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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D703 it is the complementary color #6928FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D703. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D703 shade: #9BD700, #ACE911, #BDFB24, #CEFF37 and #DFFF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D703. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D703 shade: #96D703, #85C500, #74B300, #63A100 and #528F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D703 shade: #97D803, #D0D803, #D8A703, #D86D03 and #D83403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D703 shade: #97D803, #5DD803, #24D803, #03D81C and #03D855

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D703 shade matches the following richer shades: #97D803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D703 shade: #97D803, #90C615, #89B527, #82A339 and #7B914A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D703 shade: #D8A603, #D1D803, #98D803, #5FD803 and #27D803

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D703 shade: #5E8702, #7AAF03, #97D803, #B1FB09 and #BEFC32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D703 shade: #96D703, #03D86E and #C303D8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D703 shade: #96D703, #0398D8 and #D80398

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D703 shade: #96D703, #03D86E, #4303D8 and #D8036E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D703 shade: #96D703, #03D8AD, #4303D8 and #D8032E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

Complementary color

CMYK 58 / 84 / 0 / 1

HEX #6928FC

RGB 105 40 252

HSL 258.4, 0.97%, 0.57%

LAB 40.49, 73.22, -92.4

 

CMYK 28 / 0 / 100 / 16

HEX #9BD700

RGB 155 215 0

HSL 76.74, 1%, 0.42%

LAB 79.37, -43.32, 78.18

 

CMYK 26 / 0 / 93 / 9

HEX #ACE911

RGB 172 233 17

HSL 76.94, 0.86%, 0.49%

LAB 85.55, -44.43, 81.82

 

CMYK 25 / 0 / 86 / 2

HEX #BDFB24

RGB 189 251 36

HSL 77.3, 0.96%, 0.56%

LAB 91.66, -45.37, 84.29

 

CMYK 19 / 0 / 78 / 0

HEX #CEFF37

RGB 206 255 55

HSL 74.7, 1%, 0.61%

LAB 93.85, -40.08, 82.24

 

CMYK 13 / 0 / 71 / 0

HEX #DFFF4A

RGB 223 255 74

HSL 70.61, 1%, 0.65%

LAB 95.04, -32.67, 78.03

 

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

CMYK 32 / 0 / 100 / 23

HEX #85C500

RGB 133 197 0

HSL 79.49, 1%, 0.39%

LAB 72.84, -43.86, 72.64

 

CMYK 35 / 0 / 100 / 30

HEX #74B300

RGB 116 179 0

HSL 81.12, 1%, 0.35%

LAB 66.48, -42.51, 67.35

 

CMYK 39 / 0 / 100 / 37

HEX #63A100

RGB 99 161 0

HSL 83.11, 1%, 0.32%

LAB 60.02, -41.11, 61.97

 

CMYK 43 / 0 / 100 / 44

HEX #528F00

RGB 82 143 0

HSL 85.59, 1%, 0.28%

LAB 53.43, -39.66, 56.49

 

CMYK 30 / 0 / 99 / 15

HEX #97D803

RGB 151 216 3

HSL 78.31, 0.97%, 0.43%

LAB 79.44, -45.2, 77.86

 

CMYK 4 / 0 / 99 / 15

HEX #D0D803

RGB 208 216 3

HSL 62.25, 0.97%, 0.43%

LAB 83.19, -22.36, 82.35

 

CMYK 0 / 23 / 99 / 15

HEX #D8A703

RGB 216 167 3

HSL 46.2, 0.97%, 0.43%

LAB 71.04, 6.14, 73.88

 

CMYK 0 / 50 / 99 / 15

HEX #D86D03

RGB 216 109 3

HSL 29.86, 0.97%, 0.43%

LAB 57.6, 37.01, 64.95

 

CMYK 0 / 76 / 99 / 15

HEX #D83403

RGB 216 52 3

HSL 13.8, 0.97%, 0.43%

LAB 48.34, 61.46, 59.78

 

CMYK 30 / 0 / 99 / 15

HEX #97D803

RGB 151 216 3

HSL 78.31, 0.97%, 0.43%

LAB 79.44, -45.2, 77.86

 

CMYK 57 / 0 / 99 / 15

HEX #5DD803

RGB 93 216 3

HSL 94.65, 0.97%, 0.43%

LAB 76.95, -63.7, 74.83

 

CMYK 83 / 0 / 99 / 15

HEX #24D803

RGB 36 216 3

HSL 110.7, 0.97%, 0.43%

LAB 75.76, -73.87, 73.38

 

CMYK 99 / 0 / 87 / 15

HEX #03D81C

RGB 3 216 28

HSL 127.04, 0.97%, 0.43%

LAB 75.58, -75.25, 69.86

 

CMYK 99 / 0 / 61 / 15

HEX #03D855

RGB 3 216 85

HSL 143.1, 0.97%, 0.43%

LAB 75.94, -70.74, 51.2

 

CMYK 30 / 0 / 99 / 15

HEX #97D803

RGB 151 216 3

HSL 78.31, 0.97%, 0.43%

LAB 79.44, -45.2, 77.86

 

