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Color name
HEX #972CDC

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972CDC it is the complementary color #68D323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972CDC shade: #9C2CD7, #AD3EEA, #BE50FD, #CF62FF and #E074FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972CDC shade: #972CDC, #861AC9, #7508B6, #6400A3 and #530090

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972CDC shade: #982CDD, #C72CDD, #DD2CC3, #DD2C93 and #DD2C64

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972CDC shade: #982CDD, #682CDD, #392CDD and #2C2CDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972CDC shade matches the following richer shades: #982CDD and #9C19F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972CDC shade: #982CDD, #9340C9, #8F54B5, #8B68A1 and #877C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972CDC shade: #382CDD, #672CDD, #962CDD, #C52CDD and #DD2CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972CDC shade: #6A1A9D, #811FC1, #982CDD, #A950E3 and #BA73E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972CDC shade: #972CDC, #DD2C50 and #2CDD50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972CDC shade: #972CDC, #DD962C and #2CDD96

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972CDC shade: #972CDC, #DD2C50, #73DD2C and #2CDDB9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972CDC shade: #972CDC, #DD3E2C, #73DD2C and #2CCBDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

Complementary color

CMYK 51 / 0 / 83 / 17

HEX #68D323

RGB 104 211 35

HSL 96.48, 0.72%, 0.48%

LAB 75.86, -58.14, 69.27

 

CMYK 27 / 80 / 0 / 16

HEX #9C2CD7

RGB 156 44 215

HSL 279.3, 0.68%, 0.51%

LAB 43.91, 69.95, -65.57

 

CMYK 26 / 74 / 0 / 8

HEX #AD3EEA

RGB 173 62 234

HSL 278.72, 0.8%, 0.58%

LAB 49.82, 70.55, -66.67

 

CMYK 25 / 68 / 0 / 1

HEX #BE50FD

RGB 190 80 253

HSL 278.15, 0.98%, 0.65%

LAB 55.86, 70.58, -67.42

 

CMYK 19 / 62 / 0 / 0

HEX #CF62FF

RGB 207 98 255

HSL 281.66, 1%, 0.69%

LAB 60.98, 66.79, -60.19

 

CMYK 12 / 55 / 0 / 0

HEX #E074FF

RGB 224 116 255

HSL 286.62, 1%, 0.73%

LAB 66.18, 62.52, -51.78

 

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

CMYK 33 / 87 / 0 / 21

HEX #861AC9

RGB 134 26 201

HSL 277.03, 0.77%, 0.45%

LAB 37.89, 68.77, -67.43

 

CMYK 36 / 96 / 0 / 29

HEX #7508B6

RGB 117 8 182

HSL 277.59, 0.92%, 0.37%

LAB 32.55, 66.03, -65.08

 

CMYK 39 / 100 / 0 / 36

HEX #6400A3

RGB 100 0 163

HSL 276.81, 1%, 0.32%

LAB 27.72, 61.45, -61.7

 

CMYK 42 / 100 / 0 / 44

HEX #530090

RGB 83 0 144

HSL 274.58, 1%, 0.28%

LAB 23.18, 55.61, -57.6

 

CMYK 31 / 80 / 0 / 13

HEX #982CDD

RGB 152 44 221

HSL 276.61, 0.72%, 0.52%

LAB 43.8, 70.54, -69.22

 

CMYK 10 / 80 / 0 / 13

HEX #C72CDD

RGB 199 44 221

HSL 292.54, 0.72%, 0.52%

LAB 50.88, 78.47, -57.41

 

CMYK 0 / 80 / 12 / 13

HEX #DD2CC3

RGB 221 44 195

HSL 308.81, 0.72%, 0.52%

LAB 53.07, 78.73, -38.79

 

CMYK 0 / 80 / 33 / 13

HEX #DD2C93

RGB 221 44 147

HSL 325.08, 0.72%, 0.52%

LAB 51.01, 72.87, -13.77

 

CMYK 0 / 80 / 55 / 13

HEX #DD2C64

RGB 221 44 100

HSL 341.02, 0.72%, 0.52%

LAB 49.61, 68.69, 12.64

 

CMYK 31 / 80 / 0 / 13

HEX #982CDD

RGB 152 44 221

HSL 276.61, 0.72%, 0.52%

LAB 43.8, 70.54, -69.22

 

CMYK 53 / 80 / 0 / 13

HEX #682CDD

RGB 104 44 221

HSL 260.34, 0.72%, 0.52%

LAB 37.78, 63.9, -79.31

 

CMYK 74 / 80 / 0 / 13

HEX #392CDD

RGB 57 44 221

HSL 244.41, 0.72%, 0.52%

LAB 33.76, 59.52, -86.09

 

CMYK 80 / 80 / 0 / 13

HEX #2C2CDD

RGB 44 44 221

HSL 240, 0.72%, 0.52%

LAB 33.04, 58.75, -87.29

 

CMYK 31 / 80 / 0 / 13

HEX #982CDD

RGB 152 44 221

HSL 276.61, 0.72%, 0.52%

LAB 43.8, 70.54, -69.22

 

CMYK 35 / 90 / 0 / 5

HEX #9C19F1

RGB 156 25 241

HSL 276.39, 0.89%, 0.52%

LAB 44.4, 79.86, -79.56

 

