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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9751AC it is the complementary color #68AE53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9751AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9751AC shade: #9C51A7, #AD63BA, #BE75CD, #CF87E0 and #E099F3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9751AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9751AC shade: #9751AC, #863F99, #752D86, #641B73 and #530960

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9751AC shade: #9852AD, #AD52AA, #AD5291, #AD5278 and #AD5260

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9751AC shade: #9852AD, #7F52AD, #6752AD and #5252AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9751AC shade matches the following richer shades: #9852AD, #A33DC2, #AE28D7 and #BA14EB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9751AC shade: #9852AD, #8D6699, #827B84, #778F70 and #6CA45B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9751AC shade: #6752AD, #8052AD, #9852AD, #AD52AA and #AD5292

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9751AC shade: #673775, #804491, #9852AD, #A96EBB and #B98AC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9751AC shade: #9751AC, #AD5255 and #52AD73

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9751AC shade: #9751AC, #AD9852 and #52AD98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9751AC shade: #9751AC, #AD5255, #67AD52 and #52ADAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9751AC shade: #9751AC, #AD6A52, #67AD52 and #5295AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

Complementary color

CMYK 40 / 0 / 52 / 32

HEX #68AE53

RGB 104 174 83

HSL 106.15, 0.36%, 0.5%

LAB 64.84, -39.55, 39.56

 

CMYK 7 / 51 / 0 / 35

HEX #9C51A7

RGB 156 81 167

HSL 292.33, 0.35%, 0.49%

LAB 46.64, 44.41, -33.25

 

CMYK 7 / 47 / 0 / 27

HEX #AD63BA

RGB 173 99 186

HSL 291.03, 0.39%, 0.56%

LAB 53.33, 43.68, -33.69

 

CMYK 7 / 43 / 0 / 20

HEX #BE75CD

RGB 190 117 205

HSL 289.77, 0.47%, 0.63%

LAB 59.96, 42.91, -34.04

 

CMYK 8 / 40 / 0 / 12

HEX #CF87E0

RGB 207 135 224

HSL 288.54, 0.59%, 0.7%

LAB 66.5, 42.15, -34.34

 

CMYK 8 / 37 / 0 / 5

HEX #E099F3

RGB 224 153 243

HSL 287.33, 0.79%, 0.78%

LAB 72.96, 41.41, -34.62

 

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

CMYK 12 / 59 / 0 / 40

HEX #863F99

RGB 134 63 153

HSL 287.33, 0.42%, 0.42%

LAB 39.45, 44.67, -36.43

 

CMYK 13 / 66 / 0 / 47

HEX #752D86

RGB 117 45 134

HSL 288.54, 0.5%, 0.35%

LAB 32.66, 45.07, -35.76

 

CMYK 13 / 77 / 0 / 55

HEX #641B73

RGB 100 27 115

HSL 289.77, 0.62%, 0.28%

LAB 25.95, 44.86, -34.66

 

CMYK 14 / 91 / 0 / 62

HEX #530960

RGB 83 9 96

HSL 291.03, 0.83%, 0.21%

LAB 19.55, 43.34, -32.74

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 0 / 53 / 2 / 32

HEX #AD52AA

RGB 173 82 170

HSL 301.98, 0.36%, 0.5%

LAB 49.28, 49.35, -30.71

 

CMYK 0 / 53 / 16 / 32

HEX #AD5291

RGB 173 82 145

HSL 318.46, 0.36%, 0.5%

LAB 48.21, 45.11, -17.56

 

CMYK 0 / 53 / 31 / 32

HEX #AD5278

RGB 173 82 120

HSL 334.95, 0.36%, 0.5%

LAB 47.33, 41.46, -3.86

 

CMYK 0 / 53 / 45 / 32

HEX #AD5260

RGB 173 82 96

HSL 350.77, 0.36%, 0.5%

LAB 46.66, 38.57, 9.73

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 27 / 53 / 0 / 32

HEX #7F52AD

RGB 127 82 173

HSL 269.67, 0.36%, 0.5%

LAB 43.6, 37.05, -41.82

 

CMYK 40 / 53 / 0 / 32

HEX #6752AD

RGB 103 82 173

HSL 253.85, 0.36%, 0.5%

LAB 41.11, 30.78, -45.94

 

CMYK 53 / 53 / 0 / 32

HEX #5252AD

RGB 82 82 173

HSL 240, 0.36%, 0.5%

LAB 39.32, 25.86, -48.91

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 16 / 69 / 0 / 24

HEX #A33DC2

RGB 163 61 194

HSL 286.02, 0.52%, 0.5%

LAB 45.66, 60.91, -50.56

 

CMYK 19 / 81 / 0 / 16

HEX #AE28D7

RGB 174 40 215

HSL 285.94, 0.69%, 0.5%

LAB 46.21, 74.1, -61.72

 

