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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9726A0 it is the complementary color #68D95F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9726A0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9726A0 shade: #9C269B, #AD38AE, #BE4AC1, #CF5CD4 and #E06EE7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9726A0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9726A0 shade: #9726A0, #86148D, #75027A, #640067 and #530054

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9726A0 shade: #9826A1, #A12689, #A12668, #A12646 and #A12626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9726A0 shade: #9826A1, #7726A1, #5526A1, #3426A1 and #2626A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9726A0 shade matches the following richer shades: #9826A1, #A616B1 and #B306C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9726A0 shade: #9826A1, #8A3691, #7D4681, #6F5671 and #616661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9726A0 shade: #5526A1, #7626A1, #9726A1, #A1268B and #A1266A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9726A0 shade: #59165E, #781E80, #9826A1, #B82EC3 and #C946D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9726A0 shade: #9726A0, #A13426 and #26A166

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9726A0 shade: #9726A0, #A19726 and #26A197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9726A0 shade: #9726A0, #A13426, #30A126 and #2693A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9726A0 shade: #9726A0, #A15926, #30A126 and #266EA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

Complementary color

CMYK 52 / 0 / 56 / 15

HEX #68D95F

RGB 104 217 95

HSL 115.57, 0.62%, 0.61%

LAB 78.11, -55.69, 49.68

 

CMYK 0 / 76 / 1 / 39

HEX #9C269B

RGB 156 38 155

HSL 300.51, 0.61%, 0.38%

LAB 39.28, 60.71, -37.71

 

CMYK 1 / 68 / 0 / 32

HEX #AD38AE

RGB 173 56 174

HSL 299.49, 0.51%, 0.45%

LAB 45.32, 61.48, -39.3

 

CMYK 2 / 62 / 0 / 24

HEX #BE4AC1

RGB 190 74 193

HSL 298.49, 0.49%, 0.52%

LAB 51.49, 61.61, -40.47

 

CMYK 2 / 57 / 0 / 17

HEX #CF5CD4

RGB 207 92 212

HSL 297.5, 0.58%, 0.6%

LAB 57.73, 61.36, -41.34

 

CMYK 3 / 52 / 0 / 9

HEX #E06EE7

RGB 224 110 231

HSL 296.53, 0.72%, 0.67%

LAB 63.97, 60.9, -42.02

 

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

CMYK 5 / 86 / 0 / 45

HEX #86148D

RGB 134 20 141

HSL 296.53, 0.75%, 0.32%

LAB 32.9, 58.75, -39.55

 

CMYK 4 / 98 / 0 / 52

HEX #75027A

RGB 117 2 122

HSL 297.5, 0.97%, 0.24%

LAB 27.38, 55.71, -36.67

 

CMYK 3 / 100 / 0 / 60

HEX #640067

RGB 100 0 103

HSL 298.25, 1%, 0.2%

LAB 22.61, 49.94, -32.25

 

CMYK 1 / 100 / 0 / 67

HEX #530054

RGB 83 0 84

HSL 299.29, 1%, 0.16%

LAB 17.82, 43.62, -27.47

 

CMYK 6 / 76 / 0 / 37

HEX #9826A1

RGB 152 38 161

HSL 295.61, 0.62%, 0.39%

LAB 38.96, 60.88, -41.87

 

CMYK 0 / 76 / 15 / 37

HEX #A12689

RGB 161 38 137

HSL 311.71, 0.62%, 0.39%

LAB 39.19, 59.05, -26.82

 

CMYK 0 / 76 / 35 / 37

HEX #A12668

RGB 161 38 104

HSL 327.8, 0.62%, 0.39%

LAB 37.78, 54.75, -8.41

 

CMYK 0 / 76 / 57 / 37

HEX #A12646

RGB 161 38 70

HSL 344.39, 0.62%, 0.39%

LAB 36.75, 51.52, 11.84

 

CMYK 0 / 76 / 76 / 37

HEX #A12626

RGB 161 38 38

HSL 0, 0.62%, 0.39%

LAB 36.18, 49.66, 31.21

 

CMYK 6 / 76 / 0 / 37

HEX #9826A1

RGB 152 38 161

HSL 295.61, 0.62%, 0.39%

LAB 38.96, 60.88, -41.87

 

CMYK 26 / 76 / 0 / 37

HEX #7726A1

RGB 119 38 161

HSL 279.51, 0.62%, 0.39%

LAB 33.73, 54.22, -50.55

 

CMYK 47 / 76 / 0 / 37

HEX #5526A1

RGB 85 38 161

HSL 262.93, 0.62%, 0.39%

LAB 29.14, 48.17, -58.24

 

CMYK 68 / 76 / 0 / 37

HEX #3426A1

RGB 52 38 161

HSL 246.83, 0.62%, 0.39%

LAB 25.83, 43.66, -63.79

 

CMYK 76 / 76 / 0 / 37

HEX #2626A1

RGB 38 38 161

HSL 240, 0.62%, 0.39%

LAB 24.86, 42.3, -65.42

 

CMYK 6 / 76 / 0 / 37

HEX #9826A1

RGB 152 38 161

HSL 295.61, 0.62%, 0.39%

LAB 38.96, 60.88, -41.87

 

CMYK 6 / 88 / 0 / 31

HEX #A616B1

RGB 166 22 177

HSL 295.74, 0.78%, 0.39%

LAB 40.98, 70.18, -48.05

 

