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Color name
HEX #97195A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97195A it is the complementary color #68E6A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97195A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97195A shade: #9C1955, #AD2B68, #BE3D7B, #CF4F8E and #E061A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97195A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97195A shade: #97195A, #860747, #750034, #640021 and #53000E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97195A shade: #9A195B, #9A1939 and #9A1919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97195A shade: #9A195B, #9A197E, #92199A, #70199A and #4D199A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97195A shade matches the following richer shades: #9A195B and #A80B5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97195A shade: #9A195B, #8B275B, #7D365A, #6E445A and #605359

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97195A shade: #93199A, #9A197E, #9A195B, #9A1939 and #9A1B19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97195A shade: #530D31, #761346, #9A195B, #BD1F70 and #DC2985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97195A shade: #97195A, #9A7119 and #198F9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97195A shade: #97195A, #5B9A19 and #195B9A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97195A shade: #97195A, #9A7119, #199A57 and #19429A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97195A shade: #97195A, #9A9719, #199A57 and #191B9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

Complementary color

CMYK 55 / 0 / 28 / 10

HEX #68E6A5

RGB 104 230 165

HSL 149.05, 0.72%, 0.65%

LAB 83.05, -49.76, 21.29

 

CMYK 0 / 84 / 46 / 39

HEX #9C1955

RGB 156 25 85

HSL 332.52, 0.72%, 0.35%

LAB 34.84, 55.19, -0.71

 

CMYK 0 / 75 / 40 / 32

HEX #AD2B68

RGB 173 43 104

HSL 331.85, 0.6%, 0.42%

LAB 40.59, 56.39, -3.98

 

CMYK 0 / 68 / 35 / 25

HEX #BE3D7B

RGB 190 61 123

HSL 331.16, 0.51%, 0.49%

LAB 46.6, 56.74, -6.47

 

CMYK 0 / 62 / 31 / 19

HEX #CF4F8E

RGB 207 79 142

HSL 330.47, 0.57%, 0.56%

LAB 52.74, 56.57, -8.43

 

CMYK 0 / 57 / 28 / 12

HEX #E061A1

RGB 224 97 161

HSL 329.76, 0.67%, 0.63%

LAB 58.95, 56.12, -10.02

 

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

CMYK 0 / 95 / 47 / 47

HEX #860747

RGB 134 7 71

HSL 329.76, 0.9%, 0.28%

LAB 28.58, 51.85, -1.2

 

CMYK 0 / 100 / 56 / 54

HEX #750034

RGB 117 0 52

HSL 333.33, 1%, 0.23%

LAB 23.77, 47.3, 4.33

 

CMYK 0 / 100 / 67 / 61

HEX #640021

RGB 100 0 33

HSL 340.2, 1%, 0.2%

LAB 19.3, 41.57, 10.97

 

CMYK 0 / 100 / 83 / 67

HEX #53000E

RGB 83 0 14

HSL 349.88, 1%, 0.16%

LAB 14.79, 35.91, 17.15

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 84 / 63 / 40

HEX #9A1939

RGB 154 25 57

HSL 345.12, 0.72%, 0.35%

LAB 33.69, 52.44, 15.87

 

CMYK 0 / 84 / 84 / 40

HEX #9A1919

RGB 154 25 25

HSL 0, 0.72%, 0.35%

LAB 33.21, 50.99, 35.22

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 84 / 18 / 40

HEX #9A197E

RGB 154 25 126

HSL 313.02, 0.72%, 0.35%

LAB 36.12, 59.46, -24.89

 

CMYK 5 / 84 / 0 / 40

HEX #92199A

RGB 146 25 154

HSL 296.28, 0.72%, 0.35%

LAB 36.25, 62.09, -42.03

 

CMYK 27 / 84 / 0 / 40

HEX #70199A

RGB 112 25 154

HSL 280.47, 0.72%, 0.35%

LAB 30.58, 55.94, -51.47

 

CMYK 50 / 84 / 0 / 40

HEX #4D199A

RGB 77 25 154

HSL 264.19, 0.72%, 0.35%

LAB 25.58, 50.68, -59.84

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 93 / 45 / 34

HEX #A80B5C

RGB 168 11 92

HSL 329.04, 0.88%, 0.35%

LAB 36.62, 61.36, -2.33

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 72 / 35 / 45

HEX #8B275B

RGB 139 39 91

HSL 328.8, 0.56%, 0.35%

LAB 33.34, 46.66, -7.18

 

