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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96D3E5 it is the complementary color #692C1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96D3E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96D3E5 shade: #9BD3E0, #ACE5F3, #BDF7FF, #CEFFFF and #DFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96D3E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96D3E5 shade: #96D3E5, #85C1D2, #74AFBF, #639DAC and #528B99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96D3E5 shade: #95D2E4, #95BDE4, #95A7E4, #9895E4 and #AD95E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96D3E5 shade: #95D2E4, #95BDE4, #95A7E4 and #9595E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96D3E5 shade matches the following richer shades: #95D2E4, #8AD8EF and #7FDEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96D3E5 shade: #95D2E4, #A0CDDA, #AAC7CF, #B5C1C4 and #C0BBBA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96D3E5 shade: #95E4CB, #95E4E1, #95D3E4, #95BEE4 and #95A9E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96D3E5 shade: #53B7D4, #74C4DC, #95D2E4, #B6E0ED and #D7EEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96D3E5 shade: #96D3E5, #B695E4 and #E4D695

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96D3E5 shade: #96D3E5, #E495D3 and #D3E495

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96D3E5 shade: #96D3E5, #B695E4, #E4A695 and #C3E495

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96D3E5 shade: #96D3E5, #CE95E4, #E4A695 and #ABE495

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

Complementary color

CMYK 0 / 58 / 75 / 59

HEX #692C1A

RGB 105 44 26

HSL 13.67, 0.6%, 0.26%

LAB 26.39, 26, 24.56

 

CMYK 31 / 6 / 0 / 12

HEX #9BD3E0

RGB 155 211 224

HSL 191.3, 0.53%, 0.74%

LAB 81.26, -14.87, -12.22

 

CMYK 29 / 6 / 0 / 5

HEX #ACE5F3

RGB 172 229 243

HSL 191.83, 0.75%, 0.81%

LAB 87.62, -14.86, -12.67

 

CMYK 26 / 3 / 0 / 0

HEX #BDF7FF

RGB 189 247 255

HSL 187.27, 1%, 0.87%

LAB 93.69, -16.4, -9.79

 

CMYK 19 / 0 / 0 / 0

HEX #CEFFFF

RGB 206 255 255

HSL 180, 1%, 0.9%

LAB 96.76, -15.42, -5.14

 

CMYK 13 / 0 / 0 / 0

HEX #DFFFFF

RGB 223 255 255

HSL 180, 1%, 0.94%

LAB 97.8, -10.25, -3.49

 

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

CMYK 37 / 8 / 0 / 18

HEX #85C1D2

RGB 133 193 210

HSL 193.25, 0.46%, 0.67%

LAB 74.69, -15.02, -14.66

 

CMYK 39 / 8 / 0 / 25

HEX #74AFBF

RGB 116 175 191

HSL 192.8, 0.37%, 0.6%

LAB 68.12, -14.98, -14.22

 

CMYK 42 / 9 / 0 / 33

HEX #639DAC

RGB 99 157 172

HSL 192.33, 0.31%, 0.53%

LAB 61.43, -14.91, -13.76

 

CMYK 46 / 9 / 0 / 40

HEX #528B99

RGB 82 139 153

HSL 191.83, 0.3%, 0.46%

LAB 54.62, -14.81, -13.29

 

CMYK 35 / 8 / 0 / 11

HEX #95D2E4

RGB 149 210 228

HSL 193.67, 0.59%, 0.74%

LAB 80.79, -15.05, -15.09

 

CMYK 35 / 17 / 0 / 11

HEX #95BDE4

RGB 149 189 228

HSL 209.62, 0.59%, 0.74%

LAB 75.07, -4.01, -23.75

 

CMYK 35 / 27 / 0 / 11

HEX #95A7E4

RGB 149 167 228

HSL 226.33, 0.59%, 0.74%

LAB 69.2, 8.11, -32.76

 

CMYK 33 / 35 / 0 / 11

HEX #9895E4

RGB 152 149 228

HSL 242.28, 0.59%, 0.74%

LAB 64.78, 19.18, -39.62

 

CMYK 24 / 35 / 0 / 11

HEX #AD95E4

RGB 173 149 228

HSL 258.23, 0.59%, 0.74%

LAB 66.51, 25.17, -36.8

 

CMYK 35 / 8 / 0 / 11

HEX #95D2E4

RGB 149 210 228

HSL 193.67, 0.59%, 0.74%

LAB 80.79, -15.05, -15.09

 

CMYK 35 / 17 / 0 / 11

HEX #95BDE4

RGB 149 189 228

HSL 209.62, 0.59%, 0.74%

LAB 75.07, -4.01, -23.75

 

CMYK 35 / 27 / 0 / 11

HEX #95A7E4

RGB 149 167 228

HSL 226.33, 0.59%, 0.74%

LAB 69.2, 8.11, -32.76

 

CMYK 35 / 35 / 0 / 11

HEX #9595E4

RGB 149 149 228

HSL 240, 0.59%, 0.74%

LAB 64.55, 18.35, -40

 

CMYK 35 / 8 / 0 / 11

HEX #95D2E4

RGB 149 210 228

HSL 193.67, 0.59%, 0.74%

LAB 80.79, -15.05, -15.09

 

CMYK 42 / 10 / 0 / 6

HEX #8AD8EF

RGB 138 216 239

HSL 193.66, 0.76%, 0.74%

LAB 82.24, -18.18, -18.81

 

