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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975412 it is the complementary color #68ABED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975412. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975412 shade: #9C540D, #AD6620, #BE7833, #CF8A46 and #E09C59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975412. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975412 shade: #975412, #864200, #753000, #641E00 and #530C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975412 shade: #975412, #973012 and #971212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975412 shade: #975412, #977712, #929712, #6E9712 and #4A9712

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975412 shade matches the following richer shades: #975412 and #A45404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975412 shade: #975412, #89541F, #7B542D, #6E543B and #605448

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975412 shade: #971218, #972E12, #975212, #977512 and #949712

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975412 shade: #4D2B09, #723F0D, #975412, #BC6816 and #E07D1A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975412 shade: #975412, #3C9712 and #1D1297

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975412 shade: #975412, #129752 and #521297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975412 shade: #975412, #3C9712, #125697 and #6D1297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975412 shade: #975412, #149712, #125697 and #941297

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

Complementary color

CMYK 56 / 28 / 0 / 7

HEX #68ABED

RGB 104 171 237

HSL 209.77, 0.79%, 0.67%

LAB 68.16, -2.46, -39.5

 

CMYK 0 / 46 / 92 / 39

HEX #9C540D

RGB 156 84 13

HSL 29.79, 0.85%, 0.33%

LAB 43.42, 25.35, 48.97

 

CMYK 0 / 41 / 82 / 32

HEX #AD6620

RGB 173 102 32

HSL 29.79, 0.69%, 0.4%

LAB 50.09, 23.28, 48.8

 

CMYK 0 / 37 / 73 / 25

HEX #BE7833

RGB 190 120 51

HSL 29.78, 0.58%, 0.47%

LAB 56.7, 21.48, 47.67

 

CMYK 0 / 33 / 66 / 19

HEX #CF8A46

RGB 207 138 70

HSL 29.78, 0.59%, 0.54%

LAB 63.25, 19.93, 46.23

 

CMYK 0 / 30 / 60 / 12

HEX #E09C59

RGB 224 156 89

HSL 29.78, 0.69%, 0.61%

LAB 69.71, 18.59, 44.73

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 51 / 100 / 47

HEX #864200

RGB 134 66 0

HSL 29.55, 1%, 0.26%

LAB 35.92, 25.51, 46.15

 

CMYK 0 / 59 / 100 / 54

HEX #753000

RGB 117 48 0

HSL 24.62, 1%, 0.23%

LAB 29.15, 28.05, 40.31

 

CMYK 0 / 70 / 100 / 61

HEX #641E00

RGB 100 30 0

HSL 18, 1%, 0.2%

LAB 22.44, 30.26, 32.95

 

CMYK 0 / 86 / 100 / 67

HEX #530C00

RGB 83 12 0

HSL 8.67, 1%, 0.16%

LAB 16.01, 31.45, 24.59

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 68 / 88 / 41

HEX #973012

RGB 151 48 18

HSL 13.53, 0.79%, 0.33%

LAB 35.47, 41.74, 40.54

 

CMYK 0 / 88 / 88 / 41

HEX #971212

RGB 151 18 18

HSL 0, 0.79%, 0.33%

LAB 31.93, 51.59, 37.59

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 21 / 88 / 41

HEX #977712

RGB 151 119 18

HSL 45.56, 0.79%, 0.33%

LAB 51.63, 3.23, 53.8

 

CMYK 3 / 0 / 88 / 41

HEX #929712

RGB 146 151 18

HSL 62.26, 0.79%, 0.33%

LAB 60.15, -16.51, 60.55

 

CMYK 27 / 0 / 88 / 41

HEX #6E9712

RGB 110 151 18

HSL 78.5, 0.79%, 0.33%

LAB 57.55, -32.01, 57.33

 

CMYK 51 / 0 / 88 / 41

HEX #4A9712

RGB 74 151 18

HSL 94.74, 0.79%, 0.33%

LAB 55.72, -45.07, 55.04

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 49 / 98 / 36

HEX #A45404

RGB 164 84 4

HSL 30, 0.95%, 0.33%

LAB 44.58, 28.67, 52.67

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 39 / 77 / 46

HEX #89541F

RGB 137 84 31

HSL 30, 0.63%, 0.33%

LAB 40.83, 17.42, 38.65

 

CMYK 0 / 32 / 63 / 52

HEX #7B542D

RGB 123 84 45

HSL 30, 0.46%, 0.33%

LAB 39.14, 11.84, 28.96

 

