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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972D53 it is the complementary color #68D2AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972D53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972D53 shade: #9C2D4E, #AD3F61, #BE5174, #CF6387 and #E0759A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972D53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972D53 shade: #972D53, #861B40, #75092D, #64001A and #530007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972D53 shade: #952D52, #952D36 and #952D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972D53 shade: #952D52, #952D6E, #952D8B, #842D95 and #672D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972D53 shade matches the following richer shades: #952D52, #A51D4E and #B50D49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972D53 shade: #952D52, #863C57, #764C5B, #665C5F and #576B64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972D53 shade: #952D8B, #952D6F, #952D53, #952D37 and #953E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972D53 shade: #561A2F, #752341, #952D52, #B53664 and #C94B78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972D53 shade: #972D53, #95842D and #2D7D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972D53 shade: #972D53, #53952D and #2D5395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972D53 shade: #972D53, #95842D, #2D956F and #2D3E95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972D53 shade: #972D53, #87952D, #2D956F and #3B2D95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

Complementary color

CMYK 50 / 0 / 18 / 18

HEX #68D2AC

RGB 104 210 172

HSL 158.49, 0.54%, 0.62%

LAB 77.29, -39.67, 9.52

 

CMYK 0 / 71 / 50 / 39

HEX #9C2D4E

RGB 156 45 78

HSL 342.16, 0.55%, 0.39%

LAB 36.92, 48.11, 6.8

 

CMYK 0 / 64 / 44 / 32

HEX #AD3F61

RGB 173 63 97

HSL 341.45, 0.47%, 0.46%

LAB 43.22, 47.84, 4.22

 

CMYK 0 / 57 / 39 / 25

HEX #BE5174

RGB 190 81 116

HSL 340.73, 0.46%, 0.53%

LAB 49.61, 47.22, 2.2

 

CMYK 0 / 52 / 35 / 19

HEX #CF6387

RGB 207 99 135

HSL 340, 0.53%, 0.6%

LAB 56.03, 46.44, 0.55

 

CMYK 0 / 48 / 31 / 12

HEX #E0759A

RGB 224 117 154

HSL 339.25, 0.63%, 0.67%

LAB 62.43, 45.6, -0.83

 

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

CMYK 0 / 80 / 52 / 47

HEX #861B40

RGB 134 27 64

HSL 339.25, 0.66%, 0.32%

LAB 29.97, 46.62, 5.48

 

CMYK 0 / 92 / 62 / 54

HEX #75092D

RGB 117 9 45

HSL 340, 0.86%, 0.25%

LAB 24.22, 44.93, 9.81

 

CMYK 0 / 100 / 74 / 61

HEX #64001A

RGB 100 0 26

HSL 344.4, 1%, 0.2%

LAB 19.16, 41.17, 15.77

 

CMYK 0 / 100 / 92 / 67

HEX #530007

RGB 83 0 7

HSL 354.94, 1%, 0.16%

LAB 14.7, 35.66, 20.07

 

CMYK 0 / 70 / 45 / 42

HEX #952D52

RGB 149 45 82

HSL 338.65, 0.54%, 0.38%

LAB 35.74, 46.3, 2.37

 

CMYK 0 / 70 / 64 / 42

HEX #952D36

RGB 149 45 54

HSL 354.81, 0.54%, 0.38%

LAB 35.07, 43.93, 19.42

 

CMYK 0 / 70 / 70 / 42

HEX #952D2D

RGB 149 45 45

HSL 0, 0.54%, 0.38%

LAB 34.91, 43.38, 24.88

 

CMYK 0 / 70 / 45 / 42

HEX #952D52

RGB 149 45 82

HSL 338.65, 0.54%, 0.38%

LAB 35.74, 46.3, 2.37

 

CMYK 0 / 70 / 26 / 42

HEX #952D6E

RGB 149 45 110

HSL 322.5, 0.54%, 0.38%

LAB 36.73, 49.64, -14

 

CMYK 0 / 70 / 7 / 42

HEX #952D8B

RGB 149 45 139

HSL 305.77, 0.54%, 0.38%

LAB 38.08, 54.01, -29.94

 

CMYK 11 / 70 / 0 / 42

HEX #842D95

RGB 132 45 149

HSL 290.19, 0.54%, 0.38%

LAB 35.89, 51.71, -39.69

 

CMYK 31 / 70 / 0 / 42

HEX #672D95

RGB 103 45 149

HSL 273.46, 0.54%, 0.38%

LAB 31.65, 45.15, -46.74

 

CMYK 0 / 70 / 45 / 42

HEX #952D52

RGB 149 45 82

HSL 338.65, 0.54%, 0.38%

LAB 35.74, 46.3, 2.37

 

CMYK 0 / 82 / 53 / 35

HEX #A51D4E

RGB 165 29 78

HSL 338.38, 0.7%, 0.38%

LAB 36.8, 55.96, 6.86

 

CMYK 0 / 93 / 60 / 29

HEX #B50D49

RGB 181 13 73

HSL 338.57, 0.87%, 0.38%

LAB 38.89, 62.8, 13.48

 

