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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #96C518 it is the complementary color #693AE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #96C518. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #96C518 shade: #9BC513, #ACD726, #BDE939, #CEFB4C and #DFFF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #96C518. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #96C518 shade: #96C518, #85B305, #74A100, #638F00 and #527D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #96C518 shade: #95C318, #C3C318, #C39518, #C36718 and #C33918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #96C518 shade: #95C318, #67C318, #38C318, #18C326 and #18C354

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #96C518 shade matches the following richer shades: #95C318 and #9DD506

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #96C518 shade: #95C318, #8DB12A, #85A03C, #7C8E4D and #747C5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #96C518 shade: #C39618, #C3C318, #96C318, #68C318 and #3AC318

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #96C518 shade: #5D7A0F, #799E14, #95C318, #AFE421 and #BCE846

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #96C518 shade: #96C518, #18C368 and #AC18C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #96C518 shade: #96C518, #1896C3 and #C31896

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #96C518 shade: #96C518, #18C368, #4618C3 and #C31873

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #96C518 shade: #96C518, #18C39B, #4618C3 and #C31840

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

Complementary color

CMYK 55 / 75 / 0 / 9

HEX #693AE7

RGB 105 58 231

HSL 256.3, 0.78%, 0.57%

LAB 40.89, 60.65, -79.88

 

CMYK 21 / 0 / 90 / 23

HEX #9BC513

RGB 155 197 19

HSL 74.16, 0.82%, 0.42%

LAB 74.16, -35.06, 72

 

CMYK 20 / 0 / 82 / 16

HEX #ACD726

RGB 172 215 38

HSL 74.58, 0.7%, 0.5%

LAB 80.47, -35.99, 73.92

 

CMYK 19 / 0 / 76 / 9

HEX #BDE939

RGB 189 233 57

HSL 75, 0.8%, 0.57%

LAB 86.7, -36.72, 74.74

 

CMYK 18 / 0 / 70 / 2

HEX #CEFB4C

RGB 206 251 76

HSL 75.43, 0.96%, 0.64%

LAB 92.86, -37.32, 74.83

 

CMYK 13 / 0 / 63 / 0

HEX #DFFF5F

RGB 223 255 95

HSL 72, 1%, 0.69%

LAB 95.18, -31.45, 70.5

 

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

CMYK 26 / 0 / 97 / 30

HEX #85B305

RGB 133 179 5

HSL 75.86, 0.95%, 0.36%

LAB 67.45, -35.89, 67.91

 

CMYK 28 / 0 / 100 / 37

HEX #74A100

RGB 116 161 0

HSL 76.77, 1%, 0.32%

LAB 60.96, -34.59, 63.11

 

CMYK 31 / 0 / 100 / 44

HEX #638F00

RGB 99 143 0

HSL 78.46, 1%, 0.28%

LAB 54.34, -33.19, 57.6

 

CMYK 34 / 0 / 100 / 51

HEX #527D00

RGB 82 125 0

HSL 80.64, 1%, 0.25%

LAB 47.57, -31.75, 51.96

 

CMYK 24 / 0 / 88 / 24

HEX #95C318

RGB 149 195 24

HSL 76.14, 0.78%, 0.43%

LAB 73.21, -36.42, 70.21

 

CMYK 0 / 0 / 88 / 24

HEX #C3C318

RGB 195 195 24

HSL 60, 0.78%, 0.43%

LAB 76.5, -17.29, 74.25

 

CMYK 0 / 24 / 88 / 24

HEX #C39518

RGB 195 149 24

HSL 43.86, 0.78%, 0.43%

LAB 64.29, 6.81, 64.49

 

CMYK 0 / 47 / 88 / 24

HEX #C36718

RGB 195 103 24

HSL 27.72, 0.78%, 0.43%

LAB 53.35, 31.86, 55.75

 

CMYK 0 / 71 / 88 / 24

HEX #C33918

RGB 195 57 24

HSL 11.58, 0.78%, 0.43%

LAB 45.07, 53.37, 49.15

 

CMYK 24 / 0 / 88 / 24

HEX #95C318

RGB 149 195 24

HSL 76.14, 0.78%, 0.43%

LAB 73.21, -36.42, 70.21

 

CMYK 47 / 0 / 88 / 24

HEX #67C318

RGB 103 195 24

HSL 92.28, 0.78%, 0.43%

LAB 70.86, -52.86, 67.28

 

CMYK 71 / 0 / 88 / 24

HEX #38C318

RGB 56 195 24

HSL 108.77, 0.78%, 0.43%

LAB 69.42, -64.45, 65.48

 

CMYK 88 / 0 / 81 / 24

HEX #18C326

RGB 24 195 38

HSL 124.91, 0.78%, 0.43%

LAB 69.01, -67.85, 61.55

 

CMYK 88 / 0 / 57 / 24

HEX #18C354

RGB 24 195 84

HSL 141.05, 0.78%, 0.43%

LAB 69.37, -63.37, 44.02

 

CMYK 24 / 0 / 88 / 24

HEX #95C318

RGB 149 195 24

HSL 76.14, 0.78%, 0.43%

LAB 73.21, -36.42, 70.21

 

CMYK 26 / 0 / 97 / 16

HEX #9DD506

RGB 157 213 6

HSL 76.23, 0.95%, 0.43%

LAB 78.91, -41.61, 77.31

 

