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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96FF3E it is the complementary color #6900C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96FF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96FF3E shade: #9BFF39, #ACFF4C, #BDFF5F, #CEFF72 and #DFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96FF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96FF3E shade: #96FF3E, #85ED2B, #74DB18, #63C905 and #52B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96FF3E shade: #95FF3D, #C9FF3D, #FEFF3D, #FFCB3D and #FF973D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96FF3E shade: #95FF3D, #61FF3D, #3DFF4D, #3DFF81 and #3DFFB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96FF3E shade matches the following richer shades: #95FF3D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96FF3E shade: #95FF3D, #96EF4C, #98DF5C, #99CF6C and #9BC07B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96FF3E shade: #FFFF3D, #CBFF3D, #97FF3D, #63FF3D and #3DFF4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96FF3E shade: #6AE900, #7FFF13, #95FF3D, #ACFF66 and #C2FF8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96FF3E shade: #96FF3E, #3DFFCB and #FF3DE5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96FF3E shade: #96FF3E, #3D97FF and #FF3D97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96FF3E shade: #96FF3E, #3DFFCB, #A43DFF and #FF3D70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96FF3E shade: #96FF3E, #3DF8FF, #A43DFF and #FF433D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

Complementary color

CMYK 46 / 100 / 0 / 24

HEX #6900C1

RGB 105 0 193

HSL 272.64, 1%, 0.38%

LAB 31.47, 68.27, -73.44

 

CMYK 39 / 0 / 78 / 0

HEX #9BFF39

RGB 155 255 57

HSL 90.3, 1%, 0.61%

LAB 91.14, -58.12, 78.22

 

CMYK 33 / 0 / 70 / 0

HEX #ACFF4C

RGB 172 255 76

HSL 87.82, 1%, 0.65%

LAB 92.05, -51.41, 73.39

 

CMYK 26 / 0 / 63 / 0

HEX #BDFF5F

RGB 189 255 95

HSL 84.75, 1%, 0.69%

LAB 93.09, -44.13, 67.64

 

CMYK 19 / 0 / 55 / 0

HEX #CEFF72

RGB 206 255 114

HSL 80.85, 1%, 0.72%

LAB 94.25, -36.4, 61.25

 

CMYK 13 / 0 / 48 / 0

HEX #DFFF85

RGB 223 255 133

HSL 75.74, 1%, 0.76%

LAB 95.54, -28.33, 54.48

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

CMYK 44 / 0 / 82 / 7

HEX #85ED2B

RGB 133 237 43

HSL 92.16, 0.84%, 0.55%

LAB 84.86, -58.82, 75.81

 

CMYK 47 / 0 / 89 / 14

HEX #74DB18

RGB 116 219 24

HSL 91.69, 0.8%, 0.48%

LAB 78.72, -57.92, 74.14

 

CMYK 51 / 0 / 98 / 21

HEX #63C905

RGB 99 201 5

HSL 91.22, 0.95%, 0.4%

LAB 72.52, -56.73, 71.2

 

CMYK 55 / 0 / 100 / 28

HEX #52B700

RGB 82 183 0

HSL 93.11, 1%, 0.36%

LAB 66.26, -55.14, 66.54

 

CMYK 42 / 0 / 76 / 0

HEX #95FF3D

RGB 149 255 61

HSL 92.78, 1%, 0.62%

LAB 90.89, -59.83, 76.74

 

CMYK 21 / 0 / 76 / 0

HEX #C9FF3D

RGB 201 255 61

HSL 76.7, 1%, 0.62%

LAB 93.57, -41.73, 80.21

 

CMYK 0 / 0 / 76 / 0

HEX #FEFF3D

RGB 254 255 61

HSL 60.31, 1%, 0.62%

LAB 97.2, -20.86, 84.86

 

CMYK 0 / 20 / 76 / 0

HEX #FFCB3D

RGB 255 203 61

HSL 43.92, 1%, 0.62%

LAB 84.13, 5.38, 72.94

 

CMYK 0 / 41 / 76 / 0

HEX #FF973D

RGB 255 151 61

HSL 27.84, 1%, 0.62%

LAB 72.05, 32.41, 61.41

 

CMYK 42 / 0 / 76 / 0

HEX #95FF3D

RGB 149 255 61

HSL 92.78, 1%, 0.62%

LAB 90.89, -59.83, 76.74

 

CMYK 62 / 0 / 76 / 0

HEX #61FF3D

RGB 97 255 61

HSL 108.87, 1%, 0.62%

LAB 89.11, -73.64, 74.41

 

CMYK 76 / 0 / 70 / 0

HEX #3DFF4D

RGB 61 255 77

HSL 124.95, 1%, 0.62%

LAB 88.47, -78.68, 68.23

 

CMYK 76 / 0 / 49 / 0

HEX #3DFF81

RGB 61 255 129

HSL 141.03, 1%, 0.62%

LAB 88.97, -72.68, 46.81

 

CMYK 76 / 0 / 29 / 0

HEX #3DFFB5

RGB 61 255 181

HSL 157.11, 1%, 0.62%

LAB 89.79, -63.35, 22.22

 

CMYK 42 / 0 / 76 / 0

HEX #95FF3D

RGB 149 255 61

HSL 92.78, 1%, 0.62%

LAB 90.89, -59.83, 76.74

 

