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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #975157 it is the complementary color #68AEA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #975157. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #975157 shade: #9C5152, #AD6365, #BE7578, #CF878B and #E0999E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #975157. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #975157 shade: #975157, #863F44, #752D31, #641B1E and #53090B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #975157 shade: #955056 and #955050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #975157 shade: #955056, #955069, #95507B, #95508E and #8A5095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #975157 shade matches the following richer shades: #955056, #A83E47, #BA2B37, #CD1928 and #DF0619

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #975157 shade: #955056, #836366, #707575, #5D8884 and #4B9B94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #975157 shade: #95507C, #95506A, #955057, #955C50 and #956E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #975157 shade: #603337, #7A4247, #955056, #AB636A and #BA7E83

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #975157 shade: #975157, #8E9550 and #507395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #975157 shade: #975157, #579550 and #505795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #975157 shade: #975157, #8E9550, #50958E and #575095

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #975157 shade: #975157, #7A9550, #50958E and #6C5095

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

Complementary color

CMYK 40 / 0 / 3 / 32

HEX #68AEA8

RGB 104 174 168

HSL 174.86, 0.3%, 0.55%

LAB 66.55, -23.48, -3.87

 

CMYK 0 / 48 / 47 / 39

HEX #9C5152

RGB 156 81 82

HSL 359.2, 0.32%, 0.46%

LAB 43.6, 31.17, 13.61

 

CMYK 0 / 43 / 42 / 32

HEX #AD6365

RGB 173 99 101

HSL 358.38, 0.31%, 0.53%

LAB 50.39, 30.06, 11.95

 

CMYK 0 / 38 / 37 / 25

HEX #BE7578

RGB 190 117 120

HSL 357.53, 0.36%, 0.6%

LAB 57.1, 29.04, 10.54

 

CMYK 0 / 35 / 33 / 19

HEX #CF878B

RGB 207 135 139

HSL 356.67, 0.43%, 0.67%

LAB 63.72, 28.11, 9.31

 

CMYK 0 / 32 / 29 / 12

HEX #E0999E

RGB 224 153 158

HSL 355.77, 0.53%, 0.74%

LAB 70.24, 27.26, 8.22

 

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

CMYK 0 / 53 / 49 / 47

HEX #863F44

RGB 134 63 68

HSL 355.77, 0.36%, 0.39%

LAB 36.06, 30.89, 11.41

 

CMYK 0 / 62 / 58 / 54

HEX #752D31

RGB 117 45 49

HSL 356.67, 0.44%, 0.32%

LAB 29.11, 32.01, 13.73

 

CMYK 0 / 73 / 70 / 61

HEX #641B1E

RGB 100 27 30

HSL 357.53, 0.57%, 0.25%

LAB 22.26, 32.87, 16.86

 

CMYK 0 / 89 / 87 / 67

HEX #53090B

RGB 83 9 11

HSL 358.38, 0.8%, 0.18%

LAB 15.79, 32.81, 19.82

 

CMYK 0 / 46 / 42 / 42

HEX #955056

RGB 149 80 86

HSL 354.78, 0.3%, 0.45%

LAB 42.46, 29.42, 9.42

 

CMYK 0 / 46 / 46 / 42

HEX #955050

RGB 149 80 80

HSL 0, 0.3%, 0.45%

LAB 42.32, 28.74, 12.91

 

CMYK 0 / 46 / 42 / 42

HEX #955056

RGB 149 80 86

HSL 354.78, 0.3%, 0.45%

LAB 42.46, 29.42, 9.42

 

CMYK 0 / 46 / 30 / 42

HEX #955069

RGB 149 80 105

HSL 338.26, 0.3%, 0.45%

LAB 42.98, 31.89, -1.51

 

CMYK 0 / 46 / 17 / 42

HEX #95507B

RGB 149 80 123

HSL 322.61, 0.3%, 0.45%

LAB 43.59, 34.67, -11.63

 

CMYK 0 / 46 / 5 / 42

HEX #95508E

RGB 149 80 142

HSL 306.09, 0.3%, 0.45%

LAB 44.35, 38, -21.99

 

CMYK 7 / 46 / 0 / 42

HEX #8A5095

RGB 138 80 149

HSL 290.43, 0.3%, 0.45%

LAB 43.23, 35.9, -28.04

 

CMYK 0 / 46 / 42 / 42

HEX #955056

RGB 149 80 86

HSL 354.78, 0.3%, 0.45%

LAB 42.46, 29.42, 9.42

 

CMYK 0 / 63 / 58 / 34

HEX #A83E47

RGB 168 62 71

HSL 354.91, 0.46%, 0.45%

LAB 41.57, 44.24, 17.94

 

CMYK 0 / 77 / 70 / 27

HEX #BA2B37

RGB 186 43 55

HSL 354.97, 0.62%, 0.45%

LAB 41.91, 56.46, 28.87

 

CMYK 0 / 88 / 80 / 20

HEX #CD1928

RGB 205 25 40

HSL 355, 0.78%, 0.45%

LAB 43.98, 65.63, 41

 

CMYK 0 / 97 / 89 / 13

HEX #DF0619

RGB 223 6 25

HSL 354.75, 0.95%, 0.45%

LAB 46.83, 72.15, 52.48

 

