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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C56ACE it is the complementary color #693A95CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C56ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C56ACE shade: #9BC565CE, #ACD778CE, #BDE98BCE, #CEFB9ECE and #DFFFB1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C56ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C56ACE shade: #96C56ACE, #85B357CE, #74A144CE, #638F31CE and #527D1ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C56ACE shade: #95C468, #AEC468, #C4C268, #C4AA68 and #C49168

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C56ACE shade: #95C468, #7CC468, #68C46E, #68C486 and #68C49F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C56ACE shade matches the following richer shades: #95C468, #94D558, #94E647 and #93F736

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C56ACE shade: #95C468, #95B479, #96A38A, #97929B and #9781AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C56ACE shade: #C4C168, #AFC468, #96C468, #7EC468 and #68C46C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C56ACE shade: #6C9D3D, #80B94B, #95C468, #AAD086 and #BFDCA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C56ACE shade: #96C56A, #68C4A9 and #C468BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C56ACE shade: #96C56A, #6896C4 and #C46896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C56ACE shade: #96C56A, #68C4A9, #9668C4 and #C46884

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C56ACE shade: #96C56A, #68C4C4, #9668C4 and #C46868

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 37 / 18

HEX #96C56ACE

RGBA 150 197 106 0.81

HSLA 90.99, 0.44%, 0.59%, 0.81

LABA 74.48, -31.13, 40.55, 0.81

 

Complementary color

CMYK 24 / 49 / 0 / 34

HEX #693A95CE

RGBA 105 58 149 0.81

HSLA 270.99, 0.44%, 0.41%, 0.81

LABA 34.39, 38.83, -42.3, 0.81

 

CMYK 17 / 0 / 39 / 18

HEX #9BC565CE

RGBA 155 197 101 0.81

HSLA 86.25, 0.45%, 0.58%, 0.81

LABA 74.72, -29.85, 43.38, 0.81

 

CMYK 16 / 0 / 36 / 13

HEX #ACD778CE

RGBA 172 215 120 0.81

HSLA 87.16, 0.54%, 0.66%, 0.81

LABA 81.14, -29.87, 42.23, 0.81

 

CMYK 15 / 0 / 33 / 7

HEX #BDE98BCE

RGBA 189 233 139 0.81

HSLA 88.09, 0.68%, 0.73%, 0.81

LABA 87.47, -29.86, 41.08, 0.81

 

CMYK 15 / 0 / 30 / 1

HEX #CEFB9ECE

RGBA 206 251 158 0.81

HSLA 89.03, 0.92%, 0.8%, 0.81

LABA 93.7, -29.82, 39.96, 0.81

 

CMYK 10 / 0 / 25 / 0

HEX #DFFFB1CE

RGBA 223 255 177 0.81

HSLA 84.62, 1%, 0.85%, 0.81

LABA 96.16, -23.19, 33.96, 0.81

 

CMYK 19 / 0 / 37 / 18

HEX #96C56ACE

RGBA 150 197 106 0.81

HSLA 90.99, 0.44%, 0.59%, 0.81

LABA 74.48, -31.13, 40.55, 0.81

 

CMYK 21 / 0 / 42 / 24

HEX #85B357CE

RGBA 133 179 87 0.81

HSLA 90, 0.38%, 0.52%, 0.81

LABA 67.96, -31.13, 41.73, 0.81

 

CMYK 23 / 0 / 47 / 30

HEX #74A144CE

RGBA 116 161 68 0.81

HSLA 89.03, 0.41%, 0.45%, 0.81

LABA 61.33, -31.07, 42.84, 0.81

 

CMYK 25 / 0 / 53 / 36

HEX #638F31CE

RGBA 99 143 49 0.81

HSLA 88.09, 0.49%, 0.38%, 0.81

LABA 54.57, -30.89, 43.78, 0.81

 

CMYK 28 / 0 / 62 / 41

HEX #527D1ECE

RGBA 82 125 30 0.81

HSLA 87.16, 0.61%, 0.3%, 0.81

LABA 47.69, -30.53, 44.22, 0.81

 

CMYK 24 / 0 / 47 / 23

HEX #95C468

RGB 149 196 104

HSL 90.65, 0.44%, 0.59%

LAB 74.11, -31.26, 41.07

 

