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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #972098 it is the complementary color #68DF67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #972098. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #972098 shade: #9C2093, #AD32A6, #BE44B9, #CF56CC and #E068DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #972098. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #972098 shade: #972098, #860E85, #750072, #64005F and #53004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #972098 shade: #962097, #972078, #972058, #972038 and #972020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #972098 shade: #962097, #762097, #562097, #362097 and #202097

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #972098 shade matches the following richer shades: #962097, #A511A6 and #B402B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #972098 shade: #962097, #882F89, #793E7A, #6B4D6B and #5C5C5C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #972098 shade: #562097, #762097, #952097, #97207A and #97205A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #972098 shade: #531253, #751975, #962097, #B827BA and #D336D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #972098 shade: #972098, #973620 and #209766

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #972098 shade: #972098, #979520 and #209795

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #972098 shade: #972098, #973620, #229720 and #208297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #972098 shade: #972098, #975A20, #229720 and #205E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

Complementary color

CMYK 53 / 0 / 54 / 13

HEX #68DF67

RGB 104 223 103

HSL 119.5, 0.65%, 0.64%

LAB 80.01, -57.01, 48.25

 

CMYK 0 / 79 / 6 / 39

HEX #9C2093

RGB 156 32 147

HSL 304.35, 0.66%, 0.37%

LAB 38.21, 61.19, -34.54

 

CMYK 0 / 71 / 4 / 32

HEX #AD32A6

RGB 173 50 166

HSL 303.41, 0.55%, 0.44%

LAB 44.12, 62.33, -36.46

 

CMYK 0 / 64 / 3 / 25

HEX #BE44B9

RGB 190 68 185

HSL 302.46, 0.48%, 0.51%

LAB 50.2, 62.72, -37.87

 

CMYK 0 / 58 / 1 / 19

HEX #CF56CC

RGB 207 86 204

HSL 301.49, 0.56%, 0.57%

LAB 56.37, 62.64, -38.93

 

CMYK 0 / 54 / 0 / 12

HEX #E068DF

RGB 224 104 223

HSL 300.5, 0.66%, 0.64%

LAB 62.57, 62.28, -39.76

 

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

CMYK 0 / 90 / 1 / 47

HEX #860E85

RGB 134 14 133

HSL 300.5, 0.81%, 0.29%

LAB 31.98, 58.64, -36.05

 

CMYK 0 / 100 / 3 / 54

HEX #750072

RGB 117 0 114

HSL 301.54, 1%, 0.23%

LAB 26.73, 54.78, -32.61

 

CMYK 0 / 100 / 5 / 61

HEX #64005F

RGB 100 0 95

HSL 303, 1%, 0.2%

LAB 22.07, 48.63, -27.85

 

CMYK 0 / 100 / 8 / 67

HEX #53004C

RGB 83 0 76

HSL 305.06, 1%, 0.16%

LAB 17.28, 42.3, -22.88

 

CMYK 1 / 79 / 0 / 41

HEX #962097

RGB 150 32 151

HSL 299.5, 0.65%, 0.36%

LAB 37.39, 60.56, -38.34

 

CMYK 0 / 79 / 21 / 41

HEX #972078

RGB 151 32 120

HSL 315.63, 0.65%, 0.36%

LAB 35.92, 56.07, -21.49

 

CMYK 0 / 79 / 42 / 41

HEX #972058

RGB 151 32 88

HSL 331.76, 0.65%, 0.36%

LAB 34.63, 52.19, -3.07

 

CMYK 0 / 79 / 63 / 41

HEX #972038

RGB 151 32 56

HSL 347.9, 0.65%, 0.36%

LAB 33.77, 49.49, 16.52

 

CMYK 0 / 79 / 79 / 41

HEX #972020

RGB 151 32 32

HSL 0, 0.65%, 0.36%

LAB 33.39, 48.26, 31.15

 

CMYK 1 / 79 / 0 / 41

HEX #962097

RGB 150 32 151

HSL 299.5, 0.65%, 0.36%

LAB 37.39, 60.56, -38.34

 

CMYK 22 / 79 / 0 / 41

HEX #762097

RGB 118 32 151

HSL 283.36, 0.65%, 0.36%

LAB 32.08, 54.13, -47.16

 

CMYK 43 / 79 / 0 / 41

HEX #562097

RGB 86 32 151

HSL 267.23, 0.65%, 0.36%

LAB 27.42, 48.4, -54.93

 

CMYK 64 / 79 / 0 / 41

HEX #362097

RGB 54 32 151

HSL 251.09, 0.65%, 0.36%

LAB 23.84, 43.9, -60.95

 

CMYK 79 / 79 / 0 / 41

HEX #202097

RGB 32 32 151

HSL 240, 0.65%, 0.36%

LAB 22.21, 41.82, -63.7

 

CMYK 1 / 79 / 0 / 41

HEX #962097

RGB 150 32 151

HSL 299.5, 0.65%, 0.36%

LAB 37.39, 60.56, -38.34

 

CMYK 1 / 90 / 0 / 35

HEX #A511A6

RGB 165 17 166

HSL 299.6, 0.81%, 0.36%

LAB 39.84, 69.08, -43.34

 

