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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9723BD it is the complementary color #68DC42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9723BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9723BD shade: #9C23B8, #AD35CB, #BE47DE, #CF59F1 and #E06BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9723BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9723BD shade: #9723BD, #8611AA, #750097, #640084 and #530071

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9723BD shade: #9723BE, #BE23BA, #BE2390, #BE2367 and #BE233D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9723BD shade: #9723BE, #6E23BE, #4423BE and #2323BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9723BD shade matches the following richer shades: #9723BE and #A111D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9723BD shade: #9723BE, #8E35AB, #854799, #7C5987 and #736B75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9723BD shade: #4423BE, #6E23BE, #9723BE, #BE23BB and #BE2392

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9723BD shade: #601678, #7C1C9B, #9723BE, #B031D9 and #BD53E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9723BD shade: #9723BD, #BE232B and #23BE59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9723BD shade: #9723BD, #BE9723 and #23BE97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9723BD shade: #9723BD, #BE232B, #49BE23 and #23BEB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9723BD shade: #9723BD, #BE4923, #49BE23 and #2397BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

Complementary color

CMYK 53 / 0 / 70 / 14

HEX #68DC42

RGB 104 220 66

HSL 105.19, 0.69%, 0.56%

LAB 78.77, -59.61, 62.5

 

CMYK 15 / 81 / 0 / 28

HEX #9C23B8

RGB 156 35 184

HSL 288.72, 0.68%, 0.43%

LAB 40.78, 66.65, -52.6

 

CMYK 15 / 74 / 0 / 20

HEX #AD35CB

RGB 173 53 203

HSL 288, 0.59%, 0.5%

LAB 46.63, 67.73, -54.13

 

CMYK 14 / 68 / 0 / 13

HEX #BE47DE

RGB 190 71 222

HSL 287.28, 0.7%, 0.57%

LAB 52.65, 68.1, -55.21

 

CMYK 14 / 63 / 0 / 5

HEX #CF59F1

RGB 207 89 241

HSL 286.58, 0.84%, 0.65%

LAB 58.75, 68.01, -55.99

 

CMYK 12 / 58 / 0 / 0

HEX #E06BFF

RGB 224 107 255

HSL 287.43, 1%, 0.71%

LAB 64.63, 66.7, -54.24

 

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

CMYK 21 / 90 / 0 / 33

HEX #8611AA

RGB 134 17 170

HSL 285.88, 0.82%, 0.37%

LAB 34.74, 64.56, -54.22

 

CMYK 23 / 100 / 0 / 41

HEX #750097

RGB 117 0 151

HSL 286.49, 1%, 0.3%

LAB 29.45, 61.18, -51.42

 

CMYK 24 / 100 / 0 / 48

HEX #640084

RGB 100 0 132

HSL 285.45, 1%, 0.26%

LAB 24.88, 55.21, -47.2

 

CMYK 27 / 100 / 0 / 56

HEX #530071

RGB 83 0 113

HSL 284.07, 1%, 0.22%

LAB 20.17, 49.07, -42.88

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 0 / 82 / 2 / 25

HEX #BE23BA

RGB 190 35 186

HSL 301.55, 0.69%, 0.44%

LAB 46.57, 73.35, -44.19

 

CMYK 0 / 82 / 24 / 25

HEX #BE2390

RGB 190 35 144

HSL 317.81, 0.69%, 0.44%

LAB 44.47, 67.53, -22.48

 

CMYK 0 / 82 / 46 / 25

HEX #BE2367

RGB 190 35 103

HSL 333.68, 0.69%, 0.44%

LAB 42.96, 63.15, 0.5

 

CMYK 0 / 82 / 68 / 25

HEX #BE233D

RGB 190 35 61

HSL 349.94, 0.69%, 0.44%

LAB 41.98, 60.21, 25.45

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 42 / 82 / 0 / 25

HEX #6E23BE

RGB 110 35 190

HSL 269.03, 0.69%, 0.44%

LAB 34.47, 60.41, -66.71

 

CMYK 64 / 82 / 0 / 25

HEX #4423BE

RGB 68 35 190

HSL 252.77, 0.69%, 0.44%

LAB 29.78, 55.42, -74.59

 

CMYK 82 / 82 / 0 / 25

HEX #2323BE

RGB 35 35 190

HSL 240, 0.69%, 0.44%

LAB 27.51, 53.04, -78.43

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 23 / 92 / 0 / 18

HEX #A111D0

RGB 161 17 208

HSL 285.24, 0.85%, 0.44%

LAB 42.05, 75.54, -64.53

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 17 / 69 / 0 / 33

HEX #8E35AB

RGB 142 53 171

HSL 285.25, 0.53%, 0.44%

LAB 39.98, 55.02, -46.31

 

