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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97267D it is the complementary color #68D982. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97267D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97267D shade: #9C2678, #AD388B, #BE4A9E, #CF5CB1 and #E06EC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97267D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97267D shade: #97267D, #86146A, #750257, #640044 and #530031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97267D shade: #97267D, #97265E, #972640 and #972626

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97267D shade: #97267D, #922697, #742697, #552697 and #372697

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97267D shade matches the following richer shades: #97267D, #A61685 and #B5078D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97267D shade: #97267D, #883575, #78446C, #695464 and #5A635C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97267D shade: #732697, #912697, #97267E, #972660 and #972642

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97267D shade: #551546, #761D62, #97267D, #B82E98 and #CF40AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97267D shade: #97267D, #975526 and #269782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97267D shade: #97267D, #7E9726 and #267E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97267D shade: #97267D, #975526, #26973E and #266897

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97267D shade: #97267D, #977726, #26973E and #264697

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

Complementary color

CMYK 52 / 0 / 40 / 15

HEX #68D982

RGB 104 217 130

HSL 133.81, 0.6%, 0.63%

LAB 78.57, -50.77, 33.26

 

CMYK 0 / 76 / 23 / 39

HEX #9C2678

RGB 156 38 120

HSL 318.31, 0.61%, 0.38%

LAB 37.5, 55.43, -18.98

 

CMYK 0 / 68 / 20 / 32

HEX #AD388B

RGB 173 56 139

HSL 317.44, 0.51%, 0.45%

LAB 43.62, 55.98, -21

 

CMYK 0 / 61 / 17 / 25

HEX #BE4A9E

RGB 190 74 158

HSL 316.55, 0.47%, 0.52%

LAB 49.87, 55.95, -22.52

 

CMYK 0 / 56 / 14 / 19

HEX #CF5CB1

RGB 207 92 177

HSL 315.65, 0.55%, 0.59%

LAB 56.18, 55.58, -23.71

 

CMYK 0 / 51 / 13 / 12

HEX #E06EC4

RGB 224 110 196

HSL 314.74, 0.65%, 0.65%

LAB 62.49, 55.02, -24.68

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 85 / 21 / 47

HEX #86146A

RGB 134 20 106

HSL 314.74, 0.74%, 0.3%

LAB 30.9, 53.35, -20.66

 

CMYK 0 / 98 / 26 / 54

HEX #750257

RGB 117 2 87

HSL 315.65, 0.97%, 0.23%

LAB 25.3, 50.53, -17.21

 

CMYK 0 / 100 / 32 / 61

HEX #640044

RGB 100 0 68

HSL 319.2, 1%, 0.2%

LAB 20.54, 44.82, -11.99

 

CMYK 0 / 100 / 41 / 67

HEX #530031

RGB 83 0 49

HSL 324.58, 1%, 0.16%

LAB 15.8, 38.58, -6.15

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 75 / 38 / 41

HEX #97265E

RGB 151 38 94

HSL 330.27, 0.6%, 0.37%

LAB 35.54, 50.85, -5.58

 

CMYK 0 / 75 / 58 / 41

HEX #972640

RGB 151 38 64

HSL 346.19, 0.6%, 0.37%

LAB 34.67, 48.02, 12.54

 

CMYK 0 / 75 / 75 / 41

HEX #972626

RGB 151 38 38

HSL 0, 0.6%, 0.37%

LAB 34.2, 46.44, 28.45

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 3 / 75 / 0 / 41

HEX #922697

RGB 146 38 151

HSL 297.35, 0.6%, 0.37%

LAB 37.36, 57.85, -38.44

 

CMYK 23 / 75 / 0 / 41

HEX #742697

RGB 116 38 151

HSL 281.42, 0.6%, 0.37%

LAB 32.55, 51.47, -46.4

 

CMYK 44 / 75 / 0 / 41

HEX #552697

RGB 85 38 151

HSL 264.96, 0.6%, 0.37%

LAB 28.25, 45.5, -53.59

 

CMYK 64 / 75 / 0 / 41

HEX #372697

RGB 55 38 151

HSL 249.03, 0.6%, 0.37%

LAB 25.05, 40.83, -58.95

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 87 / 20 / 35

HEX #A61685

RGB 166 22 133

HSL 313.75, 0.77%, 0.37%

LAB 38.51, 63.67, -25.35

 

CMYK 0 / 96 / 22 / 29

HEX #B5078D

RGB 181 7 141

HSL 313.79, 0.93%, 0.37%

LAB 41.05, 69.84, -26.08

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 61 / 14 / 47

HEX #883575

RGB 136 53 117

HSL 313.73, 0.44%, 0.37%

LAB 36.11, 43.4, -19.53

 