CMYK 0 / 24 / 46 / 57

HEX #6E543B

RGB 110 84 59

HSL 29.41, 0.3%, 0.33%

LAB 37.79, 7.22, 18.75

 

CMYK 0 / 13 / 25 / 62

HEX #605448

RGB 96 84 72

HSL 30, 0.14%, 0.33%

LAB 36.55, 2.78, 8.83

 

CMYK 0 / 88 / 84 / 41

HEX #971218

RGB 151 18 24

HSL 357.29, 0.79%, 0.33%

LAB 31.98, 51.74, 34.39

 

CMYK 0 / 70 / 88 / 41

HEX #972E12

RGB 151 46 18

HSL 12.63, 0.79%, 0.33%

LAB 35.16, 42.6, 40.28

 

CMYK 0 / 46 / 88 / 41

HEX #975212

RGB 151 82 18

HSL 28.87, 0.79%, 0.33%

LAB 42.24, 24.39, 46.13

 

CMYK 0 / 23 / 88 / 41

HEX #977512

RGB 151 117 18

HSL 44.66, 0.79%, 0.33%

LAB 51.09, 4.37, 53.36

 

CMYK 2 / 0 / 88 / 41

HEX #949712

RGB 148 151 18

HSL 61.35, 0.79%, 0.33%

LAB 60.31, -15.62, 60.75

 

CMYK 0 / 44 / 88 / 70

HEX #4D2B09

RGB 77 43 9

HSL 30, 0.79%, 0.17%

LAB 21.3, 12.75, 26.85

 

CMYK 0 / 45 / 89 / 55

HEX #723F0D

RGB 114 63 13

HSL 29.7, 0.8%, 0.25%

LAB 32.17, 18.47, 37.35

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 0 / 45 / 88 / 26

HEX #BC6816

RGB 188 104 22

HSL 29.64, 0.79%, 0.41%

LAB 52.56, 28.35, 55.34

 

CMYK 0 / 44 / 88 / 12

HEX #E07D1A

RGB 224 125 26

HSL 30, 0.79%, 0.49%

LAB 62.16, 32.29, 63.79

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 60 / 0 / 88 / 41

HEX #3C9712

RGB 60 151 18

HSL 101.05, 0.79%, 0.33%

LAB 55.21, -49.08, 54.41

 

CMYK 81 / 88 / 0 / 41

HEX #1D1297

RGB 29 18 151

HSL 244.96, 0.79%, 0.33%

LAB 19.75, 48.33, -67.79

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 88 / 0 / 46 / 41

HEX #129752

RGB 18 151 82

HSL 148.87, 0.79%, 0.33%

LAB 54.94, -49.22, 27.17

 

CMYK 46 / 88 / 0 / 41

HEX #521297

RGB 82 18 151

HSL 268.87, 0.79%, 0.33%

LAB 25.14, 52.92, -58.7

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 60 / 0 / 88 / 41

HEX #3C9712

RGB 60 151 18

HSL 101.05, 0.79%, 0.33%

LAB 55.21, -49.08, 54.41

 

CMYK 88 / 43 / 0 / 41

HEX #125697

RGB 18 86 151

HSL 209.32, 0.79%, 0.33%

LAB 36.02, 5.04, -41.22

 

CMYK 28 / 88 / 0 / 41

HEX #6D1297

RGB 109 18 151

HSL 281.05, 0.79%, 0.33%

LAB 29.21, 56.74, -51.89

 

CMYK 0 / 44 / 88 / 41

HEX #975412

RGB 151 84 18

HSL 29.77, 0.79%, 0.33%

LAB 42.71, 23.27, 46.51

 

CMYK 87 / 0 / 88 / 41

HEX #149712

RGB 20 151 18

HSL 119.1, 0.79%, 0.33%

LAB 54.37, -56.28, 53.34

 

CMYK 88 / 43 / 0 / 41

HEX #125697

RGB 18 86 151

HSL 209.32, 0.79%, 0.33%

LAB 36.02, 5.04, -41.22

 

CMYK 2 / 88 / 0 / 41

HEX #941297

RGB 148 18 151

HSL 298.65, 0.79%, 0.33%

LAB 35.91, 63.45, -40.72

 

Description

Color code: HEX #975412 | qconv.com Color code: HEX #975412 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 84 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 84 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 88 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 88% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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