CMYK 0 / 46 / 42 / 42

HEX #955056

RGB 149 80 86

HSL 354.78, 0.3%, 0.45%

LAB 42.46, 29.42, 9.42

 

CMYK 0 / 24 / 22 / 49

HEX #836366

RGB 131 99 102

HSL 354.38, 0.14%, 0.45%

LAB 45.23, 13.41, 3.31

 

CMYK 4 / 0 / 0 / 54

HEX #707575

RGB 112 117 117

HSL 180, 0.02%, 0.45%

LAB 48.82, -1.88, -0.66

 

CMYK 32 / 0 / 3 / 47

HEX #5D8884

RGB 93 136 132

HSL 174.42, 0.19%, 0.45%

LAB 53.6, -15.65, -2.59

 

CMYK 52 / 0 / 5 / 39

HEX #4B9B94

RGB 75 155 148

HSL 174.75, 0.35%, 0.45%

LAB 59.05, -26.23, -3.85

 

CMYK 0 / 46 / 17 / 42

HEX #95507C

RGB 149 80 124

HSL 321.74, 0.3%, 0.45%

LAB 43.63, 34.83, -12.18

 

CMYK 0 / 46 / 29 / 42

HEX #95506A

RGB 149 80 106

HSL 337.39, 0.3%, 0.45%

LAB 43.01, 32.04, -2.08

 

CMYK 0 / 46 / 42 / 42

HEX #955057

RGB 149 80 87

HSL 353.91, 0.3%, 0.45%

LAB 42.48, 29.54, 8.84

 

CMYK 0 / 38 / 46 / 42

HEX #955C50

RGB 149 92 80

HSL 10.43, 0.3%, 0.45%

LAB 45.11, 21.94, 16.72

 

CMYK 0 / 26 / 46 / 42

HEX #956E50

RGB 149 110 80

HSL 26.09, 0.3%, 0.45%

LAB 49.64, 11.54, 22.75

 

CMYK 0 / 47 / 43 / 62

HEX #603337

RGB 96 51 55

HSL 354.67, 0.31%, 0.29%

LAB 27.1, 20.73, 6.46

 

CMYK 0 / 46 / 42 / 52

HEX #7A4247

RGB 122 66 71

HSL 354.64, 0.3%, 0.37%

LAB 34.98, 24.74, 7.72

 

CMYK 0 / 46 / 42 / 42

HEX #955056

RGB 149 80 86

HSL 354.78, 0.3%, 0.45%

LAB 42.46, 29.42, 9.42

 

CMYK 0 / 42 / 38 / 33

HEX #AB636A

RGB 171 99 106

HSL 354.17, 0.3%, 0.53%

LAB 50.24, 29.88, 8.73

 

CMYK 0 / 32 / 30 / 27

HEX #BA7E83

RGB 186 126 131

HSL 355, 0.3%, 0.61%

LAB 58.97, 23.97, 6.78

 

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

CMYK 5 / 0 / 46 / 42

HEX #8E9550

RGB 142 149 80

HSL 66.09, 0.3%, 0.45%

LAB 59.73, -13.27, 35.41

 

CMYK 46 / 23 / 0 / 42

HEX #507395

RGB 80 115 149

HSL 209.57, 0.3%, 0.45%

LAB 47.15, -2.83, -22.35

 

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

CMYK 42 / 0 / 46 / 42

HEX #579550

RGB 87 149 80

HSL 113.91, 0.3%, 0.45%

LAB 56.19, -34.36, 30.22

 

CMYK 46 / 42 / 0 / 42

HEX #505795

RGB 80 87 149

HSL 233.91, 0.3%, 0.45%

LAB 39.06, 14.5, -35.01

 

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

CMYK 5 / 0 / 46 / 42

HEX #8E9550

RGB 142 149 80

HSL 66.09, 0.3%, 0.45%

LAB 59.73, -13.27, 35.41

 

CMYK 46 / 0 / 5 / 42

HEX #50958E

RGB 80 149 142

HSL 173.91, 0.3%, 0.45%

LAB 57.22, -23.59, -3.09

 

CMYK 42 / 46 / 0 / 42

HEX #575095

RGB 87 80 149

HSL 246.09, 0.3%, 0.45%

LAB 37.72, 20.82, -37.09

 

CMYK 0 / 46 / 42 / 41

HEX #975157

RGB 151 81 87

HSL 354.86, 0.3%, 0.45%

LAB 42.99, 29.77, 9.6

 

CMYK 18 / 0 / 46 / 42

HEX #7A9550

RGB 122 149 80

HSL 83.48, 0.3%, 0.45%

LAB 58.24, -21.5, 33.23

 

CMYK 46 / 0 / 5 / 42

HEX #50958E

RGB 80 149 142

HSL 173.91, 0.3%, 0.45%

LAB 57.22, -23.59, -3.09

 

CMYK 28 / 46 / 0 / 42

HEX #6C5095

RGB 108 80 149

HSL 264.35, 0.3%, 0.45%

LAB 39.74, 26.77, -33.77

 

Description

Color code: HEX #975157 | qconv.com Color code: HEX #975157 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 81 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 81 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 42 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 42% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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