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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96FEB5 it is the complementary color #69014A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96FEB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96FEB5 shade: #9BFEB0, #ACFFC3, #BDFFD6, #CEFFE9 and #DFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96FEB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96FEB5 shade: #96FEB5, #85ECA2, #74DA8F, #63C87C and #52B669

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96FEB5 shade: #95FEB4, #95FE98, #AEFE95, #CBFE95 and #E7FE95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96FEB5 shade: #95FEB4, #95FED1, #95FEED, #95F3FE and #95D6FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96FEB5 shade matches the following richer shades: #95FEB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96FEB5 shade: #95FEB4, #9EF5B8, #A6EDBB, #AFE4BF and #B8DBC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96FEB5 shade: #AFFE95, #95FE97, #95FEB3, #95FECF and #95FEEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96FEB5 shade: #43FD7B, #6CFE97, #95FEB4, #BEFED1 and #E7FFEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96FEB5 shade: #96FEB5, #95CBFE and #FE95A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96FEB5 shade: #96FEB5, #B395FE and #FEB395

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96FEB5 shade: #96FEB5, #95CBFE, #FE95E0 and #FEC895

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96FEB5 shade: #96FEB5, #95ACFE, #FE95E0 and #FEE795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

Complementary color

CMYK 0 / 99 / 30 / 59

HEX #69014A

RGB 105 1 74

HSL 317.88, 0.98%, 0.21%

LAB 22.01, 46.45, -13.75

 

CMYK 39 / 0 / 31 / 0

HEX #9BFEB0

RGB 155 254 176

HSL 132.73, 0.98%, 0.8%

LAB 92.13, -44.92, 28.4

 

CMYK 33 / 0 / 24 / 0

HEX #ACFFC3

RGB 172 255 195

HSL 136.63, 1%, 0.84%

LAB 93.55, -37.12, 20.84

 

CMYK 26 / 0 / 16 / 0

HEX #BDFFD6

RGB 189 255 214

HSL 142.73, 1%, 0.87%

LAB 94.82, -28.55, 13.02

 

CMYK 19 / 0 / 9 / 0

HEX #CEFFE9

RGB 206 255 233

HSL 153.06, 1%, 0.9%

LAB 96.21, -19.76, 5.39

 

CMYK 13 / 0 / 1 / 0

HEX #DFFFFC

RGB 223 255 252

HSL 174.38, 1%, 0.94%

LAB 97.73, -10.83, -2.06

 

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

CMYK 44 / 0 / 31 / 7

HEX #85ECA2

RGB 133 236 162

HSL 136.89, 0.73%, 0.72%

LAB 85.8, -45.69, 26.77

 

CMYK 47 / 0 / 34 / 15

HEX #74DA8F

RGB 116 218 143

HSL 135.88, 0.58%, 0.65%

LAB 79.52, -45.89, 27.95

 

CMYK 51 / 0 / 38 / 22

HEX #63C87C

RGB 99 200 124

HSL 134.85, 0.48%, 0.59%

LAB 73.17, -46.04, 29.2

 

CMYK 55 / 0 / 42 / 29

HEX #52B669

RGB 82 182 105

HSL 133.8, 0.41%, 0.52%

LAB 66.73, -46.1, 30.54

 

CMYK 41 / 0 / 29 / 0

HEX #95FEB4

RGB 149 254 180

HSL 137.71, 0.98%, 0.79%

LAB 91.94, -45.9, 26.08

 

CMYK 41 / 0 / 40 / 0

HEX #95FE98

RGB 149 254 152

HSL 121.71, 0.98%, 0.79%

LAB 91.48, -50.42, 39.44

 

CMYK 31 / 0 / 41 / 0

HEX #AEFE95

RGB 174 254 149

HSL 105.71, 0.98%, 0.79%

LAB 92.6, -43.21, 42.58

 

CMYK 20 / 0 / 41 / 0

HEX #CBFE95

RGB 203 254 149

HSL 89.14, 0.98%, 0.79%

LAB 94.21, -33.39, 44.96

 

CMYK 9 / 0 / 41 / 0

HEX #E7FE95

RGB 231 254 149

HSL 73.14, 0.98%, 0.79%

LAB 96.01, -23.22, 47.63

 

CMYK 41 / 0 / 29 / 0

HEX #95FEB4

RGB 149 254 180

HSL 137.71, 0.98%, 0.79%

LAB 91.94, -45.9, 26.08

 

CMYK 41 / 0 / 18 / 0

HEX #95FED1

RGB 149 254 209

HSL 154.29, 0.98%, 0.79%

LAB 92.52, -40.41, 12.06

 

CMYK 41 / 0 / 7 / 0

HEX #95FEED

RGB 149 254 237

HSL 170.29, 0.98%, 0.79%

LAB 93.18, -34.39, -1.44

 

CMYK 41 / 4 / 0 / 0

HEX #95F3FE

RGB 149 243 254

HSL 186.29, 0.98%, 0.79%

LAB 90.62, -25.15, -14.06

 

CMYK 41 / 16 / 0 / 0

HEX #95D6FE

RGB 149 214 254

HSL 202.86, 0.98%, 0.79%

LAB 82.72, -10.56, -26

 

CMYK 41 / 0 / 29 / 0

HEX #95FEB4

RGB 149 254 180

HSL 137.71, 0.98%, 0.79%

LAB 91.94, -45.9, 26.08

 

