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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971EEE it is the complementary color #68E111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971EEE shade: #9C1EE9, #AD30FC, #BE42FF, #CF54FF and #E066FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971EEE shade: #971EEE, #860CDB, #7500C8, #6400B5 and #5300A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971EEE shade: #9820EE, #D020EE, #EE20D5, #EE209E and #EE2066

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971EEE shade: #9820EE, #6020EE, #2920EE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971EEE shade matches the following richer shades: #9820EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971EEE shade: #9820EE, #9533DB, #9247C7, #8E5AB4 and #8B6EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971EEE shade: #2720EE, #5E20EE, #9520EE, #CC20EE and #EE20DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971EEE shade: #6B0DAF, #8310D5, #9820EE, #AA46F1 and #BB6DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971EEE shade: #971EEE, #EE2050 and #20EE42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971EEE shade: #971EEE, #EE9520 and #20EE95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971EEE shade: #971EEE, #EE2050, #79EE20 and #20EEBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971EEE shade: #971EEE, #EE2E20, #79EE20 and #20E0EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

Complementary color

CMYK 54 / 0 / 92 / 12

HEX #68E111

RGB 104 225 17

HSL 94.9, 0.86%, 0.47%

LAB 80.09, -63.68, 76.11

 

CMYK 33 / 87 / 0 / 9

HEX #9C1EE9

RGB 156 30 233

HSL 277.24, 0.82%, 0.52%

LAB 44.06, 77.27, -75.59

 

CMYK 31 / 81 / 0 / 1

HEX #AD30FC

RGB 173 48 252

HSL 276.76, 0.97%, 0.59%

LAB 49.53, 78.85, -77.24

 

CMYK 25 / 74 / 0 / 0

HEX #BE42FF

RGB 190 66 255

HSL 279.37, 1%, 0.63%

LAB 54.09, 76.38, -71.39

 

CMYK 19 / 67 / 0 / 0

HEX #CF54FF

RGB 207 84 255

HSL 283.16, 1%, 0.66%

LAB 58.81, 72.78, -63.66

 

CMYK 12 / 60 / 0 / 0

HEX #E066FF

RGB 224 102 255

HSL 287.84, 1%, 0.7%

LAB 63.81, 68.93, -55.54

 

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

CMYK 39 / 95 / 0 / 14

HEX #860CDB

RGB 134 12 219

HSL 275.36, 0.9%, 0.45%

LAB 38.63, 74.96, -76.62

 

CMYK 42 / 100 / 0 / 22

HEX #7500C8

RGB 117 0 200

HSL 275.1, 1%, 0.39%

LAB 33.88, 70.85, -73.51

 

CMYK 45 / 100 / 0 / 29

HEX #6400B5

RGB 100 0 181

HSL 273.15, 1%, 0.35%

LAB 29.53, 65.26, -69.55

 

CMYK 49 / 100 / 0 / 36

HEX #5300A2

RGB 83 0 162

HSL 270.74, 1%, 0.32%

LAB 25.1, 59.59, -65.5

 

CMYK 36 / 87 / 0 / 7

HEX #9820EE

RGB 152 32 238

HSL 274.95, 0.86%, 0.53%

LAB 44.06, 77.32, -78.44

 

CMYK 13 / 87 / 0 / 7

HEX #D020EE

RGB 208 32 238

HSL 291.26, 0.86%, 0.53%

LAB 52.53, 85.35, -64.3

 

CMYK 0 / 87 / 11 / 7

HEX #EE20D5

RGB 238 32 213

HSL 307.28, 0.86%, 0.53%

LAB 56.1, 86.8, -44.15

 

CMYK 0 / 87 / 34 / 7

HEX #EE209E

RGB 238 32 158

HSL 323.3, 0.86%, 0.53%

LAB 53.68, 80.32, -15.97

 

CMYK 0 / 87 / 57 / 7

HEX #EE2066

RGB 238 32 102

HSL 339.61, 0.86%, 0.53%

LAB 52.03, 75.68, 15.27

 

CMYK 36 / 87 / 0 / 7

HEX #9820EE

RGB 152 32 238

HSL 274.95, 0.86%, 0.53%

LAB 44.06, 77.32, -78.44

 

CMYK 60 / 87 / 0 / 7

HEX #6020EE

RGB 96 32 238

HSL 258.64, 0.86%, 0.53%

LAB 37.29, 71.5, -89.84

 

CMYK 83 / 87 / 0 / 7

HEX #2920EE

RGB 41 32 238

HSL 242.62, 0.86%, 0.53%

LAB 33.3, 68.45, -96.57

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 36 / 87 / 0 / 7

HEX #9820EE

RGB 152 32 238

HSL 274.95, 0.86%, 0.53%

LAB 44.06, 77.32, -78.44

 

CMYK 36 / 87 / 0 / 7

HEX #9820EE

RGB 152 32 238

HSL 274.95, 0.86%, 0.53%

LAB 44.06, 77.32, -78.44

 