CMYK 7 / 97 / 0 / 24

HEX #B306C1

RGB 179 6 193

HSL 295.51, 0.94%, 0.39%

LAB 43.6, 76.9, -53.15

 

CMYK 6 / 76 / 0 / 37

HEX #9826A1

RGB 152 38 161

HSL 295.61, 0.62%, 0.39%

LAB 38.96, 60.88, -41.87

 

CMYK 5 / 63 / 0 / 43

HEX #8A3691

RGB 138 54 145

HSL 295.38, 0.46%, 0.39%

LAB 38, 48.48, -33.85

 

CMYK 3 / 46 / 0 / 49

HEX #7D4681

RGB 125 70 129

HSL 295.93, 0.3%, 0.39%

LAB 38.42, 33.27, -23.52

 

CMYK 2 / 24 / 0 / 56

HEX #6F5671

RGB 111 86 113

HSL 295.56, 0.14%, 0.39%

LAB 39.96, 15.5, -11.45

 

CMYK 5 / 0 / 5 / 60

HEX #616661

RGB 97 102 97

HSL 120, 0.03%, 0.39%

LAB 42.62, -2.98, 2.15

 

CMYK 47 / 76 / 0 / 37

HEX #5526A1

RGB 85 38 161

HSL 262.93, 0.62%, 0.39%

LAB 29.14, 48.17, -58.24

 

CMYK 27 / 76 / 0 / 37

HEX #7626A1

RGB 118 38 161

HSL 279.02, 0.62%, 0.39%

LAB 33.59, 54.03, -50.8

 

CMYK 6 / 76 / 0 / 37

HEX #9726A1

RGB 151 38 161

HSL 295.12, 0.62%, 0.39%

LAB 38.79, 60.67, -42.15

 

CMYK 0 / 76 / 14 / 37

HEX #A1268B

RGB 161 38 139

HSL 310.73, 0.62%, 0.39%

LAB 39.29, 59.34, -27.89

 

CMYK 0 / 76 / 34 / 37

HEX #A1266A

RGB 161 38 106

HSL 326.83, 0.62%, 0.39%

LAB 37.85, 54.98, -9.57

 

CMYK 5 / 77 / 0 / 63

HEX #59165E

RGB 89 22 94

HSL 295.83, 0.62%, 0.23%

LAB 21.97, 40.06, -27.49

 

CMYK 6 / 77 / 0 / 50

HEX #781E80

RGB 120 30 128

HSL 295.1, 0.62%, 0.31%

LAB 30.59, 50.74, -35.28

 

CMYK 6 / 76 / 0 / 37

HEX #9826A1

RGB 152 38 161

HSL 295.61, 0.62%, 0.39%

LAB 38.96, 60.88, -41.87

 

CMYK 6 / 76 / 0 / 24

HEX #B82EC3

RGB 184 46 195

HSL 295.57, 0.62%, 0.47%

LAB 47.09, 70.75, -48.68

 

CMYK 5 / 67 / 0 / 17

HEX #C946D4

RGB 201 70 212

HSL 295.35, 0.62%, 0.55%

LAB 53.55, 69.09, -48

 

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

CMYK 0 / 68 / 76 / 37

HEX #A13426

RGB 161 52 38

HSL 6.83, 0.62%, 0.39%

LAB 38.15, 44.24, 33.37

 

CMYK 76 / 0 / 37 / 37

HEX #26A166

RGB 38 161 102

HSL 151.22, 0.62%, 0.39%

LAB 58.85, -46.86, 21.53

 

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

CMYK 0 / 6 / 76 / 37

HEX #A19726

RGB 161 151 38

HSL 55.12, 0.62%, 0.39%

LAB 61.52, -9.11, 56.64

 

CMYK 76 / 0 / 6 / 37

HEX #26A197

RGB 38 161 151

HSL 175.12, 0.62%, 0.39%

LAB 60.01, -34.62, -4.23

 

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

CMYK 0 / 68 / 76 / 37

HEX #A13426

RGB 161 52 38

HSL 6.83, 0.62%, 0.39%

LAB 38.15, 44.24, 33.37

 

CMYK 70 / 0 / 76 / 37

HEX #30A126

RGB 48 161 38

HSL 115.12, 0.62%, 0.39%

LAB 58.28, -54.16, 51.34

 

CMYK 76 / 9 / 0 / 37

HEX #2693A1

RGB 38 147 161

HSL 186.83, 0.62%, 0.39%

LAB 55.94, -24.74, -16.02

 

CMYK 6 / 76 / 0 / 37

HEX #9726A0

RGB 151 38 160

HSL 295.57, 0.62%, 0.39%

LAB 38.73, 60.49, -41.64

 

CMYK 0 / 45 / 76 / 37

HEX #A15926

RGB 161 89 38

HSL 24.88, 0.62%, 0.39%

LAB 45.44, 25.55, 41.04

 

CMYK 70 / 0 / 76 / 37

HEX #30A126

RGB 48 161 38

HSL 115.12, 0.62%, 0.39%

LAB 58.28, -54.16, 51.34

 

CMYK 76 / 32 / 0 / 37

HEX #266EA1

RGB 38 110 161

HSL 204.88, 0.62%, 0.39%

LAB 44.43, -4.13, -33.82

 

Description

Color code: HEX #9726A0 | qconv.com Color code: HEX #9726A0 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 38 green and 160 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 38 160 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 76 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 76% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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