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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96F64E it is the complementary color #6909B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96F64E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96F64E shade: #9BF649, #ACFF5C, #BDFF6F, #CEFF82 and #DFFF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96F64E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96F64E shade: #96F64E, #85E43B, #74D228, #63C015 and #52AE02

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96F64E shade: #97F651, #C4F651, #F1F651, #F6CF51 and #F6A251

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96F64E shade: #97F651, #6BF651, #51F663, #51F68F and #51F6BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96F64E shade matches the following richer shades: #97F651

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96F64E shade: #97F651, #9AE75F, #9CD86E, #9EC97D and #A0BA8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96F64E shade: #F0F651, #C4F651, #98F651, #6CF651 and #51F661

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96F64E shade: #6AE80C, #80F429, #97F651, #AFF878 and #C6FA9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96F64E shade: #96F64E, #51F6CF and #F651DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96F64E shade: #96F64E, #5198F6 and #F65198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96F64E shade: #96F64E, #51F6CF, #AE51F6 and #F65177

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96F64E shade: #96F64E, #51EBF6, #AE51F6 and #F65C51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

Complementary color

CMYK 41 / 95 / 0 / 31

HEX #6909B1

RGB 105 9 177

HSL 274.29, 0.9%, 0.36%

LAB 30.33, 63.45, -65.81

 

CMYK 37 / 0 / 70 / 4

HEX #9BF649

RGB 155 246 73

HSL 91.56, 0.91%, 0.63%

LAB 88.62, -53.67, 70.71

 

CMYK 33 / 0 / 64 / 0

HEX #ACFF5C

RGB 172 255 92

HSL 90.55, 1%, 0.68%

LAB 92.16, -50.3, 67.56

 

CMYK 26 / 0 / 56 / 0

HEX #BDFF6F

RGB 189 255 111

HSL 87.5, 1%, 0.72%

LAB 93.23, -42.81, 61.12

 

CMYK 19 / 0 / 49 / 0

HEX #CEFF82

RGB 206 255 130

HSL 83.52, 1%, 0.75%

LAB 94.42, -34.89, 54.26

 

CMYK 13 / 0 / 42 / 0

HEX #DFFF95

RGB 223 255 149

HSL 78.11, 1%, 0.79%

LAB 95.74, -26.65, 47.17

 

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

CMYK 42 / 0 / 74 / 11

HEX #85E43B

RGB 133 228 59

HSL 93.73, 0.76%, 0.56%

LAB 82.27, -54.55, 68.82

 

CMYK 45 / 0 / 81 / 18

HEX #74D228

RGB 116 210 40

HSL 93.18, 0.68%, 0.49%

LAB 76.04, -53.94, 68.35

 

CMYK 48 / 0 / 89 / 25

HEX #63C015

RGB 99 192 21

HSL 92.63, 0.8%, 0.42%

LAB 69.76, -53.04, 66.84

 

CMYK 53 / 0 / 99 / 32

HEX #52AE02

RGB 82 174 2

HSL 92.09, 0.98%, 0.35%

LAB 63.4, -51.82, 64.03

 

CMYK 39 / 0 / 67 / 4

HEX #97F651

RGB 151 246 81

HSL 94.55, 0.9%, 0.64%

LAB 88.49, -54.42, 67.6

 

CMYK 20 / 0 / 67 / 4

HEX #C4F651

RGB 196 246 81

HSL 78.18, 0.9%, 0.64%

LAB 90.89, -38.58, 70.85

 

CMYK 2 / 0 / 67 / 4

HEX #F1F651

RGB 241 246 81

HSL 61.82, 0.9%, 0.64%

LAB 93.97, -20.95, 74.97

 

CMYK 0 / 16 / 67 / 4

HEX #F6CF51

RGB 246 207 81

HSL 45.82, 0.9%, 0.64%

LAB 84.39, 0.47, 65.31

 

CMYK 0 / 34 / 67 / 4

HEX #F6A251

RGB 246 162 81

HSL 29.45, 0.9%, 0.64%

LAB 73.56, 23.97, 53.7

 

CMYK 39 / 0 / 67 / 4

HEX #97F651

RGB 151 246 81

HSL 94.55, 0.9%, 0.64%

LAB 88.49, -54.42, 67.6

 

CMYK 57 / 0 / 67 / 4

HEX #6BF651

RGB 107 246 81

HSL 110.55, 0.9%, 0.64%

LAB 86.82, -66.91, 65.33

 

CMYK 67 / 0 / 60 / 4

HEX #51F663

RGB 81 246 99

HSL 126.55, 0.9%, 0.64%

LAB 86.29, -70.62, 57.24

 

CMYK 67 / 0 / 42 / 4

HEX #51F68F

RGB 81 246 143

HSL 142.55, 0.9%, 0.64%

LAB 86.82, -64.47, 37.4

 

CMYK 67 / 0 / 24 / 4

HEX #51F6BC

RGB 81 246 188

HSL 158.91, 0.9%, 0.64%

LAB 87.63, -55.74, 15.67

 

CMYK 39 / 0 / 67 / 4

HEX #97F651

RGB 151 246 81

HSL 94.55, 0.9%, 0.64%

LAB 88.49, -54.42, 67.6

 

