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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96FAC74C it is the complementary color #6905384C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96FAC74C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96FAC74C shade: #9BFAC24C, #ACFFD54C, #BDFFE84C, #CEFFFB4C and #DFFFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96FAC74C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96FAC74C shade: #96FAC74C, #85E8B44C, #74D6A14C, #63C48E4C and #52B27B4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96FAC74C shade: #94FAC6, #94FAAA, #99FA94, #B4FA94 and #D0FA94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96FAC74C shade: #94FAC6, #94FAE1, #94F7FA, #94DBFA and #94C0FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96FAC74C shade matches the following richer shades: #94FAC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96FAC74C shade: #94FAC6, #9DF1C6, #A6E8C6, #AFDFC6 and #B8D6C7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96FAC74C shade: #99FA94, #94FAAA, #94FAC5, #94FAE0 and #94F8FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96FAC74C shade: #45F69C, #6CF8B1, #94FAC6, #BBFCDB and #E3FEF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96FAC74C shade: #96FAC7, #94B4FA and #FA9C94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96FAC74C shade: #96FAC7, #C594FA and #FAC594

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96FAC74C shade: #96FAC7, #94B4FA, #FA94C9 and #FADA94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96FAC74C shade: #96FAC7, #9496FA, #FA94C9 and #FAF894

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 6 / 1

HEX #96FAC74C

RGBA 150 250 199 0.3

HSLA 149.4, 0.91%, 0.78%, 0.3

LABA 91.22, -40.35, 15.38, 0.3

 

Complementary color

CMYK 0 / 29 / 14 / 18

HEX #6905384C

RGBA 105 5 56 0.3

HSLA 329.4, 0.91%, 0.22%, 0.3

LABA 21.57, 43.51, -1.98, 0.3

 

CMYK 11 / 0 / 7 / 1

HEX #9BFAC24C

RGBA 155 250 194 0.3

HSLA 144.63, 0.9%, 0.79%, 0.3

LABA 91.34, -39.94, 18.14, 0.3

 

CMYK 10 / 0 / 5 / 0

HEX #ACFFD54C

RGBA 172 255 213 0.3

HSLA 149.64, 1%, 0.84%, 0.3

LABA 93.92, -33.78, 12.14, 0.3

 

CMYK 8 / 0 / 3 / 0

HEX #BDFFE84C

RGBA 189 255 232 0.3

HSLA 159.09, 1%, 0.87%, 0.3

LABA 95.23, -25.1, 4.36, 0.3

 

CMYK 6 / 0 / 0 / 0

HEX #CEFFFB4C

RGBA 206 255 251 0.3

HSLA 175.1, 1%, 0.9%, 0.3

LABA 96.66, -16.23, -3.23, 0.3

 

CMYK 4 / 0 / 0 / 0

HEX #DFFFFF4C

RGBA 223 255 255 0.3

HSLA 180, 1%, 0.94%, 0.3

LABA 97.8, -10.25, -3.49, 0.3

 

CMYK 12 / 0 / 6 / 1

HEX #96FAC74C

RGBA 150 250 199 0.3

HSLA 149.4, 0.91%, 0.78%, 0.3

LABA 91.22, -40.35, 15.38, 0.3

 

CMYK 13 / 0 / 7 / 3

HEX #85E8B44C

RGBA 133 232 180 0.3

HSLA 148.48, 0.68%, 0.72%, 0.3

LABA 84.99, -40.58, 16.35, 0.3

 

CMYK 14 / 0 / 7 / 5

HEX #74D6A14C

RGBA 116 214 161 0.3

HSLA 147.55, 0.54%, 0.65%, 0.3

LABA 78.68, -40.8, 17.39, 0.3

 

CMYK 15 / 0 / 8 / 7

HEX #63C48E4C

RGBA 99 196 142 0.3

HSLA 146.6, 0.45%, 0.58%, 0.3

LABA 72.29, -40.99, 18.51, 0.3

 

