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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #974BB5 it is the complementary color #68B44A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #974BB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #974BB5 shade: #9C4BB0, #AD5DC3, #BE6FD6, #CF81E9 and #E093FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #974BB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #974BB5 shade: #974BB5, #8639A2, #75278F, #64157C and #530369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #974BB5 shade: #974AB5, #B44AB5, #B54A9A, #B54A7D and #B54A60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #974BB5 shade: #974AB5, #7A4AB5, #5D4AB5 and #4A4AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #974BB5 shade matches the following richer shades: #974AB5, #A035CA, #A921DE and #B20CF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #974BB5 shade: #974AB5, #8E5FA0, #85738C, #7C8877 and #739C63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #974BB5 shade: #5E4AB5, #7A4AB5, #974AB5, #B34AB5 and #B54A9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #974BB5 shade: #66327A, #7E3E98, #974AB5, #A867C1 and #B885CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #974BB5 shade: #974BB5, #B54A53 and #4AB56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #974BB5 shade: #974BB5, #B5974A and #4AB597

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #974BB5 shade: #974BB5, #B54A53, #68B54A and #4AB5AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #974BB5 shade: #974BB5, #B5614A, #68B54A and #4A9EB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

Complementary color

CMYK 42 / 0 / 59 / 29

HEX #68B44A

RGB 104 180 74

HSL 103.02, 0.42%, 0.5%

LAB 66.58, -43.18, 45.92

 

CMYK 11 / 57 / 0 / 31

HEX #9C4BB0

RGB 156 75 176

HSL 288.12, 0.4%, 0.49%

LAB 45.95, 49.26, -39.63

 

CMYK 11 / 52 / 0 / 24

HEX #AD5DC3

RGB 173 93 195

HSL 287.06, 0.46%, 0.56%

LAB 52.57, 48.62, -40.07

 

CMYK 11 / 48 / 0 / 16

HEX #BE6FD6

RGB 190 111 214

HSL 286.02, 0.56%, 0.64%

LAB 59.13, 47.88, -40.41

 

CMYK 11 / 45 / 0 / 9

HEX #CF81E9

RGB 207 129 233

HSL 285, 0.7%, 0.71%

LAB 65.63, 47.12, -40.68

 

CMYK 11 / 42 / 0 / 1

HEX #E093FC

RGB 224 147 252

HSL 284, 0.95%, 0.78%

LAB 72.06, 46.35, -40.91

 

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

CMYK 17 / 65 / 0 / 36

HEX #8639A2

RGB 134 57 162

HSL 284, 0.48%, 0.43%

LAB 38.9, 49.5, -42.72

 

CMYK 18 / 73 / 0 / 44

HEX #75278F

RGB 117 39 143

HSL 285, 0.57%, 0.36%

LAB 32.29, 49.58, -41.91

 

CMYK 19 / 83 / 0 / 51

HEX #64157C

RGB 100 21 124

HSL 286.02, 0.71%, 0.28%

LAB 25.87, 48.8, -40.54

 

CMYK 21 / 97 / 0 / 59

HEX #530369

RGB 83 3 105

HSL 287.06, 0.94%, 0.21%

LAB 19.74, 46.69, -38.37

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 1 / 59 / 0 / 29

HEX #B44AB5

RGB 180 74 181

HSL 299.44, 0.42%, 0.5%

LAB 49.42, 56.98, -36.86

 

CMYK 0 / 59 / 15 / 29

HEX #B54A9A

RGB 181 74 154

HSL 315.14, 0.42%, 0.5%

LAB 48.33, 52.77, -22.64

 

CMYK 0 / 59 / 31 / 29

HEX #B54A7D

RGB 181 74 125

HSL 331.4, 0.42%, 0.5%

LAB 47.24, 48.66, -6.89

 

CMYK 0 / 59 / 47 / 29

HEX #B54A60

RGB 181 74 96

HSL 347.66, 0.42%, 0.5%

LAB 46.4, 45.37, 9.54

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 33 / 59 / 0 / 29

HEX #7A4AB5

RGB 122 74 181

HSL 266.92, 0.42%, 0.5%

LAB 41.8, 42.26, -49.44

 

CMYK 49 / 59 / 0 / 29

HEX #5D4AB5

RGB 93 74 181

HSL 250.65, 0.42%, 0.5%

LAB 38.83, 35.67, -54.38

 

CMYK 59 / 59 / 0 / 29

HEX #4A4AB5

RGB 74 74 181

HSL 240, 0.42%, 0.5%

LAB 37.28, 31.95, -56.97

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 21 / 74 / 0 / 21

HEX #A035CA

RGB 160 53 202

HSL 283.09, 0.58%, 0.5%

LAB 44.64, 64.99, -56.87

 

CMYK 24 / 85 / 0 / 13

HEX #A921DE

RGB 169 33 222

HSL 283.17, 0.74%, 0.5%

LAB 45.35, 76.32, -67.14

 