CMYK 0 / 70 / 45 / 42

HEX #952D52

RGB 149 45 82

HSL 338.65, 0.54%, 0.38%

LAB 35.74, 46.3, 2.37

 

CMYK 0 / 55 / 35 / 47

HEX #863C57

RGB 134 60 87

HSL 338.11, 0.38%, 0.38%

LAB 35.96, 34.75, -0.82

 

CMYK 0 / 36 / 23 / 54

HEX #764C5B

RGB 118 76 91

HSL 338.57, 0.22%, 0.38%

LAB 37.44, 20.11, -1.45

 

CMYK 0 / 10 / 7 / 60

HEX #665C5F

RGB 102 92 95

HSL 342, 0.05%, 0.38%

LAB 40.09, 4.61, -0.26

 

CMYK 19 / 0 / 7 / 58

HEX #576B64

RGB 87 107 100

HSL 159, 0.1%, 0.38%

LAB 43.45, -9.04, 1.44

 

CMYK 0 / 70 / 7 / 42

HEX #952D8B

RGB 149 45 139

HSL 305.77, 0.54%, 0.38%

LAB 38.08, 54.01, -29.94

 

CMYK 0 / 70 / 26 / 42

HEX #952D6F

RGB 149 45 111

HSL 321.92, 0.54%, 0.38%

LAB 36.77, 49.78, -14.56

 

CMYK 0 / 70 / 44 / 42

HEX #952D53

RGB 149 45 83

HSL 338.08, 0.54%, 0.38%

LAB 35.77, 46.4, 1.77

 

CMYK 0 / 70 / 63 / 42

HEX #952D37

RGB 149 45 55

HSL 354.23, 0.54%, 0.38%

LAB 35.09, 43.99, 18.81

 

CMYK 0 / 58 / 70 / 42

HEX #953E2D

RGB 149 62 45

HSL 9.81, 0.54%, 0.38%

LAB 37.89, 35.45, 28.43

 

CMYK 0 / 70 / 45 / 66

HEX #561A2F

RGB 86 26 47

HSL 339, 0.54%, 0.22%

LAB 19.73, 29.77, 1.17

 

CMYK 0 / 70 / 44 / 54

HEX #752341

RGB 117 35 65

HSL 338.05, 0.54%, 0.3%

LAB 27.75, 38.39, 1.2

 

CMYK 0 / 70 / 45 / 42

HEX #952D52

RGB 149 45 82

HSL 338.65, 0.54%, 0.38%

LAB 35.74, 46.3, 2.37

 

CMYK 0 / 70 / 45 / 29

HEX #B53664

RGB 181 54 100

HSL 338.27, 0.54%, 0.46%

LAB 43.33, 54.36, 2.71

 

CMYK 0 / 63 / 40 / 21

HEX #C94B78

RGB 201 75 120

HSL 338.57, 0.54%, 0.54%

LAB 50.46, 53.95, 1.24

 

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

CMYK 0 / 11 / 70 / 42

HEX #95842D

RGB 149 132 45

HSL 50.19, 0.54%, 0.38%

LAB 55.16, -3.87, 47.32

 

CMYK 70 / 16 / 0 / 42

HEX #2D7D95

RGB 45 125 149

HSL 193.85, 0.54%, 0.38%

LAB 48.75, -16.06, -20.01

 

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

CMYK 44 / 0 / 70 / 42

HEX #53952D

RGB 83 149 45

HSL 98.08, 0.54%, 0.38%

LAB 55.61, -39.73, 46.34

 

CMYK 70 / 44 / 0 / 42

HEX #2D5395

RGB 45 83 149

HSL 218.08, 0.54%, 0.38%

LAB 35.82, 9.5, -40.29

 

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

CMYK 0 / 11 / 70 / 42

HEX #95842D

RGB 149 132 45

HSL 50.19, 0.54%, 0.38%

LAB 55.16, -3.87, 47.32

 

CMYK 70 / 0 / 26 / 42

HEX #2D956F

RGB 45 149 111

HSL 158.08, 0.54%, 0.38%

LAB 55.28, -38.85, 11.64

 

CMYK 70 / 58 / 0 / 42

HEX #2D3E95

RGB 45 62 149

HSL 230.19, 0.54%, 0.38%

LAB 29.84, 23.59, -49.92

 

CMYK 0 / 70 / 45 / 41

HEX #972D53

RGB 151 45 83

HSL 338.49, 0.54%, 0.38%

LAB 36.14, 47.03, 2.35

 

CMYK 9 / 0 / 70 / 42

HEX #87952D

RGB 135 149 45

HSL 68.08, 0.54%, 0.38%

LAB 58.82, -19.22, 50.66

 

CMYK 70 / 0 / 26 / 42

HEX #2D956F

RGB 45 149 111

HSL 158.08, 0.54%, 0.38%

LAB 55.28, -38.85, 11.64

 

CMYK 60 / 70 / 0 / 42

HEX #3B2D95

RGB 59 45 149

HSL 248.08, 0.54%, 0.38%

LAB 26.67, 36.72, -55.06

 

Description

Color code: HEX #972D53 | qconv.com Color code: HEX #972D53 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 45 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 45 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 45 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 45% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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