE58

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9756FE shade: #9756FE, #FE9758 and #58FE97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9756FE shade: #9756FE, #FE589D, #BEFE58 and #58FEB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9756FE shade: #9756FE, #FE586B, #BEFE58 and #58FEEB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

Complementary color

CMYK 38 / 0 / 99 / 34

HEX #68A901

RGB 104 169 1

HSL 83.21, 0.99%, 0.33%

LAB 62.78, -42.65, 64.08

 

CMYK 37 / 65 / 0 / 2

HEX #9C56F9

RGB 156 86 249

HSL 265.77, 0.93%, 0.66%

LAB 52.47, 60.29, -70.89

 

CMYK 32 / 59 / 0 / 0

HEX #AD68FF

RGB 173 104 255

HSL 267.42, 1%, 0.7%

LAB 58.04, 56.28, -65.12

 

CMYK 25 / 52 / 0 / 0

HEX #BE7AFF

RGB 190 122 255

HSL 270.68, 1%, 0.74%

LAB 63.41, 50.96, -56.42

 

CMYK 19 / 45 / 0 / 0

HEX #CF8CFF

RGB 207 140 255

HSL 274.96, 1%, 0.77%

LAB 68.93, 45.9, -47.58

 

CMYK 12 / 38 / 0 / 0

HEX #E09EFF

RGB 224 158 255

HSL 280.82, 1%, 0.81%

LAB 74.52, 41.15, -38.7

 

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

CMYK 43 / 71 / 0 / 8

HEX #8644EB

RGB 134 68 235

HSL 263.71, 0.81%, 0.59%

LAB 45.91, 61.41, -73.82

 

CMYK 46 / 77 / 0 / 15

HEX #7532D8

RGB 117 50 216

HSL 264.22, 0.68%, 0.52%

LAB 39.62, 61.93, -73.37

 

CMYK 49 / 84 / 0 / 23

HEX #6420C5

RGB 100 32 197

HSL 264.73, 0.72%, 0.45%

LAB 33.51, 61.82, -72.45

 

CMYK 53 / 92 / 0 / 30

HEX #530EB2

RGB 83 14 178

HSL 265.24, 0.85%, 0.38%

LAB 27.76, 60.54, -70.76

 

CMYK 40 / 65 / 0 / 0

HEX #9858FE

RGB 152 88 254

HSL 263.13, 0.99%, 0.67%

LAB 52.74, 59.77, -73.24

 

CMYK 22 / 65 / 0 / 0

HEX #C558FE

RGB 197 88 254

HSL 279.4, 0.99%, 0.67%

LAB 58.04, 68.83, -64.42

 

CMYK 5 / 65 / 0 / 0

HEX #F258FE

RGB 242 88 254

HSL 295.66, 0.99%, 0.67%

LAB 64.17, 78.53, -54.27

 

CMYK 0 / 65 / 13 / 0

HEX #FE58DE

RGB 254 88 222

HSL 311.57, 0.99%, 0.67%

LAB 64.42, 76.34, -35.99

 

CMYK 0 / 65 / 30 / 0

HEX #FE58B1

RGB 254 88 177

HSL 327.83, 0.99%, 0.67%

LAB 62.7, 70.51, -13.14

 

CMYK 40 / 65 / 0 / 0

HEX #9858FE

RGB 152 88 254

HSL 263.13, 0.99%, 0.67%

LAB 52.74, 59.77, -73.24

 

CMYK 58 / 65 / 0 / 0

HEX #6B58FE

RGB 107 88 254

HSL 246.87, 0.99%, 0.67%

LAB 48.59, 52.08, -80.19

 

CMYK 65 / 65 / 0 / 0

HEX #5858FE

RGB 88 88 254

HSL 240, 0.99%, 0.67%

LAB 47.25, 49.45, -82.43

 

CMYK 40 / 65 / 0 / 0

HEX #9858FE

RGB 152 88 254

HSL 263.13, 0.99%, 0.67%

LAB 52.74, 59.77, -73.24

 

CMYK 40 / 65 / 0 / 0

HEX #9858FE

RGB 152 88 254

HSL 263.13, 0.99%, 0.67%

LAB 52.74, 59.77, -73.24

 

CMYK 36 / 58 / 0 / 5

HEX #9B65F1

RGB 155 101 241

HSL 263.14, 0.83%, 0.67%

LAB 54.69, 50.42, -62.85

 

CMYK 30 / 49 / 0 / 11

HEX #9E73E3

RGB 158 115 227

HSL 263.04, 0.67%, 0.67%

LAB 57.15, 39.97, -51.07

 

