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Color name
HEX #96D925

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D925 it is the complementary color #6926DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D925. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D925 shade: #9BD920, #ACEB33, #BDFD46, #CEFF59 and #DFFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D925. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D925 shade: #96D925, #85C712, #74B500, #63A300 and #529100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D925 shade: #97DA25, #C7DA25, #DABC25, #DA8B25 and #DA5A25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D925 shade: #97DA25, #66DA25, #35DA25, #25DA46 and #25DA77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D925 shade matches the following richer shades: #97DA25 and #9CEF10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D925 shade: #97DA25, #91C53A, #8CB14E, #879C63 and #828877

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D925 shade: #DABC25, #C8DA25, #98DA25, #67DA25 and #37DA25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D925 shade: #669319, #7EB71F, #97DA25, #A8E048 and #B8E66C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D925 shade: #96D925, #25DA8C and #D425DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D925 shade: #96D925, #2598DA and #DA2598

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D925 shade: #96D925, #25DA8C, #6725DA and #DA2573

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D925 shade: #96D925, #25DAC2, #6725DA and #DA253D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

Complementary color

CMYK 52 / 83 / 0 / 15

HEX #6926DA

RGB 105 38 218

HSL 262.33, 0.71%, 0.5%

LAB 36.84, 65.49, -79.13

 

CMYK 29 / 0 / 85 / 15

HEX #9BD920

RGB 155 217 32

HSL 80.11, 0.74%, 0.49%

LAB 80.01, -43.59, 74.47

 

CMYK 27 / 0 / 78 / 8

HEX #ACEB33

RGB 172 235 51

HSL 80.54, 0.82%, 0.56%

LAB 86.22, -44.32, 75.67

 

CMYK 25 / 0 / 72 / 1

HEX #BDFD46

RGB 189 253 70

HSL 80.98, 0.98%, 0.63%

LAB 92.36, -44.88, 76.03

 

CMYK 19 / 0 / 65 / 0

HEX #CEFF59

RGB 206 255 89

HSL 77.71, 1%, 0.67%

LAB 94.04, -38.32, 71.29

 

CMYK 13 / 0 / 58 / 0

HEX #DFFF6C

RGB 223 255 108

HSL 73.06, 1%, 0.71%

LAB 95.28, -30.52, 65.3

 

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

CMYK 33 / 0 / 91 / 22

HEX #85C712

RGB 133 199 18

HSL 81.88, 0.83%, 0.43%

LAB 73.47, -44.42, 71.06

 

CMYK 36 / 0 / 100 / 29

HEX #74B500

RGB 116 181 0

HSL 81.55, 1%, 0.35%

LAB 67.1, -43.35, 67.82

 

CMYK 39 / 0 / 100 / 36

HEX #63A300

RGB 99 163 0

HSL 83.56, 1%, 0.32%

LAB 60.65, -41.96, 62.46

 

CMYK 43 / 0 / 100 / 43

HEX #529100

RGB 82 145 0

HSL 86.07, 1%, 0.28%

LAB 54.07, -40.49, 57

 

CMYK 31 / 0 / 83 / 15

HEX #97DA25

RGB 151 218 37

HSL 82.21, 0.71%, 0.5%

LAB 80.1, -45.33, 73.36

 

CMYK 9 / 0 / 83 / 15

HEX #C7DA25

RGB 199 218 37

HSL 66.3, 0.71%, 0.5%

LAB 83.14, -26.5, 77.16

 

CMYK 0 / 14 / 83 / 15

HEX #DABC25

RGB 218 188 37

HSL 50.06, 0.71%, 0.5%

LAB 76.68, -3.46, 72.34

 

CMYK 0 / 36 / 83 / 15

HEX #DA8B25

RGB 218 139 37

HSL 33.81, 0.71%, 0.5%

LAB 64.57, 22.61, 62.01

 

CMYK 0 / 59 / 83 / 15

HEX #DA5A25

RGB 218 90 37

HSL 17.57, 0.71%, 0.5%

LAB 54.4, 47.64, 53.11

 

CMYK 31 / 0 / 83 / 15

HEX #97DA25

RGB 151 218 37

HSL 82.21, 0.71%, 0.5%

LAB 80.1, -45.33, 73.36

 

CMYK 53 / 0 / 83 / 15

HEX #66DA25

RGB 102 218 37

HSL 98.45, 0.71%, 0.5%

LAB 77.93, -61.14, 70.62

 

CMYK 76 / 0 / 83 / 15

HEX #35DA25

RGB 53 218 37

HSL 114.7, 0.71%, 0.5%

LAB 76.7, -71.4, 69.04

 

CMYK 83 / 0 / 68 / 15

HEX #25DA46

RGB 37 218 70

HSL 130.94, 0.71%, 0.5%

LAB 76.67, -70.98, 58.31

 

CMYK 83 / 0 / 45 / 15

HEX #25DA77

RGB 37 218 119

HSL 147.18, 0.71%, 0.5%

LAB 77.2, -64.49, 36.73

 

CMYK 31 / 0 / 83 / 15

HEX #97DA25

RGB 151 218 37

HSL 82.21, 0.71%, 0.5%

LAB 80.1, -45.33, 73.36

 

CMYK 35 / 0 / 93 / 6

HEX #9CEF10

RGB 156 239 16

HSL 82.33, 0.87%, 0.5%

LAB 86.42, -52.74, 82.27

 

