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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #971E94 it is the complementary color #68E16B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #971E94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #971E94 shade: #9C1E8F, #AD30A2, #BE42B5, #CF54C8 and #E066DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #971E94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #971E94 shade: #971E94, #860C81, #75006E, #64005B and #530048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #971E94 shade: #951D92, #951D72, #951D52, #951D31 and #951D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #971E94 shade: #951D92, #781D95, #581D95, #371D95 and #1D1D95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #971E94 shade matches the following richer shades: #951D92, #A30FA0 and #B201AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #971E94 shade: #951D92, #872C84, #783A77, #6A4969 and #5B575B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #971E94 shade: #571D95, #771D95, #951D93, #951D73 and #951D53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #971E94 shade: #50104F, #731770, #951D92, #B724B4 and #D62FD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #971E94 shade: #971E94, #95371D and #1D9567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #971E94 shade: #971E94, #93951D and #1D9395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #971E94 shade: #971E94, #95371D, #1D951F and #1D7B95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #971E94 shade: #971E94, #955B1D, #1D951F and #1D5795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

Complementary color

CMYK 54 / 0 / 52 / 12

HEX #68E16B

RGB 104 225 107

HSL 121.49, 0.67%, 0.65%

LAB 80.66, -57.27, 47.17

 

CMYK 0 / 81 / 8 / 39

HEX #9C1E8F

RGB 156 30 143

HSL 306.19, 0.68%, 0.36%

LAB 37.81, 61.11, -32.73

 

CMYK 0 / 72 / 6 / 32

HEX #AD30A2

RGB 173 48 162

HSL 305.28, 0.57%, 0.43%

LAB 43.66, 62.38, -34.79

 

CMYK 0 / 65 / 5 / 25

HEX #BE42B5

RGB 190 66 181

HSL 304.35, 0.49%, 0.5%

LAB 49.71, 62.85, -36.3

 

CMYK 0 / 59 / 3 / 19

HEX #CF54C8

RGB 207 84 200

HSL 303.41, 0.56%, 0.57%

LAB 55.86, 62.83, -37.44

 

CMYK 0 / 54 / 2 / 12

HEX #E066DB

RGB 224 102 219

HSL 302.46, 0.66%, 0.64%

LAB 62.05, 62.5, -38.33

 

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

CMYK 0 / 91 / 4 / 47

HEX #860C81

RGB 134 12 129

HSL 302.46, 0.84%, 0.29%

LAB 31.62, 58.35, -34.13

 

CMYK 0 / 100 / 6 / 54

HEX #75006E

RGB 117 0 110

HSL 303.59, 1%, 0.23%

LAB 26.47, 54.16, -30.44

 

CMYK 0 / 100 / 9 / 61

HEX #64005B

RGB 100 0 91

HSL 305.4, 1%, 0.2%

LAB 21.82, 48.01, -25.6

 

CMYK 0 / 100 / 13 / 67

HEX #530048

RGB 83 0 72

HSL 307.95, 1%, 0.16%

LAB 17.02, 41.67, -20.53

 

CMYK 0 / 81 / 2 / 42

HEX #951D92

RGB 149 29 146

HSL 301.5, 0.67%, 0.35%

LAB 36.64, 60.36, -36.5

 

CMYK 0 / 81 / 23 / 42

HEX #951D72

RGB 149 29 114

HSL 317.5, 0.67%, 0.35%

LAB 34.97, 55.64, -19.22

 

CMYK 0 / 81 / 45 / 42

HEX #951D52

RGB 149 29 82

HSL 333.5, 0.67%, 0.35%

LAB 33.73, 51.94, -0.56

 

CMYK 0 / 81 / 67 / 42

HEX #951D31

RGB 149 29 49

HSL 350, 0.67%, 0.35%

LAB 32.9, 49.39, 19.84

 

CMYK 0 / 81 / 81 / 42

HEX #951D1D

RGB 149 29 29

HSL 0, 0.67%, 0.35%

LAB 32.61, 48.47, 31.98

 

CMYK 0 / 81 / 2 / 42

HEX #951D92

RGB 149 29 146

HSL 301.5, 0.67%, 0.35%

LAB 36.64, 60.36, -36.5

 

CMYK 19 / 81 / 0 / 42

HEX #781D95

RGB 120 29 149

HSL 285.5, 0.67%, 0.35%

LAB 31.9, 55.11, -46.2

 

CMYK 41 / 81 / 0 / 42

HEX #581D95

RGB 88 29 149

HSL 269.5, 0.67%, 0.35%

LAB 27.08, 49.46, -54.25

 

CMYK 63 / 81 / 0 / 42

HEX #371D95

RGB 55 29 149

HSL 253, 0.67%, 0.35%

LAB 23.21, 44.89, -60.77

 

CMYK 81 / 81 / 0 / 42

HEX #1D1D95

RGB 29 29 149

HSL 240, 0.67%, 0.35%

LAB 21.24, 42.57, -64.07

 

CMYK 0 / 81 / 2 / 42

HEX #951D92

RGB 149 29 146

HSL 301.5, 0.67%, 0.35%

LAB 36.64, 60.36, -36.5

 

CMYK 0 / 91 / 2 / 36

HEX #A30FA0

RGB 163 15 160

HSL 301.22, 0.83%, 0.35%

LAB 39.01, 68.1, -41.07

 