CMYK 0 / 43 / 10 / 53

HEX #78446C

RGB 120 68 108

HSL 313.85, 0.28%, 0.37%

LAB 36.39, 28.6, -13.67

 

CMYK 0 / 20 / 5 / 59

HEX #695464

RGB 105 84 100

HSL 314.29, 0.11%, 0.37%

LAB 38.31, 11.73, -5.95

 

CMYK 9 / 0 / 7 / 61

HEX #5A635C

RGB 90 99 92

HSL 133.33, 0.05%, 0.37%

LAB 41.01, -4.98, 2.78

 

CMYK 24 / 75 / 0 / 41

HEX #732697

RGB 115 38 151

HSL 280.88, 0.6%, 0.37%

LAB 32.4, 51.27, -46.65

 

CMYK 4 / 75 / 0 / 41

HEX #912697

RGB 145 38 151

HSL 296.81, 0.6%, 0.37%

LAB 37.19, 57.64, -38.71

 

CMYK 0 / 75 / 17 / 41

HEX #97267E

RGB 151 38 126

HSL 313.27, 0.6%, 0.37%

LAB 36.88, 55.01, -23.76

 

CMYK 0 / 75 / 36 / 41

HEX #972660

RGB 151 38 96

HSL 329.2, 0.6%, 0.37%

LAB 35.62, 51.08, -6.75

 

CMYK 0 / 75 / 56 / 41

HEX #972642

RGB 151 38 66

HSL 345.13, 0.6%, 0.37%

LAB 34.72, 48.17, 11.31

 

CMYK 0 / 75 / 18 / 67

HEX #551546

RGB 85 21 70

HSL 314.06, 0.6%, 0.21%

LAB 19.68, 35.04, -14.95

 

CMYK 0 / 75 / 17 / 54

HEX #761D62

RGB 118 29 98

HSL 313.48, 0.61%, 0.29%

LAB 28.41, 45.51, -19.6

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 75 / 17 / 28

HEX #B82E98

RGB 184 46 152

HSL 313.91, 0.6%, 0.45%

LAB 44.82, 64.14, -26.85

 

CMYK 0 / 69 / 16 / 19

HEX #CF40AE

RGB 207 64 174

HSL 313.85, 0.6%, 0.53%

LAB 51.82, 66.74, -28.7

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 44 / 75 / 41

HEX #975526

RGB 151 85 38

HSL 24.96, 0.6%, 0.37%

LAB 43.09, 23.45, 38.15

 

CMYK 75 / 0 / 14 / 41

HEX #269782

RGB 38 151 130

HSL 168.85, 0.6%, 0.37%

LAB 56.24, -35.93, 2.18

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 17 / 0 / 75 / 41

HEX #7E9726

RGB 126 151 38

HSL 73.27, 0.6%, 0.37%

LAB 58.7, -24.5, 52.97

 

CMYK 75 / 17 / 0 / 41

HEX #267E97

RGB 38 126 151

HSL 193.27, 0.6%, 0.37%

LAB 48.97, -16.95, -20.87

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 44 / 75 / 41

HEX #975526

RGB 151 85 38

HSL 24.96, 0.6%, 0.37%

LAB 43.09, 23.45, 38.15

 

CMYK 75 / 0 / 59 / 41

HEX #26973E

RGB 38 151 62

HSL 132.74, 0.6%, 0.37%

LAB 54.96, -50.02, 37.53

 

CMYK 75 / 31 / 0 / 41

HEX #266897

RGB 38 104 151

HSL 204.96, 0.6%, 0.37%

LAB 42.07, -4.2, -31.59

 

CMYK 0 / 75 / 17 / 41

HEX #97267D

RGB 151 38 125

HSL 313.81, 0.6%, 0.37%

LAB 36.83, 54.87, -23.21

 

CMYK 0 / 21 / 75 / 41

HEX #977726

RGB 151 119 38

HSL 43.01, 0.6%, 0.37%

LAB 51.74, 3.97, 46.94

 

CMYK 75 / 0 / 59 / 41

HEX #26973E

RGB 38 151 62

HSL 132.74, 0.6%, 0.37%

LAB 54.96, -50.02, 37.53

 

CMYK 75 / 54 / 0 / 41

HEX #264697

RGB 38 70 151

HSL 223.01, 0.6%, 0.37%

LAB 31.87, 17.93, -47.87

 

Description

Color code: HEX #97267D | qconv.com Color code: HEX #97267D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 38 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 38 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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