CMYK 11 / 0 / 47 / 23

HEX #AEC468

RGB 174 196 104

HSL 74.35, 0.44%, 0.59%

LAB 75.75, -21.73, 43.45

 

CMYK 0 / 1 / 47 / 23

HEX #C4C268

RGB 196 194 104

HSL 58.7, 0.44%, 0.59%

LAB 76.87, -11.9, 45.21

 

CMYK 0 / 13 / 47 / 23

HEX #C4AA68

RGB 196 170 104

HSL 43.04, 0.44%, 0.59%

LAB 70.51, 0.66, 37.37

 

CMYK 0 / 26 / 47 / 23

HEX #C49168

RGB 196 145 104

HSL 26.74, 0.44%, 0.59%

LAB 64.15, 14.23, 29.25

 

CMYK 24 / 0 / 47 / 23

HEX #95C468

RGB 149 196 104

HSL 90.65, 0.44%, 0.59%

LAB 74.11, -31.26, 41.07

 

CMYK 37 / 0 / 47 / 23

HEX #7CC468

RGB 124 196 104

HSL 106.96, 0.44%, 0.59%

LAB 72.74, -39.98, 39.06

 

CMYK 47 / 0 / 44 / 23

HEX #68C46E

RGB 104 196 110

HSL 123.91, 0.44%, 0.59%

LAB 71.93, -45.26, 34.83

 

CMYK 47 / 0 / 32 / 23

HEX #68C486

RGB 104 196 134

HSL 139.57, 0.44%, 0.59%

LAB 72.32, -41.22, 22.86

 

CMYK 47 / 0 / 19 / 23

HEX #68C49F

RGB 104 196 159

HSL 155.87, 0.44%, 0.59%

LAB 72.84, -36.17, 10.18

 

CMYK 24 / 0 / 47 / 23

HEX #95C468

RGB 149 196 104

HSL 90.65, 0.44%, 0.59%

LAB 74.11, -31.26, 41.07

 

CMYK 31 / 0 / 59 / 16

HEX #94D558

RGB 148 213 88

HSL 91.2, 0.6%, 0.59%

LAB 78.8, -41.04, 54.14

 

CMYK 36 / 0 / 69 / 10

HEX #94E647

RGB 148 230 71

HSL 90.94, 0.76%, 0.59%

LAB 83.62, -49.64, 66.24

 

CMYK 40 / 0 / 78 / 3

HEX #93F736

RGB 147 247 54

HSL 91.09, 0.92%, 0.59%

LAB 88.44, -57.74, 76.42

 

CMYK 24 / 0 / 47 / 23

HEX #95C468

RGB 149 196 104

HSL 90.65, 0.44%, 0.59%

LAB 74.11, -31.26, 41.07

 

CMYK 17 / 0 / 33 / 29

HEX #95B479

RGB 149 180 121

HSL 91.53, 0.28%, 0.59%

LAB 69.76, -21.23, 26.73

 

CMYK 8 / 0 / 15 / 36

HEX #96A38A

RGB 150 163 138

HSL 91.2, 0.12%, 0.59%

LAB 65.37, -9.3, 11.45

 

CMYK 3 / 6 / 0 / 39

HEX #97929B

RGB 151 146 155

HSL 273.33, 0.04%, 0.59%

LAB 61.22, 3.58, -4.09

 

CMYK 12 / 25 / 0 / 33

HEX #9781AC

RGB 151 129 172

HSL 270.7, 0.21%, 0.59%

LAB 57.33, 16.87, -19.65

 

CMYK 0 / 2 / 47 / 23

HEX #C4C168

RGB 196 193 104

HSL 58.04, 0.44%, 0.59%

LAB 76.6, -11.39, 44.88

 

CMYK 11 / 0 / 47 / 23

HEX #AFC468

RGB 175 196 104

HSL 73.7, 0.44%, 0.59%

LAB 75.82, -21.33, 43.56

 

CMYK 23 / 0 / 47 / 23

HEX #96C468

RGB 150 196 104

HSL 90, 0.44%, 0.59%

LAB 74.17, -30.89, 41.15

 