CMYK 24 / 40 / 0 / 16

HEX #A180D5

RGB 161 128 213

HSL 263.29, 0.5%, 0.67%

LAB 59.73, 30.01, -39.13

 

CMYK 18 / 29 / 0 / 22

HEX #A48EC8

RGB 164 142 200

HSL 262.76, 0.35%, 0.67%

LAB 62.85, 19.89, -26.95

 

CMYK 65 / 56 / 0 / 0

HEX #5871FE

RGB 88 113 254

HSL 230.96, 0.99%, 0.67%

LAB 52.99, 34.59, -73.06

 

CMYK 58 / 65 / 0 / 0

HEX #6B58FE

RGB 107 88 254

HSL 246.87, 0.99%, 0.67%

LAB 48.59, 52.08, -80.19

 

CMYK 41 / 65 / 0 / 0

HEX #9758FE

RGB 151 88 254

HSL 262.77, 0.99%, 0.67%

LAB 52.64, 59.59, -73.42

 

CMYK 23 / 65 / 0 / 0

HEX #C458FE

RGB 196 88 254

HSL 279.04, 0.99%, 0.67%

LAB 57.91, 68.61, -64.63

 

CMYK 6 / 65 / 0 / 0

HEX #F058FE

RGB 240 88 254

HSL 294.94, 0.99%, 0.67%

LAB 63.89, 78.09, -54.74

 

CMYK 60 / 98 / 0 / 0

HEX #6505FE

RGB 101 5 254

HSL 263.13, 0.99%, 0.51%

LAB 37.9, 80.65, -97.83

 

CMYK 50 / 82 / 0 / 0

HEX #7F2EFE

RGB 127 46 254

HSL 263.37, 0.99%, 0.59%

LAB 43.69, 73.91, -88.16

 

CMYK 40 / 65 / 0 / 0

HEX #9858FE

RGB 152 88 254

HSL 263.13, 0.99%, 0.67%

LAB 52.74, 59.77, -73.24

 

CMYK 30 / 49 / 0 / 0

HEX #B181FE

RGB 177 129 254

HSL 263.04, 0.98%, 0.75%

LAB 63.51, 43.69, -55.8

 

CMYK 21 / 33 / 0 / 0

HEX #CAAAFF

RGB 202 170 255

HSL 262.59, 1%, 0.83%

LAB 75.16, 28.2, -37.88

 

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

CMYK 0 / 65 / 38 / 0

HEX #FE589D

RGB 254 88 157

HSL 335.06, 0.99%, 0.67%

LAB 62.07, 68.32, -2.56

 

CMYK 65 / 0 / 65 / 0

HEX #5AFE58

RGB 90 254 88

HSL 119.28, 0.99%, 0.67%

LAB 88.81, -72.69, 64.63

 

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

CMYK 0 / 41 / 65 / 0

HEX #FE9758

RGB 254 151 88

HSL 22.77, 0.99%, 0.67%

LAB 72.17, 33.32, 49

 

CMYK 65 / 0 / 41 / 0

HEX #58FE97

RGB 88 254 151

HSL 142.77, 0.99%, 0.67%

LAB 89.48, -64.82, 36.96

 

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

CMYK 0 / 65 / 38 / 0

HEX #FE589D

RGB 254 88 157

HSL 335.06, 0.99%, 0.67%

LAB 62.07, 68.32, -2.56

 

CMYK 25 / 0 / 65 / 0

HEX #BEFE58

RGB 190 254 88

HSL 83.13, 0.99%, 0.67%

LAB 92.81, -43.85, 70.1

 

CMYK 65 / 0 / 27 / 0

HEX #58FEB9

RGB 88 254 185

HSL 155.06, 0.99%, 0.67%

LAB 90.07, -58.42, 20.65

 

CMYK 41 / 66 / 0 / 0

HEX #9756FE

RGB 151 86 254

HSL 263.21, 0.99%, 0.67%

LAB 52.28, 60.57, -74

 

CMYK 0 / 65 / 58 / 0

HEX #FE586B

RGB 254 88 107

HSL 353.13, 0.99%, 0.67%

LAB 60.88, 64.05, 24.75

 

CMYK 25 / 0 / 65 / 0

HEX #BEFE58

RGB 190 254 88

HSL 83.13, 0.99%, 0.67%

LAB 92.81, -43.85, 70.1

 

CMYK 65 / 0 / 7 / 0

HEX #58FEEB

RGB 88 254 235

HSL 173.13, 0.99%, 0.67%

LAB 91.21, -46.84, -3.51

 

Description

Color code: HEX #9756FE | qconv.com Color code: HEX #9756FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 86 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 86 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 66 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 66% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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