CMYK 16 / 0 / 9 / 9

HEX #52B27B4C

RGBA 82 178 123 0.3

HSLA 145.63, 0.38%, 0.51%, 0.3

LABA 65.8, -41.12, 19.72, 0.3

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC6

RGB 148 250 198

HSL 149.41, 0.91%, 0.78%

LAB 91.12, -41.08, 15.73

 

CMYK 41 / 0 / 32 / 2

HEX #94FAAA

RGB 148 250 170

HSL 132.94, 0.91%, 0.78%

LAB 90.58, -46.18, 29.28

 

CMYK 39 / 0 / 41 / 2

HEX #99FA94

RGB 153 250 148

HSL 117.06, 0.91%, 0.78%

LAB 90.45, -48.16, 40.11

 

CMYK 28 / 0 / 41 / 2

HEX #B4FA94

RGB 180 250 148

HSL 101.18, 0.91%, 0.78%

LAB 91.78, -39.61, 42.08

 

CMYK 17 / 0 / 41 / 2

HEX #D0FA94

RGB 208 250 148

HSL 84.71, 0.91%, 0.78%

LAB 93.42, -29.88, 44.51

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC6

RGB 148 250 198

HSL 149.41, 0.91%, 0.78%

LAB 91.12, -41.08, 15.73

 

CMYK 41 / 0 / 10 / 2

HEX #94FAE1

RGB 148 250 225

HSL 165.29, 0.91%, 0.78%

LAB 91.73, -35.47, 2.65

 

CMYK 41 / 1 / 0 / 2

HEX #94F7FA

RGB 148 247 250

HSL 181.76, 0.91%, 0.78%

LAB 91.56, -28.29, -10.58

 

CMYK 41 / 12 / 0 / 2

HEX #94DBFA

RGB 148 219 250

HSL 198.24, 0.91%, 0.78%

LAB 83.89, -14.43, -22.1

 

CMYK 41 / 23 / 0 / 2

HEX #94C0FA

RGB 148 192 250

HSL 214.12, 0.91%, 0.78%

LAB 76.62, -0.16, -33.23

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC6

RGB 148 250 198

HSL 149.41, 0.91%, 0.78%

LAB 91.12, -41.08, 15.73

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC6

RGB 148 250 198

HSL 149.41, 0.91%, 0.78%

LAB 91.12, -41.08, 15.73

 

CMYK 35 / 0 / 18 / 5

HEX #9DF1C6

RGB 157 241 198

HSL 149.29, 0.75%, 0.78%

LAB 89, -34.52, 12.79

 

CMYK 28 / 0 / 15 / 9

HEX #A6E8C6

RGB 166 232 198

HSL 149.09, 0.59%, 0.78%

LAB 86.95, -27.65, 9.93

 

CMYK 22 / 0 / 11 / 13

HEX #AFDFC6

RGB 175 223 198

HSL 148.75, 0.43%, 0.78%

LAB 84.98, -20.48, 7.18

 

CMYK 14 / 0 / 7 / 16

HEX #B8D6C7

RGB 184 214 199

HSL 150, 0.27%, 0.78%

LAB 83.13, -12.85, 4.06

 

CMYK 39 / 0 / 41 / 2

HEX #99FA94

RGB 153 250 148

HSL 117.06, 0.91%, 0.78%

LAB 90.45, -48.16, 40.11

 

CMYK 41 / 0 / 32 / 2

HEX #94FAAA

RGB 148 250 170

HSL 132.94, 0.91%, 0.78%

LAB 90.58, -46.18, 29.28

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC5

RGB 148 250 197

HSL 148.82, 0.91%, 0.78%

LAB 91.1, -41.28, 16.22

 

CMYK 41 / 0 / 10 / 2

HEX #94FAE0

RGB 148 250 224

HSL 164.71, 0.91%, 0.78%

LAB 91.71, -35.69, 3.14

 

