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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96EA3E it is the complementary color #6915C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96EA3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96EA3E shade: #9BEA39, #ACFC4C, #BDFF5F, #CEFF72 and #DFFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96EA3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96EA3E shade: #96EA3E, #85D82B, #74C618, #63B405 and #52A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96EA3E shade: #96EA3E, #C4EA3E, #EAE13E, #EAB33E and #EA843E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96EA3E shade: #96EA3E, #68EA3E, #3EEA43, #3EEA71 and #3EEA9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96EA3E shade matches the following richer shades: #96EA3E and #96FB2D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96EA3E shade: #96EA3E, #95D850, #95C761, #95B672 and #94A484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96EA3E shade: #EAE13E, #C4EA3E, #97EA3E, #69EA3E and #3EEA41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96EA3E shade: #6DC015, #82E519, #96EA3E, #AAEE63 and #BEF288

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96EA3E shade: #96EA3E, #3EEAB3 and #EA3EDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96EA3E shade: #96EA3E, #3E97EA and #EA3E97

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96EA3E shade: #96EA3E, #3EEAB3, #913EEA and #EA3E74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96EA3E shade: #96EA3E, #3EEAE7, #913EEA and #EA3E41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

Complementary color

CMYK 46 / 89 / 0 / 24

HEX #6915C1

RGB 105 21 193

HSL 269.3, 0.8%, 0.42%

LAB 32.68, 64.63, -71.44

 

CMYK 34 / 0 / 76 / 8

HEX #9BEA39

RGB 155 234 57

HSL 86.78, 0.81%, 0.57%

LAB 85.05, -49.72, 72.5

 

CMYK 32 / 0 / 70 / 1

HEX #ACFC4C

RGB 172 252 76

HSL 87.27, 0.97%, 0.64%

LAB 91.2, -50.17, 72.53

 

CMYK 26 / 0 / 63 / 0

HEX #BDFF5F

RGB 189 255 95

HSL 84.75, 1%, 0.69%

LAB 93.09, -44.13, 67.64

 

CMYK 19 / 0 / 55 / 0

HEX #CEFF72

RGB 206 255 114

HSL 80.85, 1%, 0.72%

LAB 94.25, -36.4, 61.25

 

CMYK 13 / 0 / 48 / 0

HEX #DFFF85

RGB 223 255 133

HSL 75.74, 1%, 0.76%

LAB 95.54, -28.33, 54.48

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 38 / 0 / 80 / 15

HEX #85D82B

RGB 133 216 43

HSL 88.79, 0.69%, 0.51%

LAB 78.62, -50.61, 70.18

 

CMYK 41 / 0 / 88 / 22

HEX #74C618

RGB 116 198 24

HSL 88.28, 0.78%, 0.44%

LAB 72.34, -49.83, 68.77

 

CMYK 45 / 0 / 97 / 29

HEX #63B405

RGB 99 180 5

HSL 87.77, 0.95%, 0.36%

LAB 65.99, -48.76, 65.99

 

CMYK 49 / 0 / 100 / 36

HEX #52A200

RGB 82 162 0

HSL 89.63, 1%, 0.32%

LAB 59.56, -47.32, 61.28

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 16 / 0 / 74 / 8

HEX #C4EA3E

RGB 196 234 62

HSL 73.26, 0.8%, 0.58%

LAB 87.45, -34.22, 74.04

 

CMYK 0 / 4 / 74 / 8

HEX #EAE13E

RGB 234 225 62

HSL 56.86, 0.8%, 0.58%

LAB 87.82, -14.5, 75.38

 

CMYK 0 / 24 / 74 / 8

HEX #EAB33E

RGB 234 179 62

HSL 40.81, 0.8%, 0.58%

LAB 76.12, 9.03, 64.18

 

CMYK 0 / 44 / 74 / 8

HEX #EA843E

RGB 234 132 62

HSL 24.42, 0.8%, 0.58%

LAB 65.23, 33.85, 53.21

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 56 / 0 / 74 / 8

HEX #68EA3E

RGB 104 234 62

HSL 105.35, 0.8%, 0.58%

LAB 82.99, -64.9, 68.17

 

CMYK 74 / 0 / 71 / 8

HEX #3EEA43

RGB 62 234 67

HSL 121.74, 0.8%, 0.58%

LAB 81.99, -73, 65.11

 

CMYK 74 / 0 / 52 / 8

HEX #3EEA71

RGB 62 234 113

HSL 137.79, 0.8%, 0.58%

LAB 82.41, -67.9, 46.24

 

CMYK 74 / 0 / 32 / 8

HEX #3EEA9F

RGB 62 234 159

HSL 153.84, 0.8%, 0.58%

LAB 83.11, -59.94, 24.31

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 40 / 0 / 82 / 2

HEX #96FB2D

RGB 150 251 45

HSL 89.42, 0.96%, 0.58%

LAB 89.7, -58.7, 79.92

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 31 / 0 / 63 / 15

HEX #95D850

RGB 149 216 80

HSL 89.56, 0.64%, 0.58%

LAB 79.66, -42.7, 58.54

 