CMYK 32 / 77 / 0 / 14

HEX #9533DB

RGB 149 51 219

HSL 275, 0.7%, 0.53%

LAB 44.05, 67.26, -67.68

 

CMYK 27 / 64 / 0 / 22

HEX #9247C7

RGB 146 71 199

HSL 275.16, 0.53%, 0.53%

LAB 45.28, 53.72, -54.2

 

CMYK 21 / 50 / 0 / 29

HEX #8E5AB4

RGB 142 90 180

HSL 274.67, 0.38%, 0.53%

LAB 47.44, 38.35, -39.73

 

CMYK 14 / 32 / 0 / 37

HEX #8B6EA1

RGB 139 110 161

HSL 274.12, 0.21%, 0.53%

LAB 50.94, 21.5, -23.19

 

CMYK 84 / 87 / 0 / 7

HEX #2720EE

RGB 39 32 238

HSL 242.04, 0.86%, 0.53%

LAB 33.22, 68.39, -96.72

 

CMYK 61 / 87 / 0 / 7

HEX #5E20EE

RGB 94 32 238

HSL 258.06, 0.86%, 0.53%

LAB 37.09, 71.34, -90.18

 

CMYK 37 / 87 / 0 / 7

HEX #9520EE

RGB 149 32 238

HSL 274.08, 0.86%, 0.53%

LAB 43.65, 76.95, -79.14

 

CMYK 14 / 87 / 0 / 7

HEX #CC20EE

RGB 204 32 238

HSL 290.1, 0.86%, 0.53%

LAB 51.89, 84.72, -65.36

 

CMYK 0 / 87 / 8 / 7

HEX #EE20DA

RGB 238 32 218

HSL 305.83, 0.86%, 0.53%

LAB 56.36, 87.47, -46.58

 

CMYK 39 / 93 / 0 / 31

HEX #6B0DAF

RGB 107 13 175

HSL 274.81, 0.86%, 0.37%

LAB 30.66, 62.59, -64.07

 

CMYK 38 / 92 / 0 / 16

HEX #8310D5

RGB 131 16 213

HSL 275.03, 0.86%, 0.45%

LAB 37.84, 72.83, -74.48

 

CMYK 36 / 87 / 0 / 7

HEX #9820EE

RGB 152 32 238

HSL 274.95, 0.86%, 0.53%

LAB 44.06, 77.32, -78.44

 

CMYK 29 / 71 / 0 / 5

HEX #AA46F1

RGB 170 70 241

HSL 275.09, 0.86%, 0.61%

LAB 51.01, 68.33, -68.7

 

CMYK 23 / 55 / 0 / 4

HEX #BB6DF4

RGB 187 109 244

HSL 274.67, 0.86%, 0.69%

LAB 59.92, 54.48, -55.94

 

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

CMYK 0 / 87 / 66 / 7

HEX #EE2050

RGB 238 32 80

HSL 346.02, 0.86%, 0.53%

LAB 51.6, 74.45, 28.01

 

CMYK 87 / 0 / 72 / 7

HEX #20EE42

RGB 32 238 66

HSL 129.9, 0.86%, 0.53%

LAB 82.83, -77.61, 66.2

 

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

CMYK 0 / 37 / 87 / 7

HEX #EE9520

RGB 238 149 32

HSL 34.08, 0.86%, 0.53%

LAB 69.31, 25.61, 68.5

 

CMYK 87 / 0 / 37 / 7

HEX #20EE95

RGB 32 238 149

HSL 154.08, 0.86%, 0.53%

LAB 83.77, -66.3, 30.24

 

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

CMYK 0 / 87 / 66 / 7

HEX #EE2050

RGB 238 32 80

HSL 346.02, 0.86%, 0.53%

LAB 51.6, 74.45, 28.01

 

CMYK 49 / 0 / 87 / 7

HEX #79EE20

RGB 121 238 32

HSL 94.08, 0.86%, 0.53%

LAB 84.65, -63.17, 77.82

 

CMYK 87 / 0 / 20 / 7

HEX #20EEBE

RGB 32 238 190

HSL 166.02, 0.86%, 0.53%

LAB 84.57, -57.37, 10.2

 

CMYK 37 / 87 / 0 / 7

HEX #971EEE

RGB 151 30 238

HSL 274.9, 0.86%, 0.53%

LAB 43.77, 77.65, -78.92

 

CMYK 0 / 81 / 87 / 7

HEX #EE2E20

RGB 238 46 32

HSL 4.08, 0.86%, 0.53%

LAB 52.1, 69.88, 54.76

 

CMYK 49 / 0 / 87 / 7

HEX #79EE20

RGB 121 238 32

HSL 94.08, 0.86%, 0.53%

LAB 84.65, -63.17, 77.82

 

CMYK 87 / 6 / 0 / 7

HEX #20E0EE

RGB 32 224 238

HSL 184.08, 0.86%, 0.53%

LAB 81.72, -38.33, -19.33

 

Description

Color code: HEX #971EEE | qconv.com Color code: HEX #971EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 30 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 30 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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