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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96E677 it is the complementary color #691988. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96E677. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96E677 shade: #9BE672, #ACF885, #BDFF98, #CEFFAB and #DFFFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96E677. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96E677 shade: #96E677, #85D464, #74C251, #63B03E and #529E2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96E677 shade: #95E675, #B3E675, #D1E675, #E6DC75 and #E6BD75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96E677 shade: #95E675, #76E675, #75E692, #75E6B1 and #75E6CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96E677 shade matches the following richer shades: #95E675 and #8FF368

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96E677 shade: #95E675, #9AD982, #A0CB90, #A6BE9D and #ACB1AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96E677 shade: #D1E675, #B3E675, #95E675, #77E675 and #75E691

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96E677 shade: #5FD92F, #7ADF52, #95E675, #AFEC98 and #CAF2BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96E677 shade: #96E677, #75E6DC and #E675C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96E677 shade: #96E677, #7595E6 and #E67595

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96E677 shade: #96E677, #75E6DC, #C675E6 and #E6757E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96E677 shade: #96E677, #75CDE6, #C675E6 and #E68D75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

Complementary color

CMYK 23 / 82 / 0 / 47

HEX #691988

RGB 105 25 136

HSL 283.24, 0.69%, 0.32%

LAB 28.05, 50.93, -44.51

 

CMYK 33 / 0 / 50 / 10

HEX #9BE672

RGB 155 230 114

HSL 98.79, 0.7%, 0.67%

LAB 84.37, -43.35, 48.88

 

CMYK 31 / 0 / 46 / 3

HEX #ACF885

RGB 172 248 133

HSL 99.65, 0.89%, 0.75%

LAB 90.6, -43.28, 47.73

 

CMYK 26 / 0 / 40 / 0

HEX #BDFF98

RGB 189 255 152

HSL 98.45, 1%, 0.8%

LAB 93.71, -38.31, 42.71

 

CMYK 19 / 0 / 33 / 0

HEX #CEFFAB

RGB 206 255 171

HSL 95, 1%, 0.84%

LAB 94.98, -29.96, 35.2

 

CMYK 13 / 0 / 25 / 0

HEX #DFFFBE

RGB 223 255 190

HSL 89.54, 1%, 0.87%

LAB 96.38, -21.36, 27.73

 

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

CMYK 37 / 0 / 53 / 17

HEX #85D464

RGB 133 212 100

HSL 102.32, 0.57%, 0.61%

LAB 77.87, -44.48, 47.38

 

CMYK 40 / 0 / 58 / 24

HEX #74C251

RGB 116 194 81

HSL 101.42, 0.48%, 0.54%

LAB 71.48, -44.46, 48.49

 

CMYK 44 / 0 / 65 / 31

HEX #63B03E

RGB 99 176 62

HSL 100.53, 0.48%, 0.47%

LAB 65, -44.31, 49.44

 

CMYK 48 / 0 / 73 / 38

HEX #529E2B

RGB 82 158 43

HSL 99.65, 0.57%, 0.39%

LAB 58.44, -43.95, 50.03

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 22 / 0 / 49 / 10

HEX #B3E675

RGB 179 230 117

HSL 87.08, 0.69%, 0.68%

LAB 85.74, -34.63, 49.43

 

CMYK 9 / 0 / 49 / 10

HEX #D1E675

RGB 209 230 117

HSL 71.15, 0.69%, 0.68%

LAB 87.7, -23.35, 52.25

 

CMYK 0 / 4 / 49 / 10

HEX #E6DC75

RGB 230 220 117

HSL 54.69, 0.69%, 0.68%

LAB 86.65, -10.14, 51.38

 

CMYK 0 / 18 / 49 / 10

HEX #E6BD75

RGB 230 189 117

HSL 38.23, 0.69%, 0.68%

LAB 78.75, 5.8, 41.72

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 49 / 0 / 49 / 10

HEX #76E675

RGB 118 230 117

HSL 119.47, 0.69%, 0.68%

LAB 82.77, -54.25, 45.12

 

CMYK 49 / 0 / 37 / 10

HEX #75E692

RGB 117 230 146

HSL 135.4, 0.69%, 0.68%

LAB 83.15, -50.14, 31.27

 

CMYK 49 / 0 / 23 / 10

HEX #75E6B1

RGB 117 230 177

HSL 151.86, 0.69%, 0.68%

LAB 83.73, -44.35, 16.06

 

CMYK 49 / 0 / 10 / 10

HEX #75E6CF

RGB 117 230 207

HSL 167.79, 0.69%, 0.68%

LAB 84.42, -37.76, 1.28

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 41 / 0 / 57 / 5

HEX #8FF368

RGB 143 243 104

HSL 103.17, 0.85%, 0.68%

LAB 87.46, -53.72, 56.94

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 29 / 0 / 40 / 15

HEX #9AD982

RGB 154 217 130

HSL 103.45, 0.53%, 0.68%

LAB 80.8, -35.89, 36.59

 