CMYK 0 / 99 / 2 / 30

HEX #B201AE

RGB 178 1 174

HSL 301.36, 0.99%, 0.35%

LAB 42.07, 74.34, -44.42

 

CMYK 0 / 81 / 2 / 42

HEX #951D92

RGB 149 29 146

HSL 301.5, 0.67%, 0.35%

LAB 36.64, 60.36, -36.5

 

CMYK 0 / 67 / 2 / 47

HEX #872C84

RGB 135 44 132

HSL 301.98, 0.51%, 0.35%

LAB 35.24, 49.69, -30.25

 

CMYK 0 / 52 / 1 / 53

HEX #783A77

RGB 120 58 119

HSL 300.97, 0.35%, 0.35%

LAB 34.7, 36.32, -23.16

 

CMYK 0 / 31 / 1 / 58

HEX #6A4969

RGB 106 73 105

HSL 301.82, 0.18%, 0.35%

LAB 35.69, 19.93, -13.01

 

CMYK 0 / 4 / 0 / 64

HEX #5B575B

RGB 91 87 91

HSL 300, 0.02%, 0.35%

LAB 37.47, 2.45, -1.74

 

CMYK 42 / 81 / 0 / 42

HEX #571D95

RGB 87 29 149

HSL 269, 0.67%, 0.35%

LAB 26.95, 49.3, -54.48

 

CMYK 20 / 81 / 0 / 42

HEX #771D95

RGB 119 29 149

HSL 285, 0.67%, 0.35%

LAB 31.74, 54.92, -46.47

 

CMYK 0 / 81 / 1 / 42

HEX #951D93

RGB 149 29 147

HSL 301, 0.67%, 0.35%

LAB 36.7, 60.52, -37.02

 

CMYK 0 / 81 / 23 / 42

HEX #951D73

RGB 149 29 115

HSL 317, 0.67%, 0.35%

LAB 35.02, 55.77, -19.78

 

CMYK 0 / 81 / 44 / 42

HEX #951D53

RGB 149 29 83

HSL 333, 0.67%, 0.35%

LAB 33.76, 52.04, -1.16

 

CMYK 0 / 80 / 1 / 69

HEX #50104F

RGB 80 16 79

HSL 300.94, 0.67%, 0.19%

LAB 18.54, 37.26, -22.96

 

CMYK 0 / 80 / 3 / 55

HEX #731770

RGB 115 23 112

HSL 301.96, 0.67%, 0.27%

LAB 27.92, 49.08, -29.45

 

CMYK 0 / 81 / 2 / 42

HEX #951D92

RGB 149 29 146

HSL 301.5, 0.67%, 0.35%

LAB 36.64, 60.36, -36.5

 

CMYK 0 / 80 / 2 / 28

HEX #B724B4

RGB 183 36 180

HSL 301.22, 0.67%, 0.43%

LAB 45.12, 70.83, -43.06

 

CMYK 0 / 78 / 2 / 16

HEX #D62FD2

RGB 214 47 210

HSL 301.44, 0.67%, 0.51%

LAB 52.93, 78.77, -47.72

 

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

CMYK 0 / 63 / 81 / 42

HEX #95371D

RGB 149 55 29

HSL 13, 0.67%, 0.35%

LAB 36.39, 38.14, 35.82

 

CMYK 81 / 0 / 31 / 42

HEX #1D9567

RGB 29 149 103

HSL 157, 0.67%, 0.35%

LAB 54.8, -42.99, 15.44

 

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

CMYK 1 / 0 / 81 / 42

HEX #93951D

RGB 147 149 29

HSL 61, 0.67%, 0.35%

LAB 59.7, -14.69, 57.42

 

CMYK 81 / 1 / 0 / 42

HEX #1D9395

RGB 29 147 149

HSL 181, 0.67%, 0.35%

LAB 55.38, -29.5, -10

 

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

CMYK 0 / 63 / 81 / 42

HEX #95371D

RGB 149 55 29

HSL 13, 0.67%, 0.35%

LAB 36.39, 38.14, 35.82

 

CMYK 81 / 0 / 79 / 42

HEX #1D951F

RGB 29 149 31

HSL 121, 0.67%, 0.35%

LAB 53.87, -53.87, 49.29

 

CMYK 81 / 17 / 0 / 42

HEX #1D7B95

RGB 29 123 149

HSL 193, 0.67%, 0.35%

LAB 47.75, -17.07, -21.59

 

CMYK 0 / 80 / 2 / 41

HEX #971E94

RGB 151 30 148

HSL 301.49, 0.67%, 0.35%

LAB 37.2, 60.83, -36.81

 

CMYK 0 / 39 / 81 / 42

HEX #955B1D

RGB 149 91 29

HSL 31, 0.67%, 0.35%

LAB 44.18, 18.74, 43.38

 

CMYK 81 / 0 / 79 / 42

HEX #1D951F

RGB 29 149 31

HSL 121, 0.67%, 0.35%

LAB 53.87, -53.87, 49.29

 

CMYK 81 / 42 / 0 / 42

HEX #1D5795

RGB 29 87 149

HSL 211, 0.67%, 0.35%

LAB 36.46, 4.62, -39.3

 

Description

Color code: HEX #971E94 | qconv.com Color code: HEX #971E94 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 30 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 30 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 2 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 2% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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