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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96DBF200 it is the complementary color #69240D00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96DBF200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96DBF200 shade: #9BDBED00, #ACEDFF00, #BDFFFF00, #CEFFFF00 and #DFFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96DBF200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96DBF200 shade: #96DBF200, #85C9DF00, #74B7CC00, #63A5B900 and #5293A600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96DBF200 shade: #97DBF2, #97C3F2, #97AAF2, #9C97F2 and #B597F2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96DBF200 shade: #97DBF2, #97C3F2, #97AAF2 and #9797F2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96DBF200 shade matches the following richer shades: #97DBF2 and #8DE0FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96DBF200 shade: #97DBF2, #A0D6E9, #AAD2DF, #B3CDD6 and #BDC8CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96DBF200 shade: #97F2D8, #97F2F1, #97DBF2, #97C3F2 and #97AAF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96DBF200 shade: #4DC2E9, #72CFEE, #97DBF2, #BBE8F7 and #E0F4FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96DBF200 shade: #96DBF2, #C097F2 and #F2E497

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96DBF200 shade: #96DBF2, #F297DB and #DBF297

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96DBF200 shade: #96DBF2, #C097F2, #F2AD97 and #C9F297

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96DBF200 shade: #96DBF2, #DB97F2, #F2AD97 and #ADF297

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #96DBF200

RGBA 150 219 242 0

HSLA 195, 0.78%, 0.77%, 0

LABA 83.74, -15.94, -18.09, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #69240D00

RGBA 105 36 13 0

HSLA 15, 0.78%, 0.23%, 0

LABA 24.62, 29.69, 30.07, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9BDBED00

RGBA 155 219 237 0

HSLA 193.17, 0.69%, 0.77%, 0

LABA 83.83, -15.86, -15.27, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ACEDFF00

RGBA 172 237 255 0

HSLA 193.01, 1%, 0.84%, 0

LABA 90.12, -16.11, -15.22, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BDFFFF00

RGBA 189 255 255 0

HSLA 180, 1%, 0.87%, 0

LABA 95.81, -20.34, -6.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #CEFFFF00

RGBA 206 255 255 0

HSLA 180, 1%, 0.9%, 0

LABA 96.76, -15.42, -5.14, 0

 

CMYK 0 / 0 / 0 / 0

HEX #DFFFFF00

RGBA 223 255 255 0

HSLA 180, 1%, 0.94%, 0

LABA 97.8, -10.25, -3.49, 0

 

CMYK 0 / 0 / 0 / 0

HEX #96DBF200

RGBA 150 219 242 0

HSLA 195, 0.78%, 0.77%, 0

LABA 83.74, -15.94, -18.09, 0

 

CMYK 0 / 0 / 0 / 0

HEX #85C9DF00

RGBA 133 201 223 0

HSLA 194.67, 0.58%, 0.7%, 0

LABA 77.33, -15.86, -17.69, 0

 

CMYK 0 / 0 / 0 / 0

HEX #74B7CC00

RGBA 116 183 204 0

HSLA 194.32, 0.46%, 0.63%, 0

LABA 70.83, -15.76, -17.28, 0

 

CMYK 0 / 0 / 0 / 0

HEX #63A5B900

RGBA 99 165 185 0

HSLA 193.95, 0.38%, 0.56%, 0

LABA 64.21, -15.62, -16.86, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5293A600

RGBA 82 147 166 0

HSLA 193.57, 0.34%, 0.49%, 0

LABA 57.48, -15.42, -16.42, 0

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 38 / 19 / 0 / 5

HEX #97C3F2

RGB 151 195 242

HSL 210.99, 0.78%, 0.77%

LAB 77.29, -3.11, -27.88

 

CMYK 38 / 30 / 0 / 5

HEX #97AAF2

RGB 151 170 242

HSL 227.47, 0.78%, 0.77%

LAB 70.69, 10.66, -38.08

 

CMYK 36 / 38 / 0 / 5

HEX #9C97F2

RGB 156 151 242

HSL 243.3, 0.78%, 0.77%

LAB 66.22, 22.78, -45.05

 

CMYK 25 / 38 / 0 / 5

HEX #B597F2

RGB 181 151 242

HSL 259.78, 0.78%, 0.77%

LAB 68.29, 29.67, -41.65

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 38 / 19 / 0 / 5

HEX #97C3F2

RGB 151 195 242

HSL 210.99, 0.78%, 0.77%

LAB 77.29, -3.11, -27.88

 

CMYK 38 / 30 / 0 / 5

HEX #97AAF2

RGB 151 170 242

HSL 227.47, 0.78%, 0.77%

LAB 70.69, 10.66, -38.08

 

CMYK 38 / 38 / 0 / 5

HEX #9797F2

RGB 151 151 242

HSL 240, 0.78%, 0.77%

LAB 65.84, 21.47, -45.67

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 44 / 11 / 0 / 1

HEX #8DE0FC

RGB 141 224 252

HSL 195.14, 0.95%, 0.77%

LAB 85, -18.15, -21.51

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 31 / 8 / 0 / 9

HEX #A0D6E9

RGB 160 214 233

HSL 195.62, 0.62%, 0.77%

LAB 82.62, -12.89, -14.94

 

