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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96DF23 it is the complementary color #6920DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96DF23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96DF23 shade: #9BDF1E, #ACF131, #BDFF44, #CEFF57 and #DFFF6A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96DF23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96DF23 shade: #96DF23, #85CD10, #74BB00, #63A900 and #529700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96DF23 shade: #97E024, #CAE024, #E0C324, #E09124 and #E05E24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96DF23 shade: #97E024, #64E024, #32E024, #24E049 and #24E07C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96DF23 shade matches the following richer shades: #97E024 and #9BF410

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96DF23 shade: #97E024, #92CC39, #8EB74D, #89A361 and #858F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96DF23 shade: #E0C424, #CAE024, #98E024, #66E024 and #34E024

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96DF23 shade: #689B16, #80BF1B, #97E024, #A8E548 and #B9EA6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96DF23 shade: #96DF23, #24E092 and #DD24E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96DF23 shade: #96DF23, #2498E0 and #E02498

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96DF23 shade: #96DF23, #24E092, #6C24E0 and #E02472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96DF23 shade: #96DF23, #24E0CA, #6C24E0 and #E0243A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

Complementary color

CMYK 52 / 85 / 0 / 14

HEX #6920DC

RGB 105 32 220

HSL 263.3, 0.75%, 0.49%

LAB 36.37, 67.94, -81.05

 

CMYK 30 / 0 / 87 / 13

HEX #9BDF1E

RGB 155 223 30

HSL 81.14, 0.76%, 0.5%

LAB 81.75, -46.21, 76.35

 

CMYK 29 / 0 / 80 / 5

HEX #ACF131

RGB 172 241 49

HSL 81.56, 0.87%, 0.57%

LAB 87.92, -46.96, 77.75

 

CMYK 26 / 0 / 73 / 0

HEX #BDFF44

RGB 189 255 68

HSL 81.18, 1%, 0.63%

LAB 92.91, -45.84, 77.21

 

CMYK 19 / 0 / 66 / 0

HEX #CEFF57

RGB 206 255 87

HSL 77.5, 1%, 0.67%

LAB 94.03, -38.45, 72.04

 

CMYK 13 / 0 / 58 / 0

HEX #DFFF6A

RGB 223 255 106

HSL 72.89, 1%, 0.71%

LAB 95.27, -30.67, 66.12

 

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

CMYK 35 / 0 / 92 / 20

HEX #85CD10

RGB 133 205 16

HSL 82.86, 0.86%, 0.43%

LAB 75.26, -46.97, 72.8

 

CMYK 38 / 0 / 100 / 27

HEX #74BB00

RGB 116 187 0

HSL 82.78, 1%, 0.37%

LAB 68.93, -45.85, 69.25

 

CMYK 41 / 0 / 100 / 34

HEX #63A900

RGB 99 169 0

HSL 84.85, 1%, 0.33%

LAB 62.53, -44.44, 63.92

 

CMYK 46 / 0 / 100 / 41

HEX #529700

RGB 82 151 0

HSL 87.42, 1%, 0.3%

LAB 56.01, -42.96, 58.51

 

CMYK 33 / 0 / 84 / 12

HEX #97E024

RGB 151 224 36

HSL 83.3, 0.75%, 0.51%

LAB 81.85, -47.89, 75.11

 

CMYK 10 / 0 / 84 / 12

HEX #CAE024

RGB 202 224 36

HSL 67.02, 0.75%, 0.51%

LAB 84.99, -28.14, 79.04

 

CMYK 0 / 13 / 84 / 12

HEX #E0C324

RGB 224 195 36

HSL 50.74, 0.75%, 0.51%

LAB 79.04, -4.51, 74.79

 

CMYK 0 / 35 / 84 / 12

HEX #E09124

RGB 224 145 36

HSL 34.79, 0.75%, 0.51%

LAB 66.69, 21.93, 64.44

 

CMYK 0 / 58 / 84 / 12

HEX #E05E24

RGB 224 94 36

HSL 18.51, 0.75%, 0.51%

LAB 56.07, 47.96, 55.37

 

CMYK 33 / 0 / 84 / 12

HEX #97E024

RGB 151 224 36

HSL 83.3, 0.75%, 0.51%

LAB 81.85, -47.89, 75.11

 

CMYK 55 / 0 / 84 / 12

HEX #64E024

RGB 100 224 36

HSL 99.57, 0.75%, 0.51%

LAB 79.7, -63.83, 72.39

 

CMYK 78 / 0 / 84 / 12

HEX #32E024

RGB 50 224 36

HSL 115.53, 0.75%, 0.51%

LAB 78.53, -73.62, 70.91

 

CMYK 84 / 0 / 67 / 12

HEX #24E049

RGB 36 224 73

HSL 131.81, 0.75%, 0.51%

LAB 78.56, -72.59, 59.16

 

CMYK 84 / 0 / 45 / 12

HEX #24E07C

RGB 36 224 124

HSL 148.09, 0.75%, 0.51%

LAB 79.12, -65.76, 36.7

 

CMYK 33 / 0 / 84 / 12

HEX #97E024

RGB 151 224 36

HSL 83.3, 0.75%, 0.51%

LAB 81.85, -47.89, 75.11

 

CMYK 36 / 0 / 93 / 4

HEX #9BF410

RGB 155 244 16

HSL 83.42, 0.91%, 0.51%

LAB 87.83, -55.08, 83.37

 