CMYK 42 / 0 / 76 / 0

HEX #95FF3D

RGB 149 255 61

HSL 92.78, 1%, 0.62%

LAB 90.89, -59.83, 76.74

 

CMYK 37 / 0 / 68 / 6

HEX #96EF4C

RGB 150 239 76

HSL 92.76, 0.84%, 0.62%

LAB 86.37, -52.3, 67.26

 

CMYK 32 / 0 / 59 / 13

HEX #98DF5C

RGB 152 223 92

HSL 92.52, 0.67%, 0.62%

LAB 81.96, -43.63, 56.02

 

CMYK 26 / 0 / 48 / 19

HEX #99CF6C

RGB 153 207 108

HSL 92.73, 0.51%, 0.62%

LAB 77.57, -34.46, 43.42

 

CMYK 19 / 0 / 36 / 25

HEX #9BC07B

RGB 155 192 123

HSL 92.17, 0.35%, 0.62%

LAB 73.61, -24.68, 30.83

 

CMYK 0 / 0 / 76 / 0

HEX #FFFF3D

RGB 255 255 61

HSL 60, 1%, 0.62%

LAB 97.28, -20.45, 84.96

 

CMYK 20 / 0 / 76 / 0

HEX #CBFF3D

RGB 203 255 61

HSL 76.08, 1%, 0.62%

LAB 93.69, -40.97, 80.36

 

CMYK 41 / 0 / 76 / 0

HEX #97FF3D

RGB 151 255 61

HSL 92.16, 1%, 0.62%

LAB 90.98, -59.2, 76.85

 

CMYK 61 / 0 / 76 / 0

HEX #63FF3D

RGB 99 255 61

HSL 108.25, 1%, 0.62%

LAB 89.16, -73.21, 74.48

 

CMYK 76 / 0 / 71 / 0

HEX #3DFF4A

RGB 61 255 74

HSL 124.02, 1%, 0.62%

LAB 88.45, -78.93, 69.28

 

CMYK 55 / 0 / 100 / 9

HEX #6AE900

RGB 106 233 0

HSL 92.7, 1%, 0.46%

LAB 82.56, -66.17, 79.73

 

CMYK 50 / 0 / 93 / 0

HEX #7FFF13

RGB 127 255 19

HSL 92.54, 1%, 0.54%

LAB 89.9, -67.82, 84.23

 

CMYK 42 / 0 / 76 / 0

HEX #95FF3D

RGB 149 255 61

HSL 92.78, 1%, 0.62%

LAB 90.89, -59.83, 76.74

 

CMYK 33 / 0 / 60 / 0

HEX #ACFF66

RGB 172 255 102

HSL 92.55, 1%, 0.7%

LAB 92.24, -49.47, 63.6

 

CMYK 24 / 0 / 44 / 0

HEX #C2FF8F

RGB 194 255 143

HSL 92.68, 1%, 0.78%

LAB 93.87, -37.71, 47.31

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

CMYK 76 / 0 / 20 / 0

HEX #3DFFCB

RGB 61 255 203

HSL 163.92, 1%, 0.62%

LAB 90.24, -58.48, 11.57

 

CMYK 0 / 76 / 10 / 0

HEX #FF3DE5

RGB 255 61 229

HSL 308.04, 1%, 0.62%

LAB 61.87, 86.11, -43.89

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

CMYK 76 / 41 / 0 / 0

HEX #3D97FF

RGB 61 151 255

HSL 212.16, 1%, 0.62%

LAB 61.95, 8.33, -59.25

 

CMYK 0 / 76 / 41 / 0

HEX #FF3D97

RGB 255 61 151

HSL 332.16, 1%, 0.62%

LAB 58.82, 77.04, -3.84

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

CMYK 76 / 0 / 20 / 0

HEX #3DFFCB

RGB 61 255 203

HSL 163.92, 1%, 0.62%

LAB 90.24, -58.48, 11.57

 

CMYK 36 / 76 / 0 / 0

HEX #A43DFF

RGB 164 61 255

HSL 271.86, 1%, 0.62%

LAB 50.04, 73.84, -78.14

 

CMYK 0 / 76 / 56 / 0

HEX #FF3D70

RGB 255 61 112

HSL 344.23, 1%, 0.62%

LAB 57.82, 73.92, 17.73

 

CMYK 41 / 0 / 76 / 0

HEX #96FF3E

RGB 150 255 62

HSL 92.64, 1%, 0.62%

LAB 90.94, -59.47, 76.5

 

CMYK 76 / 3 / 0 / 0

HEX #3DF8FF

RGB 61 248 255

HSL 182.16, 1%, 0.62%

LAB 89.56, -42.04, -16.43

 

CMYK 36 / 76 / 0 / 0

HEX #A43DFF

RGB 164 61 255

HSL 271.86, 1%, 0.62%

LAB 50.04, 73.84, -78.14

 

CMYK 0 / 74 / 76 / 0

HEX #FF433D

RGB 255 67 61

HSL 1.86, 1%, 0.62%

LAB 57.67, 69.52, 46.76

 

Description

Color code: HEX #96FF3E | qconv.com Color code: HEX #96FF3E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 255 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 255 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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