CMYK 36 / 0 / 47 / 23

HEX #7EC468

RGB 126 196 104

HSL 105.65, 0.44%, 0.59%

LAB 72.84, -39.32, 39.21

 

CMYK 47 / 0 / 45 / 23

HEX #68C46C

RGB 104 196 108

HSL 122.61, 0.44%, 0.59%

LAB 71.9, -45.56, 35.81

 

CMYK 31 / 0 / 61 / 38

HEX #6C9D3D

RGB 108 157 61

HSL 90.63, 0.44%, 0.43%

LAB 59.56, -32.91, 43.99

 

CMYK 31 / 0 / 59 / 27

HEX #80B94B

RGB 128 185 75

HSL 91.09, 0.44%, 0.51%

LAB 69.32, -36.99, 48.91

 

CMYK 24 / 0 / 47 / 23

HEX #95C468

RGB 149 196 104

HSL 90.65, 0.44%, 0.59%

LAB 74.11, -31.26, 41.07

 

CMYK 18 / 0 / 36 / 18

HEX #AAD086

RGB 170 208 134

HSL 90.81, 0.44%, 0.67%

LAB 79.26, -25.47, 32.73

 

CMYK 13 / 0 / 25 / 14

HEX #BFDCA4

RGB 191 220 164

HSL 91.07, 0.44%, 0.75%

LAB 84.45, -19.44, 24.42

 

CMYK 24 / 0 / 46 / 23

HEX #96C56A

RGB 150 197 106

HSL 90.99, 0.44%, 0.59%

LAB 74.48, -31.13, 40.55

 

CMYK 47 / 0 / 14 / 23

HEX #68C4A9

RGB 104 196 169

HSL 162.39, 0.44%, 0.59%

LAB 73.08, -33.94, 5.1

 

CMYK 0 / 47 / 5 / 23

HEX #C468BB

RGB 196 104 187

HSL 305.87, 0.44%, 0.59%

LAB 57.29, 48.12, -27.88

 

CMYK 24 / 0 / 46 / 23

HEX #96C56A

RGB 150 197 106

HSL 90.99, 0.44%, 0.59%

LAB 74.48, -31.13, 40.55

 

CMYK 47 / 23 / 0 / 23

HEX #6896C4

RGB 104 150 196

HSL 210, 0.44%, 0.59%

LAB 60.55, -3, -28.61

 

CMYK 0 / 47 / 23 / 23

HEX #C46896

RGB 196 104 150

HSL 330, 0.44%, 0.59%

LAB 55.93, 42.18, -8.55

 

CMYK 24 / 0 / 46 / 23

HEX #96C56A

RGB 150 197 106

HSL 90.99, 0.44%, 0.59%

LAB 74.48, -31.13, 40.55

 

CMYK 47 / 0 / 14 / 23

HEX #68C4A9

RGB 104 196 169

HSL 162.39, 0.44%, 0.59%

LAB 73.08, -33.94, 5.1

 

CMYK 23 / 47 / 0 / 23

HEX #9668C4

RGB 150 104 196

HSL 270, 0.44%, 0.59%

LAB 52.25, 36.47, -41.32

 

CMYK 0 / 47 / 33 / 23

HEX #C46884

RGB 196 104 132

HSL 341.74, 0.44%, 0.59%

LAB 55.38, 39.72, 1.18

 

CMYK 24 / 0 / 46 / 23

HEX #96C56A

RGB 150 197 106

HSL 90.99, 0.44%, 0.59%

LAB 74.48, -31.13, 40.55

 

CMYK 47 / 0 / 0 / 23

HEX #68C4C4

RGB 104 196 196

HSL 180, 0.44%, 0.59%

LAB 73.81, -27.33, -8.5

 

CMYK 23 / 47 / 0 / 23

HEX #9668C4

RGB 150 104 196

HSL 270, 0.44%, 0.59%

LAB 52.25, 36.47, -41.32

 

CMYK 0 / 47 / 47 / 23

HEX #C46868

RGB 196 104 104

HSL 0, 0.44%, 0.59%

LAB 54.7, 36.52, 16.63

 

Description

Color code: HEX #96C56ACE | qconv.com Color code: HEX #96C56ACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 197 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 197 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 37 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 37% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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