CMYK 30 / 0 / 99 / 15

HEX #97D803

RGB 151 216 3

HSL 78.31, 0.97%, 0.43%

LAB 79.44, -45.2, 77.86

 

CMYK 27 / 0 / 89 / 22

HEX #90C615

RGB 144 198 21

HSL 78.31, 0.81%, 0.43%

LAB 73.79, -39.79, 71.1

 

CMYK 24 / 0 / 78 / 29

HEX #89B527

RGB 137 181 39

HSL 78.59, 0.65%, 0.43%

LAB 68.4, -34.26, 62.03

 

CMYK 20 / 0 / 65 / 36

HEX #82A339

RGB 130 163 57

HSL 78.68, 0.48%, 0.43%

LAB 62.71, -27.48, 49.61

 

CMYK 15 / 0 / 49 / 43

HEX #7B914A

RGB 123 145 74

HSL 78.59, 0.32%, 0.43%

LAB 57.03, -19.75, 34.89

 

CMYK 0 / 23 / 99 / 15

HEX #D8A603

RGB 216 166 3

HSL 45.92, 0.97%, 0.43%

LAB 70.79, 6.67, 73.71

 

CMYK 3 / 0 / 99 / 15

HEX #D1D803

RGB 209 216 3

HSL 61.97, 0.97%, 0.43%

LAB 83.27, -21.94, 82.44

 

CMYK 30 / 0 / 99 / 15

HEX #98D803

RGB 152 216 3

HSL 78.03, 0.97%, 0.43%

LAB 79.5, -44.83, 77.92

 

CMYK 56 / 0 / 99 / 15

HEX #5FD803

RGB 95 216 3

HSL 94.08, 0.97%, 0.43%

LAB 77.01, -63.18, 74.91

 

CMYK 82 / 0 / 99 / 15

HEX #27D803

RGB 39 216 3

HSL 109.86, 0.97%, 0.43%

LAB 75.79, -73.56, 73.42

 

CMYK 30 / 0 / 99 / 47

HEX #5E8702

RGB 94 135 2

HSL 78.5, 0.97%, 0.27%

LAB 51.51, -31.47, 54.92

 

CMYK 30 / 0 / 98 / 31

HEX #7AAF03

RGB 122 175 3

HSL 78.49, 0.97%, 0.35%

LAB 65.6, -38.46, 66.43

 

CMYK 30 / 0 / 99 / 15

HEX #97D803

RGB 151 216 3

HSL 78.31, 0.97%, 0.43%

LAB 79.44, -45.2, 77.86

 

CMYK 29 / 0 / 96 / 2

HEX #B1FB09

RGB 177 251 9

HSL 78.35, 0.97%, 0.51%

LAB 90.94, -50.26, 86.91

 

CMYK 25 / 0 / 80 / 1

HEX #BEFC32

RGB 190 252 50

HSL 78.42, 0.97%, 0.59%

LAB 92.04, -44.99, 81.56

 

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

CMYK 99 / 0 / 49 / 15

HEX #03D86E

RGB 3 216 110

HSL 150.14, 0.97%, 0.43%

LAB 76.23, -67.2, 39.89

 

CMYK 10 / 99 / 0 / 15

HEX #C303D8

RGB 195 3 216

HSL 294.08, 0.97%, 0.43%

LAB 47.78, 83.22, -59.57

 

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

CMYK 99 / 30 / 0 / 15

HEX #0398D8

RGB 3 152 216

HSL 198.03, 0.97%, 0.43%

LAB 59.37, -10.35, -41.85

 

CMYK 0 / 99 / 30 / 15

HEX #D80398

RGB 216 3 152

HSL 318.03, 0.97%, 0.43%

LAB 48.17, 78.39, -21.18

 

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

CMYK 99 / 0 / 49 / 15

HEX #03D86E

RGB 3 216 110

HSL 150.14, 0.97%, 0.43%

LAB 76.23, -67.2, 39.89

 

CMYK 69 / 99 / 0 / 15

HEX #4303D8

RGB 67 3 216

HSL 258.03, 0.97%, 0.43%

LAB 29.95, 70.58, -89.51

 

CMYK 0 / 99 / 49 / 15

HEX #D8036E

RGB 216 3 110

HSL 329.86, 0.97%, 0.43%

LAB 46.7, 74.54, 2.22

 

CMYK 30 / 0 / 99 / 16

HEX #96D703

RGB 150 215 3

HSL 78.4, 0.97%, 0.43%

LAB 79.09, -45.15, 77.56

 

CMYK 99 / 0 / 20 / 15

HEX #03D8AD

RGB 3 216 173

HSL 167.89, 0.97%, 0.43%

LAB 77.37, -54.13, 8.87

 

CMYK 69 / 99 / 0 / 15

HEX #4303D8

RGB 67 3 216

HSL 258.03, 0.97%, 0.43%

LAB 29.95, 70.58, -89.51

 

CMYK 0 / 99 / 79 / 15

HEX #D8032E

RGB 216 3 46

HSL 347.89, 0.97%, 0.43%

LAB 45.44, 71.16, 39.82

 

Description

Color code: HEX #96D703 | qconv.com Color code: HEX #96D703 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 215 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 215 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 99 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 99% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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