CMYK 21 / 0 / 29 / 20

HEX #A0CB90

RGB 160 203 144

HSL 103.73, 0.36%, 0.68%

LAB 77.4, -25.14, 24.94

 

CMYK 13 / 0 / 17 / 25

HEX #A6BE9D

RGB 166 190 157

HSL 103.64, 0.2%, 0.68%

LAB 74.42, -14.37, 13.96

 

CMYK 3 / 0 / 4 / 31

HEX #ACB1AA

RGB 172 177 170

HSL 102.86, 0.04%, 0.68%

LAB 71.63, -3.07, 2.96

 

CMYK 9 / 0 / 49 / 10

HEX #D1E675

RGB 209 230 117

HSL 71.15, 0.69%, 0.68%

LAB 87.7, -23.35, 52.25

 

CMYK 22 / 0 / 49 / 10

HEX #B3E675

RGB 179 230 117

HSL 87.08, 0.69%, 0.68%

LAB 85.74, -34.63, 49.43

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 48 / 0 / 49 / 10

HEX #77E675

RGB 119 230 117

HSL 118.94, 0.69%, 0.68%

LAB 82.81, -53.98, 45.18

 

CMYK 49 / 0 / 37 / 10

HEX #75E691

RGB 117 230 145

HSL 134.87, 0.69%, 0.68%

LAB 83.14, -50.31, 31.75

 

CMYK 56 / 0 / 78 / 15

HEX #5FD92F

RGB 95 217 47

HSL 103.06, 0.69%, 0.52%

LAB 77.44, -62.15, 67.41

 

CMYK 45 / 0 / 63 / 13

HEX #7ADF52

RGB 122 223 82

HSL 102.98, 0.69%, 0.6%

LAB 80.47, -54.28, 58.23

 

CMYK 35 / 0 / 49 / 10

HEX #95E675

RGB 149 230 117

HSL 103.01, 0.69%, 0.68%

LAB 84.1, -44.98, 47.07

 

CMYK 26 / 0 / 36 / 7

HEX #AFEC98

RGB 175 236 152

HSL 103.57, 0.69%, 0.76%

LAB 87.67, -34.41, 34.7

 

CMYK 17 / 0 / 23 / 5

HEX #CAF2BB

RGB 202 242 187

HSL 103.64, 0.68%, 0.84%

LAB 91.53, -22.78, 22.38

 

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

CMYK 49 / 0 / 4 / 10

HEX #75E6DC

RGB 117 230 220

HSL 174.69, 0.69%, 0.68%

LAB 84.76, -34.63, -5.07

 

CMYK 0 / 49 / 16 / 10

HEX #E675C2

RGB 230 117 194

HSL 319.12, 0.69%, 0.68%

LAB 64.52, 53.13, -20.39

 

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

CMYK 49 / 35 / 0 / 10

HEX #7595E6

RGB 117 149 230

HSL 223.01, 0.69%, 0.68%

LAB 62.5, 10.8, -44.48

 

CMYK 0 / 49 / 35 / 10

HEX #E67595

RGB 230 117 149

HSL 343.01, 0.69%, 0.68%

LAB 63.11, 47.04, 3.12

 

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

CMYK 49 / 0 / 4 / 10

HEX #75E6DC

RGB 117 230 220

HSL 174.69, 0.69%, 0.68%

LAB 84.76, -34.63, -5.07

 

CMYK 14 / 49 / 0 / 10

HEX #C675E6

RGB 198 117 230

HSL 283.01, 0.69%, 0.68%

LAB 62.03, 50.24, -44.74

 

CMYK 0 / 49 / 45 / 10

HEX #E6757E

RGB 230 117 126

HSL 355.22, 0.69%, 0.68%

LAB 62.55, 44.54, 15.5

 

CMYK 35 / 0 / 48 / 10

HEX #96E677

RGB 150 230 119

HSL 103.24, 0.69%, 0.68%

LAB 84.18, -44.42, 46.22

 

CMYK 49 / 11 / 0 / 10

HEX #75CDE6

RGB 117 205 230

HSL 193.27, 0.69%, 0.68%

LAB 77.97, -19.86, -20.56

 

CMYK 14 / 49 / 0 / 10

HEX #C675E6

RGB 198 117 230

HSL 283.01, 0.69%, 0.68%

LAB 62.03, 50.24, -44.74

 

CMYK 0 / 39 / 49 / 10

HEX #E68D75

RGB 230 141 117

HSL 12.74, 0.69%, 0.68%

LAB 67.39, 31.3, 27.12

 

Description

Color code: HEX #96E677 | qconv.com Color code: HEX #96E677 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 230 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 230 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 48 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 48% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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