CMYK 41 / 0 / 29 / 0

HEX #95FEB4

RGB 149 254 180

HSL 137.71, 0.98%, 0.79%

LAB 91.94, -45.9, 26.08

 

CMYK 36 / 0 / 25 / 4

HEX #9EF5B8

RGB 158 245 184

HSL 137.93, 0.81%, 0.79%

LAB 89.88, -38.68, 21.26

 

CMYK 30 / 0 / 21 / 7

HEX #A6EDBB

RGB 166 237 187

HSL 137.75, 0.66%, 0.79%

LAB 88.1, -32.08, 17.29

 

CMYK 23 / 0 / 16 / 11

HEX #AFE4BF

RGB 175 228 191

HSL 138.11, 0.5%, 0.79%

LAB 86.19, -24.24, 12.59

 

CMYK 16 / 0 / 11 / 14

HEX #B8DBC2

RGB 184 219 194

HSL 137.14, 0.33%, 0.79%

LAB 84.35, -16.32, 8.47

 

CMYK 31 / 0 / 41 / 0

HEX #AFFE95

RGB 175 254 149

HSL 105.14, 0.98%, 0.79%

LAB 92.65, -42.89, 42.66

 

CMYK 41 / 0 / 41 / 0

HEX #95FE97

RGB 149 254 151

HSL 121.14, 0.98%, 0.79%

LAB 91.46, -50.57, 39.91

 

CMYK 41 / 0 / 30 / 0

HEX #95FEB3

RGB 149 254 179

HSL 137.14, 0.98%, 0.79%

LAB 91.92, -46.08, 26.56

 

CMYK 41 / 0 / 19 / 0

HEX #95FECF

RGB 149 254 207

HSL 153.14, 0.98%, 0.79%

LAB 92.48, -40.81, 13.03

 

CMYK 41 / 0 / 7 / 0

HEX #95FEEB

RGB 149 254 235

HSL 169.14, 0.98%, 0.79%

LAB 93.13, -34.84, -0.48

 

CMYK 74 / 0 / 51 / 1

HEX #43FD7B

RGB 67 253 123

HSL 138.06, 0.98%, 0.63%

LAB 88.39, -72.11, 48.91

 

CMYK 57 / 0 / 41 / 0

HEX #6CFE97

RGB 108 254 151

HSL 137.67, 0.99%, 0.71%

LAB 90, -60.92, 37.73

 

CMYK 41 / 0 / 29 / 0

HEX #95FEB4

RGB 149 254 180

HSL 137.71, 0.98%, 0.79%

LAB 91.94, -45.9, 26.08

 

CMYK 25 / 0 / 18 / 0

HEX #BEFED1

RGB 190 254 209

HSL 137.81, 0.97%, 0.87%

LAB 94.5, -28.69, 15.14

 

CMYK 9 / 0 / 7 / 0

HEX #E7FFEE

RGB 231 255 238

HSL 137.5, 1%, 0.95%

LAB 97.91, -10.87, 5.46

 

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

CMYK 41 / 20 / 0 / 0

HEX #95CBFE

RGB 149 203 254

HSL 209.14, 0.98%, 0.79%

LAB 79.76, -4.77, -30.53

 

CMYK 0 / 41 / 37 / 0

HEX #FE95A1

RGB 254 149 161

HSL 353.14, 0.98%, 0.79%

LAB 72.98, 40.68, 10.93

 

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

CMYK 30 / 41 / 0 / 0

HEX #B395FE

RGB 179 149 254

HSL 257.14, 0.98%, 0.79%

LAB 68.19, 33.12, -48.37

 

CMYK 0 / 30 / 41 / 0

HEX #FEB395

RGB 254 179 149

HSL 17.14, 0.98%, 0.79%

LAB 79.32, 23.75, 26.23

 

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

CMYK 41 / 20 / 0 / 0

HEX #95CBFE

RGB 149 203 254

HSL 209.14, 0.98%, 0.79%

LAB 79.76, -4.77, -30.53

 

CMYK 0 / 41 / 12 / 0

HEX #FE95E0

RGB 254 149 224

HSL 317.14, 0.98%, 0.79%

LAB 74.79, 49.34, -21.14

 

CMYK 0 / 21 / 41 / 0

HEX #FEC895

RGB 254 200 149

HSL 29.14, 0.98%, 0.79%

LAB 84.25, 12.77, 32.82

 

CMYK 41 / 0 / 29 / 0

HEX #96FEB5

RGB 150 254 181

HSL 137.88, 0.98%, 0.79%

LAB 92, -45.45, 25.66

 

CMYK 41 / 32 / 0 / 0

HEX #95ACFE

RGB 149 172 254

HSL 226.86, 0.98%, 0.79%

LAB 71.59, 12.26, -43.2

 

CMYK 0 / 41 / 12 / 0

HEX #FE95E0

RGB 254 149 224

HSL 317.14, 0.98%, 0.79%

LAB 74.79, 49.34, -21.14

 

CMYK 0 / 9 / 41 / 0

HEX #FEE795

RGB 254 231 149

HSL 46.86, 0.98%, 0.79%

LAB 91.86, -3.14, 42.72

 

Description

Color code: HEX #96FEB5 | qconv.com Color code: HEX #96FEB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 254 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 254 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 29 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 29% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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