CMYK 27 / 95 / 0 / 5

HEX #B20CF3

RGB 178 12 243

HSL 283.12, 0.91%, 0.5%

LAB 47.23, 84.69, -75.92

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 11 / 41 / 0 / 37

HEX #8E5FA0

RGB 142 95 160

HSL 283.38, 0.25%, 0.5%

LAB 47.59, 31, -27.76

 

CMYK 5 / 18 / 0 / 45

HEX #85738C

RGB 133 115 140

HSL 283.2, 0.1%, 0.5%

LAB 50.85, 11.88, -11.04

 

CMYK 9 / 0 / 13 / 47

HEX #7C8877

RGB 124 136 119

HSL 102.35, 0.07%, 0.5%

LAB 55.3, -7.75, 7.64

 

CMYK 26 / 0 / 37 / 39

HEX #739C63

RGB 115 156 99

HSL 103.16, 0.22%, 0.5%

LAB 60.18, -25.08, 25.47

 

CMYK 48 / 59 / 0 / 29

HEX #5E4AB5

RGB 94 74 181

HSL 251.21, 0.42%, 0.5%

LAB 38.92, 35.88, -54.23

 

CMYK 33 / 59 / 0 / 29

HEX #7A4AB5

RGB 122 74 181

HSL 266.92, 0.42%, 0.5%

LAB 41.8, 42.26, -49.44

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 1 / 59 / 0 / 29

HEX #B34AB5

RGB 179 74 181

HSL 298.88, 0.42%, 0.5%

LAB 49.27, 56.72, -37.1

 

CMYK 0 / 59 / 15 / 29

HEX #B54A9A

RGB 181 74 154

HSL 315.14, 0.42%, 0.5%

LAB 48.33, 52.77, -22.64

 

CMYK 16 / 59 / 0 / 52

HEX #66327A

RGB 102 50 122

HSL 283.33, 0.42%, 0.34%

LAB 30.67, 35.93, -31.57

 

CMYK 17 / 59 / 0 / 40

HEX #7E3E98

RGB 126 62 152

HSL 282.67, 0.42%, 0.42%

LAB 38.11, 42.83, -38.03

 

CMYK 17 / 59 / 0 / 29

HEX #974AB5

RGB 151 74 181

HSL 283.18, 0.42%, 0.5%

LAB 45.38, 49.49, -43.52

 

CMYK 13 / 47 / 0 / 24

HEX #A867C1

RGB 168 103 193

HSL 283.33, 0.42%, 0.58%

LAB 53.89, 41.51, -36.88

 

CMYK 10 / 35 / 0 / 20

HEX #B885CD

RGB 184 133 205

HSL 282.5, 0.42%, 0.66%

LAB 62.82, 32.35, -29.65

 

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

CMYK 0 / 59 / 54 / 29

HEX #B54A53

RGB 181 74 83

HSL 354.95, 0.42%, 0.5%

LAB 46.1, 44.19, 17.05

 

CMYK 59 / 0 / 40 / 29

HEX #4AB56C

RGB 74 181 108

HSL 139.07, 0.42%, 0.5%

LAB 66.2, -47.07, 28.24

 

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

CMYK 0 / 17 / 59 / 29

HEX #B5974A

RGB 181 151 74

HSL 43.18, 0.42%, 0.5%

LAB 63.71, 1.9, 44.04

 

CMYK 59 / 0 / 17 / 29

HEX #4AB597

RGB 74 181 151

HSL 163.18, 0.42%, 0.5%

LAB 67.08, -38.03, 6.17

 

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

CMYK 0 / 59 / 54 / 29

HEX #B54A53

RGB 181 74 83

HSL 354.95, 0.42%, 0.5%

LAB 46.1, 44.19, 17.05

 

CMYK 43 / 0 / 59 / 29

HEX #68B54A

RGB 104 181 74

HSL 103.18, 0.42%, 0.5%

LAB 66.89, -43.6, 46.27

 

CMYK 59 / 0 / 5 / 29

HEX #4AB5AC

RGB 74 181 172

HSL 174.95, 0.42%, 0.5%

LAB 67.64, -32.66, -4.61

 

CMYK 17 / 59 / 0 / 29

HEX #974BB5

RGB 151 75 181

HSL 283.02, 0.42%, 0.5%

LAB 45.56, 48.99, -43.23

 

CMYK 0 / 46 / 59 / 29

HEX #B5614A

RGB 181 97 74

HSL 12.9, 0.42%, 0.5%

LAB 50.53, 31.72, 28.16

 

CMYK 43 / 0 / 59 / 29

HEX #68B54A

RGB 104 181 74

HSL 103.18, 0.42%, 0.5%

LAB 66.89, -43.6, 46.27

 

CMYK 59 / 13 / 0 / 29

HEX #4A9EB5

RGB 74 158 181

HSL 192.9, 0.42%, 0.5%

LAB 61, -18.55, -19.6

 

Description

Color code: HEX #974BB5 | qconv.com Color code: HEX #974BB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 75 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 75 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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