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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97236E it is the complementary color #68DC91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97236E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97236E shade: #9C2369, #AD357C, #BE478F, #CF59A2 and #E06BB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97236E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97236E shade: #97236E, #86115B, #750048, #640035 and #530022

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97236E shade: #95236C, #95234E, #95232F and #952323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97236E shade: #95236C, #95238B, #802395, #612395 and #422395

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97236E shade matches the following richer shades: #95236C, #A41471 and #B20575

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97236E shade: #95236C, #863268, #774164, #684F5F and #595E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97236E shade: #802395, #95238B, #95236D, #95234F and #952330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97236E shade: #52133C, #731B54, #95236C, #B62B85 and #D1399B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97236E shade: #97236E, #956123 and #23958F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97236E shade: #97236E, #6D9523 and #236D95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97236E shade: #97236E, #956123, #23954B and #235695

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97236E shade: #97236E, #958423, #23954B and #233495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

Complementary color

CMYK 53 / 0 / 34 / 14

HEX #68DC91

RGB 104 220 145

HSL 141.21, 0.62%, 0.64%

LAB 79.71, -49.41, 27.1

 

CMYK 0 / 78 / 33 / 39

HEX #9C2369

RGB 156 35 105

HSL 325.29, 0.63%, 0.37%

LAB 36.54, 54.49, -11.01

 

CMYK 0 / 69 / 28 / 32

HEX #AD357C

RGB 173 53 124

HSL 324.5, 0.53%, 0.44%

LAB 42.59, 55.12, -13.4

 

CMYK 0 / 63 / 25 / 25

HEX #BE478F

RGB 190 71 143

HSL 323.7, 0.48%, 0.51%

LAB 48.81, 55.12, -15.23

 

CMYK 0 / 57 / 22 / 19

HEX #CF59A2

RGB 207 89 162

HSL 322.88, 0.55%, 0.58%

LAB 55.09, 54.75, -16.66

 

CMYK 0 / 52 / 19 / 12

HEX #E06BB5

RGB 224 107 181

HSL 322.05, 0.65%, 0.65%

LAB 61.39, 54.19, -17.83

 

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

CMYK 0 / 87 / 32 / 47

HEX #86115B

RGB 134 17 91

HSL 322.05, 0.77%, 0.3%

LAB 29.97, 52.12, -12.37

 

CMYK 0 / 100 / 38 / 54

HEX #750048

RGB 117 0 72

HSL 323.08, 1%, 0.23%

LAB 24.48, 49.16, -8.38

 

CMYK 0 / 100 / 47 / 61

HEX #640035

RGB 100 0 53

HSL 328.2, 1%, 0.2%

LAB 19.91, 43.17, -2.46

 

CMYK 0 / 100 / 59 / 67

HEX #530022

RGB 83 0 34

HSL 335.42, 1%, 0.16%

LAB 15.25, 37.12, 4.01

 

CMYK 0 / 77 / 28 / 42

HEX #95236C

RGB 149 35 108

HSL 321.58, 0.62%, 0.36%

LAB 35.35, 53.02, -14.84

 

CMYK 0 / 77 / 48 / 42

HEX #95234E

RGB 149 35 78

HSL 337.37, 0.62%, 0.36%

LAB 34.28, 49.66, 2.84

 

CMYK 0 / 77 / 68 / 42

HEX #95232F

RGB 149 35 47

HSL 353.68, 0.62%, 0.36%

LAB 33.56, 47.33, 21.96

 

CMYK 0 / 77 / 77 / 42

HEX #952323

RGB 149 35 35

HSL 0, 0.62%, 0.36%

LAB 33.38, 46.74, 29.23

 

CMYK 0 / 77 / 28 / 42

HEX #95236C

RGB 149 35 108

HSL 321.58, 0.62%, 0.36%

LAB 35.35, 53.02, -14.84

 

CMYK 0 / 77 / 7 / 42

HEX #95238B

RGB 149 35 139

HSL 305.26, 0.62%, 0.36%

LAB 36.85, 57.5, -31.87

 

CMYK 14 / 77 / 0 / 42

HEX #802395

RGB 128 35 149

HSL 288.95, 0.62%, 0.36%

LAB 33.9, 54.67, -42.91

 

CMYK 35 / 77 / 0 / 42

HEX #612395

RGB 97 35 149

HSL 272.63, 0.62%, 0.36%

LAB 29.19, 48.54, -50.76

 

CMYK 56 / 77 / 0 / 42

HEX #422395

RGB 66 35 149

HSL 256.32, 0.62%, 0.36%

LAB 25.35, 43.34, -57.19

 

CMYK 0 / 77 / 28 / 42

HEX #95236C

RGB 149 35 108

HSL 321.58, 0.62%, 0.36%

LAB 35.35, 53.02, -14.84

 

CMYK 0 / 88 / 31 / 36

HEX #A41471

RGB 164 20 113

HSL 321.25, 0.78%, 0.36%

LAB 37.09, 61.15, -15.09

 

CMYK 0 / 97 / 34 / 30

HEX #B20575

RGB 178 5 117

HSL 321.16, 0.95%, 0.36%

LAB 39.34, 66.71, -13.91

 