CMYK 31 / 80 / 0 / 13

HEX #982CDD

RGB 152 44 221

HSL 276.61, 0.72%, 0.52%

LAB 43.8, 70.54, -69.22

 

CMYK 27 / 68 / 0 / 21

HEX #9340C9

RGB 147 64 201

HSL 276.35, 0.56%, 0.52%

LAB 44.36, 57.65, -56.83

 

CMYK 21 / 54 / 0 / 29

HEX #8F54B5

RGB 143 84 181

HSL 276.49, 0.4%, 0.52%

LAB 46.33, 42.17, -42.06

 

CMYK 14 / 35 / 0 / 37

HEX #8B68A1

RGB 139 104 161

HSL 276.84, 0.23%, 0.52%

LAB 49.45, 25.02, -25.48

 

CMYK 5 / 13 / 0 / 44

HEX #877C8E

RGB 135 124 142

HSL 276.67, 0.07%, 0.52%

LAB 53.51, 7.75, -8.21

 

CMYK 75 / 80 / 0 / 13

HEX #382CDD

RGB 56 44 221

HSL 244.07, 0.72%, 0.52%

LAB 33.7, 59.45, -86.19

 

CMYK 53 / 80 / 0 / 13

HEX #672CDD

RGB 103 44 221

HSL 260, 0.72%, 0.52%

LAB 37.67, 63.78, -79.49

 

CMYK 32 / 80 / 0 / 13

HEX #962CDD

RGB 150 44 221

HSL 275.93, 0.72%, 0.52%

LAB 43.52, 70.23, -69.68

 

CMYK 11 / 80 / 0 / 13

HEX #C52CDD

RGB 197 44 221

HSL 291.86, 0.72%, 0.52%

LAB 50.56, 78.11, -57.94

 

CMYK 0 / 80 / 11 / 13

HEX #DD2CC5

RGB 221 44 197

HSL 308.14, 0.72%, 0.52%

LAB 53.17, 79.01, -39.79

 

CMYK 32 / 83 / 0 / 38

HEX #6A1A9D

RGB 106 26 157

HSL 276.64, 0.72%, 0.36%

LAB 30, 55.29, -54.27

 

CMYK 33 / 84 / 0 / 24

HEX #811FC1

RGB 129 31 193

HSL 276.3, 0.72%, 0.44%

LAB 36.92, 65.09, -64.35

 

CMYK 31 / 80 / 0 / 13

HEX #982CDD

RGB 152 44 221

HSL 276.61, 0.72%, 0.52%

LAB 43.8, 70.54, -69.22

 

CMYK 26 / 65 / 0 / 11

HEX #A950E3

RGB 169 80 227

HSL 276.33, 0.72%, 0.6%

LAB 51.52, 60.74, -60.01

 

CMYK 20 / 50 / 0 / 9

HEX #BA73E8

RGB 186 115 232

HSL 276.41, 0.72%, 0.68%

LAB 60.36, 48.48, -48.58

 

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

CMYK 0 / 80 / 64 / 13

HEX #DD2C50

RGB 221 44 80

HSL 347.8, 0.72%, 0.52%

LAB 49.19, 67.43, 24.26

 

CMYK 80 / 0 / 64 / 13

HEX #2CDD50

RGB 44 221 80

HSL 132.2, 0.72%, 0.52%

LAB 77.77, -70.15, 55.5

 

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

CMYK 0 / 32 / 80 / 13

HEX #DD962C

RGB 221 150 44

HSL 35.93, 0.72%, 0.52%

LAB 67.55, 18.21, 62.34

 

CMYK 80 / 0 / 32 / 13

HEX #2CDD96

RGB 44 221 150

HSL 155.93, 0.72%, 0.52%

LAB 78.72, -59.01, 22.93

 

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

CMYK 0 / 80 / 64 / 13

HEX #DD2C50

RGB 221 44 80

HSL 347.8, 0.72%, 0.52%

LAB 49.19, 67.43, 24.26

 

CMYK 48 / 0 / 80 / 13

HEX #73DD2C

RGB 115 221 44

HSL 95.93, 0.72%, 0.52%

LAB 79.35, -58.23, 70.29

 

CMYK 80 / 0 / 16 / 13

HEX #2CDDB9

RGB 44 221 185

HSL 167.8, 0.72%, 0.52%

LAB 79.47, -50.92, 5.54

 

CMYK 31 / 80 / 0 / 14

HEX #972CDC

RGB 151 44 220

HSL 276.48, 0.72%, 0.52%

LAB 43.58, 70.18, -69.01

 

CMYK 0 / 72 / 80 / 13

HEX #DD3E2C

RGB 221 62 44

HSL 6.1, 0.72%, 0.52%

LAB 50.69, 60.38, 46.53

 

CMYK 48 / 0 / 80 / 13

HEX #73DD2C

RGB 115 221 44

HSL 95.93, 0.72%, 0.52%

LAB 79.35, -58.23, 70.29

 

CMYK 80 / 8 / 0 / 13

HEX #2CCBDD

RGB 44 203 221

HSL 186.1, 0.72%, 0.52%

LAB 75.12, -32.86, -20.23

 

Description

Color code: HEX #972CDC | qconv.com Color code: HEX #972CDC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 44 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 44 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 80 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 80% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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