CMYK 24 / 6 / 0 / 13

HEX #AAD2DF

RGB 170 210 223

HSL 194.72, 0.45%, 0.77%

LAB 81.82, -10.24, -10.75

 

CMYK 16 / 4 / 0 / 16

HEX #B3CDD6

RGB 179 205 214

HSL 195.43, 0.3%, 0.77%

LAB 80.8, -6.82, -7.41

 

CMYK 7 / 2 / 0 / 20

HEX #BDC8CC

RGB 189 200 204

HSL 196, 0.13%, 0.77%

LAB 79.89, -2.97, -3.3

 

CMYK 38 / 0 / 11 / 5

HEX #97F2D8

RGB 151 242 216

HSL 162.86, 0.78%, 0.77%

LAB 89.41, -32.94, 3.98

 

CMYK 38 / 0 / 0 / 5

HEX #97F2F1

RGB 151 242 241

HSL 179.34, 0.78%, 0.77%

LAB 90.06, -27.31, -8.11

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 38 / 19 / 0 / 5

HEX #97C3F2

RGB 151 195 242

HSL 210.99, 0.78%, 0.77%

LAB 77.29, -3.11, -27.88

 

CMYK 38 / 30 / 0 / 5

HEX #97AAF2

RGB 151 170 242

HSL 227.47, 0.78%, 0.77%

LAB 70.69, 10.66, -38.08

 

CMYK 67 / 17 / 0 / 9

HEX #4DC2E9

RGB 77 194 233

HSL 195, 0.78%, 0.61%

LAB 73.57, -20.82, -29.01

 

CMYK 52 / 13 / 0 / 7

HEX #72CFEE

RGB 114 207 238

HSL 195, 0.78%, 0.69%

LAB 78.68, -19.32, -23.78

 

CMYK 38 / 10 / 0 / 5

HEX #97DBF2

RGB 151 219 242

HSL 195.16, 0.78%, 0.77%

LAB 83.78, -15.68, -18.01

 

CMYK 24 / 6 / 0 / 3

HEX #BBE8F7

RGB 187 232 247

HSL 195, 0.79%, 0.85%

LAB 89.39, -11.19, -12.04

 

CMYK 11 / 3 / 0 / 2

HEX #E0F4FB

RGB 224 244 251

HSL 195.56, 0.77%, 0.93%

LAB 94.96, -5.18, -5.61

 

CMYK 38 / 10 / 0 / 5

HEX #96DBF2

RGB 150 219 242

HSL 195, 0.78%, 0.77%

LAB 83.74, -15.94, -18.09

 

CMYK 21 / 38 / 0 / 5

HEX #C097F2

RGB 192 151 242

HSL 267.03, 0.78%, 0.77%

LAB 69.29, 32.82, -40.02

 

CMYK 0 / 6 / 38 / 5

HEX #F2E497

RGB 242 228 151

HSL 50.77, 0.78%, 0.77%

LAB 90.14, -6.06, 39.31

 

CMYK 38 / 10 / 0 / 5

HEX #96DBF2

RGB 150 219 242

HSL 195, 0.78%, 0.77%

LAB 83.74, -15.94, -18.09

 

CMYK 0 / 38 / 10 / 5

HEX #F297DB

RGB 242 151 219

HSL 315.16, 0.78%, 0.77%

LAB 73.63, 43.72, -20.3

 

CMYK 10 / 0 / 38 / 5

HEX #DBF297

RGB 219 242 151

HSL 75.16, 0.78%, 0.77%

LAB 92.04, -21.71, 41.43

 

CMYK 38 / 10 / 0 / 5

HEX #96DBF2

RGB 150 219 242

HSL 195, 0.78%, 0.77%

LAB 83.74, -15.94, -18.09

 

CMYK 21 / 38 / 0 / 5

HEX #C097F2

RGB 192 151 242

HSL 267.03, 0.78%, 0.77%

LAB 69.29, 32.82, -40.02

 

CMYK 0 / 29 / 38 / 5

HEX #F2AD97

RGB 242 173 151

HSL 14.51, 0.78%, 0.77%

LAB 76.68, 22.53, 21.35

 

CMYK 17 / 0 / 38 / 5

HEX #C9F297

RGB 201 242 151

HSL 87.03, 0.78%, 0.77%

LAB 90.85, -28.28, 39.65

 

CMYK 38 / 10 / 0 / 5

HEX #96DBF2

RGB 150 219 242

HSL 195, 0.78%, 0.77%

LAB 83.74, -15.94, -18.09

 

CMYK 10 / 38 / 0 / 5

HEX #DB97F2

RGB 219 151 242

HSL 284.84, 0.78%, 0.77%

LAB 71.96, 40.78, -35.66

 

CMYK 0 / 29 / 38 / 5

HEX #F2AD97

RGB 242 173 151

HSL 14.51, 0.78%, 0.77%

LAB 76.68, 22.53, 21.35

 

CMYK 29 / 0 / 38 / 5

HEX #ADF297

RGB 173 242 151

HSL 105.49, 0.78%, 0.77%

LAB 89.22, -37.95, 37.21

 

Description

Color code: HEX #96DBF200 | qconv.com Color code: HEX #96DBF200 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 219 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 219 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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