CMYK 0 / 57 / 28 / 51

HEX #7D365A

RGB 125 54 90

HSL 329.58, 0.4%, 0.35%

LAB 33.43, 35.12, -6.65

 

CMYK 0 / 38 / 18 / 57

HEX #6E445A

RGB 110 68 90

HSL 328.57, 0.24%, 0.35%

LAB 34.37, 21.6, -5.47

 

CMYK 0 / 14 / 7 / 62

HEX #605359

RGB 96 83 89

HSL 332.31, 0.07%, 0.35%

LAB 36.73, 6.52, -1.52

 

CMYK 5 / 84 / 0 / 40

HEX #93199A

RGB 147 25 154

HSL 296.74, 0.72%, 0.35%

LAB 36.43, 62.29, -41.74

 

CMYK 0 / 84 / 18 / 40

HEX #9A197E

RGB 154 25 126

HSL 313.02, 0.72%, 0.35%

LAB 36.12, 59.46, -24.89

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 84 / 63 / 40

HEX #9A1939

RGB 154 25 57

HSL 345.12, 0.72%, 0.35%

LAB 33.69, 52.44, 15.87

 

CMYK 0 / 82 / 84 / 40

HEX #9A1B19

RGB 154 27 25

HSL 0.93, 0.72%, 0.35%

LAB 33.4, 50.45, 35.4

 

CMYK 0 / 84 / 41 / 67

HEX #530D31

RGB 83 13 49

HSL 329.14, 0.73%, 0.19%

LAB 17.22, 34.5, -4.02

 

CMYK 0 / 84 / 41 / 54

HEX #761346

RGB 118 19 70

HSL 329.09, 0.72%, 0.27%

LAB 26.04, 45.08, -4.67

 

CMYK 0 / 84 / 41 / 40

HEX #9A195B

RGB 154 25 91

HSL 329.3, 0.72%, 0.35%

LAB 34.64, 55.25, -4.93

 

CMYK 0 / 84 / 41 / 26

HEX #BD1F70

RGB 189 31 112

HSL 329.24, 0.72%, 0.43%

LAB 42.72, 64.69, -5.49

 

CMYK 0 / 81 / 40 / 14

HEX #DC2985

RGB 220 41 133

HSL 329.16, 0.72%, 0.51%

LAB 50.09, 71.94, -6.76

 

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

CMYK 0 / 27 / 84 / 40

HEX #9A7119

RGB 154 113 25

HSL 40.93, 0.72%, 0.35%

LAB 50.39, 8.25, 50.78

 

CMYK 84 / 7 / 0 / 40

HEX #198F9A

RGB 25 143 154

HSL 185.12, 0.72%, 0.35%

LAB 54.22, -26.28, -14.62

 

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

CMYK 41 / 0 / 84 / 40

HEX #5B9A19

RGB 91 154 25

HSL 89.3, 0.72%, 0.35%

LAB 57.47, -40.34, 55.16

 

CMYK 84 / 41 / 0 / 40

HEX #195B9A

RGB 25 91 154

HSL 209.3, 0.72%, 0.35%

LAB 37.88, 3.59, -40.05

 

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

CMYK 0 / 27 / 84 / 40

HEX #9A7119

RGB 154 113 25

HSL 40.93, 0.72%, 0.35%

LAB 50.39, 8.25, 50.78

 

CMYK 84 / 0 / 44 / 40

HEX #199A57

RGB 25 154 87

HSL 148.84, 0.72%, 0.35%

LAB 56.09, -48.74, 26

 

CMYK 84 / 57 / 0 / 40

HEX #19429A

RGB 25 66 154

HSL 220.93, 0.72%, 0.35%

LAB 30.49, 20.39, -51.96

 

CMYK 0 / 83 / 40 / 41

HEX #97195A

RGB 151 25 90

HSL 329.05, 0.72%, 0.35%

LAB 34.01, 54.38, -5.29

 

CMYK 0 / 2 / 84 / 40

HEX #9A9719

RGB 154 151 25

HSL 58.6, 0.72%, 0.35%

LAB 60.85, -12.73, 59.76

 

CMYK 84 / 0 / 44 / 40

HEX #199A57

RGB 25 154 87

HSL 148.84, 0.72%, 0.35%

LAB 56.09, -48.74, 26

 

CMYK 84 / 82 / 0 / 40

HEX #191B9A

RGB 25 27 154

HSL 239.07, 0.72%, 0.35%

LAB 21.3, 45.02, -67.08

 

Description

Color code: HEX #97195A | qconv.com Color code: HEX #97195A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 25 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 25 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 40 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 40% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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