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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9736CD it is the complementary color #68C932. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9736CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9736CD shade: #9C36C8, #AD48DB, #BE5AEE, #CF6CFF and #E07EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9736CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9736CD shade: #9736CD, #8624BA, #7512A7, #640094 and #530081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9736CD shade: #9737CD, #C037CD, #CD37B2, #CD3789 and #CD3761

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9736CD shade: #9737CD, #6F37CD, #4737CD and #3737CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9736CD shade matches the following richer shades: #9737CD, #9D23E1 and #A30FF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9736CD shade: #9737CD, #924BB9, #8C60A5, #867490 and #80887C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9736CD shade: #4637CD, #6E37CD, #9637CD, #BE37CD and #CD37B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9736CD shade: #68248E, #802CAF, #9737CD, #A858D5 and #BA79DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9736CD shade: #9736CD, #CD3750 and #37CD5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9736CD shade: #9736CD, #CD9637 and #37CD96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9736CD shade: #9736CD, #CD3750, #6ECD37 and #37CDB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9736CD shade: #9736CD, #CD4B37, #6ECD37 and #37B9CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

Complementary color

CMYK 48 / 0 / 75 / 21

HEX #68C932

RGB 104 201 50

HSL 98.54, 0.6%, 0.49%

LAB 72.86, -53.63, 62.19

 

CMYK 22 / 73 / 0 / 22

HEX #9C36C8

RGB 156 54 200

HSL 281.92, 0.57%, 0.5%

LAB 44.06, 63.43, -56.68

 

CMYK 21 / 67 / 0 / 14

HEX #AD48DB

RGB 173 72 219

HSL 281.22, 0.67%, 0.57%

LAB 50.26, 63.47, -57.48

 

CMYK 20 / 62 / 0 / 7

HEX #BE5AEE

RGB 190 90 238

HSL 280.54, 0.81%, 0.64%

LAB 56.52, 63.12, -58.02

 

CMYK 19 / 58 / 0 / 0

HEX #CF6CFF

RGB 207 108 255

HSL 280.41, 1%, 0.71%

LAB 62.68, 62.15, -57.47

 

CMYK 12 / 51 / 0 / 0

HEX #E07EFF

RGB 224 126 255

HSL 285.58, 1%, 0.75%

LAB 68.01, 57.67, -48.89

 

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

CMYK 28 / 81 / 0 / 27

HEX #8624BA

RGB 134 36 186

HSL 279.2, 0.68%, 0.44%

LAB 37.62, 62.9, -59.07

 

CMYK 30 / 89 / 0 / 35

HEX #7512A7

RGB 117 18 167

HSL 279.87, 0.81%, 0.36%

LAB 31.82, 61.23, -57.3

 

CMYK 32 / 100 / 0 / 42

HEX #640094

RGB 100 0 148

HSL 280.54, 1%, 0.29%

LAB 26.3, 58.37, -54.85

 

CMYK 36 / 100 / 0 / 49

HEX #530081

RGB 83 0 129

HSL 278.6, 1%, 0.25%

LAB 21.67, 52.38, -50.67

 

CMYK 26 / 73 / 0 / 20

HEX #9737CD

RGB 151 55 205

HSL 278.4, 0.6%, 0.51%

LAB 43.83, 63.11, -59.97

 

CMYK 6 / 73 / 0 / 20

HEX #C037CD

RGB 192 55 205

HSL 294.8, 0.6%, 0.51%

LAB 49.91, 71.26, -49.87

 

CMYK 0 / 73 / 13 / 20

HEX #CD37B2

RGB 205 55 178

HSL 310.8, 0.6%, 0.51%

LAB 50.6, 69.87, -32.98

 

CMYK 0 / 73 / 33 / 20

HEX #CD3789

RGB 205 55 137

HSL 327.2, 0.6%, 0.51%

LAB 48.91, 64.62, -11.23

 

CMYK 0 / 73 / 53 / 20

HEX #CD3761

RGB 205 55 97

HSL 343.2, 0.6%, 0.51%

LAB 47.72, 60.79, 11.39

 

CMYK 26 / 73 / 0 / 20

HEX #9737CD

RGB 151 55 205

HSL 278.4, 0.6%, 0.51%

LAB 43.83, 63.11, -59.97

 

CMYK 46 / 73 / 0 / 20

HEX #6F37CD

RGB 111 55 205

HSL 262.4, 0.6%, 0.51%

LAB 38.76, 56.02, -68.45

 

CMYK 65 / 73 / 0 / 20

HEX #4737CD

RGB 71 55 205

HSL 246.4, 0.6%, 0.51%

LAB 34.96, 50.44, -74.82

 

CMYK 73 / 73 / 0 / 20

HEX #3737CD

RGB 55 55 205

HSL 240, 0.6%, 0.51%

LAB 33.88, 48.8, -76.64

 

CMYK 26 / 73 / 0 / 20

HEX #9737CD

RGB 151 55 205

HSL 278.4, 0.6%, 0.51%

LAB 43.83, 63.11, -59.97

 

CMYK 30 / 84 / 0 / 12

HEX #9D23E1

RGB 157 35 225

HSL 278.53, 0.76%, 0.51%

LAB 43.95, 74.65, -71.21

 

