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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975235 it is the complementary color #68ADCA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975235. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975235 shade: #9C5230, #AD6443, #BE7656, #CF8869 and #E09A7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975235. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975235 shade: #975235, #864022, #752E0F, #641C00 and #530A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975235 shade: #975235, #973835 and #973535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975235 shade: #975235, #976C35, #978735, #8D9735 and #729735

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975235 shade matches the following richer shades: #975235, #A74B25, #B84514 and #C83E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975235 shade: #975235, #865946, #765F56, #656667 and #556D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975235 shade: #97354E, #973735, #975135, #976B35 and #978535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975235 shade: #5A3120, #78412A, #975235, #B56340 and #C5795A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975235 shade: #975235, #689735 and #354097

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975235 shade: #975235, #359751 and #513597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975235 shade: #975235, #689735, #357B97 and #643597

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975235 shade: #975235, #4A9735, #357B97 and #823597

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

Complementary color

CMYK 49 / 14 / 0 / 21

HEX #68ADCA

RGB 104 173 202

HSL 197.76, 0.48%, 0.6%

LAB 67.35, -13.93, -21.52

 

CMYK 0 / 47 / 69 / 39

HEX #9C5230

RGB 156 82 48

HSL 18.89, 0.53%, 0.4%

LAB 43.24, 27.82, 33.2

 

CMYK 0 / 42 / 61 / 32

HEX #AD6443

RGB 173 100 67

HSL 18.68, 0.44%, 0.47%

LAB 49.98, 26.28, 31.2

 

CMYK 0 / 38 / 55 / 25

HEX #BE7656

RGB 190 118 86

HSL 18.46, 0.44%, 0.54%

LAB 56.66, 24.93, 29.39

 

CMYK 0 / 34 / 49 / 19

HEX #CF8869

RGB 207 136 105

HSL 18.24, 0.52%, 0.61%

LAB 63.25, 23.75, 27.77

 

CMYK 0 / 31 / 45 / 12

HEX #E09A7C

RGB 224 154 124

HSL 18, 0.62%, 0.68%

LAB 69.76, 22.71, 26.31

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 52 / 75 / 47

HEX #864022

RGB 134 64 34

HSL 18, 0.6%, 0.33%

LAB 35.7, 27.69, 31.6

 

CMYK 0 / 61 / 87 / 54

HEX #752E0F

RGB 117 46 15

HSL 18.24, 0.77%, 0.26%

LAB 28.83, 29.5, 33.75

 

CMYK 0 / 72 / 100 / 61

HEX #641C00

RGB 100 28 0

HSL 16.8, 1%, 0.2%

LAB 22.09, 31.2, 32.58

 

CMYK 0 / 88 / 100 / 67

HEX #530A00

RGB 83 10 0

HSL 7.23, 1%, 0.16%

LAB 15.78, 32.11, 24.3

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 63 / 65 / 41

HEX #973835

RGB 151 56 53

HSL 1.84, 0.48%, 0.4%

LAB 37.23, 39.66, 22.88

 

CMYK 0 / 65 / 65 / 41

HEX #973535

RGB 151 53 53

HSL 0, 0.48%, 0.4%

LAB 36.71, 41.05, 22.22

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 28 / 65 / 41

HEX #976C35

RGB 151 108 53

HSL 33.67, 0.48%, 0.4%

LAB 48.96, 11.16, 36.88

 

CMYK 0 / 11 / 65 / 41

HEX #978735

RGB 151 135 53

HSL 50.2, 0.48%, 0.4%

LAB 56.25, -4.11, 44.95

 

CMYK 7 / 0 / 65 / 41

HEX #8D9735

RGB 141 151 53

HSL 66.12, 0.48%, 0.4%

LAB 59.94, -17.12, 48.63

 

CMYK 25 / 0 / 65 / 41

HEX #729735

RGB 114 151 53

HSL 82.65, 0.48%, 0.4%

LAB 58.01, -28.45, 45.99

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 55 / 78 / 35

HEX #A74B25

RGB 167 75 37

HSL 17.54, 0.64%, 0.4%

LAB 43.33, 35.51, 39.67

 

CMYK 0 / 63 / 89 / 28

HEX #B84514

RGB 184 69 20

HSL 17.93, 0.8%, 0.4%

LAB 44.94, 44.43, 49.78

 

CMYK 0 / 69 / 98 / 22

HEX #C83E04

RGB 200 62 4

HSL 17.76, 0.96%, 0.4%

LAB 46.62, 52.82, 56.98

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 34 / 48 / 47

HEX #865946

RGB 134 89 70

HSL 17.81, 0.31%, 0.4%

LAB 42.24, 16.19, 18.53

 

