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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E72A it is the complementary color #6918D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E72A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E72A shade: #9BE725, #ACF938, #BDFF4B, #CEFF5E and #DFFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E72A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E72A shade: #96E72A, #85D517, #74C304, #63B100 and #529F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E72A shade: #97E82C, #CAE82C, #E8D32C, #E8A02C and #E86E2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E72A shade: #97E82C, #65E82C, #32E82C, #2CE858 and #2CE88B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E72A shade matches the following richer shades: #97E82C and #9AFB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E72A shade: #97E82C, #94D53F, #92C252, #8FAF65 and #8C9C78

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E72A shade: #E8D22C, #CBE82C, #99E82C, #67E82C and #35E82C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E72A shade: #6BAE13, #82D317, #97E82C, #A9EC51 and #BCF076

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E72A shade: #96E72A, #2CE8A0 and #E82CE4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E72A shade: #96E72A, #2C99E8 and #E82C99

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E72A shade: #96E72A, #2CE8A0, #7A2CE8 and #E82C74

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E72A shade: #96E72A, #2CE8D8, #7A2CE8 and #E82C3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

Complementary color

CMYK 51 / 89 / 0 / 16

HEX #6918D5

RGB 105 24 213

HSL 265.71, 0.8%, 0.46%

LAB 34.92, 68.49, -79.41

 

CMYK 33 / 0 / 84 / 9

HEX #9BE725

RGB 155 231 37

HSL 83.51, 0.8%, 0.53%

LAB 84.1, -49.33, 76.92

 

CMYK 31 / 0 / 78 / 2

HEX #ACF938

RGB 172 249 56

HSL 83.94, 0.94%, 0.6%

LAB 90.23, -50.01, 77.96

 

CMYK 26 / 0 / 71 / 0

HEX #BDFF4B

RGB 189 255 75

HSL 82, 1%, 0.65%

LAB 92.95, -45.46, 74.93

 

CMYK 19 / 0 / 63 / 0

HEX #CEFF5E

RGB 206 255 94

HSL 78.26, 1%, 0.68%

LAB 94.08, -37.98, 69.39

 

CMYK 13 / 0 / 56 / 0

HEX #DFFF71

RGB 223 255 113

HSL 73.52, 1%, 0.72%

LAB 95.33, -30.12, 63.21

 

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

CMYK 38 / 0 / 89 / 16

HEX #85D517

RGB 133 213 23

HSL 85.26, 0.81%, 0.46%

LAB 77.66, -50.09, 73.73

 

CMYK 41 / 0 / 98 / 24

HEX #74C304

RGB 116 195 4

HSL 84.82, 0.96%, 0.39%

LAB 71.39, -49.04, 70.71

 

CMYK 44 / 0 / 100 / 31

HEX #63B100

RGB 99 177 0

HSL 86.44, 1%, 0.35%

LAB 65.04, -47.67, 65.87

 

CMYK 48 / 0 / 100 / 38

HEX #529F00

RGB 82 159 0

HSL 89.06, 1%, 0.31%

LAB 58.59, -46.15, 60.52

 

CMYK 35 / 0 / 81 / 9

HEX #97E82C

RGB 151 232 44

HSL 85.85, 0.8%, 0.54%

LAB 84.21, -50.89, 75.29

 

CMYK 13 / 0 / 81 / 9

HEX #CAE82C

RGB 202 232 44

HSL 69.57, 0.8%, 0.54%

LAB 87.22, -31.64, 79.1

 

CMYK 0 / 9 / 81 / 9

HEX #E8D32C

RGB 232 211 44

HSL 53.3, 0.8%, 0.54%

LAB 83.93, -9.01, 77.16

 

CMYK 0 / 31 / 81 / 9

HEX #E8A02C

RGB 232 160 44

HSL 37.02, 0.8%, 0.54%

LAB 71.2, 17.56, 66.09

 

CMYK 0 / 53 / 81 / 9

HEX #E86E2C

RGB 232 110 44

HSL 21.06, 0.8%, 0.54%

LAB 60.33, 43.52, 56.3

 

CMYK 35 / 0 / 81 / 9

HEX #97E82C

RGB 151 232 44

HSL 85.85, 0.8%, 0.54%

LAB 84.21, -50.89, 75.29

 

CMYK 56 / 0 / 81 / 9

HEX #65E82C

RGB 101 232 44

HSL 101.81, 0.8%, 0.54%

LAB 82.2, -65.98, 72.72

 

CMYK 78 / 0 / 81 / 9

HEX #32E82C

RGB 50 232 44

HSL 118.09, 0.8%, 0.54%

LAB 81.06, -75.56, 71.25

 

CMYK 81 / 0 / 62 / 9

HEX #2CE858

RGB 44 232 88

HSL 134.04, 0.8%, 0.54%

LAB 81.27, -72.66, 56.05

 

CMYK 81 / 0 / 40 / 9

HEX #2CE88B

RGB 44 232 139

HSL 150.32, 0.8%, 0.54%

LAB 81.9, -65.12, 32.83

 

CMYK 35 / 0 / 81 / 9

HEX #97E82C

RGB 151 232 44

HSL 85.85, 0.8%, 0.54%

LAB 84.21, -50.89, 75.29

 

CMYK 39 / 0 / 90 / 2

HEX #9AFB19

RGB 154 251 25

HSL 85.75, 0.97%, 0.54%

LAB 89.83, -57.99, 83.86

 

