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Color name
HEX #970E8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #970E8C it is the complementary color #68F173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #970E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #970E8C shade: #9C0E87, #AD209A, #BE32AD, #CF44C0 and #E056D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #970E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #970E8C shade: #970E8C, #860079, #750066, #640053 and #530040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #970E8C shade: #950E8A, #950E66, #950E41, #950E1D and #950E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #970E8C shade: #950E8A, #7C0E95, #570E95, #330E95 and #0E0E95

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #970E8C shade matches the following richer shades: #950E8A and #A30196

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #970E8C shade: #950E8A, #881B7F, #7B2874, #6E3569 and #61435E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #970E8C shade: #560E95, #7A0E95, #950E8C, #950E68 and #950E44

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #970E8C shade: #4A0744, #700A67, #950E8A, #BB11AD and #E115D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #970E8C shade: #970E8C, #95320E and #0E9568

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #970E8C shade: #970E8C, #8C950E and #0E8C95

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #970E8C shade: #970E8C, #95320E, #0E9517 and #0E7195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #970E8C shade: #970E8C, #955B0E, #0E9517 and #0E4995

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

Complementary color

CMYK 57 / 0 / 52 / 5

HEX #68F173

RGB 104 241 115

HSL 124.82, 0.83%, 0.68%

LAB 85.55, -62.22, 49.36

 

CMYK 0 / 91 / 13 / 39

HEX #9C0E87

RGB 156 14 135

HSL 308.87, 0.84%, 0.33%

LAB 36.24, 63.25, -30.28

 

CMYK 0 / 82 / 11 / 32

HEX #AD209A

RGB 173 32 154

HSL 308.09, 0.69%, 0.4%

LAB 41.61, 65.86, -33.22

 

CMYK 0 / 74 / 9 / 25

HEX #BE32AD

RGB 190 50 173

HSL 307.29, 0.58%, 0.47%

LAB 47.29, 67.3, -35.4

 

CMYK 0 / 67 / 7 / 19

HEX #CF44C0

RGB 207 68 192

HSL 306.47, 0.59%, 0.54%

LAB 53.17, 67.95, -37.06

 

CMYK 0 / 62 / 6 / 12

HEX #E056D3

RGB 224 86 211

HSL 305.65, 0.69%, 0.61%

LAB 59.16, 68.08, -38.34

 

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

CMYK 0 / 100 / 10 / 47

HEX #860079

RGB 134 0 121

HSL 305.82, 1%, 0.26%

LAB 30.52, 58.96, -30.84

 

CMYK 0 / 100 / 13 / 54

HEX #750066

RGB 117 0 102

HSL 307.69, 1%, 0.23%

LAB 25.98, 52.97, -26.03

 

CMYK 0 / 100 / 17 / 61

HEX #640053

RGB 100 0 83

HSL 310.2, 1%, 0.2%

LAB 21.33, 46.82, -21

 

CMYK 0 / 100 / 23 / 67

HEX #530040

RGB 83 0 64

HSL 313.73, 1%, 0.16%

LAB 16.55, 40.49, -15.69

 

CMYK 0 / 91 / 7 / 42

HEX #950E8A

RGB 149 14 138

HSL 304.89, 0.83%, 0.32%

LAB 35.08, 62.3, -34.05

 

CMYK 0 / 91 / 32 / 42

HEX #950E66

RGB 149 14 102

HSL 320.89, 0.83%, 0.32%

LAB 33.27, 57.52, -14.19

 

CMYK 0 / 91 / 56 / 42

HEX #950E41

RGB 149 14 65

HSL 337.33, 0.83%, 0.32%

LAB 32, 54.01, 8.13

 

CMYK 0 / 91 / 81 / 42

HEX #950E1D

RGB 149 14 29

HSL 353.33, 0.83%, 0.32%

LAB 31.33, 52.1, 30.65

 

CMYK 0 / 91 / 91 / 42

HEX #950E0E

RGB 149 14 14

HSL 0, 0.83%, 0.32%

LAB 31.2, 51.72, 38.81

 

CMYK 0 / 91 / 7 / 42

HEX #950E8A

RGB 149 14 138

HSL 304.89, 0.83%, 0.32%

LAB 35.08, 62.3, -34.05

 

CMYK 17 / 91 / 0 / 42

HEX #7C0E95

RGB 124 14 149

HSL 288.89, 0.83%, 0.32%

LAB 31.28, 59.62, -47.18

 

CMYK 42 / 91 / 0 / 42

HEX #570E95

RGB 87 14 149

HSL 272.44, 0.83%, 0.32%

LAB 25.29, 54.16, -57.2

 

CMYK 66 / 91 / 0 / 42

HEX #330E95

RGB 51 14 149

HSL 256.44, 0.83%, 0.32%

LAB 20.78, 50.52, -64.79

 

CMYK 91 / 91 / 0 / 42

HEX #0E0E95

RGB 14 14 149

HSL 240, 0.83%, 0.32%

LAB 18.26, 48.74, -69.05

 

CMYK 0 / 91 / 7 / 42

HEX #950E8A

RGB 149 14 138

HSL 304.89, 0.83%, 0.32%

LAB 35.08, 62.3, -34.05

 

CMYK 0 / 99 / 8 / 36

HEX #A30196

RGB 163 1 150

HSL 304.81, 0.99%, 0.32%

LAB 37.86, 68.28, -36.84

 

