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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97255C it is the complementary color #68DAA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97255C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97255C shade: #9C2557, #AD376A, #BE497D, #CF5B90 and #E06DA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97255C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97255C shade: #97255C, #861349, #750136, #640023 and #530010

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97255C shade: #98255C, #98253D and #982525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97255C shade: #98255C, #98257B, #952598, #762598 and #572598

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97255C shade matches the following richer shades: #98255C, #A7165C and #B6065B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97255C shade: #98255C, #89345D, #79435D, #6A535E and #5B625E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97255C shade: #962598, #98257B, #98255C, #98253E and #982B25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97255C shade: #551534, #771D48, #98255C, #B92D71 and #D03F85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97255C shade: #97255C, #987725 and #258A98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97255C shade: #97255C, #5C9825 and #255C98

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97255C shade: #97255C, #987725, #259860 and #254598

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97255C shade: #97255C, #969825, #259860 and #272598

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

Complementary color

CMYK 52 / 0 / 25 / 15

HEX #68DAA3

RGB 104 218 163

HSL 151.05, 0.61%, 0.63%

LAB 79.46, -45.1, 17.36

 

CMYK 0 / 76 / 44 / 39

HEX #9C2557

RGB 156 37 87

HSL 334.79, 0.62%, 0.38%

LAB 36.14, 51.88, -0.11

 

CMYK 0 / 68 / 39 / 32

HEX #AD376A

RGB 173 55 106

HSL 334.07, 0.52%, 0.45%

LAB 42.24, 52.19, -2.79

 

CMYK 0 / 62 / 34 / 25

HEX #BE497D

RGB 190 73 125

HSL 333.33, 0.47%, 0.52%

LAB 48.5, 51.95, -4.86

 

CMYK 0 / 56 / 30 / 19

HEX #CF5B90

RGB 207 91 144

HSL 332.59, 0.55%, 0.58%

LAB 54.83, 51.41, -6.51

 

CMYK 0 / 51 / 27 / 12

HEX #E06DA3

RGB 224 109 163

HSL 331.83, 0.65%, 0.65%

LAB 61.16, 50.72, -7.87

 

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

CMYK 0 / 86 / 46 / 47

HEX #861349

RGB 134 19 73

HSL 331.83, 0.75%, 0.3%

LAB 29.45, 49.71, -1.26

 

CMYK 0 / 99 / 54 / 54

HEX #750136

RGB 117 1 54

HSL 332.59, 0.98%, 0.23%

LAB 23.9, 47.25, 3.13

 

CMYK 0 / 100 / 65 / 61

HEX #640023

RGB 100 0 35

HSL 339, 1%, 0.2%

LAB 19.35, 41.7, 9.6

 

CMYK 0 / 100 / 81 / 67

HEX #530010

RGB 83 0 16

HSL 348.43, 1%, 0.16%

LAB 14.82, 35.99, 16.13

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 76 / 60 / 40

HEX #98253D

RGB 152 37 61

HSL 347.48, 0.61%, 0.37%

LAB 34.67, 48.46, 14.52

 

CMYK 0 / 76 / 76 / 40

HEX #982525

RGB 152 37 37

HSL 0, 0.61%, 0.37%

LAB 34.26, 47.09, 29.17

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 76 / 19 / 40

HEX #98257B

RGB 152 37 123

HSL 315.13, 0.61%, 0.37%

LAB 36.8, 55.16, -22

 

CMYK 2 / 76 / 0 / 40

HEX #952598

RGB 149 37 152

HSL 298.43, 0.61%, 0.37%

LAB 37.81, 59.01, -38.3

 

CMYK 22 / 76 / 0 / 40

HEX #762598

RGB 118 37 152

HSL 282.26, 0.61%, 0.37%

LAB 32.79, 52.49, -46.61

 

CMYK 43 / 76 / 0 / 40

HEX #572598

RGB 87 37 152

HSL 266.09, 0.61%, 0.37%

LAB 28.42, 46.59, -53.91

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 87 / 45 / 35

HEX #A7165C

RGB 167 22 92

HSL 331.03, 0.77%, 0.37%

LAB 37.04, 59.31, -1.73

 

CMYK 0 / 97 / 50 / 29

HEX #B6065B

RGB 182 6 91

HSL 331.02, 0.94%, 0.37%

LAB 39.29, 65.11, 2.56

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 62 / 32 / 46

HEX #89345D

RGB 137 52 93

HSL 331.06, 0.45%, 0.37%

LAB 35.13, 40.61, -5.82

 

