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Color name
HEX #974D334C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #974D334C it is the complementary color #68B2CC4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #974D334C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #974D334C shade: #9C4D2E4C, #AD5F414C, #BE71544C, #CF83674C and #E0957A4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #974D334C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #974D334C shade: #974D334C, #863B204C, #75290D4C, #6417004C and #5305004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #974D334C shade: #994E33 and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #974D334C shade: #994E33, #996933, #998533, #929933 and #769933

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #974D334C shade matches the following richer shades: #994E33, #AA4622, #BA3E12 and #CB3601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #974D334C shade: #994E33, #885544, #785D54, #676565 and #576D75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #974D334C shade: #993350, #993335, #994D33, #996833 and #998333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #974D334C shade: #5B2E1E, #7A3E29, #994E33, #B85D3D and #C77457

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #974D334C shade: #974D33, #6B9933 and #334299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #974D334C shade: #974D33, #33994D and #4D3399

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #974D334C shade: #974D33, #6B9933, #338099 and #613399

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #974D334C shade: #974D33, #4D9933, #338099 and #803399

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 12

HEX #974D334C

RGBA 151 77 51 0.3

HSLA 15.6, 0.5%, 0.4%, 0.3

LABA 41.42, 28.68, 29.19, 0.3

 

Complementary color

CMYK 15 / 4 / 0 / 6

HEX #68B2CC4C

RGBA 104 178 204 0.3

HSLA 195.6, 0.5%, 0.6%, 0.3

LABA 68.86, -16.02, -20.33, 0.3

 

CMYK 0 / 15 / 21 / 12

HEX #9C4D2E4C

RGBA 156 77 46 0.3

HSLA 16.91, 0.54%, 0.4%, 0.3

LABA 42.11, 30.44, 33.03, 0.3

 

CMYK 0 / 14 / 19 / 10

HEX #AD5F414C

RGBA 173 95 65 0.3

HSLA 16.67, 0.45%, 0.47%, 0.3

LABA 48.82, 28.88, 30.91, 0.3

 

CMYK 0 / 12 / 17 / 8

HEX #BE71544C

RGBA 190 113 84 0.3

HSLA 16.42, 0.45%, 0.54%, 0.3

LABA 55.48, 27.5, 29.01, 0.3

 

CMYK 0 / 11 / 15 / 6

HEX #CF83674C

RGBA 207 131 103 0.3

HSLA 16.15, 0.52%, 0.61%, 0.3

LABA 62.06, 26.27, 27.32, 0.3

 

CMYK 0 / 10 / 14 / 4

HEX #E0957A4C

RGBA 224 149 122 0.3

HSLA 15.88, 0.62%, 0.68%, 0.3

LABA 68.57, 25.18, 25.81, 0.3

 

CMYK 0 / 15 / 20 / 12

HEX #974D334C

RGBA 151 77 51 0.3

HSLA 15.6, 0.5%, 0.4%, 0.3

LABA 41.42, 28.68, 29.19, 0.3

 

CMYK 0 / 17 / 23 / 14

HEX #863B204C

RGBA 134 59 32 0.3

HSLA 15.88, 0.61%, 0.33%, 0.3

LABA 34.6, 30.31, 31.52, 0.3

 

CMYK 0 / 19 / 27 / 16

HEX #75290D4C

RGBA 117 41 13 0.3

HSLA 16.15, 0.8%, 0.25%, 0.3

LABA 27.84, 32, 33.83, 0.3

 

CMYK 0 / 23 / 30 / 18

HEX #6417004C

RGBA 100 23 0 0.3

HSLA 13.8, 1%, 0.2%, 0.3

LABA 21.29, 33.38, 31.73, 0.3

 

CMYK 0 / 28 / 30 / 20

HEX #5305004C

RGBA 83 5 0 0.3

HSLA 3.61, 1%, 0.16%, 0.3

LABA 15.21, 33.73, 23.58, 0.3

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 0 / 31 / 67 / 40

HEX #996933

RGB 153 105 51

HSL 31.76, 0.5%, 0.4%

LAB 48.4, 13.65, 37.36

 

CMYK 0 / 13 / 67 / 40

HEX #998533

RGB 153 133 51

HSL 48.24, 0.5%, 0.4%

LAB 55.87, -2.24, 45.53

 

CMYK 5 / 0 / 67 / 40

HEX #929933

RGB 146 153 51

HSL 64.12, 0.5%, 0.4%

LAB 60.9, -16.12, 50.6

 

CMYK 23 / 0 / 67 / 40

HEX #769933

RGB 118 153 51

HSL 80.59, 0.5%, 0.4%

LAB 58.86, -27.96, 47.84

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 0 / 59 / 80 / 33

HEX #AA4622

RGB 170 70 34

HSL 15.88, 0.67%, 0.4%

LAB 42.83, 39.08, 40.84

 

CMYK 0 / 67 / 90 / 27

HEX #BA3E12

RGB 186 62 18

HSL 15.71, 0.82%, 0.4%

LAB 44.13, 48.19, 50.06

 

CMYK 0 / 73 / 100 / 20

HEX #CB3601

RGB 203 54 1

HSL 15.74, 0.99%, 0.4%

LAB 46.09, 56.74, 57.85

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 0 / 38 / 50 / 47

HEX #885544

RGB 136 85 68

HSL 15, 0.33%, 0.4%

LAB 41.45, 19.19, 18.73

 