CMYK 49 / 11 / 0 / 2

HEX #7FDEFA

RGB 127 222 250

HSL 193.66, 0.92%, 0.74%

LAB 83.79, -20.84, -22.35

 

CMYK 35 / 8 / 0 / 11

HEX #95D2E4

RGB 149 210 228

HSL 193.67, 0.59%, 0.74%

LAB 80.79, -15.05, -15.09

 

CMYK 27 / 6 / 0 / 15

HEX #A0CDDA

RGB 160 205 218

HSL 193.45, 0.44%, 0.74%

LAB 79.73, -11.74, -11.27

 

CMYK 18 / 4 / 0 / 19

HEX #AAC7CF

RGB 170 199 207

HSL 192.97, 0.28%, 0.74%

LAB 78.4, -8.01, -7.26

 

CMYK 8 / 2 / 0 / 23

HEX #B5C1C4

RGB 181 193 196

HSL 192, 0.11%, 0.74%

LAB 77.25, -3.52, -2.93

 

CMYK 0 / 3 / 3 / 25

HEX #C0BBBA

RGB 192 187 186

HSL 10, 0.05%, 0.74%

LAB 76.25, 1.57, 1.12

 

CMYK 35 / 0 / 11 / 11

HEX #95E4CB

RGB 149 228 203

HSL 161.01, 0.59%, 0.74%

LAB 85.09, -29.66, 4.53

 

CMYK 35 / 0 / 1 / 11

HEX #95E4E1

RGB 149 228 225

HSL 177.72, 0.59%, 0.74%

LAB 85.66, -24.78, -6.24

 

CMYK 35 / 7 / 0 / 11

HEX #95D3E4

RGB 149 211 228

HSL 192.91, 0.59%, 0.74%

LAB 81.06, -15.56, -14.68

 

CMYK 35 / 17 / 0 / 11

HEX #95BEE4

RGB 149 190 228

HSL 208.86, 0.59%, 0.74%

LAB 75.34, -4.54, -23.34

 

CMYK 35 / 26 / 0 / 11

HEX #95A9E4

RGB 149 169 228

HSL 224.81, 0.59%, 0.74%

LAB 69.73, 6.99, -31.94

 

CMYK 61 / 14 / 0 / 17

HEX #53B7D4

RGB 83 183 212

HSL 193.49, 0.6%, 0.58%

LAB 69.8, -20.59, -23.36

 

CMYK 47 / 11 / 0 / 14

HEX #74C4DC

RGB 116 196 220

HSL 193.85, 0.6%, 0.66%

LAB 75.05, -18.2, -19.6

 

CMYK 35 / 8 / 0 / 11

HEX #95D2E4

RGB 149 210 228

HSL 193.67, 0.59%, 0.74%

LAB 80.79, -15.05, -15.09

 

CMYK 23 / 5 / 0 / 7

HEX #B6E0ED

RGB 182 224 237

HSL 194.18, 0.6%, 0.82%

LAB 86.69, -10.78, -10.85

 

CMYK 12 / 3 / 0 / 4

HEX #D7EEF5

RGB 215 238 245

HSL 194, 0.6%, 0.9%

LAB 92.66, -6.15, -5.95

 

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

CMYK 20 / 35 / 0 / 11

HEX #B695E4

RGB 182 149 228

HSL 265.06, 0.59%, 0.74%

LAB 67.31, 27.83, -35.49

 

CMYK 0 / 6 / 35 / 11

HEX #E4D695

RGB 228 214 149

HSL 49.37, 0.59%, 0.74%

LAB 85.38, -4.6, 33.89

 

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

CMYK 0 / 35 / 7 / 11

HEX #E495D3

RGB 228 149 211

HSL 312.91, 0.59%, 0.74%

LAB 71.35, 38.9, -19.51

 

CMYK 7 / 0 / 35 / 11

HEX #D3E495

RGB 211 228 149

HSL 72.91, 0.59%, 0.74%

LAB 87.73, -18.12, 36.72

 

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

CMYK 20 / 35 / 0 / 11

HEX #B695E4

RGB 182 149 228

HSL 265.06, 0.59%, 0.74%

LAB 67.31, 27.83, -35.49

 

CMYK 0 / 27 / 35 / 11

HEX #E4A695

RGB 228 166 149

HSL 12.91, 0.59%, 0.74%

LAB 73.5, 20.65, 17.83

 

CMYK 14 / 0 / 35 / 11

HEX #C3E495

RGB 195 228 149

HSL 85.06, 0.59%, 0.74%

LAB 86.63, -24.03, 35.08

 

CMYK 34 / 8 / 0 / 10

HEX #96D3E5

RGB 150 211 229

HSL 193.67, 0.6%, 0.74%

LAB 81.14, -15.05, -15.09

 

CMYK 10 / 35 / 0 / 11

HEX #CE95E4

RGB 206 149 228

HSL 283.29, 0.59%, 0.74%

LAB 69.62, 35.11, -31.72

 

CMYK 0 / 27 / 35 / 11

HEX #E4A695

RGB 228 166 149

HSL 12.91, 0.59%, 0.74%

LAB 73.5, 20.65, 17.83

 

CMYK 25 / 0 / 35 / 11

HEX #ABE495

RGB 171 228 149

HSL 103.29, 0.59%, 0.74%

LAB 85.16, -32.49, 32.86

 

Description

Color code: HEX #96D3E5 | qconv.com Color code: HEX #96D3E5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 211 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 211 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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