CMYK 0 / 45 / 23 / 53

HEX #79435D

RGB 121 67 93

HSL 331.11, 0.29%, 0.37%

LAB 35.73, 26.93, -5.19

 

CMYK 0 / 22 / 11 / 58

HEX #6A535E

RGB 106 83 94

HSL 331.3, 0.12%, 0.37%

LAB 37.95, 11.55, -2.74

 

CMYK 7 / 0 / 4 / 62

HEX #5B625E

RGB 91 98 94

HSL 145.71, 0.04%, 0.37%

LAB 40.84, -3.57, 1.33

 

CMYK 1 / 76 / 0 / 40

HEX #962598

RGB 150 37 152

HSL 298.96, 0.61%, 0.37%

LAB 37.98, 59.22, -38.02

 

CMYK 0 / 76 / 19 / 40

HEX #98257B

RGB 152 37 123

HSL 315.13, 0.61%, 0.37%

LAB 36.8, 55.16, -22

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 76 / 59 / 40

HEX #98253E

RGB 152 37 62

HSL 346.96, 0.61%, 0.37%

LAB 34.69, 48.53, 13.9

 

CMYK 0 / 72 / 76 / 40

HEX #982B25

RGB 152 43 37

HSL 3.13, 0.61%, 0.37%

LAB 35.08, 44.82, 30.09

 

CMYK 0 / 75 / 39 / 67

HEX #551534

RGB 85 21 52

HSL 330.94, 0.6%, 0.21%

LAB 18.87, 32.38, -3.65

 

CMYK 0 / 76 / 39 / 53

HEX #771D48

RGB 119 29 72

HSL 331.33, 0.61%, 0.29%

LAB 27.49, 42.27, -3.83

 

CMYK 0 / 76 / 39 / 40

HEX #98255C

RGB 152 37 92

HSL 331.3, 0.61%, 0.37%

LAB 35.54, 51.26, -4.28

 

CMYK 0 / 76 / 39 / 27

HEX #B92D71

RGB 185 45 113

HSL 330.86, 0.61%, 0.45%

LAB 43.34, 59.95, -5.28

 

CMYK 0 / 70 / 36 / 18

HEX #D03F85

RGB 208 63 133

HSL 331.03, 0.61%, 0.53%

LAB 50.29, 62.21, -6.7

 

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

CMYK 0 / 22 / 76 / 40

HEX #987725

RGB 152 119 37

HSL 42.78, 0.61%, 0.37%

LAB 51.84, 4.38, 47.49

 

CMYK 76 / 9 / 0 / 40

HEX #258A98

RGB 37 138 152

HSL 187.3, 0.61%, 0.37%

LAB 52.77, -23.14, -15.65

 

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

CMYK 39 / 0 / 76 / 40

HEX #5C9825

RGB 92 152 37

HSL 91.3, 0.61%, 0.37%

LAB 56.94, -38.48, 50.91

 

CMYK 76 / 39 / 0 / 40

HEX #255C98

RGB 37 92 152

HSL 211.3, 0.61%, 0.37%

LAB 38.4, 3.56, -38

 

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

CMYK 0 / 22 / 76 / 40

HEX #987725

RGB 152 119 37

HSL 42.78, 0.61%, 0.37%

LAB 51.84, 4.38, 47.49

 

CMYK 76 / 0 / 37 / 40

HEX #259860

RGB 37 152 96

HSL 150.78, 0.61%, 0.37%

LAB 55.78, -44.7, 20.7

 

CMYK 76 / 55 / 0 / 40

HEX #254598

RGB 37 69 152

HSL 223.3, 0.61%, 0.37%

LAB 31.62, 18.87, -48.89

 

CMYK 0 / 75 / 39 / 41

HEX #97255C

RGB 151 37 92

HSL 331.05, 0.61%, 0.37%

LAB 35.35, 50.98, -4.58

 

CMYK 1 / 0 / 76 / 40

HEX #969825

RGB 150 152 37

HSL 61.04, 0.61%, 0.37%

LAB 60.85, -14.59, 56.01

 

CMYK 76 / 0 / 37 / 40

HEX #259860

RGB 37 152 96

HSL 150.78, 0.61%, 0.37%

LAB 55.78, -44.7, 20.7

 

CMYK 74 / 76 / 0 / 40

HEX #272598

RGB 39 37 152

HSL 241.04, 0.61%, 0.37%

LAB 23.74, 39.92, -61.77

 

Description

Color code: HEX #97255C | qconv.com Color code: HEX #97255C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 37 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 37 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 39 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 39% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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