CMYK 0 / 19 / 27 / 54

HEX #765F56

RGB 118 95 86

HSL 16.88, 0.16%, 0.4%

LAB 42.32, 7.83, 8.66

 

CMYK 2 / 1 / 0 / 60

HEX #656667

RGB 101 102 103

HSL 210, 0.01%, 0.4%

LAB 43.14, -0.18, -0.7

 

CMYK 29 / 8 / 0 / 53

HEX #556D77

RGB 85 109 119

HSL 197.65, 0.17%, 0.4%

LAB 44.52, -6.29, -8.45

 

CMYK 0 / 65 / 48 / 41

HEX #97354E

RGB 151 53 78

HSL 344.69, 0.48%, 0.4%

LAB 37.25, 43.1, 7.14

 

CMYK 0 / 64 / 65 / 41

HEX #973735

RGB 151 55 53

HSL 1.22, 0.48%, 0.4%

LAB 37.06, 40.13, 22.66

 

CMYK 0 / 46 / 65 / 41

HEX #975135

RGB 151 81 53

HSL 17.14, 0.48%, 0.4%

LAB 42.34, 26.6, 29.15

 

CMYK 0 / 29 / 65 / 41

HEX #976B35

RGB 151 107 53

HSL 33.06, 0.48%, 0.4%

LAB 48.7, 11.73, 36.59

 

CMYK 0 / 12 / 65 / 41

HEX #978535

RGB 151 133 53

HSL 48.98, 0.48%, 0.4%

LAB 55.7, -3.01, 44.35

 

CMYK 0 / 46 / 64 / 65

HEX #5A3120

RGB 90 49 32

HSL 17.59, 0.48%, 0.24%

LAB 25.18, 16.77, 18.8

 

CMYK 0 / 46 / 65 / 53

HEX #78412A

RGB 120 65 42

HSL 17.69, 0.48%, 0.32%

LAB 33.86, 21.56, 24.29

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 0 / 45 / 65 / 29

HEX #B56340

RGB 181 99 64

HSL 17.95, 0.48%, 0.48%

LAB 50.82, 29.93, 34.14

 

CMYK 0 / 39 / 54 / 23

HEX #C5795A

RGB 197 121 90

HSL 17.38, 0.48%, 0.56%

LAB 58.3, 26.5, 29.44

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 31 / 0 / 65 / 41

HEX #689735

RGB 104 151 53

HSL 88.78, 0.48%, 0.4%

LAB 57.4, -32.37, 45.15

 

CMYK 65 / 58 / 0 / 41

HEX #354097

RGB 53 64 151

HSL 233.27, 0.48%, 0.4%

LAB 31.02, 24.29, -49.22

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 65 / 0 / 46 / 41

HEX #359751

RGB 53 151 81

HSL 137.14, 0.48%, 0.4%

LAB 55.57, -44.3, 28.64

 

CMYK 46 / 65 / 0 / 41

HEX #513597

RGB 81 53 151

HSL 257.14, 0.48%, 0.4%

LAB 30.71, 36.67, -49.6

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 31 / 0 / 65 / 41

HEX #689735

RGB 104 151 53

HSL 88.78, 0.48%, 0.4%

LAB 57.4, -32.37, 45.15

 

CMYK 65 / 19 / 0 / 41

HEX #357B97

RGB 53 123 151

HSL 197.14, 0.48%, 0.4%

LAB 48.46, -12.92, -21.62

 

CMYK 34 / 65 / 0 / 41

HEX #643597

RGB 100 53 151

HSL 268.78, 0.48%, 0.4%

LAB 32.9, 40.86, -45.96

 

CMYK 0 / 46 / 65 / 41

HEX #975235

RGB 151 82 53

HSL 17.76, 0.48%, 0.4%

LAB 42.57, 26.04, 29.42

 

CMYK 51 / 0 / 65 / 41

HEX #4A9735

RGB 74 151 53

HSL 107.14, 0.48%, 0.4%

LAB 55.93, -42.69, 43.13

 

CMYK 65 / 19 / 0 / 41

HEX #357B97

RGB 53 123 151

HSL 197.14, 0.48%, 0.4%

LAB 48.46, -12.92, -21.62

 

CMYK 14 / 65 / 0 / 41

HEX #823597

RGB 130 53 151

HSL 287.14, 0.48%, 0.4%

LAB 36.98, 48.09, -39.19

 

Description

Color code: HEX #975235 | qconv.com Color code: HEX #975235 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 82 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 82 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 65 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 65% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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