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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972375 it is the complementary color #68DC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972375 shade: #9C2370, #AD3583, #BE4796, #CF59A9 and #E06BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972375 shade: #972375, #861162, #75004F, #64003C and #530029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972375 shade: #952373, #952355, #952336 and #952323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972375 shade: #952373, #952392, #792395, #5A2395 and #3B2395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972375 shade matches the following richer shades: #952373, #A41479 and #B20580

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972375 shade: #952373, #86326D, #774167, #684F61 and #595E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972375 shade: #782395, #952393, #952374, #952356 and #952338

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972375 shade: #521340, #731B59, #952373, #B62B8D and #D139A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972375 shade: #972375, #955A23 and #239587

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972375 shade: #972375, #749523 and #237495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972375 shade: #972375, #955A23, #239543 and #235E95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972375 shade: #972375, #957C23, #239543 and #233C95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

Complementary color

CMYK 53 / 0 / 37 / 14

HEX #68DC8A

RGB 104 220 138

HSL 137.59, 0.62%, 0.64%

LAB 79.59, -50.65, 30.53

 

CMYK 0 / 78 / 28 / 39

HEX #9C2370

RGB 156 35 112

HSL 321.82, 0.63%, 0.37%

LAB 36.82, 55.35, -15.01

 

CMYK 0 / 69 / 24 / 32

HEX #AD3583

RGB 173 53 131

HSL 321, 0.53%, 0.44%

LAB 42.87, 56.04, -17.28

 

CMYK 0 / 63 / 21 / 25

HEX #BE4796

RGB 190 71 150

HSL 320.17, 0.48%, 0.51%

LAB 49.08, 56.08, -19

 

CMYK 0 / 57 / 18 / 19

HEX #CF59A9

RGB 207 89 169

HSL 319.32, 0.55%, 0.58%

LAB 55.35, 55.76, -20.34

 

CMYK 0 / 52 / 16 / 12

HEX #E06BBC

RGB 224 107 188

HSL 318.46, 0.65%, 0.65%

LAB 61.65, 55.22, -21.44

 

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

CMYK 0 / 87 / 27 / 47

HEX #861162

RGB 134 17 98

HSL 318.46, 0.77%, 0.3%

LAB 30.28, 52.98, -16.46

 

CMYK 0 / 100 / 32 / 54

HEX #75004F

RGB 117 0 79

HSL 319.49, 1%, 0.23%

LAB 24.79, 49.95, -12.66

 

CMYK 0 / 100 / 40 / 61

HEX #64003C

RGB 100 0 60

HSL 324, 1%, 0.2%

LAB 20.19, 43.9, -6.97

 

CMYK 0 / 100 / 51 / 67

HEX #530029

RGB 83 0 41

HSL 330.36, 1%, 0.16%

LAB 15.48, 37.75, -0.8

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 77 / 43 / 42

HEX #952355

RGB 149 35 85

HSL 333.68, 0.62%, 0.36%

LAB 34.49, 50.35, -1.38

 

CMYK 0 / 77 / 64 / 42

HEX #952336

RGB 149 35 54

HSL 350, 0.62%, 0.36%

LAB 33.69, 47.75, 17.63

 

CMYK 0 / 77 / 77 / 42

HEX #952323

RGB 149 35 35

HSL 0, 0.62%, 0.36%

LAB 33.38, 46.74, 29.23

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 77 / 2 / 42

HEX #952392

RGB 149 35 146

HSL 301.58, 0.62%, 0.36%

LAB 37.24, 58.63, -35.55

 

CMYK 19 / 77 / 0 / 42

HEX #792395

RGB 121 35 149

HSL 285.26, 0.62%, 0.36%

LAB 32.78, 53.23, -44.77

 

CMYK 40 / 77 / 0 / 42

HEX #5A2395

RGB 90 35 149

HSL 268.95, 0.62%, 0.36%

LAB 28.24, 47.26, -52.36

 

CMYK 60 / 77 / 0 / 42

HEX #3B2395

RGB 59 35 149

HSL 252.63, 0.62%, 0.36%

LAB 24.65, 42.36, -58.38

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 88 / 26 / 36

HEX #A41479

RGB 164 20 121

HSL 317.92, 0.78%, 0.36%

LAB 37.43, 62.1, -19.59

 

CMYK 0 / 97 / 28 / 30

HEX #B20580

RGB 178 5 128

HSL 317.34, 0.95%, 0.36%

LAB 39.8, 67.91, -20.06

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 63 / 19 / 47

HEX #86326D

RGB 134 50 109

HSL 317.86, 0.46%, 0.36%

LAB 34.91, 42.92, -16.37

 