CMYK 0 / 91 / 7 / 42

HEX #950E8A

RGB 149 14 138

HSL 304.89, 0.83%, 0.32%

LAB 35.08, 62.3, -34.05

 

CMYK 0 / 80 / 7 / 47

HEX #881B7F

RGB 136 27 127

HSL 304.95, 0.67%, 0.32%

LAB 33.03, 55.07, -30.61

 

CMYK 0 / 67 / 6 / 52

HEX #7B2874

RGB 123 40 116

HSL 305.06, 0.51%, 0.32%

LAB 31.78, 45.42, -25.8

 

CMYK 0 / 52 / 5 / 57

HEX #6E3569

RGB 110 53 105

HSL 305.26, 0.35%, 0.32%

LAB 31.53, 33.13, -19.35

 

CMYK 0 / 31 / 3 / 62

HEX #61435E

RGB 97 67 94

HSL 306, 0.18%, 0.32%

LAB 32.62, 17.96, -10.82

 

CMYK 42 / 91 / 0 / 42

HEX #560E95

RGB 86 14 149

HSL 272, 0.83%, 0.32%

LAB 25.14, 54.04, -57.44

 

CMYK 18 / 91 / 0 / 42

HEX #7A0E95

RGB 122 14 149

HSL 288, 0.83%, 0.32%

LAB 30.93, 59.29, -47.76

 

CMYK 0 / 91 / 6 / 42

HEX #950E8C

RGB 149 14 140

HSL 304, 0.83%, 0.32%

LAB 35.2, 62.6, -35.1

 

CMYK 0 / 91 / 30 / 42

HEX #950E68

RGB 149 14 104

HSL 320, 0.83%, 0.32%

LAB 33.36, 57.76, -15.34

 

CMYK 0 / 91 / 54 / 42

HEX #950E44

RGB 149 14 68

HSL 336, 0.83%, 0.32%

LAB 32.08, 54.24, 6.26

 

CMYK 0 / 91 / 8 / 71

HEX #4A0744

RGB 74 7 68

HSL 305.37, 0.83%, 0.16%

LAB 15.62, 36.81, -20.09

 

CMYK 0 / 91 / 8 / 56

HEX #700A67

RGB 112 10 103

HSL 305.29, 0.84%, 0.24%

LAB 25.69, 50.21, -27.21

 

CMYK 0 / 91 / 7 / 42

HEX #950E8A

RGB 149 14 138

HSL 304.89, 0.83%, 0.32%

LAB 35.08, 62.3, -34.05

 

CMYK 0 / 91 / 7 / 27

HEX #BB11AD

RGB 187 17 173

HSL 304.94, 0.83%, 0.4%

LAB 44.21, 74.11, -40.32

 

CMYK 0 / 91 / 8 / 12

HEX #E115D0

RGB 225 21 208

HSL 305, 0.83%, 0.48%

LAB 53.06, 85.3, -46.26

 

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

CMYK 0 / 66 / 91 / 42

HEX #95320E

RGB 149 50 14

HSL 16, 0.83%, 0.32%

LAB 35.41, 40.04, 42.03

 

CMYK 91 / 0 / 30 / 42

HEX #0E9568

RGB 14 149 104

HSL 160, 0.83%, 0.32%

LAB 54.65, -44.1, 14.64

 

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

CMYK 6 / 0 / 91 / 42

HEX #8C950E

RGB 140 149 14

HSL 64, 0.83%, 0.32%

LAB 59.07, -18.25, 60.25

 

CMYK 91 / 6 / 0 / 42

HEX #0E8C95

RGB 14 140 149

HSL 184, 0.83%, 0.32%

LAB 52.97, -27.18, -13.64

 

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

CMYK 0 / 66 / 91 / 42

HEX #95320E

RGB 149 50 14

HSL 16, 0.83%, 0.32%

LAB 35.41, 40.04, 42.03

 

CMYK 91 / 0 / 85 / 42

HEX #0E9517

RGB 14 149 23

HSL 124, 0.83%, 0.32%

LAB 53.65, -55.96, 51.43

 

CMYK 91 / 24 / 0 / 42

HEX #0E7195

RGB 14 113 149

HSL 196, 0.83%, 0.32%

LAB 44.34, -12.7, -26.89

 

CMYK 0 / 91 / 7 / 41

HEX #970E8C

RGB 151 14 140

HSL 304.82, 0.83%, 0.32%

LAB 35.57, 62.99, -34.49

 

CMYK 0 / 39 / 91 / 42

HEX #955B0E

RGB 149 91 14

HSL 34.22, 0.83%, 0.32%

LAB 44.09, 18.28, 48.77

 

CMYK 91 / 0 / 85 / 42

HEX #0E9517

RGB 14 149 23

HSL 124, 0.83%, 0.32%

LAB 53.65, -55.96, 51.43

 

CMYK 91 / 51 / 0 / 42

HEX #0E4995

RGB 14 73 149

HSL 213.78, 0.83%, 0.32%

LAB 31.87, 12.67, -46.69

 

Description

Color code: HEX #970E8C | qconv.com Color code: HEX #970E8C | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 14 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 14 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 7 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 7% 41% C M Y K

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Provide designers and agencies with accurate color values.

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