CMYK 0 / 23 / 30 / 53

HEX #785D54

RGB 120 93 84

HSL 15, 0.18%, 0.4%

LAB 41.94, 9.58, 9.38

 

CMYK 0 / 2 / 2 / 60

HEX #676565

RGB 103 101 101

HSL 0, 0.01%, 0.4%

LAB 42.96, 0.78, 0.27

 

CMYK 26 / 7 / 0 / 54

HEX #576D75

RGB 87 109 117

HSL 196, 0.15%, 0.4%

LAB 44.59, -6.13, -7.14

 

CMYK 0 / 67 / 48 / 40

HEX #993350

RGB 153 51 80

HSL 342.94, 0.5%, 0.4%

LAB 37.33, 44.85, 6.03

 

CMYK 0 / 67 / 65 / 40

HEX #993335

RGB 153 51 53

HSL 358.82, 0.5%, 0.4%

LAB 36.74, 42.66, 22.33

 

CMYK 0 / 50 / 67 / 40

HEX #994D33

RGB 153 77 51

HSL 15.29, 0.5%, 0.4%

LAB 41.72, 29.5, 29.63

 

CMYK 0 / 32 / 67 / 40

HEX #996833

RGB 153 104 51

HSL 31.18, 0.5%, 0.4%

LAB 48.15, 14.22, 37.07

 

CMYK 0 / 14 / 67 / 40

HEX #998333

RGB 153 131 51

HSL 47.06, 0.5%, 0.4%

LAB 55.32, -1.13, 44.94

 

CMYK 0 / 49 / 67 / 64

HEX #5B2E1E

RGB 91 46 30

HSL 15.74, 0.5%, 0.24%

LAB 24.55, 18.91, 19.33

 

CMYK 0 / 49 / 66 / 52

HEX #7A3E29

RGB 122 62 41

HSL 15.56, 0.5%, 0.32%

LAB 33.44, 24.1, 24.45

 

CMYK 0 / 49 / 67 / 40

HEX #994E33

RGB 153 78 51

HSL 15.88, 0.5%, 0.4%

LAB 41.94, 28.96, 29.89

 

CMYK 0 / 49 / 67 / 28

HEX #B85D3D

RGB 184 93 61

HSL 15.61, 0.5%, 0.48%

LAB 49.93, 34.15, 34.84

 

CMYK 0 / 42 / 56 / 22

HEX #C77457

RGB 199 116 87

HSL 15.54, 0.5%, 0.56%

LAB 57.39, 29.76, 30

 

CMYK 0 / 49 / 66 / 41

HEX #974D33

RGB 151 77 51

HSL 15.6, 0.5%, 0.4%

LAB 41.42, 28.68, 29.19

 

CMYK 30 / 0 / 67 / 40

HEX #6B9933

RGB 107 153 51

HSL 87.06, 0.5%, 0.4%

LAB 58.18, -32.32, 46.91

 

CMYK 67 / 57 / 0 / 40

HEX #334299

RGB 51 66 153

HSL 231.18, 0.5%, 0.4%

LAB 31.58, 23.35, -49.53

 

CMYK 0 / 49 / 66 / 41

HEX #974D33

RGB 151 77 51

HSL 15.6, 0.5%, 0.4%

LAB 41.42, 28.68, 29.19

 

CMYK 67 / 0 / 50 / 40

HEX #33994D

RGB 51 153 77

HSL 135.29, 0.5%, 0.4%

LAB 56.11, -46.16, 31.42

 

CMYK 50 / 67 / 0 / 40

HEX #4D3399

RGB 77 51 153

HSL 255.29, 0.5%, 0.4%

LAB 30.02, 37.62, -51.96

 

CMYK 0 / 49 / 66 / 41

HEX #974D33

RGB 151 77 51

HSL 15.6, 0.5%, 0.4%

LAB 41.42, 28.68, 29.19

 

CMYK 30 / 0 / 67 / 40

HEX #6B9933

RGB 107 153 51

HSL 87.06, 0.5%, 0.4%

LAB 58.18, -32.32, 46.91

 

CMYK 67 / 16 / 0 / 40

HEX #338099

RGB 51 128 153

HSL 194.71, 0.5%, 0.4%

LAB 50.03, -15.4, -20.39

 

CMYK 37 / 67 / 0 / 40

HEX #613399

RGB 97 51 153

HSL 267.06, 0.5%, 0.4%

LAB 32.28, 41.78, -48.2

 

CMYK 0 / 49 / 66 / 41

HEX #974D33

RGB 151 77 51

HSL 15.6, 0.5%, 0.4%

LAB 41.42, 28.68, 29.19

 

CMYK 50 / 0 / 67 / 40

HEX #4D9933

RGB 77 153 51

HSL 104.71, 0.5%, 0.4%

LAB 56.68, -42.79, 44.86

 

CMYK 67 / 16 / 0 / 40

HEX #338099

RGB 51 128 153

HSL 194.71, 0.5%, 0.4%

LAB 50.03, -15.4, -20.39

 

CMYK 16 / 67 / 0 / 40

HEX #803399

RGB 128 51 153

HSL 285.29, 0.5%, 0.4%

LAB 36.47, 48.95, -41.23

 

Description

Color code: HEX #974D334C | qconv.com Color code: HEX #974D334C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 77 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 77 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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