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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #97127F it is the complementary color #68ED80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #97127F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #97127F shade: #9C127A, #AD248D, #BE36A0, #CF48B3 and #E05AC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #97127F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #97127F shade: #97127F, #86006C, #750059, #640046 and #530033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #97127F shade: #97127F, #97125B, #971237, #971213 and #971212

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #97127F shade: #97127F, #8B1297, #671297, #431297 and #1F1297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #97127F shade matches the following richer shades: #97127F and #A40487

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #97127F shade: #97127F, #891F76, #7B2D6D, #6E3B65 and #60485C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #97127F shade: #661297, #891297, #971280, #97125D and #97123A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #97127F shade: #4D0941, #720D60, #97127F, #BC169E and #E01ABD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #97127F shade: #97127F, #974212 and #129778

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #97127F shade: #97127F, #809712 and #128097

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #97127F shade: #97127F, #974212, #129728 and #126697

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #97127F shade: #97127F, #976A12, #129728 and #123E97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

Complementary color

CMYK 56 / 0 / 46 / 7

HEX #68ED80

RGB 104 237 128

HSL 130.83, 0.79%, 0.67%

LAB 84.52, -58.93, 41.91

 

CMYK 0 / 88 / 22 / 39

HEX #9C127A

RGB 156 18 122

HSL 314.78, 0.79%, 0.34%

LAB 35.8, 60.84, -22.86

 

CMYK 0 / 79 / 18 / 32

HEX #AD248D

RGB 173 36 141

HSL 314.01, 0.66%, 0.41%

LAB 41.33, 63, -25.77

 

CMYK 0 / 72 / 16 / 25

HEX #BE36A0

RGB 190 54 160

HSL 313.24, 0.56%, 0.48%

LAB 47.14, 64.08, -27.95

 

CMYK 0 / 65 / 14 / 19

HEX #CF48B3

RGB 207 72 179

HSL 312.44, 0.58%, 0.55%

LAB 53.12, 64.46, -29.61

 

CMYK 0 / 60 / 12 / 12

HEX #E05AC6

RGB 224 90 198

HSL 311.64, 0.68%, 0.62%

LAB 59.19, 64.4, -30.91

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 100 / 19 / 47

HEX #86006C

RGB 134 0 108

HSL 311.64, 1%, 0.26%

LAB 29.79, 57.16, -23.68

 

CMYK 0 / 100 / 24 / 54

HEX #750059

RGB 117 0 89

HSL 314.36, 1%, 0.23%

LAB 25.27, 51.18, -18.59

 

CMYK 0 / 100 / 30 / 61

HEX #640046

RGB 100 0 70

HSL 318, 1%, 0.2%

LAB 20.64, 45.07, -13.22

 

CMYK 0 / 100 / 39 / 67

HEX #530033

RGB 83 0 51

HSL 323.13, 1%, 0.16%

LAB 15.89, 38.81, -7.46

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 88 / 40 / 41

HEX #97125B

RGB 151 18 91

HSL 327.07, 0.79%, 0.33%

LAB 33.49, 56.07, -6.71

 

CMYK 0 / 88 / 64 / 41

HEX #971237

RGB 151 18 55

HSL 343.31, 0.79%, 0.33%

LAB 32.45, 53.11, 15.43

 

CMYK 0 / 88 / 87 / 41

HEX #971213

RGB 151 18 19

HSL 359.55, 0.79%, 0.33%

LAB 31.94, 51.61, 37.08

 

CMYK 0 / 88 / 88 / 41

HEX #971212

RGB 151 18 18

HSL 0, 0.79%, 0.33%

LAB 31.93, 51.59, 37.59

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 8 / 88 / 0 / 41

HEX #8B1297

RGB 139 18 151

HSL 294.59, 0.79%, 0.33%

LAB 34.31, 61.81, -43.39

 

CMYK 32 / 88 / 0 / 41

HEX #671297

RGB 103 18 151

HSL 278.35, 0.79%, 0.33%

LAB 28.25, 55.82, -53.49

 

CMYK 56 / 88 / 0 / 41

HEX #431297

RGB 67 18 151

HSL 262.11, 0.79%, 0.33%

LAB 23.2, 51.2, -61.96

 

CMYK 79 / 88 / 0 / 41

HEX #1F1297

RGB 31 18 151

HSL 245.86, 0.79%, 0.33%

LAB 19.88, 48.43, -67.58

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 98 / 18 / 36

HEX #A40487

RGB 164 4 135

HSL 310.88, 0.95%, 0.33%

LAB 37.35, 66.07, -28.42

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 77 / 14 / 46

HEX #891F76

RGB 137 31 118

HSL 310.75, 0.63%, 0.33%

LAB 33.15, 52.69, -24.75

 