CMYK 41 / 1 / 0 / 2

HEX #94F8FA

RGB 148 248 250

HSL 181.18, 0.91%, 0.78%

LAB 91.83, -28.77, -10.17

 

CMYK 72 / 0 / 37 / 4

HEX #45F69C

RGB 69 246 156

HSL 149.49, 0.91%, 0.62%

LAB 86.79, -64.01, 30.83

 

CMYK 56 / 0 / 29 / 3

HEX #6CF8B1

RGB 108 248 177

HSL 149.57, 0.91%, 0.7%

LAB 88.68, -53.92, 22.9

 

CMYK 41 / 0 / 21 / 2

HEX #94FAC6

RGB 148 250 198

HSL 149.41, 0.91%, 0.78%

LAB 91.12, -41.08, 15.73

 

CMYK 26 / 0 / 13 / 1

HEX #BBFCDB

RGB 187 252 219

HSL 149.54, 0.92%, 0.86%

LAB 94.01, -26.8, 9.29

 

CMYK 11 / 0 / 6 / 0

HEX #E3FEF0

RGB 227 254 240

HSL 148.89, 0.93%, 0.94%

LAB 97.43, -11.31, 3.71

 

CMYK 40 / 0 / 20 / 2

HEX #96FAC7

RGB 150 250 199

HSL 149.4, 0.91%, 0.78%

LAB 91.22, -40.35, 15.38

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 0 / 38 / 41 / 2

HEX #FA9C94

RGB 250 156 148

HSL 4.71, 0.91%, 0.78%

LAB 73.7, 34.16, 19.03

 

CMYK 40 / 0 / 20 / 2

HEX #96FAC7

RGB 150 250 199

HSL 149.4, 0.91%, 0.78%

LAB 91.22, -40.35, 15.38

 

CMYK 21 / 41 / 0 / 2

HEX #C594FA

RGB 197 148 250

HSL 268.82, 0.91%, 0.78%

LAB 69.44, 37.7, -44.12

 

CMYK 0 / 21 / 41 / 2

HEX #FAC594

RGB 250 197 148

HSL 28.82, 0.91%, 0.78%

LAB 83.12, 12.66, 31.78

 

CMYK 40 / 0 / 20 / 2

HEX #96FAC7

RGB 150 250 199

HSL 149.4, 0.91%, 0.78%

LAB 91.22, -40.35, 15.38

 

CMYK 41 / 28 / 0 / 2

HEX #94B4FA

RGB 148 180 250

HSL 221.18, 0.91%, 0.78%

LAB 73.44, 6.44, -38.15

 

CMYK 0 / 41 / 20 / 2

HEX #FA94C9

RGB 250 148 201

HSL 328.82, 0.91%, 0.78%

LAB 73.36, 45.05, -10.7

 

CMYK 0 / 13 / 41 / 2

HEX #FADA94

RGB 250 218 148

HSL 41.18, 0.91%, 0.78%

LAB 88.26, 1.8, 38.51

 

CMYK 40 / 0 / 20 / 2

HEX #96FAC7

RGB 150 250 199

HSL 149.4, 0.91%, 0.78%

LAB 91.22, -40.35, 15.38

 

CMYK 41 / 40 / 0 / 2

HEX #9496FA

RGB 148 150 250

HSL 238.82, 0.91%, 0.78%

LAB 65.76, 23.46, -50.2

 

CMYK 0 / 41 / 20 / 2

HEX #FA94C9

RGB 250 148 201

HSL 328.82, 0.91%, 0.78%

LAB 73.36, 45.05, -10.7

 

CMYK 0 / 1 / 41 / 2

HEX #FAF894

RGB 250 248 148

HSL 58.82, 0.91%, 0.78%

LAB 95.83, -13.23, 48.17

 

Description

Color code: HEX #96FAC74C | qconv.com Color code: HEX #96FAC74C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 250 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 250 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 6 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 6% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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