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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96FAB5 it is the complementary color #69054A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96FAB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96FAB5 shade: #9BFAB0, #ACFFC3, #BDFFD6, #CEFFE9 and #DFFFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96FAB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96FAB5 shade: #96FAB5, #85E8A2, #74D68F, #63C47C and #52B269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96FAB5 shade: #94FAB4, #94FA98, #ABFA94, #C7FA94 and #E2FA94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96FAB5 shade: #94FAB4, #94FACF, #94FAEB, #94EEFA and #94D2FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96FAB5 shade matches the following richer shades: #94FAB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96FAB5 shade: #94FAB4, #9DF1B7, #A6E8BA, #AFDFBE and #B8D6C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96FAB5 shade: #ACFA94, #94FA97, #94FAB2, #94FACE and #94FAE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96FAB5 shade: #45F67C, #6CF898, #94FAB4, #BBFCCF and #E3FEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96FAB5 shade: #96FAB5, #94C7FA and #FA949E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96FAB5 shade: #96FAB5, #B294FA and #FAB294

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96FAB5 shade: #96FAB5, #94C7FA, #FA94DB and #FAC794

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96FAB5 shade: #96FAB5, #94A8FA, #FA94DB and #FAE694

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

Complementary color

CMYK 0 / 95 / 30 / 59

HEX #69054A

RGB 105 5 74

HSL 318.6, 0.91%, 0.22%

LAB 22.32, 45.54, -13.27

 

CMYK 38 / 0 / 30 / 2

HEX #9BFAB0

RGB 155 250 176

HSL 133.26, 0.9%, 0.79%

LAB 91, -43.17, 26.86

 

CMYK 33 / 0 / 24 / 0

HEX #ACFFC3

RGB 172 255 195

HSL 136.63, 1%, 0.84%

LAB 93.55, -37.12, 20.84

 

CMYK 26 / 0 / 16 / 0

HEX #BDFFD6

RGB 189 255 214

HSL 142.73, 1%, 0.87%

LAB 94.82, -28.55, 13.02

 

CMYK 19 / 0 / 9 / 0

HEX #CEFFE9

RGB 206 255 233

HSL 153.06, 1%, 0.9%

LAB 96.21, -19.76, 5.39

 

CMYK 13 / 0 / 1 / 0

HEX #DFFFFC

RGB 223 255 252

HSL 174.38, 1%, 0.94%

LAB 97.73, -10.83, -2.06

 

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

CMYK 43 / 0 / 30 / 9

HEX #85E8A2

RGB 133 232 162

HSL 137.58, 0.68%, 0.72%

LAB 84.64, -43.96, 25.2

 

CMYK 46 / 0 / 33 / 16

HEX #74D68F

RGB 116 214 143

HSL 136.53, 0.54%, 0.65%

LAB 78.34, -44.18, 26.36

 

CMYK 49 / 0 / 37 / 23

HEX #63C47C

RGB 99 196 124

HSL 135.46, 0.45%, 0.58%

LAB 71.95, -44.35, 27.6

 

CMYK 54 / 0 / 41 / 30

HEX #52B269

RGB 82 178 105

HSL 134.38, 0.38%, 0.51%

LAB 65.48, -44.44, 28.92

 

CMYK 41 / 0 / 28 / 2

HEX #94FAB4

RGB 148 250 180

HSL 138.82, 0.91%, 0.78%

LAB 90.76, -44.45, 24.46

 

CMYK 41 / 0 / 39 / 2

HEX #94FA98

RGB 148 250 152

HSL 122.35, 0.91%, 0.78%

LAB 90.29, -49.04, 37.89

 

CMYK 32 / 0 / 41 / 2

HEX #ABFA94

RGB 171 250 148

HSL 106.47, 0.91%, 0.78%

LAB 91.31, -42.57, 41.39

 

CMYK 20 / 0 / 41 / 2

HEX #C7FA94

RGB 199 250 148

HSL 90, 0.91%, 0.78%

LAB 92.86, -33.09, 43.69

 

CMYK 10 / 0 / 41 / 2

HEX #E2FA94

RGB 226 250 148

HSL 74.12, 0.91%, 0.78%

LAB 94.6, -23.28, 46.26

 

CMYK 41 / 0 / 28 / 2

HEX #94FAB4

RGB 148 250 180

HSL 138.82, 0.91%, 0.78%

LAB 90.76, -44.45, 24.46

 

CMYK 41 / 0 / 17 / 2

HEX #94FACF

RGB 148 250 207

HSL 154.71, 0.91%, 0.78%

LAB 91.31, -39.28, 11.37

 

CMYK 41 / 0 / 6 / 2

HEX #94FAEB

RGB 148 250 235

HSL 171.18, 0.91%, 0.78%

LAB 91.98, -33.23, -2.17

 

CMYK 41 / 5 / 0 / 2

HEX #94EEFA

RGB 148 238 250

HSL 187.06, 0.91%, 0.78%

LAB 89.09, -23.94, -14.27

 

CMYK 41 / 16 / 0 / 2

HEX #94D2FA

RGB 148 210 250

HSL 203.53, 0.91%, 0.78%

LAB 81.45, -9.77, -25.81

 

CMYK 41 / 0 / 28 / 2

HEX #94FAB4

RGB 148 250 180

HSL 138.82, 0.91%, 0.78%

LAB 90.76, -44.45, 24.46

 