CMYK 39 / 0 / 67 / 4

HEX #97F651

RGB 151 246 81

HSL 94.55, 0.9%, 0.64%

LAB 88.49, -54.42, 67.6

 

CMYK 33 / 0 / 59 / 9

HEX #9AE75F

RGB 154 231 95

HSL 93.97, 0.74%, 0.64%

LAB 84.41, -46.09, 57.51

 

CMYK 28 / 0 / 49 / 15

HEX #9CD86E

RGB 156 216 110

HSL 93.96, 0.58%, 0.64%

LAB 80.35, -37.27, 45.9

 

CMYK 21 / 0 / 38 / 21

HEX #9EC97D

RGB 158 201 125

HSL 93.95, 0.41%, 0.64%

LAB 76.39, -27.67, 33.46

 

CMYK 14 / 0 / 25 / 27

HEX #A0BA8C

RGB 160 186 140

HSL 93.91, 0.25%, 0.64%

LAB 72.55, -17.3, 20.46

 

CMYK 2 / 0 / 67 / 4

HEX #F0F651

RGB 240 246 81

HSL 62.18, 0.9%, 0.64%

LAB 93.9, -21.35, 74.87

 

CMYK 20 / 0 / 67 / 4

HEX #C4F651

RGB 196 246 81

HSL 78.18, 0.9%, 0.64%

LAB 90.89, -38.58, 70.85

 

CMYK 38 / 0 / 67 / 4

HEX #98F651

RGB 152 246 81

HSL 94.18, 0.9%, 0.64%

LAB 88.53, -54.1, 67.67

 

CMYK 56 / 0 / 67 / 4

HEX #6CF651

RGB 108 246 81

HSL 110.18, 0.9%, 0.64%

LAB 86.85, -66.67, 65.37

 

CMYK 67 / 0 / 61 / 4

HEX #51F661

RGB 81 246 97

HSL 125.82, 0.9%, 0.64%

LAB 86.27, -70.84, 58.07

 

CMYK 54 / 0 / 95 / 9

HEX #6AE80C

RGB 106 232 12

HSL 94.36, 0.9%, 0.48%

LAB 82.27, -65.66, 78.47

 

CMYK 48 / 0 / 83 / 4

HEX #80F429

RGB 128 244 41

HSL 94.29, 0.9%, 0.56%

LAB 86.73, -63, 77.86

 

CMYK 39 / 0 / 67 / 4

HEX #97F651

RGB 151 246 81

HSL 94.55, 0.9%, 0.64%

LAB 88.49, -54.42, 67.6

 

CMYK 29 / 0 / 52 / 3

HEX #AFF878

RGB 175 248 120

HSL 94.22, 0.9%, 0.72%

LAB 90.6, -43.74, 53.84

 

CMYK 21 / 0 / 36 / 2

HEX #C6FA9F

RGB 198 250 159

HSL 94.29, 0.9%, 0.8%

LAB 92.96, -32.03, 38.41

 

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

CMYK 67 / 0 / 16 / 4

HEX #51F6CF

RGB 81 246 207

HSL 165.82, 0.9%, 0.64%

LAB 88.05, -51.39, 6.41

 

CMYK 0 / 67 / 11 / 4

HEX #F651DA

RGB 246 81 218

HSL 310.18, 0.9%, 0.64%

LAB 62.12, 76.39, -37.43

 

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

CMYK 67 / 38 / 0 / 4

HEX #5198F6

RGB 81 152 246

HSL 214.18, 0.9%, 0.64%

LAB 62.39, 7.24, -53.58

 

CMYK 0 / 67 / 38 / 4

HEX #F65198

RGB 246 81 152

HSL 334.18, 0.9%, 0.64%

LAB 59.66, 68.2, -3.36

 

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

CMYK 67 / 0 / 16 / 4

HEX #51F6CF

RGB 81 246 207

HSL 165.82, 0.9%, 0.64%

LAB 88.05, -51.39, 6.41

 

CMYK 29 / 67 / 0 / 4

HEX #AE51F6

RGB 174 81 246

HSL 273.82, 0.9%, 0.64%

LAB 53.53, 65.48, -67.39

 

CMYK 0 / 67 / 52 / 4

HEX #F65177

RGB 246 81 119

HSL 346.18, 0.9%, 0.64%

LAB 58.8, 65.2, 14.72

 

CMYK 39 / 0 / 68 / 4

HEX #96F64E

RGB 150 246 78

HSL 94.29, 0.9%, 0.64%

LAB 88.42, -54.96, 68.64

 

CMYK 67 / 4 / 0 / 4

HEX #51EBF6

RGB 81 235 246

HSL 184, 0.9%, 0.64%

LAB 85.92, -36.38, -17.16

 

CMYK 29 / 67 / 0 / 4

HEX #AE51F6

RGB 174 81 246

HSL 273.82, 0.9%, 0.64%

LAB 53.53, 65.48, -67.39

 

CMYK 0 / 63 / 67 / 4

HEX #F65C51

RGB 246 92 81

HSL 4, 0.9%, 0.64%

LAB 59.75, 58.29, 37.8

 

Description

Color code: HEX #96F64E | qconv.com Color code: HEX #96F64E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 246 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 246 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 68 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 68% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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