CMYK 33 / 94 / 0 / 4

HEX #A30FF5

RGB 163 15 245

HSL 278.61, 0.92%, 0.51%

LAB 45.25, 82.95, -80.38

 

CMYK 26 / 73 / 0 / 20

HEX #9737CD

RGB 151 55 205

HSL 278.4, 0.6%, 0.51%

LAB 43.83, 63.11, -59.97

 

CMYK 21 / 59 / 0 / 27

HEX #924BB9

RGB 146 75 185

HSL 278.73, 0.44%, 0.51%

LAB 45.15, 48.59, -46.27

 

CMYK 15 / 42 / 0 / 35

HEX #8C60A5

RGB 140 96 165

HSL 278.26, 0.28%, 0.51%

LAB 47.83, 30.9, -30.35

 

CMYK 7 / 19 / 0 / 44

HEX #867490

RGB 134 116 144

HSL 278.57, 0.11%, 0.51%

LAB 51.35, 12.5, -12.63

 

CMYK 6 / 0 / 9 / 47

HEX #80887C

RGB 128 136 124

HSL 100, 0.05%, 0.51%

LAB 55.74, -5.3, 5.43

 

CMYK 66 / 73 / 0 / 20

HEX #4637CD

RGB 70 55 205

HSL 246, 0.6%, 0.51%

LAB 34.89, 50.33, -74.95

 

CMYK 46 / 73 / 0 / 20

HEX #6E37CD

RGB 110 55 205

HSL 262, 0.6%, 0.51%

LAB 38.65, 55.86, -68.63

 

CMYK 27 / 73 / 0 / 20

HEX #9637CD

RGB 150 55 205

HSL 278, 0.6%, 0.51%

LAB 43.69, 62.92, -60.21

 

CMYK 7 / 73 / 0 / 20

HEX #BE37CD

RGB 190 55 205

HSL 294, 0.6%, 0.51%

LAB 49.6, 70.85, -50.38

 

CMYK 0 / 73 / 12 / 20

HEX #CD37B4

RGB 205 55 180

HSL 310, 0.6%, 0.51%

LAB 50.7, 70.15, -34

 

CMYK 27 / 75 / 0 / 44

HEX #68248E

RGB 104 36 142

HSL 278.49, 0.6%, 0.35%

LAB 29.81, 47.85, -45.4

 

CMYK 27 / 75 / 0 / 31

HEX #802CAF

RGB 128 44 175

HSL 278.47, 0.6%, 0.43%

LAB 36.9, 56.64, -53.75

 

CMYK 26 / 73 / 0 / 20

HEX #9737CD

RGB 151 55 205

HSL 278.4, 0.6%, 0.51%

LAB 43.83, 63.11, -59.97

 

CMYK 21 / 59 / 0 / 16

HEX #A858D5

RGB 168 88 213

HSL 278.4, 0.6%, 0.59%

LAB 51.96, 53.63, -51.37

 

CMYK 16 / 45 / 0 / 13

HEX #BA79DE

RGB 186 121 222

HSL 278.61, 0.6%, 0.67%

LAB 61.12, 43.12, -41.8

 

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

CMYK 0 / 73 / 61 / 20

HEX #CD3750

RGB 205 55 80

HSL 350, 0.6%, 0.51%

LAB 47.35, 59.58, 21.28

 

CMYK 73 / 0 / 56 / 20

HEX #37CD5A

RGB 55 205 90

HSL 134, 0.6%, 0.51%

LAB 73.03, -62.33, 45.66

 

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

CMYK 0 / 27 / 73 / 20

HEX #CD9637

RGB 205 150 55

HSL 38, 0.6%, 0.51%

LAB 65.8, 11.74, 55.74

 

CMYK 73 / 0 / 27 / 20

HEX #37CD96

RGB 55 205 150

HSL 158, 0.6%, 0.51%

LAB 73.98, -51.59, 16.41

 

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

CMYK 0 / 73 / 61 / 20

HEX #CD3750

RGB 205 55 80

HSL 350, 0.6%, 0.51%

LAB 47.35, 59.58, 21.28

 

CMYK 46 / 0 / 73 / 20

HEX #6ECD37

RGB 110 205 55

HSL 98, 0.6%, 0.51%

LAB 74.35, -53.03, 62.04

 

CMYK 73 / 0 / 12 / 20

HEX #37CDB4

RGB 55 205 180

HSL 170, 0.6%, 0.51%

LAB 74.68, -44.32, 1.29

 

CMYK 26 / 74 / 0 / 20

HEX #9736CD

RGB 151 54 205

HSL 278.54, 0.6%, 0.51%

LAB 43.69, 63.5, -60.2

 

CMYK 0 / 63 / 73 / 20

HEX #CD4B37

RGB 205 75 55

HSL 8, 0.6%, 0.51%

LAB 49.84, 50.4, 38.93

 

CMYK 46 / 0 / 73 / 20

HEX #6ECD37

RGB 110 205 55

HSL 98, 0.6%, 0.51%

LAB 74.35, -53.03, 62.04

 

CMYK 73 / 10 / 0 / 20

HEX #37B9CD

RGB 55 185 205

HSL 188, 0.6%, 0.51%

LAB 69.41, -27.93, -20.17

 

Description

Color code: HEX #9736CD | qconv.com Color code: HEX #9736CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 54 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 54 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 74 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 74% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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