CMYK 0 / 77 / 28 / 42

HEX #95236C

RGB 149 35 108

HSL 321.58, 0.62%, 0.36%

LAB 35.35, 53.02, -14.84

 

CMYK 0 / 63 / 22 / 47

HEX #863268

RGB 134 50 104

HSL 321.43, 0.46%, 0.36%

LAB 34.7, 42.16, -13.53

 

CMYK 0 / 45 / 16 / 53

HEX #774164

RGB 119 65 100

HSL 321.11, 0.29%, 0.36%

LAB 35.25, 28.53, -10.37

 

CMYK 0 / 24 / 9 / 59

HEX #684F5F

RGB 104 79 95

HSL 321.6, 0.14%, 0.36%

LAB 36.67, 13.42, -5.28

 

CMYK 5 / 0 / 3 / 63

HEX #595E5B

RGB 89 94 91

HSL 144, 0.03%, 0.36%

LAB 39.39, -2.6, 1.03

 

CMYK 14 / 77 / 0 / 42

HEX #802395

RGB 128 35 149

HSL 288.95, 0.62%, 0.36%

LAB 33.9, 54.67, -42.91

 

CMYK 0 / 77 / 7 / 42

HEX #95238B

RGB 149 35 139

HSL 305.26, 0.62%, 0.36%

LAB 36.85, 57.5, -31.87

 

CMYK 0 / 77 / 27 / 42

HEX #95236D

RGB 149 35 109

HSL 321.05, 0.62%, 0.36%

LAB 35.39, 53.15, -15.41

 

CMYK 0 / 77 / 47 / 42

HEX #95234F

RGB 149 35 79

HSL 336.84, 0.62%, 0.36%

LAB 34.31, 49.76, 2.23

 

CMYK 0 / 77 / 68 / 42

HEX #952330

RGB 149 35 48

HSL 353.16, 0.62%, 0.36%

LAB 33.57, 47.38, 21.34

 

CMYK 0 / 77 / 27 / 68

HEX #52133C

RGB 82 19 60

HSL 320.95, 0.62%, 0.2%

LAB 18.3, 33.4, -10.19

 

CMYK 0 / 77 / 27 / 55

HEX #731B54

RGB 115 27 84

HSL 321.14, 0.62%, 0.28%

LAB 26.93, 43.38, -12.74

 

CMYK 0 / 77 / 28 / 42

HEX #95236C

RGB 149 35 108

HSL 321.58, 0.62%, 0.36%

LAB 35.35, 53.02, -14.84

 

CMYK 0 / 76 / 27 / 29

HEX #B62B85

RGB 182 43 133

HSL 321.15, 0.62%, 0.44%

LAB 43.31, 62.08, -17.68

 

CMYK 0 / 73 / 26 / 18

HEX #D1399B

RGB 209 57 155

HSL 321.32, 0.62%, 0.52%

LAB 50.51, 67.12, -19.5

 

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

CMYK 0 / 35 / 77 / 42

HEX #956123

RGB 149 97 35

HSL 32.63, 0.62%, 0.36%

LAB 45.72, 15.54, 42.2

 

CMYK 77 / 0 / 4 / 42

HEX #23958F

RGB 35 149 143

HSL 176.84, 0.62%, 0.36%

LAB 55.92, -31.66, -5.74

 

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

CMYK 27 / 0 / 77 / 42

HEX #6D9523

RGB 109 149 35

HSL 81.05, 0.62%, 0.36%

LAB 56.95, -30.75, 51.95

 

CMYK 77 / 27 / 0 / 42

HEX #236D95

RGB 35 109 149

HSL 201.05, 0.62%, 0.36%

LAB 43.45, -8.35, -28.24

 

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

CMYK 0 / 35 / 77 / 42

HEX #956123

RGB 149 97 35

HSL 32.63, 0.62%, 0.36%

LAB 45.72, 15.54, 42.2

 

CMYK 77 / 0 / 50 / 42

HEX #23954B

RGB 35 149 75

HSL 141.05, 0.62%, 0.36%

LAB 54.41, -47.79, 30.25

 

CMYK 77 / 42 / 0 / 42

HEX #235695

RGB 35 86 149

HSL 213.16, 0.62%, 0.36%

LAB 36.33, 6.02, -39.49

 

CMYK 0 / 77 / 27 / 41

HEX #97236E

RGB 151 35 110

HSL 321.21, 0.62%, 0.36%

LAB 35.8, 53.8, -15.38

 

CMYK 0 / 11 / 77 / 42

HEX #958423

RGB 149 132 35

HSL 51.05, 0.62%, 0.36%

LAB 55.09, -4.38, 51.29

 

CMYK 77 / 0 / 50 / 42

HEX #23954B

RGB 35 149 75

HSL 141.05, 0.62%, 0.36%

LAB 54.41, -47.79, 30.25

 

CMYK 77 / 65 / 0 / 42

HEX #233495

RGB 35 52 149

HSL 231.05, 0.62%, 0.36%

LAB 26.69, 28.98, -55.09

 

Description

Color code: HEX #97236E | qconv.com Color code: HEX #97236E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 35 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 35 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 27 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 27% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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