CMYK 24 / 0 / 88 / 24

HEX #95C318

RGB 149 195 24

HSL 76.14, 0.78%, 0.43%

LAB 73.21, -36.42, 70.21

 

CMYK 20 / 0 / 76 / 31

HEX #8DB12A

RGB 141 177 42

HSL 76, 0.62%, 0.43%

LAB 67.48, -30.65, 60.32

 

CMYK 17 / 0 / 63 / 37

HEX #85A03C

RGB 133 160 60

HSL 76.2, 0.45%, 0.43%

LAB 62.04, -24.55, 47.64

 

CMYK 13 / 0 / 46 / 44

HEX #7C8E4D

RGB 124 142 77

HSL 76.62, 0.3%, 0.43%

LAB 56.25, -17.43, 32.38

 

CMYK 6 / 0 / 23 / 51

HEX #747C5F

RGB 116 124 95

HSL 76.55, 0.13%, 0.43%

LAB 50.63, -8.43, 14.87

 

CMYK 0 / 23 / 88 / 24

HEX #C39618

RGB 195 150 24

HSL 44.21, 0.78%, 0.43%

LAB 64.55, 6.27, 64.69

 

CMYK 0 / 0 / 88 / 24

HEX #C3C318

RGB 195 195 24

HSL 60, 0.78%, 0.43%

LAB 76.5, -17.29, 74.25

 

CMYK 23 / 0 / 88 / 24

HEX #96C318

RGB 150 195 24

HSL 75.79, 0.78%, 0.43%

LAB 73.27, -36.03, 70.28

 

CMYK 47 / 0 / 88 / 24

HEX #68C318

RGB 104 195 24

HSL 91.93, 0.78%, 0.43%

LAB 70.9, -52.55, 67.33

 

CMYK 70 / 0 / 88 / 24

HEX #3AC318

RGB 58 195 24

HSL 108.07, 0.78%, 0.43%

LAB 69.47, -64.09, 65.54

 

CMYK 24 / 0 / 88 / 52

HEX #5D7A0F

RGB 93 122 15

HSL 76.26, 0.78%, 0.27%

LAB 47.34, -25.29, 48.9

 

CMYK 23 / 0 / 87 / 38

HEX #799E14

RGB 121 158 20

HSL 76.09, 0.78%, 0.35%

LAB 60.4, -30.74, 59.58

 

CMYK 24 / 0 / 88 / 24

HEX #95C318

RGB 149 195 24

HSL 76.14, 0.78%, 0.43%

LAB 73.21, -36.42, 70.21

 

CMYK 23 / 0 / 86 / 11

HEX #AFE421

RGB 175 228 33

HSL 76.31, 0.78%, 0.51%

LAB 84.33, -40.78, 78.39

 

CMYK 19 / 0 / 70 / 9

HEX #BCE846

RGB 188 232 70

HSL 76.3, 0.78%, 0.59%

LAB 86.43, -36, 70.16

 

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

CMYK 88 / 0 / 47 / 24

HEX #18C368

RGB 24 195 104

HSL 148.07, 0.78%, 0.43%

LAB 69.63, -60.29, 34.55

 

CMYK 12 / 88 / 0 / 24

HEX #AC18C3

RGB 172 24 195

HSL 291.93, 0.78%, 0.43%

LAB 43.31, 73.82, -54.85

 

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

CMYK 88 / 23 / 0 / 24

HEX #1896C3

RGB 24 150 195

HSL 195.79, 0.78%, 0.43%

LAB 57.99, -16, -32.22

 

CMYK 0 / 88 / 23 / 24

HEX #C31896

RGB 195 24 150

HSL 315.79, 0.78%, 0.43%

LAB 44.88, 71.6, -25.39

 

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

CMYK 88 / 0 / 47 / 24

HEX #18C368

RGB 24 195 104

HSL 148.07, 0.78%, 0.43%

LAB 69.63, -60.29, 34.55

 

CMYK 64 / 88 / 0 / 24

HEX #4618C3

RGB 70 24 195

HSL 256.14, 0.78%, 0.43%

LAB 29.15, 61.04, -78.59

 

CMYK 0 / 88 / 41 / 24

HEX #C31873

RGB 195 24 115

HSL 328.07, 0.78%, 0.43%

LAB 43.5, 67.82, -6.07

 

CMYK 24 / 0 / 88 / 23

HEX #96C518

RGB 150 197 24

HSL 76.3, 0.78%, 0.43%

LAB 73.86, -36.93, 70.77

 

CMYK 88 / 0 / 21 / 24

HEX #18C39B

RGB 24 195 155

HSL 165.96, 0.78%, 0.43%

LAB 70.59, -49.45, 8.88

 

CMYK 64 / 88 / 0 / 24

HEX #4618C3

RGB 70 24 195

HSL 256.14, 0.78%, 0.43%

LAB 29.15, 61.04, -78.59

 

CMYK 0 / 88 / 67 / 24

HEX #C31840

RGB 195 24 64

HSL 345.96, 0.78%, 0.43%

LAB 42.19, 64.13, 24.08

 

Description

Color code: HEX #96C518 | qconv.com Color code: HEX #96C518 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 197 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 197 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 88 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 88% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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