CMYK 1 / 99 / 0 / 29

HEX #B402B5

RGB 180 2 181

HSL 299.66, 0.98%, 0.36%

LAB 42.89, 75.6, -47.23

 

CMYK 1 / 79 / 0 / 41

HEX #962097

RGB 150 32 151

HSL 299.5, 0.65%, 0.36%

LAB 37.39, 60.56, -38.34

 

CMYK 1 / 66 / 0 / 46

HEX #882F89

RGB 136 47 137

HSL 299.33, 0.49%, 0.36%

LAB 36.13, 49.58, -31.93

 

CMYK 1 / 49 / 0 / 52

HEX #793E7A

RGB 121 62 122

HSL 299, 0.33%, 0.36%

LAB 35.82, 35.04, -23.28

 

CMYK 0 / 28 / 0 / 58

HEX #6B4D6B

RGB 107 77 107

HSL 300, 0.16%, 0.36%

LAB 36.92, 18.27, -12.38

 

CMYK 0 / 0 / 0 / 64

HEX #5C5C5C

RGB 92 92 92

HSL 0, 0%, 0.36%

LAB 39.07, 0, -0

 

CMYK 43 / 79 / 0 / 41

HEX #562097

RGB 86 32 151

HSL 267.23, 0.65%, 0.36%

LAB 27.42, 48.4, -54.93

 

CMYK 22 / 79 / 0 / 41

HEX #762097

RGB 118 32 151

HSL 283.36, 0.65%, 0.36%

LAB 32.08, 54.13, -47.16

 

CMYK 1 / 79 / 0 / 41

HEX #952097

RGB 149 32 151

HSL 298.99, 0.65%, 0.36%

LAB 37.22, 60.36, -38.63

 

CMYK 0 / 79 / 19 / 41

HEX #97207A

RGB 151 32 122

HSL 314.62, 0.65%, 0.36%

LAB 36.02, 56.34, -22.6

 

CMYK 0 / 79 / 40 / 41

HEX #97205A

RGB 151 32 90

HSL 330.76, 0.65%, 0.36%

LAB 34.7, 52.4, -4.26

 

CMYK 0 / 78 / 0 / 67

HEX #531253

RGB 83 18 83

HSL 300, 0.64%, 0.2%

LAB 19.62, 38.01, -23.93

 

CMYK 0 / 79 / 0 / 54

HEX #751975

RGB 117 25 117

HSL 300, 0.65%, 0.28%

LAB 28.8, 49.77, -31.22

 

CMYK 1 / 79 / 0 / 41

HEX #962097

RGB 150 32 151

HSL 299.5, 0.65%, 0.36%

LAB 37.39, 60.56, -38.34

 

CMYK 1 / 79 / 0 / 27

HEX #B827BA

RGB 184 39 186

HSL 299.18, 0.65%, 0.44%

LAB 45.89, 71.22, -45.34

 

CMYK 0 / 75 / 0 / 17

HEX #D336D4

RGB 211 54 212

HSL 299.62, 0.65%, 0.52%

LAB 53.21, 76.58, -48.44

 

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

CMYK 0 / 64 / 79 / 41

HEX #973620

RGB 151 54 32

HSL 11.09, 0.65%, 0.36%

LAB 36.6, 39.48, 34.53

 

CMYK 79 / 0 / 32 / 41

HEX #209766

RGB 32 151 102

HSL 155.29, 0.65%, 0.36%

LAB 55.48, -43.67, 16.95

 

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

CMYK 0 / 1 / 79 / 41

HEX #979520

RGB 151 149 32

HSL 58.99, 0.65%, 0.36%

LAB 60.05, -12.78, 56.95

 

CMYK 79 / 0 / 1 / 41

HEX #209795

RGB 32 151 149

HSL 178.99, 0.65%, 0.36%

LAB 56.69, -31.14, -8.03

 

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

CMYK 0 / 64 / 79 / 41

HEX #973620

RGB 151 54 32

HSL 11.09, 0.65%, 0.36%

LAB 36.6, 39.48, 34.53

 

CMYK 77 / 0 / 79 / 41

HEX #229720

RGB 34 151 32

HSL 118.99, 0.65%, 0.36%

LAB 54.63, -53.72, 49.72

 

CMYK 79 / 14 / 0 / 41

HEX #208297

RGB 32 130 151

HSL 190.59, 0.65%, 0.36%

LAB 50.11, -19.85, -19.14

 

CMYK 1 / 79 / 0 / 40

HEX #972098

RGB 151 32 152

HSL 299.5, 0.65%, 0.36%

LAB 37.62, 60.94, -38.57

 

CMYK 0 / 40 / 79 / 41

HEX #975A20

RGB 151 90 32

HSL 29.24, 0.65%, 0.36%

LAB 44.23, 20.33, 42.19

 

CMYK 77 / 0 / 79 / 41

HEX #229720

RGB 34 151 32

HSL 118.99, 0.65%, 0.36%

LAB 54.63, -53.72, 49.72

 

CMYK 79 / 38 / 0 / 41

HEX #205E97

RGB 32 94 151

HSL 208.74, 0.65%, 0.36%

LAB 38.81, 1.25, -36.76

 

Description

Color code: HEX #972098 | qconv.com Color code: HEX #972098 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 32 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 32 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 79 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 79% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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