CMYK 33 / 0 / 84 / 12

HEX #97E024

RGB 151 224 36

HSL 83.3, 0.75%, 0.51%

LAB 81.85, -47.89, 75.11

 

CMYK 28 / 0 / 72 / 20

HEX #92CC39

RGB 146 204 57

HSL 83.67, 0.59%, 0.51%

LAB 75.82, -40.19, 63.38

 

CMYK 22 / 0 / 58 / 28

HEX #8EB74D

RGB 142 183 77

HSL 83.21, 0.42%, 0.51%

LAB 69.58, -30.62, 48.51

 

CMYK 16 / 0 / 40 / 36

HEX #89A361

RGB 137 163 97

HSL 83.64, 0.26%, 0.51%

LAB 63.65, -20.55, 31.33

 

CMYK 7 / 0 / 18 / 44

HEX #858F75

RGB 133 143 117

HSL 83.08, 0.1%, 0.51%

LAB 57.96, -8.53, 12.63

 

CMYK 0 / 13 / 84 / 12

HEX #E0C424

RGB 224 196 36

HSL 51.06, 0.75%, 0.51%

LAB 79.3, -5.02, 75

 

CMYK 10 / 0 / 84 / 12

HEX #CAE024

RGB 202 224 36

HSL 67.02, 0.75%, 0.51%

LAB 84.99, -28.14, 79.04

 

CMYK 32 / 0 / 84 / 12

HEX #98E024

RGB 152 224 36

HSL 82.98, 0.75%, 0.51%

LAB 81.9, -47.53, 75.17

 

CMYK 54 / 0 / 84 / 12

HEX #66E024

RGB 102 224 36

HSL 98.94, 0.75%, 0.51%

LAB 79.76, -63.3, 72.48

 

CMYK 77 / 0 / 84 / 12

HEX #34E024

RGB 52 224 36

HSL 114.89, 0.75%, 0.51%

LAB 78.56, -73.36, 70.95

 

CMYK 33 / 0 / 86 / 39

HEX #689B16

RGB 104 155 22

HSL 83.01, 0.75%, 0.35%

LAB 58.46, -36.08, 57.05

 

CMYK 33 / 0 / 86 / 25

HEX #80BF1B

RGB 128 191 27

HSL 83.05, 0.75%, 0.43%

LAB 70.82, -42.61, 67.1

 

CMYK 33 / 0 / 84 / 12

HEX #97E024

RGB 151 224 36

HSL 83.3, 0.75%, 0.51%

LAB 81.85, -47.89, 75.11

 

CMYK 27 / 0 / 69 / 10

HEX #A8E548

RGB 168 229 72

HSL 83.31, 0.75%, 0.59%

LAB 84.4, -42.08, 67

 

CMYK 21 / 0 / 53 / 8

HEX #B9EA6D

RGB 185 234 109

HSL 83.52, 0.75%, 0.67%

LAB 87.13, -35.07, 54.88

 

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

CMYK 84 / 0 / 35 / 12

HEX #24E092

RGB 36 224 146

HSL 155.11, 0.75%, 0.51%

LAB 79.48, -61.65, 26.01

 

CMYK 1 / 84 / 0 / 12

HEX #DD24E0

RGB 221 36 224

HSL 299.04, 0.75%, 0.51%

LAB 54.04, 84.6, -53.84

 

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

CMYK 84 / 32 / 0 / 12

HEX #2498E0

RGB 36 152 224

HSL 202.98, 0.75%, 0.51%

LAB 60.08, -5.83, -45.16

 

CMYK 0 / 84 / 32 / 12

HEX #E02498

RGB 224 36 152

HSL 322.98, 0.75%, 0.51%

LAB 51.12, 75.88, -16.54

 

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

CMYK 84 / 0 / 35 / 12

HEX #24E092

RGB 36 224 146

HSL 155.11, 0.75%, 0.51%

LAB 79.48, -61.65, 26.01

 

CMYK 52 / 84 / 0 / 12

HEX #6C24E0

RGB 108 36 224

HSL 262.98, 0.75%, 0.51%

LAB 37.54, 67.96, -81.41

 

CMYK 0 / 84 / 49 / 12

HEX #E02472

RGB 224 36 114

HSL 335.11, 0.75%, 0.51%

LAB 49.89, 72.36, 4.56

 

CMYK 33 / 0 / 84 / 13

HEX #96DF23

RGB 150 223 35

HSL 83.3, 0.75%, 0.51%

LAB 81.5, -47.86, 75.01

 

CMYK 84 / 0 / 10 / 12

HEX #24E0CA

RGB 36 224 202

HSL 172.98, 0.75%, 0.51%

LAB 80.71, -48.38, -1.71

 

CMYK 52 / 84 / 0 / 12

HEX #6C24E0

RGB 108 36 224

HSL 262.98, 0.75%, 0.51%

LAB 37.54, 67.96, -81.41

 

CMYK 0 / 84 / 74 / 12

HEX #E0243A

RGB 224 36 58

HSL 352.98, 0.75%, 0.51%

LAB 48.78, 69.11, 37

 

Description

Color code: HEX #96DF23 | qconv.com Color code: HEX #96DF23 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 223 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 223 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 84 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 84% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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