CMYK 0 / 63 / 11 / 52

HEX #7B2D6D

RGB 123 45 109

HSL 310.77, 0.46%, 0.33%

LAB 32.24, 41.97, -20.65

 

CMYK 0 / 46 / 8 / 57

HEX #6E3B65

RGB 110 59 101

HSL 310.59, 0.3%, 0.33%

LAB 32.66, 28.96, -15.06

 

CMYK 0 / 25 / 4 / 62

HEX #60485C

RGB 96 72 92

HSL 310, 0.14%, 0.33%

LAB 33.76, 14.02, -7.83

 

CMYK 32 / 88 / 0 / 41

HEX #661297

RGB 102 18 151

HSL 277.89, 0.79%, 0.33%

LAB 28.09, 55.67, -53.75

 

CMYK 9 / 88 / 0 / 41

HEX #891297

RGB 137 18 151

HSL 293.68, 0.79%, 0.33%

LAB 33.95, 61.45, -43.97

 

CMYK 0 / 88 / 15 / 41

HEX #971280

RGB 151 18 128

HSL 310.38, 0.79%, 0.33%

LAB 35.14, 60.57, -27.72

 

CMYK 0 / 88 / 38 / 41

HEX #97125D

RGB 151 18 93

HSL 326.17, 0.79%, 0.33%

LAB 33.57, 56.28, -7.89

 

CMYK 0 / 88 / 62 / 41

HEX #97123A

RGB 151 18 58

HSL 341.95, 0.79%, 0.33%

LAB 32.52, 53.3, 13.54

 

CMYK 0 / 88 / 16 / 70

HEX #4D0941

RGB 77 9 65

HSL 310.59, 0.79%, 0.17%

LAB 16.28, 36.4, -16.91

 

CMYK 0 / 89 / 16 / 55

HEX #720D60

RGB 114 13 96

HSL 310.69, 0.8%, 0.25%

LAB 25.89, 48.96, -22.29

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 88 / 16 / 26

HEX #BC169E

RGB 188 22 158

HSL 310.84, 0.79%, 0.41%

LAB 43.85, 71.51, -31.92

 

CMYK 0 / 88 / 16 / 12

HEX #E01ABD

RGB 224 26 189

HSL 310.61, 0.79%, 0.49%

LAB 52.13, 81.95, -36.76

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 56 / 88 / 41

HEX #974212

RGB 151 66 18

HSL 21.65, 0.79%, 0.33%

LAB 38.76, 33.09, 43.26

 

CMYK 88 / 0 / 21 / 41

HEX #129778

RGB 18 151 120

HSL 166.02, 0.79%, 0.33%

LAB 55.7, -40.64, 7.07

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 15 / 0 / 88 / 41

HEX #809712

RGB 128 151 18

HSL 70.38, 0.79%, 0.33%

LAB 58.76, -24.45, 58.83

 

CMYK 88 / 15 / 0 / 41

HEX #128097

RGB 18 128 151

HSL 190.38, 0.79%, 0.33%

LAB 49.25, -20.04, -20.46

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 56 / 88 / 41

HEX #974212

RGB 151 66 18

HSL 21.65, 0.79%, 0.33%

LAB 38.76, 33.09, 43.26

 

CMYK 88 / 0 / 74 / 41

HEX #129728

RGB 18 151 40

HSL 129.92, 0.79%, 0.33%

LAB 54.46, -55.01, 46.6

 

CMYK 88 / 32 / 0 / 41

HEX #126697

RGB 18 102 151

HSL 202.11, 0.79%, 0.33%

LAB 41, -5.13, -33.31

 

CMYK 0 / 88 / 16 / 41

HEX #97127F

RGB 151 18 127

HSL 310.83, 0.79%, 0.33%

LAB 35.09, 60.43, -27.17

 

CMYK 0 / 30 / 88 / 41

HEX #976A12

RGB 151 106 18

HSL 39.7, 0.79%, 0.33%

LAB 48.17, 10.66, 50.98

 

CMYK 88 / 0 / 74 / 41

HEX #129728

RGB 18 151 40

HSL 129.92, 0.79%, 0.33%

LAB 54.46, -55.01, 46.6

 

CMYK 88 / 59 / 0 / 41

HEX #123E97

RGB 18 62 151

HSL 220.15, 0.79%, 0.33%

LAB 28.92, 21.38, -52.69

 

Description

Color code: HEX #97127F | qconv.com Color code: HEX #97127F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 18 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 18 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 16 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 16% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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