CMYK 41 / 0 / 28 / 2

HEX #94FAB4

RGB 148 250 180

HSL 138.82, 0.91%, 0.78%

LAB 90.76, -44.45, 24.46

 

CMYK 35 / 0 / 24 / 5

HEX #9DF1B7

RGB 157 241 183

HSL 138.57, 0.75%, 0.78%

LAB 88.68, -37.35, 20.11

 

CMYK 28 / 0 / 20 / 9

HEX #A6E8BA

RGB 166 232 186

HSL 138.18, 0.59%, 0.78%

LAB 86.68, -29.91, 15.83

 

CMYK 22 / 0 / 15 / 13

HEX #AFDFBE

RGB 175 223 190

HSL 138.75, 0.43%, 0.78%

LAB 84.8, -21.99, 11.13

 

CMYK 14 / 0 / 10 / 16

HEX #B8D6C1

RGB 184 214 193

HSL 138, 0.27%, 0.78%

LAB 82.98, -13.98, 7.03

 

CMYK 31 / 0 / 41 / 2

HEX #ACFA94

RGB 172 250 148

HSL 105.88, 0.91%, 0.78%

LAB 91.36, -42.24, 41.46

 

CMYK 41 / 0 / 40 / 2

HEX #94FA97

RGB 148 250 151

HSL 121.76, 0.91%, 0.78%

LAB 90.28, -49.19, 38.36

 

CMYK 41 / 0 / 29 / 2

HEX #94FAB2

RGB 148 250 178

HSL 137.65, 0.91%, 0.78%

LAB 90.73, -44.8, 25.42

 

CMYK 41 / 0 / 18 / 2

HEX #94FACE

RGB 148 250 206

HSL 154.12, 0.91%, 0.78%

LAB 91.29, -39.49, 11.85

 

CMYK 41 / 0 / 7 / 2

HEX #94FAE9

RGB 148 250 233

HSL 170, 0.91%, 0.78%

LAB 91.93, -33.68, -1.2

 

CMYK 72 / 0 / 50 / 4

HEX #45F67C

RGB 69 246 124

HSL 138.64, 0.91%, 0.62%

LAB 86.32, -69.34, 45.9

 

CMYK 56 / 0 / 39 / 3

HEX #6CF898

RGB 108 248 152

HSL 138.86, 0.91%, 0.7%

LAB 88.25, -58.46, 34.94

 

CMYK 41 / 0 / 28 / 2

HEX #94FAB4

RGB 148 250 180

HSL 138.82, 0.91%, 0.78%

LAB 90.76, -44.45, 24.46

 

CMYK 26 / 0 / 18 / 1

HEX #BBFCCF

RGB 187 252 207

HSL 138.46, 0.92%, 0.86%

LAB 93.75, -29.03, 15.09

 

CMYK 11 / 0 / 7 / 0

HEX #E3FEEB

RGB 227 254 235

HSL 137.78, 0.93%, 0.94%

LAB 97.31, -12.21, 6.11

 

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

CMYK 41 / 20 / 0 / 2

HEX #94C7FA

RGB 148 199 250

HSL 210, 0.91%, 0.78%

LAB 78.49, -3.94, -30.35

 

CMYK 0 / 41 / 37 / 2

HEX #FA949E

RGB 250 148 158

HSL 354.12, 0.91%, 0.78%

LAB 72.21, 39.41, 11.43

 

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

CMYK 29 / 41 / 0 / 2

HEX #B294FA

RGB 178 148 250

HSL 257.65, 0.91%, 0.78%

LAB 67.69, 32.43, -47

 

CMYK 0 / 29 / 41 / 2

HEX #FAB294

RGB 250 178 148

HSL 17.65, 0.91%, 0.78%

LAB 78.64, 22.63, 25.78

 

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

CMYK 41 / 20 / 0 / 2

HEX #94C7FA

RGB 148 199 250

HSL 210, 0.91%, 0.78%

LAB 78.49, -3.94, -30.35

 

CMYK 0 / 41 / 12 / 2

HEX #FA94DB

RGB 250 148 219

HSL 318.24, 0.91%, 0.78%

LAB 73.94, 47.8, -19.73

 

CMYK 0 / 20 / 41 / 2

HEX #FAC794

RGB 250 199 148

HSL 30, 0.91%, 0.78%

LAB 83.6, 11.62, 32.42

 

CMYK 40 / 0 / 28 / 2

HEX #96FAB5

RGB 150 250 181

HSL 138.6, 0.91%, 0.78%

LAB 90.87, -43.72, 24.1

 

CMYK 41 / 33 / 0 / 2

HEX #94A8FA

RGB 148 168 250

HSL 228.24, 0.91%, 0.78%

LAB 70.32, 13.17, -43.02

 

CMYK 0 / 41 / 12 / 2

HEX #FA94DB

RGB 250 148 219

HSL 318.24, 0.91%, 0.78%

LAB 73.94, 47.8, -19.73

 

CMYK 0 / 8 / 41 / 2

HEX #FAE694

RGB 250 230 148

HSL 48.24, 0.91%, 0.78%

LAB 91.26, -4.29, 42.38

 

Description

Color code: HEX #96FAB5 | qconv.com Color code: HEX #96FAB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 250 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 250 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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