CMYK 31 / 0 / 83 / 15

HEX #97DA25

RGB 151 218 37

HSL 82.21, 0.71%, 0.5%

LAB 80.1, -45.33, 73.36

 

CMYK 26 / 0 / 71 / 23

HEX #91C53A

RGB 145 197 58

HSL 82.45, 0.55%, 0.5%

LAB 73.71, -37.39, 60.9

 

CMYK 21 / 0 / 56 / 31

HEX #8CB14E

RGB 140 177 78

HSL 82.42, 0.39%, 0.5%

LAB 67.7, -28.44, 45.86

 

CMYK 13 / 0 / 37 / 39

HEX #879C63

RGB 135 156 99

HSL 82.11, 0.22%, 0.5%

LAB 61.51, -17.47, 27.46

 

CMYK 4 / 0 / 13 / 47

HEX #828877

RGB 130 136 119

HSL 81.18, 0.07%, 0.5%

LAB 55.77, -5.47, 8.38

 

CMYK 0 / 14 / 83 / 15

HEX #DABC25

RGB 218 188 37

HSL 50.06, 0.71%, 0.5%

LAB 76.68, -3.46, 72.34

 

CMYK 8 / 0 / 83 / 15

HEX #C8DA25

RGB 200 218 37

HSL 65.97, 0.71%, 0.5%

LAB 83.21, -26.09, 77.25

 

CMYK 30 / 0 / 83 / 15

HEX #98DA25

RGB 152 218 37

HSL 81.88, 0.71%, 0.5%

LAB 80.15, -44.97, 73.42

 

CMYK 53 / 0 / 83 / 15

HEX #67DA25

RGB 103 218 37

HSL 98.12, 0.71%, 0.5%

LAB 77.97, -60.87, 70.66

 

CMYK 75 / 0 / 83 / 15

HEX #37DA25

RGB 55 218 37

HSL 114.03, 0.71%, 0.5%

LAB 76.73, -71.1, 69.08

 

CMYK 31 / 0 / 83 / 42

HEX #669319

RGB 102 147 25

HSL 82.13, 0.71%, 0.34%

LAB 55.85, -33.11, 53.93

 

CMYK 31 / 0 / 83 / 28

HEX #7EB71F

RGB 126 183 31

HSL 82.5, 0.71%, 0.42%

LAB 68.32, -39.75, 63.94

 

CMYK 31 / 0 / 83 / 15

HEX #97DA25

RGB 151 218 37

HSL 82.21, 0.71%, 0.5%

LAB 80.1, -45.33, 73.36

 

CMYK 25 / 0 / 68 / 12

HEX #A8E048

RGB 168 224 72

HSL 82.11, 0.71%, 0.58%

LAB 82.97, -39.88, 65.54

 

CMYK 20 / 0 / 53 / 10

HEX #B8E66C

RGB 184 230 108

HSL 82.62, 0.71%, 0.66%

LAB 85.94, -33.7, 53.93

 

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

CMYK 83 / 0 / 36 / 15

HEX #25DA8C

RGB 37 218 140

HSL 154.14, 0.71%, 0.5%

LAB 77.54, -60.61, 26.5

 

CMYK 3 / 83 / 0 / 15

HEX #D425DA

RGB 212 37 218

HSL 298.01, 0.71%, 0.5%

LAB 52.27, 81.9, -53.36

 

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

CMYK 83 / 30 / 0 / 15

HEX #2598DA

RGB 37 152 218

HSL 201.88, 0.71%, 0.5%

LAB 59.81, -7.92, -42.25

 

CMYK 0 / 83 / 30 / 15

HEX #DA2598

RGB 218 37 152

HSL 321.88, 0.71%, 0.5%

LAB 50.09, 74.33, -18.21

 

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

CMYK 83 / 0 / 36 / 15

HEX #25DA8C

RGB 37 218 140

HSL 154.14, 0.71%, 0.5%

LAB 77.54, -60.61, 26.5

 

CMYK 53 / 83 / 0 / 15

HEX #6725DA

RGB 103 37 218

HSL 261.88, 0.71%, 0.5%

LAB 36.5, 65.61, -79.7

 

CMYK 0 / 83 / 47 / 15

HEX #DA2573

RGB 218 37 115

HSL 334.14, 0.71%, 0.5%

LAB 48.84, 70.75, 2.3

 

CMYK 31 / 0 / 83 / 15

HEX #96D925

RGB 150 217 37

HSL 82.33, 0.71%, 0.5%

LAB 79.75, -45.27, 73.03

 

CMYK 83 / 0 / 11 / 15

HEX #25DAC2

RGB 37 218 194

HSL 172.04, 0.71%, 0.5%

LAB 78.71, -47.92, -0.37

 

CMYK 53 / 83 / 0 / 15

HEX #6725DA

RGB 103 37 218

HSL 261.88, 0.71%, 0.5%

LAB 36.5, 65.61, -79.7

 

CMYK 0 / 83 / 72 / 15

HEX #DA253D

RGB 218 37 61

HSL 352.04, 0.71%, 0.5%

LAB 47.71, 67.4, 33.69

 

Description

Color code: HEX #96D925 | qconv.com Color code: HEX #96D925 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 217 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 217 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 83 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 83% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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