CMYK 0 / 45 / 13 / 53

HEX #774167

RGB 119 65 103

HSL 317.78, 0.29%, 0.36%

LAB 35.36, 29.06, -12.09

 

CMYK 0 / 24 / 7 / 59

HEX #684F61

RGB 104 79 97

HSL 316.8, 0.14%, 0.36%

LAB 36.74, 13.82, -6.43

 

CMYK 5 / 0 / 3 / 63

HEX #595E5B

RGB 89 94 91

HSL 144, 0.03%, 0.36%

LAB 39.39, -2.6, 1.03

 

CMYK 19 / 77 / 0 / 42

HEX #782395

RGB 120 35 149

HSL 284.74, 0.62%, 0.36%

LAB 32.62, 53.03, -45.04

 

CMYK 0 / 77 / 1 / 42

HEX #952393

RGB 149 35 147

HSL 301.05, 0.62%, 0.36%

LAB 37.3, 58.8, -36.07

 

CMYK 0 / 77 / 22 / 42

HEX #952374

RGB 149 35 116

HSL 317.37, 0.62%, 0.36%

LAB 35.7, 54.08, -19.36

 

CMYK 0 / 77 / 42 / 42

HEX #952356

RGB 149 35 86

HSL 333.16, 0.62%, 0.36%

LAB 34.53, 50.45, -1.98

 

CMYK 0 / 77 / 62 / 42

HEX #952338

RGB 149 35 56

HSL 348.95, 0.62%, 0.36%

LAB 33.73, 47.88, 16.39

 

CMYK 0 / 77 / 22 / 68

HEX #521340

RGB 82 19 64

HSL 317.14, 0.62%, 0.2%

LAB 18.5, 34.02, -12.68

 

CMYK 0 / 77 / 23 / 55

HEX #731B59

RGB 115 27 89

HSL 317.73, 0.62%, 0.28%

LAB 27.16, 44.09, -15.7

 

CMYK 0 / 77 / 23 / 42

HEX #952373

RGB 149 35 115

HSL 317.89, 0.62%, 0.36%

LAB 35.65, 53.95, -18.8

 

CMYK 0 / 76 / 23 / 29

HEX #B62B8D

RGB 182 43 141

HSL 317.7, 0.62%, 0.44%

LAB 43.65, 63.1, -22.04

 

CMYK 0 / 73 / 22 / 18

HEX #D139A4

RGB 209 57 164

HSL 317.76, 0.62%, 0.52%

LAB 50.88, 68.27, -24.27

 

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

CMYK 0 / 40 / 77 / 42

HEX #955A23

RGB 149 90 35

HSL 28.95, 0.62%, 0.36%

LAB 43.98, 19.57, 40.45

 

CMYK 77 / 0 / 9 / 42

HEX #239587

RGB 35 149 135

HSL 172.63, 0.62%, 0.36%

LAB 55.69, -33.99, -1.5

 

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

CMYK 22 / 0 / 77 / 42

HEX #749523

RGB 116 149 35

HSL 77.37, 0.62%, 0.36%

LAB 57.39, -27.88, 52.53

 

CMYK 77 / 22 / 0 / 42

HEX #237495

RGB 35 116 149

HSL 197.37, 0.62%, 0.36%

LAB 45.66, -12.43, -24.81

 

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

CMYK 0 / 40 / 77 / 42

HEX #955A23

RGB 149 90 35

HSL 28.95, 0.62%, 0.36%

LAB 43.98, 19.57, 40.45

 

CMYK 77 / 0 / 55 / 42

HEX #239543

RGB 35 149 67

HSL 136.84, 0.62%, 0.36%

LAB 54.3, -49.06, 34.25

 

CMYK 77 / 37 / 0 / 42

HEX #235E95

RGB 35 94 149

HSL 208.95, 0.62%, 0.36%

LAB 38.78, 0.86, -35.59

 

CMYK 0 / 77 / 23 / 41

HEX #972375

RGB 151 35 117

HSL 317.59, 0.62%, 0.36%

LAB 36.11, 54.73, -19.32

 

CMYK 0 / 17 / 77 / 42

HEX #957C23

RGB 149 124 35

HSL 46.84, 0.62%, 0.36%

LAB 52.87, 0.08, 49.18

 

CMYK 77 / 0 / 55 / 42

HEX #239543

RGB 35 149 67

HSL 136.84, 0.62%, 0.36%

LAB 54.3, -49.06, 34.25

 

CMYK 77 / 60 / 0 / 42

HEX #233C95

RGB 35 60 149

HSL 226.84, 0.62%, 0.36%

LAB 28.8, 23.58, -51.65

 

Description

Color code: HEX #972375 | qconv.com Color code: HEX #972375 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 35 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 35 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 23 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 23% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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