CMYK 13 / 54 / 0 / 40

HEX #854799

RGB 133 71 153

HSL 285.37, 0.37%, 0.44%

LAB 40.89, 40.2, -34.17

 

CMYK 8 / 34 / 0 / 47

HEX #7C5987

RGB 124 89 135

HSL 285.65, 0.21%, 0.44%

LAB 43.03, 23.1, -20.05

 

CMYK 2 / 9 / 0 / 54

HEX #736B75

RGB 115 107 117

HSL 288, 0.04%, 0.44%

LAB 46.24, 5.13, -4.44

 

CMYK 64 / 82 / 0 / 25

HEX #4423BE

RGB 68 35 190

HSL 252.77, 0.69%, 0.44%

LAB 29.78, 55.42, -74.59

 

CMYK 42 / 82 / 0 / 25

HEX #6E23BE

RGB 110 35 190

HSL 269.03, 0.69%, 0.44%

LAB 34.47, 60.41, -66.71

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 0 / 82 / 2 / 25

HEX #BE23BB

RGB 190 35 187

HSL 301.16, 0.69%, 0.44%

LAB 46.63, 73.51, -44.69

 

CMYK 0 / 82 / 23 / 25

HEX #BE2392

RGB 190 35 146

HSL 317.03, 0.69%, 0.44%

LAB 44.55, 67.78, -23.56

 

CMYK 20 / 82 / 0 / 53

HEX #601678

RGB 96 22 120

HSL 285.31, 0.69%, 0.28%

LAB 25, 46.86, -39.42

 

CMYK 20 / 82 / 0 / 39

HEX #7C1C9B

RGB 124 28 155

HSL 285.35, 0.69%, 0.36%

LAB 32.88, 57.35, -48.25

 

CMYK 21 / 82 / 0 / 25

HEX #9723BE

RGB 151 35 190

HSL 284.9, 0.69%, 0.44%

LAB 40.41, 66.88, -56.78

 

CMYK 19 / 77 / 0 / 15

HEX #B031D9

RGB 176 49 217

HSL 285.36, 0.69%, 0.52%

LAB 47.54, 72.23, -60.69

 

CMYK 16 / 63 / 0 / 12

HEX #BD53E0

RGB 189 83 224

HSL 285.11, 0.69%, 0.6%

LAB 54.44, 63.23, -53.5

 

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

CMYK 0 / 82 / 77 / 25

HEX #BE232B

RGB 190 35 43

HSL 356.9, 0.69%, 0.44%

LAB 41.73, 59.44, 35.99

 

CMYK 82 / 0 / 53 / 25

HEX #23BE59

RGB 35 190 89

HSL 140.9, 0.69%, 0.44%

LAB 67.95, -60.02, 39.94

 

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

CMYK 0 / 21 / 82 / 25

HEX #BE9723

RGB 190 151 35

HSL 44.9, 0.69%, 0.44%

LAB 64.32, 3.79, 61.22

 

CMYK 82 / 0 / 21 / 25

HEX #23BE97

RGB 35 190 151

HSL 164.9, 0.69%, 0.44%

LAB 69.05, -47.57, 8.88

 

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

CMYK 0 / 82 / 77 / 25

HEX #BE232B

RGB 190 35 43

HSL 356.9, 0.69%, 0.44%

LAB 41.73, 59.44, 35.99

 

CMYK 62 / 0 / 82 / 25

HEX #49BE23

RGB 73 190 35

HSL 105.29, 0.69%, 0.44%

LAB 68.29, -58.83, 62.04

 

CMYK 82 / 0 / 4 / 25

HEX #23BEB6

RGB 35 190 182

HSL 176.9, 0.69%, 0.44%

LAB 69.87, -39.22, -6.9

 

CMYK 20 / 81 / 0 / 26

HEX #9723BD

RGB 151 35 189

HSL 285.19, 0.69%, 0.44%

LAB 40.34, 66.69, -56.31

 

CMYK 0 / 62 / 82 / 25

HEX #BE4923

RGB 190 73 35

HSL 14.71, 0.69%, 0.44%

LAB 46.76, 45.19, 45.31

 

CMYK 62 / 0 / 82 / 25

HEX #49BE23

RGB 73 190 35

HSL 105.29, 0.69%, 0.44%

LAB 68.29, -58.83, 62.04

 

CMYK 82 / 21 / 0 / 25

HEX #2397BE

RGB 35 151 190

HSL 195.1, 0.69%, 0.44%

LAB 58.23, -17.44, -29

 

Description

Color code: HEX #9723BD | qconv.com Color code: HEX #9723BD | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 35 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 35 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 81 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 81% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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