CMYK 25 / 0 / 51 / 22

HEX #95C761

RGB 149 199 97

HSL 89.41, 0.48%, 0.58%

LAB 74.89, -33.46, 45.43

 

CMYK 18 / 0 / 37 / 29

HEX #95B672

RGB 149 182 114

HSL 89.12, 0.32%, 0.58%

LAB 70.22, -23.22, 31.03

 

CMYK 10 / 0 / 20 / 36

HEX #94A484

RGB 148 164 132

HSL 90, 0.15%, 0.58%

LAB 65.37, -11.61, 14.75

 

CMYK 0 / 4 / 74 / 8

HEX #EAE13E

RGB 234 225 62

HSL 56.86, 0.8%, 0.58%

LAB 87.82, -14.5, 75.38

 

CMYK 16 / 0 / 74 / 8

HEX #C4EA3E

RGB 196 234 62

HSL 73.26, 0.8%, 0.58%

LAB 87.45, -34.22, 74.04

 

CMYK 35 / 0 / 74 / 8

HEX #97EA3E

RGB 151 234 62

HSL 88.95, 0.8%, 0.58%

LAB 84.88, -50.83, 70.68

 

CMYK 55 / 0 / 74 / 8

HEX #69EA3E

RGB 105 234 62

HSL 105, 0.8%, 0.58%

LAB 83.02, -64.64, 68.22

 

CMYK 74 / 0 / 72 / 8

HEX #3EEA41

RGB 62 234 65

HSL 121.05, 0.8%, 0.58%

LAB 81.97, -73.16, 65.8

 

CMYK 43 / 0 / 89 / 25

HEX #6DC015

RGB 109 192 21

HSL 89.12, 0.8%, 0.42%

LAB 70.18, -49.86, 67.37

 

CMYK 43 / 0 / 89 / 10

HEX #82E519

RGB 130 229 25

HSL 89.12, 0.8%, 0.5%

LAB 82.3, -57.31, 77.21

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 29 / 0 / 58 / 7

HEX #AAEE63

RGB 170 238 99

HSL 89.35, 0.8%, 0.66%

LAB 87.29, -43.19, 59.27

 

CMYK 21 / 0 / 44 / 5

HEX #BEF288

RGB 190 242 136

HSL 89.43, 0.8%, 0.74%

LAB 89.97, -34.04, 45.72

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 74 / 0 / 24 / 8

HEX #3EEAB3

RGB 62 234 179

HSL 160.81, 0.8%, 0.58%

LAB 83.51, -55.64, 14.49

 

CMYK 0 / 74 / 6 / 8

HEX #EA3EDB

RGB 234 62 219

HSL 305.23, 0.8%, 0.58%

LAB 58.09, 80.05, -44.46

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 74 / 35 / 0 / 8

HEX #3E97EA

RGB 62 151 234

HSL 208.95, 0.8%, 0.58%

LAB 60.87, 0.99, -49.42

 

CMYK 0 / 74 / 35 / 8

HEX #EA3E97

RGB 234 62 151

HSL 328.95, 0.8%, 0.58%

LAB 55.25, 71.42, -9.54

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 74 / 0 / 24 / 8

HEX #3EEAB3

RGB 62 234 179

HSL 160.81, 0.8%, 0.58%

LAB 83.51, -55.64, 14.49

 

CMYK 38 / 74 / 0 / 8

HEX #913EEA

RGB 145 62 234

HSL 268.95, 0.8%, 0.58%

LAB 46.18, 65.65, -72.75

 

CMYK 0 / 74 / 50 / 8

HEX #EA3E74

RGB 234 62 116

HSL 341.16, 0.8%, 0.58%

LAB 54.24, 68.18, 9.8

 

CMYK 36 / 0 / 74 / 8

HEX #96EA3E

RGB 150 234 62

HSL 89.3, 0.8%, 0.58%

LAB 84.83, -51.17, 70.61

 

CMYK 74 / 0 / 1 / 8

HEX #3EEAE7

RGB 62 234 231

HSL 178.95, 0.8%, 0.58%

LAB 84.81, -42.45, -10.96

 

CMYK 38 / 74 / 0 / 8

HEX #913EEA

RGB 145 62 234

HSL 268.95, 0.8%, 0.58%

LAB 46.18, 65.65, -72.75

 

CMYK 0 / 74 / 72 / 8

HEX #EA3E41

RGB 234 62 65

HSL 358.95, 0.8%, 0.58%

LAB 53.3, 65.1, 38.65

 

Description

Color code: HEX #96EA3E | qconv.com Color code: HEX #96EA3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 234 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 234 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 74 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 74% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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