CMYK 35 / 0 / 81 / 9

HEX #97E82C

RGB 151 232 44

HSL 85.85, 0.8%, 0.54%

LAB 84.21, -50.89, 75.29

 

CMYK 31 / 0 / 70 / 16

HEX #94D53F

RGB 148 213 63

HSL 86, 0.64%, 0.54%

LAB 78.6, -43.01, 64.06

 

CMYK 25 / 0 / 58 / 24

HEX #92C252

RGB 146 194 82

HSL 85.71, 0.48%, 0.54%

LAB 73.09, -33.77, 50.3

 

CMYK 18 / 0 / 42 / 31

HEX #8FAF65

RGB 143 175 101

HSL 85.95, 0.32%, 0.54%

LAB 67.61, -23.73, 34.36

 

CMYK 10 / 0 / 23 / 39

HEX #8C9C78

RGB 140 156 120

HSL 86.67, 0.15%, 0.54%

LAB 62.26, -12.37, 17

 

CMYK 0 / 9 / 81 / 9

HEX #E8D22C

RGB 232 210 44

HSL 52.98, 0.8%, 0.54%

LAB 83.67, -8.5, 76.94

 

CMYK 13 / 0 / 81 / 9

HEX #CBE82C

RGB 203 232 44

HSL 69.26, 0.8%, 0.54%

LAB 87.29, -31.24, 79.18

 

CMYK 34 / 0 / 81 / 9

HEX #99E82C

RGB 153 232 44

HSL 85.21, 0.8%, 0.54%

LAB 84.31, -50.19, 75.42

 

CMYK 56 / 0 / 81 / 9

HEX #67E82C

RGB 103 232 44

HSL 101.17, 0.8%, 0.54%

LAB 82.26, -65.48, 72.8

 

CMYK 77 / 0 / 81 / 9

HEX #35E82C

RGB 53 232 44

HSL 117.13, 0.8%, 0.54%

LAB 81.1, -75.18, 71.31

 

CMYK 39 / 0 / 89 / 32

HEX #6BAE13

RGB 107 174 19

HSL 85.94, 0.8%, 0.38%

LAB 64.52, -43.28, 62.94

 

CMYK 38 / 0 / 89 / 17

HEX #82D317

RGB 130 211 23

HSL 85.85, 0.8%, 0.46%

LAB 76.92, -50.32, 73.05

 

CMYK 35 / 0 / 81 / 9

HEX #97E82C

RGB 151 232 44

HSL 85.85, 0.8%, 0.54%

LAB 84.21, -50.89, 75.29

 

CMYK 28 / 0 / 66 / 7

HEX #A9EC51

RGB 169 236 81

HSL 85.94, 0.8%, 0.62%

LAB 86.51, -44.13, 65.81

 

CMYK 22 / 0 / 51 / 6

HEX #BCF076

RGB 188 240 118

HSL 85.57, 0.8%, 0.7%

LAB 89.07, -35.82, 53.11

 

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

CMYK 81 / 0 / 31 / 9

HEX #2CE8A0

RGB 44 232 160

HSL 157.02, 0.8%, 0.54%

LAB 82.26, -60.98, 22.59

 

CMYK 0 / 81 / 2 / 9

HEX #E82CE4

RGB 232 44 228

HSL 301.28, 0.8%, 0.54%

LAB 56.64, 85.56, -51.85

 

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

CMYK 81 / 34 / 0 / 9

HEX #2C99E8

RGB 44 153 232

HSL 205.21, 0.8%, 0.54%

LAB 60.91, -2.84, -48.28

 

CMYK 0 / 81 / 34 / 9

HEX #E82C99

RGB 232 44 153

HSL 325.21, 0.8%, 0.54%

LAB 53.23, 76.07, -13.8

 

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

CMYK 81 / 0 / 31 / 9

HEX #2CE8A0

RGB 44 232 160

HSL 157.02, 0.8%, 0.54%

LAB 82.26, -60.98, 22.59

 

CMYK 47 / 81 / 0 / 9

HEX #7A2CE8

RGB 122 44 232

HSL 264.89, 0.8%, 0.54%

LAB 40.84, 68.78, -80.48

 

CMYK 0 / 81 / 50 / 9

HEX #E82C74

RGB 232 44 116

HSL 337.02, 0.8%, 0.54%

LAB 52.08, 72.71, 6.7

 

CMYK 35 / 0 / 82 / 9

HEX #96E72A

RGB 150 231 42

HSL 85.71, 0.8%, 0.54%

LAB 83.86, -50.91, 75.46

 

CMYK 81 / 0 / 7 / 9

HEX #2CE8D8

RGB 44 232 216

HSL 174.89, 0.8%, 0.54%

LAB 83.55, -47.39, -4.94

 

CMYK 47 / 81 / 0 / 9

HEX #7A2CE8

RGB 122 44 232

HSL 264.89, 0.8%, 0.54%

LAB 40.84, 68.78, -80.48

 

CMYK 0 / 81 / 74 / 9

HEX #E82C3C

RGB 232 44 60

HSL 354.89, 0.8%, 0.54%

LAB 51.02, 69.5, 38.8

 

Description

Color code: HEX #96E72A | qconv.com Color code: HEX #96E72A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 231 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 231 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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