CMYK 21 / 91 / 0 / 8

HEX #BA14EB

RGB 186 20 235

HSL 286.33, 0.84%, 0.5%

LAB 48.18, 83.42, -69.81

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 8 / 33 / 0 / 40

HEX #8D6699

RGB 141 102 153

HSL 285.88, 0.2%, 0.5%

LAB 48.84, 25.1, -21.7

 

CMYK 2 / 7 / 0 / 48

HEX #827B84

RGB 130 123 132

HSL 286.67, 0.04%, 0.5%

LAB 52.48, 4.44, -3.94

 

CMYK 17 / 0 / 22 / 44

HEX #778F70

RGB 119 143 112

HSL 106.45, 0.12%, 0.5%

LAB 56.82, -14.73, 13.73

 

CMYK 34 / 0 / 45 / 36

HEX #6CA45B

RGB 108 164 91

HSL 106.03, 0.29%, 0.5%

LAB 62.08, -32.61, 32.11

 

CMYK 40 / 53 / 0 / 32

HEX #6752AD

RGB 103 82 173

HSL 253.85, 0.36%, 0.5%

LAB 41.11, 30.78, -45.94

 

CMYK 26 / 53 / 0 / 32

HEX #8052AD

RGB 128 82 173

HSL 270.33, 0.36%, 0.5%

LAB 43.71, 37.32, -41.64

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 0 / 53 / 2 / 32

HEX #AD52AA

RGB 173 82 170

HSL 301.98, 0.36%, 0.5%

LAB 49.28, 49.35, -30.71

 

CMYK 0 / 53 / 16 / 32

HEX #AD5292

RGB 173 82 146

HSL 317.8, 0.36%, 0.5%

LAB 48.25, 45.27, -18.1

 

CMYK 12 / 53 / 0 / 54

HEX #673775

RGB 103 55 117

HSL 286.45, 0.36%, 0.34%

LAB 31.58, 32.3, -26.97

 

CMYK 12 / 53 / 0 / 43

HEX #804491

RGB 128 68 145

HSL 286.75, 0.36%, 0.42%

LAB 39.19, 38.66, -32.06

 

CMYK 12 / 53 / 0 / 32

HEX #9852AD

RGB 152 82 173

HSL 286.15, 0.36%, 0.5%

LAB 46.61, 43.97, -36.86

 

CMYK 10 / 41 / 0 / 27

HEX #A96EBB

RGB 169 110 187

HSL 285.97, 0.36%, 0.58%

LAB 55.25, 36.71, -31.31

 

CMYK 8 / 31 / 0 / 22

HEX #B98AC8

RGB 185 138 200

HSL 285.48, 0.36%, 0.66%

LAB 63.89, 28.86, -25.19

 

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

CMYK 0 / 53 / 51 / 32

HEX #AD5255

RGB 173 82 85

HSL 358.02, 0.36%, 0.5%

LAB 46.41, 37.47, 16.05

 

CMYK 53 / 0 / 34 / 32

HEX #52AD73

RGB 82 173 115

HSL 141.76, 0.36%, 0.5%

LAB 64.1, -40.5, 21.74

 

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

CMYK 0 / 12 / 53 / 32

HEX #AD9852

RGB 173 152 82

HSL 46.15, 0.36%, 0.5%

LAB 63.3, -1.44, 39.34

 

CMYK 53 / 0 / 12 / 32

HEX #52AD98

RGB 82 173 152

HSL 166.15, 0.36%, 0.5%

LAB 64.92, -32.37, 2.53

 

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

CMYK 0 / 53 / 51 / 32

HEX #AD5255

RGB 173 82 85

HSL 358.02, 0.36%, 0.5%

LAB 46.41, 37.47, 16.05

 

CMYK 40 / 0 / 53 / 32

HEX #67AD52

RGB 103 173 82

HSL 106.15, 0.36%, 0.5%

LAB 64.47, -39.57, 39.6

 

CMYK 53 / 0 / 2 / 32

HEX #52ADAA

RGB 82 173 170

HSL 178.02, 0.36%, 0.5%

LAB 65.42, -27.73, -6.75

 

CMYK 12 / 53 / 0 / 33

HEX #9751AC

RGB 151 81 172

HSL 286.15, 0.36%, 0.5%

LAB 46.23, 44.01, -36.88

 

CMYK 0 / 39 / 53 / 32

HEX #AD6A52

RGB 173 106 82

HSL 15.82, 0.36%, 0.5%

LAB 51.61, 24.21, 24.73

 

CMYK 40 / 0 / 53 / 32

HEX #67AD52

RGB 103 173 82

HSL 106.15, 0.36%, 0.5%

LAB 64.47, -39.57, 39.6

 

CMYK 53 / 14 / 0 / 32

HEX #5295AD

RGB 82 149 173

HSL 195.82, 0.36%, 0.5%

LAB 58.33, -14.45, -19.11

 

Description

Color code: HEX #9751AC | qconv.com Color code: HEX #9751AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 81 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 81 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 53 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 53% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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